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How Average White Band 'touched the core' of Black America

How Average White Band 'touched the core' of Black America

Yet a group of six guys from Scotland are among the most influential figures in the contemporary sound of all those genres, and that's despite literally being called the Average White Band.
"Those are some Scottish guys," former U.S President Barack Obama said in an interview with Bruce Springsteen. "And those boys can jam."
The Boss concurred.
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Chuck D of Public Enemy said seeing them on Soul Train was "a revelation", they've been sampled by NAS, N.W.A, The Beastie Boys, De La Soul and Del tha Funkee Homosapien to name but a few.
Glasgow's David McCallum may have provided the basis for Dr Dre's 'The Next Episode' but the AWB leave him in the dust - the website WhoSampled credits 169 to one song alone.
Go one step removed and you can probably trace Kendrick Lamar's funk and soul infused To Pimp a Butterfly to the Average Whites, Eminem once said "I'm a product of Rakim", who famously sampled the group's 'School Boy Crush'.
Anthony Baxter, the director of You've Been Trumped, is currently in the process of making a film about the group entitled Soul Searching.
A snippet will be shown at the Cannes Film Festival on Saturday, with some of the biggest names in music already on board.
He tells The Herald: "I've been blown away by how deeply their music is revered in the United States, I've spent the best part of the last couple of years filming extensively and whether it's the audiences they had on their last tour, which was 80% black in pretty much every place I went to, or they incredible impact they've had on some of the biggest names in music today, predominantly hip-hop artists and music producers, they've told me what the band means to them.
'Whether it's Flava Flav, Questlove, or a woman called Melody Spann Cooper who runs Chicago's longest-running black music station who told me: 'they touched the very core of who we were'.
"Chuck D said to me, 'you just feel it and that was the epitome of soul'. DJ Premier said 'their funk wasn't made up, it was from their heart and soul'.
Average White Band (Image: Supplied) "Questlove told me that when he came across the band on Soul Train it was at that moment he decided he wanted to become a drummer. He played their live album every day for 10 years, because he just loved it so much.
"In Scotland everyone knows their songs but I think the story of how they've impacted hip-hop and black music culture in America is one that really surprised me with how deep it goes.
'In Detroit there was this band of brothers called The Jitterbugs who pioneered this dance move called The Jit, and 'Schoolboy Crush' was one of the real influences on that dance move.
'In Los Angeles I spoke to two former Crips and the infamous Crip Walk was really influenced by 'Schoolboy Crush'. Their music has penetrated the culture in America in a much deeper way than I'd initially thought and it's just been a real joy to see how revered the band is."
On the face of it, it's a pretty unlikely combination.
Six white guys who grew up in post-war Scotland not just doing R&B and funk, but doing it so well they became adored in the places which gave the world that sound.
Mr Baxter says: "There were six of them in the beginning and they listened to this kind of music coming in from the United States – Aretha Franklin was their heroine.
'They would search through all the latest Black music coming in, it was being played in one or two pubs around Scotland and they would seek out that music.
'They've explained to me that their Scottishness helped, not only just in the sound of their voices in singing this very soulful, funky music but also when they were growing up after the war it was extreme austerity and I think people like Chaka Khan were going through a similar kind of thing – so there were parallels there."
The filmmakers are hoping to have it finished by the end of this year, which marks 50 since the Average White Band topped the charts Stateside.
It's produced by Montrose Films along with Screen Scotland, Kartemquin Films, Vertigo Films, and Sky Originals, and it's hoped with the threat of Trump tariffs in the air there will be some Hollywood interest.
Mr Baxter says: "I came to know the music of the band when I was growing up but I didn't really know much about their backstory until I read a piece a journalist friend of mine wrote about them.
'I contacted Alan Gorrie about three years ago and sat down with him and spoke about making a film. Since then I've embarked on a journey and found this extraordinary story which was far more multi-layered than I had ever anticipated.
"There are still one or two very high profile musicians who are keen to speak to me for the film but what we have already is a terrific story.
'We've uncovered some amazing archival footage along the way, part of the ambition I have is to put the viewer back in 1970s America when they've come across there.
"This is more than a music documentary, people will celebrate the music but also be able to immerse themselves in the world of Average White Band and that profoundly important point in music culture.
"It's funky, it's R&B, it's soul… it's Average White Band.'

