logo
Global entertainment and media industry revenues to hit US$3.5 trillion by 2029, driven by advertising, live events, and video games: PwC Global Entertainment & Media Outlook

Global entertainment and media industry revenues to hit US$3.5 trillion by 2029, driven by advertising, live events, and video games: PwC Global Entertainment & Media Outlook

Cision Canada24-07-2025
Advertising spend forecasted to grow three times as fast (6.1%) as E&M consumer spending (2%) – as AI set to transform advertising models and drive hyper-personalisation
Non-digital categories – such as live music, cinema and events – continues to lead consumer sector revenue, accounting for 61% of sector spending in 2024
Global cinema revenue expected to rise from $33 billion in 2024 to $42 billion in 2029, as international audiences continue to spend more on locally produced films
Global video games revenue forecast to grow from $224 billion in 2024 to $300 billion in 2029 – exceeding movie and music industry revenues combined
LONDON, July 24, 2025 /CNW/ -- The global entertainment & media (E&M) industry edged towards US$3 trillion in revenue in 2024 and is forecast to hit $3.5 trillion in 2029 as advertising spend surges across platforms, according to PwC's Global Entertainment & Media Outlook 2025-29, released today.
The E&M industry is projected to grow at a compound annual growth rate (CAGR) of 3.7% until 2029 – a rate above the projected global economic growth average, but below pre-pandemic highs. Economic uncertainty and anaemic consumer spending growth, amid heightened domestic and international competition in the industry, is expected to weigh on E&M growth rates through the forecast period until 2029.
Bart Spiegel, Global Entertainment and Media Leader, PwC US, said:
"As the E&M industry continues to be impacted by broader economic uncertainty and constrained consumer spending, advertising is emerging as the leading powerhouse of the global entertainment and media industry's revenues – a transformation expected to continue as AI transforms delivery models, democratises content production, serves highly curated content experiences, and reduces barriers to entry. The E&M industry has always been at the forefront of technological innovation, but companies will need to remain nimble and proactive to embrace the future and satisfy consumers in an ecosystem that rewards creativity and tailored content."
Advertising to serve as industry engine for revenue growth as AI transforms advertising models
As growth for paid or subscription products slows amid heightened industry competition and constrained consumer spending – particularly in mature markets – advertising is forecast to represent a significant driver of revenue growth for the E&M industry at-large.
Of the three major E&M categories analysed (connectivity, advertising, consumer), advertising is expected to grow fastest – three times as fast (6.1% CAGR) as the consumer category (2%).
The fastest growing E&M revenue metrics over the next five years are all advertising driven – including retail advertising (15%), social and mobile on-stream video advertising (15%), and connected TV in-stream internet advertising (14%). Digital formats, which account for 72% of overall ad revenue in 2024, will rise to 80% in 2029, with new technologies including AI and hyper-personalisation expected to drive this even further. High growth areas include retail search advertising in e-shopping (rising from 32.7% in 2020 to 45.5% in 2029) and advertising in video games (rising from 32.8% in 2024 to 38.5% in 2029).
AI is impacting the E&M industry in many ways. One of the areas in which it is likely to influence revenue growth is in connected TV (any television that connects to the internet to stream video content). In 2020, connected TV advertising revenue equated to just 5.9% of total traditional broadcast TV advertising. In 2024, this figure had jumped to 22%. But with the rise of digital engagement and the prospect of AI-assisted hyper-personalisation, which may lead to greater end-user uptake, connected TV ad revenues will rise to $51 billion in 2029 – equal to 45% of traditional broadcast TV advertising.
For now, connectivity remains the largest category, with spending reaching $1.3 trillion in 2029, growing at CAGR of 2.8% and driven mainly by mobile internet service revenue. However, advertising's pronounced growth rates are set to see the gulf between connectivity and advertising spend rapidly narrow by 2029.
Non-digital revenue – including live music, events and cinema box office – lead consumer spending
Consumers may spend more of their free time online, but they continue to spend more of their entertainment budget offline. In 2024, non-digital formats accounted for 61% of consumer revenue – a level of spend expected to broadly continue through the forecast period.
While global cinema box office spending is expected to rise from $33 billion in 2024 to $41.5 billion in 2029, consumers' preferences are continuing to shift toward locally produced films. Globally, the top five US studios' market share has dropped from over 60% before the pandemic to 51% in 2024.
Video gaming remains an industry bright spot
The global video gaming industry continues to be an engine of E&M growth, with the global video games market exceeding the movie and music industry combined. Total revenues were $224 billion in 2024, with the industry expected to grow to nearly $300 billion in 2029 at a CAGR of 5.7%.
Developing markets continue to lead E&M industry growth rates
Excluding connectivity revenues (e.g., mobile service subscriptions), the US comfortably leads as the world's largest E&M market by revenue. It is forecast to grow at a CAGR of 3.8% until 2029 – lagging below the global average of 4.2%. Looking elsewhere, E&M revenues in China – the second largest market – will rise at a CAGR of 6.1%, powered primarily by its internet advertising segment, with a CAGR or 8.9%. The fastest growing markets globally continue to be in developing markets, including India and Indonesia, all with CAGRs above 7.5%. In India, much of the growth will stem from internet advertising – which is growing at a CAGR of 15.9% – driven by expanding internet penetration, rising 5G connectivity, and the popularity of social media and short-form video content.
Wilson Chow, Global Technology, Media and Telecommunications (TMT) Leader, PwC China, said:
"Consumers have never had as numerous or diverse choices of entertainment services on offer, but this competition, paired with economic uncertainty and rising costs, is seeing consumer spend growth stagnate. If entertainment and media businesses are to capture new audiences and generate growth, they must be thinking about the connected ecosystems in which they operate, leveraging the power of advertising and AI, the combination of which is allowing for far more cost-effective and personalised content creation and engagement models."
Notes to Editors
About the PwC Global Entertainment and Media Outlook 2025-2029
The PwC Global Entertainment and Media Outlook is an annual report covering the industry. A total of 54 countries and territories, spread across North America, Western Europe, Central Europe, Middle East & Africa, Latin America and Asia Pacific, are represented within the Outlook. The 'Rest of MENA' grouping is treated as a territory and comprises Algeria, Bahrain, Jordan, Kuwait, Lebanon, Morocco, Oman and Qatar. This year, it expands its coverage with the inclusion of Mauritius and Oceania as a reported region. These 54 territories account for around 74% of the global population, and the sum of all territories generates the 'total' estimate. The forecasting process begins with the collection of accurate and comprehensive historical data from publicly available sources such as trade associations and government agencies, which are cited when used directly. To supplement this, proprietary insights are gathered through interviews with industry associations, regulators, and leading market players. This combination of public and private data ensures a robust foundation for building forecasts.
About PwC
At PwC, we help clients build trust and reinvent so they can turn complexity into competitive advantage. We're a tech-forward, people-empowered network with more than 370,000 people in 149 countries. Across audit and assurance, tax and legal, deals and consulting we help build, accelerate and sustain momentum. Find out more at www.pwc.com.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

