New on Prime Video: July 2025
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If you have an Amazon Prime subscription, you also have access to the Prime Video streaming service. If you have Prime Video, there are a ton of great new original shows and movies worth checking out. Here's what's new on Prime Video in July 2025.
After releasing its big budget, star-studded action comedy Deep Cover in June, Prime Video is back with another big budget, star-studded action comedy in July. Heads of State stars Idris Elba as the British Prime Minister and John Cena as the US President as they team up with MI6 agent Noel (Priyanka Chopra Jonas) to foil a global conspiracy.
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Other new originals in July include the Bosch spinoff series Ballard, Judge Judy's return in Justice on Trial, and the docuseries One Night in Idaho: The College Murders.
If you want to see what Prime Video has to offer, sign up for a free trial here.
Sherlock S1 (2010)
Shooter S1-3 (2016)
WNBA on Prime (2025)
2 Fast 2 Furious (2003)
A Bridge Too Far (1977)
A Fish Called Wanda (1988)
Baby Boom (1987)
Back to School (1986)
Bandits (2001)
Blown Away (1994)
Blue Crush (2002)
Blue Velvet (1986)
Colors (1988)
Creed II (2018)
Death Warrant (1990)
Double Impact (1991)
Dressed to Kill (1980)
Duck Soup (1933)
Every Day (2018)
Fast & Furious 6 (2013)
Fast Five (2011)
Fiddler On the Roof (1971)
Gladiator (2000)
Hart's War (2002)
Hidden Figures (2017)
Hoodlum (1997)
How to Train Your Dragon 2 (2014)
I Now Pronounce You Chuck & Larry (2007)
Into The Blue (2005)
Into The Blue 2: The Reef (2009)
It Came from Outer Space (1953)
K-PAX (2001)
Leaving Las Vegas (1996)
Licorice Pizza (2021)
Little Fockers (2010)
Little Man (2006)
Mad Max (1980)
Meet the Fockers (2004)
Meet the Parents (2000)
Mystic Pizza (1988)
No Country for Old Men (2007)
No Way Out (1987)
Only Lovers Left Alive (2013)
Paths Of Glory (1957)
Rings (2017)
Robocop (1987)
Robocop (2014)
Robocop 2 (1990)
Robocop 3 (1993)
Rocky (1976)
Rocky Balboa (2006)
Rocky II (1979)
Rocky III (1982)
Rocky IV (1985)
Rocky V (1990)
Salt (2010)
Saving Private Ryan (1998)
Teen Wolf (1985)
The 40 Year-Old Virgin (2005)
The Addams Family (2019)
The Addams Family 2 (2021)
The Apartment (1960)
The Bone Collector (1999)
The Bounty Hunter (2010)
The Fast and the Furious (2001)
The Fast and the Furious: Tokyo Drift (2006)
The Funhouse (1981)
The Great Train Robbery (1979)
The Horse Soldiers (1959)
The House Bunny (2008)
The Hustle (2019)
The Informant! (2009)
The Perfect Storm (2000)
The Usual Suspects (1995)
Thunderbolt And Lightfoot (1974)
What's The Worst That Could Happen? (2001)
Windtalkers (2002)
Witness For The Prosecution (1958)
XXX: The Return Of Xander Cage (2017)
Heads of State (2025)
Game Night (2018)
Ballard (2025)
One Night in Idaho: The College Murders (2025)
Better Man (2025)
Uncharted (2022)
Surf Girls: International (2025)
PBC on Prime (2025)
Sabotage (2014)
Justice on Trial (2025)
Shiny Happy People: A Teenage Holy War (2025)
WNBA on Prime (2025)
Wicked (2024)
War Of The Worlds (2005)
WNBA on Prime (2025)
That's everything new on Prime Video in July 2025. We'll be back next month with all of the latest movies and shows joining the streaming library.