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The warehouse powering Edinburgh's new era of screen success
The warehouse powering Edinburgh's new era of screen success

The Herald Scotland

time3 hours ago

  • The Herald Scotland

The warehouse powering Edinburgh's new era of screen success

But a new era of screen success for the city is now being propelled behind closed doors on the edge of the city's docklands – in a former wave power plant, which was originally built 25 years ago by an engineering company. Matthew Goode and Alexej Manvelov star in the new Edinburgh-set thriller Dept Q. (Image: Netflix) Launched by former record company film producer Bob Last and actor director Jason Connery, son of the Edinburgh-born screen legend Sean Connery, FirstStage is now said to be generating tens of millions of pounds for the economy every year and allowing the city to capitalise on the streaming platform boom. New Netflix series Dept. Q, which stars Leah Byrne, Matthew Goode and Alexej Manvelov, was shot at FirstStage Studios in Leith. (Image: Netflix - Department Q) The conversion of the vast blue warehouse complex into a long-awaited permanent film studio for the city got underway just as the global screen industry was being put into lockdown by the pandemic - and hosted its first major production as soon as Covid restrictions were lifted across the UK. Five years later, FirstStage Studios has played host to some of the biggest players in the lucrative world of 'streamers,' including Amazon, Netflix and Sony, and transformed Edinburgh's ability to play host to productions. Two seasons of the supernatural thriller series The Rig were shot at FirstStage Studios in Leith. (Image: FirstStage Studios) These include two seasons of the supernatural thriller The Rig, which were set in the North Sea and the Arctic Circle, the feature film The Outrun, for scenes set in London's nightclub scene and the time travel fantasy saga Outlander, for a final series expected to be set during the American Revolution. But its most recent production is being seen as another game-changer for the city's screen industry – with FirstStage used for the first time for a new nine-part thriller set in modern-day Edinburgh which is hoped to become a long-running series. The feature film The Outrun was partly shot at FirstStage Studios in Leith. (Image: Bob Last/FirstStage Studios) Locations across the Scottish capital were deployed for the latest Netflix thriller Dept. Q, which focuses on a new cold case unit set up in the heart of a police headquarters in the city. Although detective Carl Morck and his team appear to be based in the shadow of Edinburgh Castle, the inside of the atmospheric HQ and its grimy basement were created from scratch at FirstStage, along with other elaborate sets that feature in the show. A pit that can be used for underwater filming sequences is one of the key assets at FirstStage Studios in Leith. (Image: FirstStage Studios) The Downton Abbey and Crown actor Matthew Goode and a host of Scottish screen stars, including Shirley Henderson, Kate Dickie, Mark Bonnar, Jamie Sives and Leah Byrne, spent around six months making Dept. Q in Edinburgh – with around half of the film done inside the Leith studio. Eagle-eyed viewers may also be able to spot locations as varied as the City Chambers, the Signet Library, Greyfriars Bobby's Bar, Mortonhall Crematorium, Wester Hailes, the Edinburgh International Climbing Arena near Ratho and the Codebase building, on Castle Terrace, which stands in for the exterior of the police HQ. Launching the show in Edinburgh, writer-director Scott Frank, creator of the hit Netflix series the Queen's Gambit, described the extensive shoot on Dept. Q - which is based on Danish writer Jussi Adler-Olsen's novels - as 'the happiest experience' of his career. He said: 'You have great crews, you have great people and everything about shooting here is easy. 'The weather is interesting. It's the only place I've ever been where you can all four seasons in one day. 'The studio was wonderful. We had some pretty big sets and, partially because of the weather, we shot around half the show there. It was terrific. I loved working there.' Successive generations of Scottish screen industry leaders had lobbied for years for the country to create its own studio facilities. But the long-held dream did not become a reality until the Scottish Government and its screen agency agreed to help support Sony and Starz to find a home for its new show Outlander, which began filming in 2013 in a warehouse complex beside the M80 motorway in Cumbernauld. Four years later, the Leith Docks site, which was lying empty after a wave power company had gone into administration, was used for the first time by Marvel Studios while they spent around seven weeks shooting scenes for the blockbuster Avengers: Infinity War in the city's Old Town. Within months of the superhero being released, the Scottish Government and its Screen Scotland agency had launched a bid to create a permanent studio facility there, with Bob Last and Jason Connery announced as the successful team to take the project forward in March 2020. Bob Last said: 'When I was an independent film producer there was a lot of talk about studios, but I wouldn't have been able to afford to use one if it had been there on the budget of an independent film. 'There wasn't really enough demand for a studio until the streamers started making the level of content that they did. I saw that they were completely changing the way that people consumed content. 