CGTN: Why Chinese film Dead to Rights topped global weekend box office
CGTN: Why Chinese film Dead to Rights topped global weekend box office

Cision Canada

time2 hours ago

  • Cision Canada

CGTN: Why Chinese film Dead to Rights topped global weekend box office

BEIJING, Aug. 6, 2025 /CNW/ -- Chinese film Dead to Rights has been maintaining its top position on China's weekend box office since its premiere on July 25th. That also made it the No. 1 watched film globally over the just past weekend. According to popular Chinese film industry tracker Maoyan, by Tuesday the film has raked in 1.7 billion Yuan, or about 236.6 million dollars. The film now holds an 8.6 rating on Chinese review platform Douban and has been reviewed or reported by international press like "Variety", Channel News Asia, among others. The film is set against the backdrop of the 1937 Nanjing Massacre and follows the life of a group of Chinese civilians who seek refuge in a photography studio. While bidding for survival, they assisted a Japanese military photographer to develop films, only to uncover graphic images of the atrocities. They risked their lives to preserve the evidence. The film's massive success should, of course, be first attributed to its powerful storytelling and artistic execution. Director Shen Ao has avoided sensationalism, using only minimalistic visuals to convey horror, for example, a knife held to a baby or rivers of bloodshed. In this way, emotional depth and authenticity have been created. The film's layered storytelling and polished production design also present viewers with unraveled technical craftsmanship. Movie goers are drawn to the cinema for Dead to Rights also because, fundamentally, the movie has done justice to history. Evan Kail, an American who donated a photo album of Japanese war crimes to China, said the film is a "ten out of ten" that keeps history alive, honors the victims and exposes the past against all odds. Remembering the past is not to stir or preserve hatred; rather, it is to remind us to cherish modern peace. Increasing Yasukuni Shrine visits and wartime denial by some Japanese rightists these days are risking Asia's or even the world's stability. By preserving evidence on screen, films like Dead to Rights counter Japan's historical amnesia and expose the truth that must be held and told. The movie is slated to premiere globally in places like Australia, New Zealand, the United States, Malaysia, Singapore, among others. With over 35 million military and civilian casualties combined, China was a vital, but often forgotten, member of the Allies battling Japan during WWII. As both a universal call to peace and a truthful reflection on history, the film Dead to Rights deserves the time and attention of global viewers.

