Chuck Mangione, Grammy-winning jazz musician, dead at 84
ObituariesFacebookTweetLink
Follow
Chuck Mangione, noted flugelhorn player, trumpeter and composer, has died. He was reportedly 84.
The news was confirmed via a press release out of a funeral home in Rochester, New York, on behalf of Mangione's family, who said they were 'deeply saddened to share that Chuck peacefully passed away in his sleep at his home in Rochester' on Tuesday.
Mangione, a flugelhorn player whose composition 'Feels So Good' became an unlikely pop hit in 1978, was a Rochester native who started playing jazz as a teenager,
He won two Grammy Awards over his 60-year career in music, including one for best instrumental composition for 'Bellavia.'
'Feels So Good,' an upbeat instrumental whose full-length version runs nearly 10 minutes, spent 25 weeks on the Billboard Hot 100 chart, peaking at #4 in 1978.
In addition to that signature hit, Mangione was recognizable for his distinctive style at the peak of his career, sporting long hair and a brown felt hat with a feathered band that he later donated to the Smithsonian Institution.
Outside of the music business, Mangione is remembered for his recurring appearances as a tongue-in-cheek version of himself on the primetime Fox animated series 'King of the Hill.'
This is a developing story.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
41 minutes ago
- Yahoo
Kevin Jonas Recalls ‘Losing Almost All' of His Money After the Jonas Brothers Broke Up
Kevin Jonas recently got candid about a topic that's usually taboo: money. While appearing with brothers Joe and Nick on the Wednesday (July 9) episode of School of Greatness, the guitarist opened up about struggling with his finances after the Jonas Brothers went their separate ways in 2013. The band would eventually reunite six years later, but during the siblings' professional time apart, Kevin says he lost money as a result of some 'bad business deals.' More from Billboard Joe Jonas Praises Sophie Turner, Says They Have a 'Great Coparenting Relationship' Following Divorce 'Pride & Prejudice' Film Soundtrack Bewitches the Charts With 20th-Anniversary Vinyl Reissue Fred again.. Releases 'Victory Lap' Remix Featuring Denzel Curry 'I've seen it both ways,' the oldest Jo Bro told podcast host Lewis Howes during a discussion on wealth. 'I've seen the beginning of the success, to financial success — not knowing what money really was and understanding it — to not having [it], to losing almost all of it.' When asked whether he'd really lost most of his funds, Kevin clarified, 'most of it, down to the one 10 percent left.' 'About nine years ago, I invested in a bunch of property and doing other things, and I was building at the time,' he added. 'Sadly, it wasn't the right partnership. I've learned a lot of lessons in that. Thankfully … we had a second shot and bite at the apple with the band coming back together.' The Jonas Brothers first started making music together as teenagers, earning fame thanks to their projects with Disney Channel and Billboard 200-topping albums A Little Bit Longer and Lines, Vines and Trying Times. When disagreements over the band's direction and general burnout started to divide the brothers — something they opened up about in their 2019 Billboard cover story — they disbanded around 2013. As Kevin mentioned, a second chance rolled around six years later, when the trio decided to give band life another shot after each pursuing solo projects. Their reunion was an immediate success, with single 'Sucker' becoming their first-ever No. 1 on the Billboard Hot 100 in March 2019. But before they could get back together, Joe says they each had to figure out how to check their egos at the door. 'There was too much under the rug,' he said on the podcast. 'We had to trust each other more with being like, 'Actually, you are good in this band, you are talented.'' And despite some fans labeling him as the band's 'frontman' early on, Joe also said that each of the brothers had to come to the following realization: 'We could all share the spotlight, we could all share the studio, we could all share the songwriting, we could all share the money.' Watch the Jonas Brothers' full in interview on School of Greatness above. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword
Gizmodo
an hour ago
- Gizmodo
‘Thunderbolts' Director Teases His Take on the ‘Complex' X-Men
While Marvel basks in the success of The Fantastic Four: First Steps, director Jake Schreier—the guiding hand behind Marvel's earlier 2025 hit, Thunderbolts—is looking ahead to the studio's most anticipated movie that doesn't have the word 'Avengers' in the title. Schreier is helming the movie designed to bring the X-Men fully into the Marvel Cinematic Universe, on the heels of Deadpool & Wolverine. As you'd expect, he's giving his approach to the oft-adapted characters a lot of thought. Speaking to the Playlist (and keeping things in Marvel-approved non-spoilery terms), Schreier said that his movie's take on the X-Men will be quite different than what fans have seen before. Of course, he couldn't elaborate more on that, but his comments suggest the departure will come not with the movie's aesthetics but with a new approach to the emotional arcs of its famously conflicted mutants. 'To be able to explore all of the ideas that are inherent to that rich source material, but also at the scale inherent to the source material, that's like a very rare and fortunate opportunity. That's very exciting.' Schreier also called the project 'an incredible opportunity with super interesting characters and [much] internal conflict. These characters are wrestling with their identity and place in the world—that's inherently interesting and complex material.' In the same Playlist piece, Marvel boss Kevin Feige was quoted as calling Schreier's X-Men a 'youth-focused reboot' in terms of both casting and 'tone and perspective.' Details about the new X-Men movie are understandably scarce at the moment; it does not have a release date set, though the MCU has its trajectory mapped out through 2026 (Spider-Man: Brand New Day; Avengers: Doomsday) and 2027 (Avengers: Secret Wars). Characters from the Fox X-Men movies, released prior to Marvel parent company Disney's acquisition of the characters in 2019, are expected to appear in those two Avengers films, with Schreier's reboot coming after. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