'When I was introduced to this building it was the first time that I felt there was a viable way of providing the scale that these huge shows needed. If we were going to attract shows to Scotland it was all going to be about competitive cost. "There used to be a lot of talk about building new studios from scratch in Scotland. But the cost of that would have meant that any such studio would have priced itself out of the market. 'We've been extremely busy since we opened pretty much on the first day of lockdown. We've had Amazon, Sony and Netlix shows in now, and have also been doing a rolling programme of work on the building, which has all sorts of unique and extraordinary elements. 'The pit that we use as a tank is one of the most interesting assets we have. If you were building a studio from scratch it would be insanely expensive to build, but it has turned out to be extremely useful. 'We also have 60 tonne and 20 tonne cranes, which have also been used by productions. You would never install them in a studio.' Chloe Pirrie is one of the stars of the new Netflix series Dept. Q, which is set in Edinburgh. (Image: free)The Scottish Government's film and TV agency Screen Scotland describes FirstStage Studios as a 'unique proposition' due to its size and facilities. The complex, which covers 8.9 acres, boasts 115,000 sq ft of shooting space up to 82 ft high, as well as offices, workshops and on-site parking for more than 200 vehicles. A spokesperson said: 'FirstStage has a number of key advantages. "It is one of very few UK-based studios to host a tank for underwater shooting, which has been used in productions including The Rig and The Outrun. 'Because of its height, FirstStage also has the capacity for very large set builds, and the large backlot as well as production offices and ancillary buildings on site. 'On its opening in 2020, once Covid restrictions were lifted it immediately became home to The Rig, Amazon's first UK drama commission. Created by Portobello-based writer David Macpherson, it perfectly highlighted the versatility and quality of the studio. An incredibly ambitious project, it was shot entirely in Scotland, and largely inside the FirstStage studio and surrounding lot. "Dept. Q from Netflix has built further on the potential first realised by The Rig and has again shown that FirstStage can deliver against the expectations and requirements of large-scale international productions.' Bob Last said: "If we knew the budgets of our customers we wouldn't be able to talk about them. "When a big show comes in here they will spend a lot of money in the city. We can have 200 people working here at the same time. "We are certainly anchoring tens of millions of pounds in direct spending ever year." Rosie Ellison, film commissioner at Film Edinburgh, the city's long-running film office, highlighted the transformation of the screen industry since the advent of the Leith studio. 'Edinburgh used to pick up a couple of days of or maybe a week or two of filming on productions. 'A production based at FirstStage might be here for a full six months of filming, plus another two or three months of preparation, plus another month or so winding down the production. 'The economic impact of a production and the opportunities it creates are very different to what they were before we had the studio. Productions are spending a lot when they are here, they are hiring local services and creating jobs for our young people to get involved in the industry. 'Dept Q was based at FirstStage, but they were also out and about every month, making use of our urban, rural and coastal locations, different kinds of architecture and office spaces. All sorts of landscapes will appear in that show, including places that people have never been seen on screen before." FirstStage Studios in Leith has been up and running for more than five years. (Image: FirstStage Studios)Hugh Gourlay, supervising location manager on Dept. Q said: "We filmed in something like 13 of the city's 17 council wards. 'There's such a variance in the architecture in Edinburgh: you've got the New Town, the medieval parts, the narrow closes, the wide streets, and the high-rise flats of parts of the city." For Bob Last, the city itself is a major selling point to help attract big-budget productions to FirstStage. 'Ware now on that global map because of the shows that have been here. When people are sitting in LA going down a list of studios we are on that list. That's where we need to be. "For us, Edinburgh as a city for someone to come and live and work in for six months is a massively important asset. There are five stars hotels near the studio and Michelin-starred restaurants literally walking distance away. 'These kind of shows are bringing people in from a global talent pool. If you're going to live and work somewhere for six months Edinburgh is a pretty cool place to do that.' Speaking at the Dept Q premiere in Edinburgh, showrunner Scott Frank said: 'When I came to Edinburgh I immediately knew we had to shoot here. I felt instantly inspired. 'It made me want to work even more in terms of the story to make it work more for Edinburgh. It was a really easy decision to film here. 'I loved living here and it was very easy to work here. I found Edinburgh very inspiring. 'I would love to come back. We'd all love to come back. We really enjoyed ourselves and I think we all got very close. I think we have a really good way of doing the second season. I hope people watch the show and we get to do it again.'

