Natalie Portman Is Dating French Musician Tanguy Destable 1 Year After Divorce from Benjamin Millepied (Exclusive)
One year after finalizing her divorce from ex-husband Benjamin Millepied, the 43-year-old Oscar winner is dating French musician and music producer Tanguy Destable, PEOPLE confirms.
French outlet Voici was the first to report news of Portman's relationship with Destable, whose stage name is Tepr, per the outlet.
The actress finalized her divorce from director/choreographer Millepied, whom she was married to for 11 years, in February 2024. The settlement came eight months after she quietly filed, in 2023, following reports of an extramarital affair by Millepied.
Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human-interest stories.
Related: Natalie Portman's 2 Kids: Everything She's Said About Parenting
Portman met Millepied, 47, on the set of her 2010 movie Black Swan. They wed in August 2012, and share two children: son Aleph, 13, and daughter Amalia, 8.
The May December actress gave a rare comment about her personal life in an interview for Vanity Fair's 30th annual Hollywood issue published in February 2024.
When asked about speculation into her private life during the period leading up to the release of May December, Portman said, "It's terrible, and I have no desire to contribute to it."
After the interviewer admitted, I "don't love asking about it, either," Portman replied, "I can imagine."
The PEOPLE Puzzler crossword is here! How quickly can you solve it? Play now!
Related: Natalie Portman Debuts Curly Bob Hairstyle in a Darker Shade at Paris Event — See the New Look!
Portman marked her 43rd birthday in an Instagram post last June, giving a special shoutout to loved ones following her divorce.
'This year, on my birthday, I want to celebrate my gratitude for my friends who lift me up again and again,' she wrote in the caption while sharing several photos of herself with her pals.
Read the original article on People
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Verge
24 minutes ago
- The Verge
YouTuber Mark Rober is getting a Netflix series
Mark Rober, a former NASA engineer now known for his science-focused stunts he publishes to more than 70 million subscribers on YouTube, will launch a competition show on Netflix in 2026. Rober will also bring 'some of his most beloved, ambitious, and informative experiments to Netflix later this year,' Netflix says. The Wall Street Journal reported earlier this year that Netflix had talked to Rober. According to that article, Netflix has also had discussions with the creators at Dude Perfect, a channel with more than 60 million YouTube subscribers, about a new series. And earlier this year, Netflix brought videos from Ms. Rachel, known for her videos for toddlers and early education, to its platform. The push from Netflix into bringing on YouTube creators follows the success of MrBeast's Beast Games game show on Prime Video. That show debuted last year and quickly became Prime Video's 'most-watched unscripted show ever.' It has been renewed for two more seasons. Posts from this author will be added to your daily email digest and your homepage feed. See All by Jay Peters Posts from this topic will be added to your daily email digest and your homepage feed. See All Entertainment Posts from this topic will be added to your daily email digest and your homepage feed. See All Netflix Posts from this topic will be added to your daily email digest and your homepage feed. See All News Posts from this topic will be added to your daily email digest and your homepage feed. See All Streaming Posts from this topic will be added to your daily email digest and your homepage feed. See All YouTube


Gizmodo
an hour ago
- Gizmodo
The First Trailer for ‘Keeper' Deepens Its Creepy Mystery
Some filmmakers take a long time between projects. Others are more rapid-fire. In the time since Oz Perkins popped up in Jordan Peele's last film, 2022's Nope, playing a small role as a movie director, he released Longlegs (the highest-grossing indie film of 2024) as well as this year's The Monkey—and in a few months, Keeper will hit theaters too. Peele has the sports horror film Him, which he produced, coming out soon, but his next directorial effort won't arrive until October 2026. Different creators have different methods, budgets, and so forth, of course, and Perkins' prolific output speaks to a confidence both behind the camera and from the studio—in Keeper's case, Neon—that's backing up the project. The latest teaser trailer for Keeper gives us a greater glimpse at what to expect in a way that Longlegs' deliberately enigmatic marketing did not… but we're still not exactly sure what the hell is going on, surely as Perkins intends. 'A dark trip' from Perkins indeed. We get two points of view using identical dialogue and mostly different visuals, showing characters played by Tatiana Maslany and Rossif Sutherland (yes, Donald Sutherland's son) seemingly in a relationship that begins to fracture. Only her name, 'Liz,' has quotes around it; he's just Malcolm, and that detail alone opens up all sorts of questions about why that might be. Both perspectives begin with a sweet moment between the two, then the images and music spiral into terror. But who or what is the source of all the fright? What exactly is going on in that isolated cabin? Who are the other women we see fleetingly? And what definition of 'keeper' is most relevant here… since it's looking like the term as it's used to describe romantic compatibility goes out the window early on? We'll find out more as Keeper's arrival date looms nearer. Directed by Perkins and written by Nick Lepard, it hits theaters November 14. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
Yahoo
an hour ago
- Yahoo
‘The Pitt' Makeup Team Used Medical Training Websites to Create Realistic Blood and Prosthetics