Newsweek
2 hours ago
- Newsweek
Luigi Mangione Musical Could Be Heading to New York
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Luigi: The Musical, the fringe production about the alleged killer Luigi Mangione, is fresh off a series of sold-out shows in San Francisco. Now, the show's creators are reportedly eyeing up shows at the Edinburgh Fringe Festival in August as well as possible future productions in Los Angeles and New York, where the killing of UnitedHealthcare CEO Brian Thompson took place in December. Newsweek has reached out to Luigi: The Musical via email for comment. Why It Matters Mangione, 27, is accused of shooting Thompson outside of a hotel in Manhattan in December 2024. He is charged with 11 counts, including first-degree murder "in furtherance of an act of terrorism," two counts of second-degree murder, two counts of stalking and a firearms offense. Federal prosecutors have announced their intent to seek the death penalty in Mangione's case. He has pleaded not guilty to state and federal murder charges as well as terrorism charges. Mangione has become the subject of intense public fascination online, with social media users treating the 27-year-old as everything from a sex symbol to a folk hero. The case reignited a discourse about American health care, and Mangione has received a significant amount of support. Protesters holding photos of Luigi Mangione chant and blow whistles as New York City Mayor Eric Adams speaks during a press conference at City Hall on June 26, 2025. Protesters holding photos of Luigi Mangione chant and blow whistles as New York City Mayor Eric Adams speaks during a press conference at City Hall on June 26, 2025. Michael M. Santiago/Getty Images What To Know Luigi: The Musical is a surreal prison satire that follows in the footsteps of musicals like Chicago and Sweeney Todd. The musical was created by songwriter Arielle Johnson and director Nova Bradford and features original music from Johnson and Bradford, performed by pianist Dani Macri, who also serves as associate musical director. The synopsis for the musical reads, "Our characters reflect three institutions of modern disillusionment: healthcare, tech, and Hollywood. Each represents a pillar of American life where public trust has eroded and where people increasingly feel betrayed, exploited, or abandoned." Mangione's two real-life inmates at the Metropolitan Detention Center (MDC), Sean Diddy Combs and Sam Bankman-Fried, both appear as characters in the musical. Fried is the embattled co-founder of the now-defunct cryptocurrency exchange FTX, who is serving a 25-year prison sentence. Combs was found guilty in his sex trafficking child of transportation to engage in prostitution in his sex trafficking trial, but not guilty of racketeering and sex trafficking. He remains detained at the Metropolitan Detention Center, Brooklyn. The show stars Jonny Stein as Luigi, André Margatini as SBF, Janée Lucas as Diddy, and Calab Zeingue as Guard (Sgt. Delarosa). Bradford told The Hollywood Reporter, "There is this interesting thing that these three men represent three pillars of society that people have lost a lot of trust in recent years, including health care, Hollywood and the whole tech/VC/finance ecosystem." The Hollywood Reporter reported that the creators are looking at the 2025 Edinburgh Fringe Festival, New York and Los Angeles for future possible productions. It's not clear where the Mangione musical would be staged if it were to go to New York for a future production, but if it were to be held in the Theatre District, that would mean it would be mere blocks away from where Thompson was killed. The musical was met with criticism and controversy when it was announced. It is described as a "comedy," in a synopsis on its website, which also notes that the show "doesn't glorify violence." The show was first set for a handful of shows at a 49-seat San Francisco theatre, but after selling out that run, production moved to The Independent, a 350-person theatre. What People Are Saying A statement on the Luigi: The Musical website: "Luigi: the Musical doesn't glorify violence, it interrogates it. Beneath the absurdity and punchlines lies a serious critique of how violence is packaged, sold, and consumed in American media. The show takes aim at a culture where brutality is both entertainment and spectacle, inviting audiences to laugh while also asking why we're so quick to tune in when someone gets hurt. "But it goes further, examining how violence is not just the act of individuals, but of elite institutions—like healthcare, Hollywood, and tech—through their neglect, indifference, and lack of accountability. Through sharp satire and irreverent humor, Luigi: the Musical uses comedy as a tool to expose just how normalized, and profitable, violence has become, challenging viewers to reckon with their own responses along the way." What Happens Next Further dates of the play and where it may be staged remain to be seen.