Shuggie Bain author Douglas Stuart's highly-anticipated new novel announced
Shuggie Bain author Douglas Stuart's highly-anticipated new novel announced

Daily Mirror

time3 hours ago

  • Daily Mirror

Shuggie Bain author Douglas Stuart's highly-anticipated new novel announced

Scottish-American novelist Douglas Stuart's third novel is a "tender and devastating story of love and religion, of a father and son, art and landscape" and is set for publication in 2026. Booker-Prize winning author of Shuggie Bain and Young Mungo is set to release a new novel. Douglas Stuart's next project is expected to be another tender and poignant powerhouse work, and was acquired by Picador to be released in 2026. Titled John of John, the book is set in the Isle of Harris and is described as a 'tender and devastating story' about love, religion, family secrets and sexuality. The story follows Cal Macleod, a young man returning home to his father, John, and grandmother in a small village in the Outer Hebrides at the end of the 90s. ‌ A recent art school graduate, Cal is drawn home to the family croft under the pretence of caring for his ailing grandmother. But when Cal returns home, he quickly discovers that not everything is as his father made it out to be and is also drawn back 'into a world of suppressed emotion and terrible secrecy'. ‌ In the words of the novel's author: '[John of John] is a story about looking for love. It's a story about looking for self. But Cal has left behind many broken relationships when he left the island, and he's got to come back and face them all. 'And the family, although they're living in this one small croft house, are all keeping some kind of secret from each other.' In this intense and intimate family portrait, Cal and John both keeping their sexuality secret threatens both their relationship and their own lives. John of John is currently set to be published on May 21, 2026. At this time, you can pre-order a hardback copy from Waterstones for £20. Stuart shared in a video for Waterstones: 'I'm really excited. It's my third novel, it's my new novel, and I hope you enjoy meeting the Macleod family and everyone that comes into their life.' Douglas Stuart is a Scottish-American author and has written two novels to date: Shuggie Bain (2020) and Young Mungo (2022). Both of Stuart's previous two works have drawn on his troubled family upbringing and his experience being gay in a claustrophobic Glasgow community coloured by toxic masculinity and poverty. ‌ Help us improve our content by completing the survey below. We'd love to hear from you! Stuart grew up on a housing estate in Glasgow and earned a master's degree from the Royal College of Art before moving to New York City at 24 to work as a fashion designer. He wrote his debut novel Shuggie Bain while working 12-hour shifts as a senior director of design. Based on Stuart's childhood, Shuggie Bain is set in Glasgow in the 1980s and tells the story of a young boy growing up with a mother who is battling addiction. Stuart explores poverty, tough upbringings and alcoholism in his book. Shuggie Bain went on to receive widespread literary acclaim, winning the esteemed Booker Prize in 2020. A24 picked up rights to adapt Shuggie Bain more than four years ago and the BBC greenlit the project in late 2022, but it is still seeking international finance, as reported by Deadline.

Review: Nan Shepherd: Naked and Unashamed, Pitlochry Festival Theatre
Review: Nan Shepherd: Naked and Unashamed, Pitlochry Festival Theatre

The Herald Scotland

time4 hours ago

  • The Herald Scotland

Review: Nan Shepherd: Naked and Unashamed, Pitlochry Festival Theatre

⭐⭐⭐⭐ The quiet renaissance of Nan Shepherd has been a wonder over the last few years. Once neglected to the point of being erased from the twentieth century canon of Scottish letters, the belated publication of Aberdeenshire born Shepherd's masterpiece, The Living Mountain, a personal memoir of the great outdoors that had lain unread in a draw for thirty years, tapped into a readership who similarly felt the transcendent nature of being alive with the hills. These days, Shepherd is rightly held up as great a writer as her peers, and her image can be found on the back of a Scottish five-pound note. Richard Baron and Ellie Zeegen's studio-sized play rifles through Shepherd's back pages for this dramatic homage that attempts to get to the heart of Shepherd while acting as something of a primer to those perhaps unaware of her life and work. Read more: Flitting back and forth through assorted time zones between 1901 and 1981, Baron's recast revival of his production of his and Zeegen's script after premiering in 2024 opens with Nan the child being introduced to the wonders of nature by her father. This sets the tone for a skip through Nan's life as a schoolteacher, her unconventional amour with philosopher John Macmurray and her relationship with the literary scene of her day, her overdue rediscovery by an American journalist, and her final days in Woodend Hospital, Aberdeen. With Adam Buksh playing all the men in this co-production between Pitlochry Festival Theatre and the Borders based Firebrand Theatre Company, his assorted characters are but feeds for the play's leading lady. Nan is duly played by Susan Coyle with guts and gusto that embodies Nan's passion, freethinking libertine spirit and wilful individualism in the face of artistic neglect. The result over the play's seventy-five minutes is a love letter to Shepherd that can only help her work to be discovered in pastures new.

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