'The Pitt' might well be one of the bloodiest shows on TV. Throughout its 15 episodes, there are heart attacks and medical abortions. There's a patient, dressed as a clown, who has his arm drilled into. Another patient with a fork through his nose is admitted and an influencer is taken in and found to have toxic poisoning from a face cream. More from Variety 'The Pitt' Season 2 Will Filter Trump's 'Big Beautiful Bill' and Medicaid Changes Into Storylines: 'We Take Our Platform Seriously' Emmy Noms Breakdown: 'The Studio' Claims Frontrunner Status; 'The Pitt' and 'Adolescence' Gear Up for Drama and Limited Series Showdowns 'The Pitt': Tracy Ifeachor Not Returning as Heather Collins for Season 2 It might be gory, but it's all depicted with accuracy and authenticity. It's a never-ending flow of cases that the doctors at Pittsburgh Trauma Medical Hospital have to deal with. To help ensure everything felt real, department head makeup artist Myriam Arougheti turned to reference photos — but her biggest resource was a medical training website for student doctors. 'There are videos of real procedures, and so I'd spend many hours watching,' she says. That was the first step. Then, she met with special makeup effects artists Thom Floutz, Chris Burgoyne and Martina Sykes. 'We would brainstorm. Thom's a magician,' says Arougheti. 'We'd figure out how to replicate this, and how to make it look real without hurting the actor.' Once they had mastered that part, the team would go out to various effect houses, sending photos of what they needed, along with detailed descriptions. For episode 10, '4:00 PM – 5:00 PM,' a patient named Teddy is brought in with third-degree burns after being involved in an explosion. He needs a breathing tube, but his throat has also been burned. 'There's been a lot of burns on TV, and so, we wanted to play with different colors and tones,' Arougheti says. 'We played with pinks, whites and yellows, which are not typically the colors you see in a burn. It's more charcoal and charred.' However, she had observed one thing: 'In reality, the real injury can look fake. If we were to replicate what it really looks like, people would be like, 'Oh, that doesn't look real, but it's actually real.'' To navigate that, Arougheti says they pulled back to make it look believable. Once they had the colors right, the pieces were built, like a full chest piece with a fake bladder. 'When we were cutting into it, we had a bladder that had expanded, so it would give that effect of releasing the pressure,' she explains. Silicone pieces were glued onto the piece with different paint colors and slime that added texture. The structure took nearly six hours to apply. And the challenges kept on coming. In the 9:00 A.M. episode, the team had to perform an emergency thoracotomy after a patient came in with a nail in their heart. Arougheti admits that this proved to be more of a technical challenge: 'It had to look exactly like a heart. It had to look exactly like lungs. The nail is in the chest. We have to cut in exactly the right place, and when we open that up, we see a beating heart.' Getting into the specifics, Arougheti says that the scene needed an artist pumping the heart and another artist pumping the lungs. Timing was key during filming as 'the heart needed to stop at the exact right moment, and the lungs needed to stop at the right moment.' To make it all work technically, the actor was fitted with a chest piece. The special effects team worked with Nina Ruscio, the show's production designer. 'We had to build the gurney lower so the actor could be lower. The chest piece was over it, but the head had to be at the right angle, so that it looked flat,' says Arougheti. This took trial and error, and they didn't get it right on the first try. The showrunners shot in episodic order, filming each hour of the shift consecutively, something she found 'incredibly helpful, especially when it comes to all the effects, because we start the procedure and the next time we see them, we're on the other side.' That said, there are downsides: 'We pick up wherever they left off at the end of the day, their makeup needs to pick up exactly there the next day.' Even when it came to regular makeup, Arougheti took photos and detailed notes for continuity — notably, with the doctors. 'We knew that after five hours, we're going to start bringing down blush, we're bringing down lipstick and then foundation,' she says. 'By the end, a lot of the actors had zero makeup. There was no foundation, no lipstick and they were getting sweaty.' In the 12th hour of 'The Pitt,' the team at Pittsburgh Trauma Medical Hospital is told to expectthe worst — they expect to get a huge influx of patients from a mass shooting at an outdoor festival, and everything is turned on its head. 'We made charts and charts,' says Arougheti on handling the multitude of injuries. 'I have a phenomenal background supervisor, Lisa Simone, and we sat down together. I had pictures of the actors and where they were shot, where the bullet wound was. A picture of the prosthetic that we were putting on there, and if they got treated, or if they got stitched up or if they got a chest tube. Everything was detailed in advance.' Between all the procedures, including a tracheotomy and a thoracotomy, Arougheti is at ease with all the medical terms, having spent hours watching videos and doing diligent research. 'A year and a half ago, I did not know what that was,' she says. 'But I got that down now.' And just how real do doctors find the show? She recalls a recent occurrence. 'Somebody approached one of our doctors at a party. He was like, 'You showed a real procedure on TV.' They got told that they were in violation. This particular doctor thought it was a real procedure,' she says with a smile. 'I think we nailed it in the chest.' Best of Variety New Movies Out Now in Theaters: What to See This Week What's Coming to Disney+ in August 2025 What's Coming to Netflix in August 2025 Solve the daily Crossword