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20 minutes ago
- Yahoo
Olivia Rodrigo leaves Glastonbury on a high
Glastonbury saved the best 'til last, with a triumphant set by American star Olivia Rodrigo to close the festival's Pyramid Stage. After the artifice and intensity of previous headliners The 1975 and Neil Young, the 22-year-old stomped her way through a series of crisp, punk-pop anthems and heartfelt ballads about the injustices of young love. She charmed her English fans by professing her love for Marks and Spencers' Colin The Caterpillar sweets; and won over Glastonbury veterans by duetting with The Cure's Robert Smith ("perhaps the best songwriter to come out of England"). "Glastonbury's been my dream festival forever and I can't believe today's the day," she beamed. The set was a crowning moment for the singer, who only released her first single, Drivers License, five years ago. A desperate cry of loneliness, the ballad broke Spotify streaming records in just 24 hours. Then it broke them again. Seven days later, it entered the UK and the US charts at number one, instantly catapulting the singer from Disney actress to fully-fledged pop star. Drivers License cast her as "the sad piano girl" in the public imagination - but she quickly deconstructed that image with a flurry of dynamic, guitar-heavy pop anthems that built on the templates established by Joan Jett, Alanis Morisette and Avril Lavigne. It was those sounds that opened her Glastonbury set, with the crunchy riffs of Obsessed, a self-mocking song about her jealousy; and the semi-autobiographical Diary Of A Homeschooled Girl. Dressed in a white lace corset and knee-high bovver boots, she high-kicked across the stage, whipping the crowd into a frenzy. "How are we doing tonight Glastonbury," she screamed. "I don't think I've ever seen so many people in my life. "Guys, it's the last night of the festival. Are you ready to have some fun?" She undercut the question slightly by launching into Drivers License - but watching the army of young fans holler those lyrics back at her, there was a communal sense of catharsis, at least. The rest of the set balanced her competing impulses: rock chick, singer-songwriter, rabble rouser, strident feminist, heartfelt balladeer. But above all else, she's a music fan. Her decision to duet with Glastonbury veteran Robert Smith, rather than a pop contemporary like Harry Styles or Lorde, flowed directly from her love of 80s British pop. As they played The Cure classics Friday I'm in Love and Just Like Heaven, Rodrigo kept glancing over at Smith, beaming from ear to ear, like she couldn't believe her luck. She added little harmonies to the songs, embellishing without being disrespectful – and Smith seemed to be just as enamoured with Rodrigo as she was with him, watching the rest of her set from the wings of the Pyramid Stage. "He's the nicest, most wonderful man ever and I'm so honoured to play with him tonight," she gushed. That guilelessness worked in her favour. For the audience, it often felt like watching your cool older sister (or your precocious young daughter) up on stage, rather than some untouchable pop star. What's more, Rodrigo needed none of the usual pop star props. There was no choreography. Until the encore, there was only one costume. All she required were the songs and her pin-sharp, all-female band. She charmed the audience even more as she introduced the new wavey So American – a song about the inside jokes she shared with an English boyfriend. "I love England so much," she said. "I love how nobody judges you for having a pint at noon. I love English sweets, all the sweets from M&S, Colin the Caterpillar specifically. "True story: I have had three sticky toffee puddings since coming to Glastonbury. And as luck would have it, I love English boys." England loved her right back, saving their biggest reaction for her encore – a headlong rush through Brutal, All American Bitch, Good 4 U and Get Him Back. She left the stage under a downpour of fireworks, as inflatable balls bounced around the audience and our ears rang with feedback. It was, hands down, the best (and best-attended) headline set of the weekend. Olivia Rodrigo had understood the brief: Bring the hits. Make it unique. And make it personal. Perhaps she'd learned that from Jarvis Cocker, whom she'd watched from her boyfriend's shoulders on Saturday. "To enjoy Glastonbury, you have to submit to it," he advised. Rodrigo channeled that spirit innately. She's welcome back any time. Earlier on Sunday, The Selecter opened up the final day of music on the Pyramid Stage, with an energetic set of punchy ska anthems. Singer Pauline Black, a former NHS worker, dedicated Frontline to her colleagues, saying we'd thank them when we needed their help for "all those knees and all those hips in the not-so-distant future". And the crowd carried her through the band's biggest hit, On The Radio, as her voice cracked on the trilling high notes. "As you can tell, my voice is hurting," she explained. "Are you going to help me?" They didn't need asking twice. Celeste took our breath away with a grungier, angrier sound than the floaty jazz-soul of her debut. The singer, who won the BBC's Sound Of 2020, has taken five years to follow up her chart topping album, Not Your Muse, but told the audience "everything happens when it's supposed to". On the basis of Everyday - an excoriating, paranoid track built around Death In Vegas's 1999 dance hit Dirge - the new material has been worth the wait. Also previewing new material was London soul-pop singer Joy Crookes. 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Yahoo
