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Dionne Marie Hanna's luxury life exposed: fraud charges follow 'Con Mum' documentary debut

Dionne Marie Hanna's luxury life exposed: fraud charges follow 'Con Mum' documentary debut

IOL News29-04-2025

One of Netflix's latest documentaries, "Con Mum," had everyone shaking their heads in disbelief, and now, the woman at the centre of the chaos is officially facing fraud charges.
The 84-year-old British pensioner Dionne Marie Hanna, made infamous for allegedly conning her son and swindling her way through luxury hotels and bottles of bubbly, has been charged with five counts of fraud in Singapore.
The documentary, which dropped on March 25, follows the unbelievable story of how Hanna re-entered the life of her estranged son, pastry chef Graham Hornigold, in 2020. Claiming to be his long-lost mum, she reached out after decades of absence.
A DNA test confirmed her claim, but that's where the heart-warming reunion ends and the wild ride begins.
Hornigold alleges that after reconnecting with him, his supposed mother scammed him out of hundreds of thousands of pounds. She told him she was a globe-trotting entrepreneur with deep connections, and he believed her until the bills started piling up.
As revealed in the documentary, Hanna's taste for the high life knew no age limit. The woman was living it up in five-star hotels, sipping on champagne, and running up bills that would give most of us heart palpitations.
Now, court documents in Singapore show she allegedly lied to at least three people, including one man she convinced she was related to the Brunei royal family.
Police in Singapore say they've received a string of complaints after the documentary aired and that Hanna is linked to at least five cases of fraud with total losses estimated at over £115,000 – that's more than R2.7 million.
Despite the charges, Hanna didn't appear in court in person. Instead, she made a video appearance from a hospital bed at Tan Tock Seng Hospital in Singapore. The reason for her hospital stay hasn't been made public, but at 84, it's safe to say her days of jet-setting might be behind her.
So why hasn't she been locked up yet? According to authorities, her current health condition is being monitored, and her next court date has been set for April 11. If found guilty, she could be sentenced to up to 20 years behind bars.
But let's be honest – with her age and health, it's unclear if she'll ever actually serve a full prison term. Some might say she knew exactly what she was doing, living large in the twilight of her life because, well, time was no longer on her side.
But who knows, she might turn 100 years old if found guilty. As for Hornigold, he's left to pick up the pieces both emotionally and financially.

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Ngũgĩ wa Thiong'o: A voice of fire, a mind of freedom
Ngũgĩ wa Thiong'o: A voice of fire, a mind of freedom

TimesLIVE

time3 hours ago

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Ngũgĩ wa Thiong'o: A voice of fire, a mind of freedom

In the corridors of postcolonial thought and the vast terrain of African letters, one name echoes with the clarity of resistance and the depth of conviction: Ngũgĩ wa Thiong'o. To speak of Ngũgĩ is to speak not only of literature but of struggle, not only of art but of liberation. His words have long outgrown the pages they were written on. They have become weapons against forgetting, monuments to dignity and blueprints for cultural self-reclamation. Born into a Kenya ravaged by British imperialism, Ngũgĩ's life was shaped by the brutality and disorientation of colonial rule. The soil of his childhood was soaked in the blood of the Mau Mau Rebellion and the shadows of empire loomed large over every classroom, every church sermon and every official document. The colonial legacy, as he would later argue, was not only political but deeply epistemic. It had dismembered the African mind, made us strangers to our own histories, and taught us to mistrust our languages, customs, and gods. Ngũgĩ did not take this betrayal lying down. Instead, he turned his life into a mission of re-membering what had been dismembered. His early novels, including The River Between, A Grain of Wheat, and Petals of Blood, captured with devastating beauty the psychic toll of colonialism and the ambiguities of independence. These works did not flatter, they interrogated. They held both the coloniser and the complicit postcolonial elites to account. Through them, Ngũgĩ laid bare the reality that political freedom without cultural sovereignty is no freedom at all. His resistance was not merely theoretical. It crystallised in acts of profound courage. One of the most emblematic of these was his collaboration with Ngũgĩ wa Mĩriĩ on the searing play I Will Marry When I Want. This was art not written for the academy or for foreign publishers, but for peasants and workers. It was performed in Gikuyu, staged in villages, and filled with the raw anger of the dispossessed. The play dissected class exploitation, cultural alienation and religious hypocrisy. It exposed the spiritual residue of empire that lingered long after flags changed hands. The state responded with repression. Ngũgĩ was arrested and imprisoned without trial. He witnessed the machinery of authoritarianism turn its sights on artists and thinkers. Yet, even in a maximum-security prison, he wrote. He used toilet paper, working in secret. For Ngũgĩ, the pen has always been more than a tool. It is a flame. And fire, once lit, cannot be imprisoned. He emerged from prison not broken but more radicalised. He rejected English as his language of literary expression and deliberately embraced Gikuyu. This was not merely a linguistic shift; it was an intellectual revolution. By choosing to write in his mother tongue, Ngũgĩ defied the colonial assumption that knowledge must pass through Western filters to be legitimate. He insisted that African stories, philosophies, and epistemologies were complete in themselves and must be told in the languages of their birth. The exploitation of African labour continues under new names. The erasure of African languages continues in global curricula. The theft of African futures is repackaged as foreign direct investment and foreign aid In doing so, Ngũgĩ offered a profound lesson to all of us. The true struggle is not only political but also cognitive. The colonisation of the mind is perhaps the most enduring of empires. It is only through cultural self-knowledge that we begin to dismantle it. He became a fierce advocate for the decolonisation of education, challenging African institutions to stop reproducing the logic of empire and to begin producing knowledge grounded in African realities, cosmologies and aspirations. He called on Africa to shape its own future. His work remains painfully relevant. In the face of contemporary struggles such as neocolonial economic dependency, cultural commodification, migration crises and state repression, Ngũgĩ's voice reminds us that these are not isolated events. They are echoes of a past never fully confronted. The exploitation of African labour continues under new names. The erasure of African languages continues in global curricula. The theft of African futures is repackaged as foreign direct investment and foreign aid. He stood with Africans who demanded the nationalisation of the banks, the gold mines and the land. These were people who sought to strike a fatal blow at the financial and gold-mining monopolies, and at the farming interests that have, for centuries, plundered the continent and condemned its people to servitude. Such a step is not only necessary but also imperative. The realisation of the continent's goals is inconceivable, indeed impossible, unless and until these monopolies are dismantled and the wealth of the continent is returned to its people. The democratisation and breaking up of these monopolies will open new fields for the development of a prosperous non-European bourgeois class. For the first time in the continent's history, this class will have the opportunity to own, in its own name and right, mines and factories. Trade and private enterprise will grow and flourish as never before. His life and work teach us the following truth: to be African is not a passive identity but an active resistance. We must speak our truth in our own tongues. We must love ourselves deeply enough to fight for our histories, our knowledge systems, and our collective future And yet, Ngũgĩ does not leave us in despair. He is, at his core, a writer of hope. His belief in the power of ordinary people to resist, to imagine, and to transform is unshakeable. He believes in the strength of solidarity among workers and intellectuals, women and men, Africans and diasporic communities. He believes, deeply, in the power of the word to awaken, to mobilise and to heal. His life and work teach us the following truth: to be African is not a passive identity but an active resistance. We must speak our truth in our own tongues. We must love ourselves deeply enough to fight for our histories, our knowledge systems, and our collective future. Ngũgĩ wa Thiong'o is not simply a writer. He is a compass. He is a map-maker for generations seeking direction in a postcolonial maze. He is a sower of intellectual seeds that bloom in classrooms, prisons, fields and stages across the continent. We honour him not just for what he has written, but for what he has ignited: the right to be fully African, unapologetically human, and radically free. We will forever salute Ngũgĩ wa Thiong'o, a pan-Africanist of note. Your pen is not only mighty; it is immortal. 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EXCLUSIVE: Teyana Taylor and Sherri Shepherd dish on sisterhood and social struggles in Tyler Perry's 'Straw'
EXCLUSIVE: Teyana Taylor and Sherri Shepherd dish on sisterhood and social struggles in Tyler Perry's 'Straw'

IOL News

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  • IOL News

EXCLUSIVE: Teyana Taylor and Sherri Shepherd dish on sisterhood and social struggles in Tyler Perry's 'Straw'