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🥇 Sunday's World Cup highlights: generous Messi, Leila ‘Balboa' and Didico
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Yahoo
37 minutes ago
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What it's like to cruise Disney with your whole family: The highs and lows
'Family Travel' is a six-part series showcasing the best experiences and destinations for young families looking for an escape. If you'd like to contribute to our future reporting and share your experience as a source, you can click here to fill out this quick form. I just got back from a weeklong sailing on the Disney Treasure with a group of ten people – ranging from toddlers to septuagenarians – and I've got thoughts on the magic at sea. If you're considering a Disney Cruise Line trip for your next big family vacation, here's what to expect, what surprised me, and what I wish we knew before we booked. A floating Disney bubble: What families can expect on Disney cruises Having been on multiple cruises on the major cruise lines serving American passengers, I would say Disney's Treasure had a strong food offering. No, the dishes weren't always piping hot, and the cocktails leaned a little too sweet for my taste, but the flavors were consistently strong. Each of the ship's three main restaurants rotates menus nightly, which helps when you're assigned to each twice or thrice. Across our group of ten, there wasn't a dish we didn't finish – and that's saying something with a couple of picky eaters. From carnitas at Plaza de Coco to beef tenderloin at 1923 to the chicken schnitzel at Worlds of Marvel, most dishes earned a solid 7 out of 10 from our crew. What made it better was the exceptional service. The waitstaff remembered our preferences and handled every request with warmth and care (shoutout to Thynelly and Duwi). We also tried the Treasure's two adults-only restaurants: Enchanté and Palo. Enchanté felt special – fine-dining level, easily a 9/10 for ambiance and service – and we only docked a point because our tastebuds weren't ready for the sophistication of the French menú. Palo, on the other hand, was a home run. Every dish, from the arugula salad to the chocolate soufflé, was a 10/10. If you're looking for one splurge-worthy dinner onboard, make it Palo. There's a reason 'Disney-quality' is the gold standard when people talk about live entertainment. Both "Beauty and the Beast" and "Disney the Tale of Moana" were full-blown stage musicals with incredible production value. The set design, sound engineering and cast were all Broadway-caliber. My mom even leaned over mid-show to ask if they were lip-syncing – because the vocals were that pristine. Yes, the storytelling felt a little rushed if you know the movies by heart. But quick pacing is probably wise when your audience includes lots of5-year-olds. Our only complaint was that the shows in the Walt Disney Theatre were shown on one day of each voyage – which is their typical scheduling. However, due to an unexpected medical evacuation that delayed our stop at Castaway Cay, we had to choose between staying on the island or catching "Moana." We picked the show, but I'm still salty about missing Disney's private beach. Let's talk about what Disney Cruise Line doesn't include. For a seven-day Caribbean sailing in a stateroom with a porthole view, we paid about $5,000. That's in the range between premium and luxury pricing, but the perks didn't always match the cost. There's no drink package. Specialty coffees and alcoholic drinks are à la carte. Adult trivia? That was free, but get there early before the room fills up. Wine tasting? Extra cost. Beer tasting? Extra cost. Workout classes? Extra cost. Spa access? Extra cost. Technically, you could attend a presentation about diamonds or luxury watches, but we all know how those end. The truth is, most of the free activities were geared toward kids. Adults in our group had a harder time finding things to do besides eat, drink and hang by the crowded pools. I tried to be productive and hit the gym, but the fitness center was small and often full. Granted, every cruise line attracts a different type of gym goer. I was working out by myself in Aurora Expeditions while timing when to avoid rush hour on Virgin Voyages. DCL was surprisingly busy every day of the sailing for the size of the facilities. Typically, not a huge deal, but as mentioned above, when there's not much for adults to do other than eat and drink, it did stick out. (Grateful for those Peloton bikes, though.) Our party of 10 included six who were on their third DCL sailing and four newbies (myself included). It was great to watch the kids light up exploring the ship, attend character meet-and-greets, and retell their adventures each night at dinner. Disney does an excellent job catering to families with small children. The activities, the entertainment, the energy – it's built for young families. For adults without kids, grandparents or those hoping for more balance between grown-up fun and family time, you might find yourself wishing for more options – or at least fewer upcharges. Would I go again? Maybe with a smaller group, and with clearer expectations. Because when Disney says it's for families, they really mean families with little ones front and center. This article originally appeared on USA TODAY: Is a Disney cruise worth it for big families? What I loved, and didn't