Teyana Taylor as Officer Kay Raymond in 'Straw'. Image: Chip Bergmann/Perry Well Films 2/Courtesy Netflix ©2025 Earlier this week, I had the pleasure of virtually interviewing Teyana Taylor and Sherri Shepherd, who are part of the principal cast of Tyler Perry's thriller, 'Straw'. Now these phenomenal women are legends in the industry - and not just for acting. Taylor is a respected singer, songwriter, model, dancer, choreographer and music video director, while Shepherd is also a daytime talk show host as well as podcaster and comedian. Engaging with them, even briefly, was mind-blowing. Especially with it being about a project that undeniably carries Perry's signature ability to portray poignant stories of socioeconomic hardship. He's proven his Midas touch in his popular "Madea" franchise and 'Good Deeds'. 'Straw' dropped on Netflix yesterday. It centres on Janiyah Wiltkinson (Taraji P. Henson), a single mother with a sick little girl, who is having the worst day. Her landlord is threatening to throw her out if she doesn't pay her overdue rent. Her manager at the local grocery store where she works as a cashier fired her for taking longer than she promised, as she had to rush to her daughter's school while on duty. Amid trying to get back to work, a cop hits her car and blames her for it while also threatening to kill her. As she pleads for her salary, so she can pay her rent and give her child $40 for school lunch, two thugs arrive to rob the store. What follows is a series of unfortunate events and misunderstandings that lead to her being wanted for murder. She doesn't help her situation when she holds a teller at gunpoint to cash her cheque - a situation which mushrooms into a tense standoff with law enforcement. Sherri Shepherd as Nicole in 'Straw'. Image: Chip Bergmann/Perry Well Films 2/Courtesy Netflix ©2025 On the actresses' thoughts on the strong social aspect of the script and their respective roles, Shepherd, who plays Nicole, the kind-hearted bank manager, said: 'You know, when I read the script, the part that I loved is that it had a social aspect to it, because I think that's what people are going to connect to. 'Taraji's character, Janiyah, couldn't catch a break. She played by the rules, and they weaponised those rules against her. And I think that people have had those days, or you know somebody who's been through that. 'And because of that, hopefully, the person (watching) will leave with a lot more empathy and compassion than when they started.' Taylor, who is cast as Detective Kay Raymond, agreed wholeheartedly with Shepherd's sentiments. Interestingly, this isn't the first time Taylor is working with Perry. 'Actually, my first movie ever was with Tyler Perry, so being able to work with him on his project was really like a family reunion, and we had a blast. 'You know, being able to be directed by him is always amazing, and he created such an amazing and safe space, putting me in a position to have the opportunity to get to work with Sherry and Taraji has been amazing. 'I'm just so happy to be a part of it,' she shared. Taraji P. Henson as Janiyah Wiltkinson in 'Straw'. Image: Chip Bergmann/Perry Well Films 2/Courtesy Netflix ©2025

David Beckham to be awarded knighthood by King Charles
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Arise, Sir David Beckham Britain's King Charles III (L) speaks with businessman and retired football player David Beckham as they visit the preview day at the RHS Chelsea Flower show, in London, on May 19, 2025. Photo: Toby Melville/AFP Image: Toby Melville/AFP David Beckham will be awarded a knighthood by King Charles III next week in recognition of his football career and his charity work, reports said Friday. The former England football captain is set to be named in the King's Birthday Honours List, according to the BBC and other sources. Other sporting figures who have been awarded the title include Beckham's former manager at Manchester United, Alex Ferguson, and British tennis great Andy Murray. The Sun newspaper said he would take the title of "sir" and his wife Victoria, a former member of the Spice Girls pop group, will be known as Lady Beckham. Get your news on the go, click here to join the IOL News WhatsApp channel. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Next Stay Close ✕ Beckham played 115 times for England as well as for a list of high-profile clubs including United and Real Madrid. He is currently the president and co-owner of US team Inter Miami and co-owner of Salford City, who play in the fourth tier of English football. The 50-year-old, who has long been in the running for a knighthood, was appointed an officer of the Order of the British Empire in 2003 — a lower award in Britain's honours system. Victoria later received the same award for services to the fashion industry. David Beckham was last month named in Time magazine's list of the 100 most influential leaders in philanthropy. He is an official ambassador for The King's Foundation, supporting its education programmes and "efforts to ensure young people have a greater understanding of nature" and has been a UNICEF goodwill ambassador since 2005. Beckham is understood to have been on the verge of receiving a knighthood after helping London win its bid to host the 2012 Olympic Games. But UK authorities placed a red flag on his nomination due to his involvement in an alleged tax avoidance scheme, according to previous reports. He was subsequently cleared. In 2017, British newspapers printed details of leaked emails in which Beckham criticised the honours system and the honours committee, according to the BBC. A spokesman for Beckham said at the time that the emails were "hacked", "doctored" and "private". AFP

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