Statement from Darren Entwistle, President and CEO, TELUS Français
Statement from Darren Entwistle, President and CEO, TELUS Français

Cision Canada

time2 hours ago

  • Cision Canada

Statement from Darren Entwistle, President and CEO, TELUS Français

VANCOUVER, BC, Aug. 6, 2025 /CNW/ - "We commend the federal government's decision to uphold the CRTC's wholesale fibre framework, a landmark ruling that reinforces Canada's commitment to competition, choice, innovation and nation-building infrastructure investment. This decision affirms that public policy in our country is guided by due process, a national diversity of voices, evidence and the long-term interests of Canadians. It sends a strong signal to consumers, businesses and investors that the Canadian regulatory system is robust, transparent and effective in balancing the needs of stakeholders, and enabling government policy. At TELUS, we are firmly focused on the road ahead. We are passionately committed to building national infrastructure and technology for the benefit of consumers, and the productivity and innovation of our private and public sectors. TELUS is mobilizing our capital, technology and talent to help address the defining challenges of our time, including digital inequality, the responsible development of AI, transformation of the healthcare system, environmental sustainability, and ensuring food safety and security for the benefit of all Canadians. We are grateful for the government's leadership and look forward to building a more connected, competitive and innovative Canada for generations to come … on an inclusive basis."

Chery Group Becomes the Fastest-climbing Automaker in Fortune Global 500, Powerfully Empowering LEPAS's Global Growth
Chery Group Becomes the Fastest-climbing Automaker in Fortune Global 500, Powerfully Empowering LEPAS's Global Growth

Cision Canada

time2 hours ago

  • Cision Canada

Chery Group Becomes the Fastest-climbing Automaker in Fortune Global 500, Powerfully Empowering LEPAS's Global Growth

WUHU, China, Aug. 6, 2025 /CNW/ -- Chery Group, LEPAS's parent company, has recently achieved remarkable feats. In the 2025 Fortune Global 500 list, it surged 152 places to 233rd, becoming the year's fastest-rising automaker. A month earlier, its cumulative exports exceeded 5 million units, a first for Chinese automotive brands. This "Double 500" milestone not only showcases Chery's global competitiveness but also fuels LEPAS's globalization. As a pioneer in Chery's globalization strategy, LEPAS embodies a vision for future mobility. It adopts the integration strategy of "Leopard Aesthetic Design, Exquisite Third Space, Intelligent Safety, and Full-scenario Super Platform" to handle diverse travel scenarios, promotes the philosophy "Elegance is Power", and brings technology and warmth to global users' "exquisite life". Chery's improved Global 500 ranking and export breakthrough serve as "trust endorsements" for LEPAS in global markets. With 22 years as China's top passenger car exporter and over 17 million global users, Chery provides a user base for LEPAS. LEPAS can leverage Chery's mature overseas sales and service networks instead of building channels from scratch, accelerating its "Exquisite Life Experience Journey". Integral to Chery's strategy, LEPAS is deeply embedded in the group's global resources across R&D, manufacturing, and supply chain. For instance, sharing Chery's cutting-edge tech, LEPAS has developed full-link product capabilities to stay industry-leading. Zhong Wei, LEPAS's Deputy CEO, noted "LEPAS was born in Rome". Empowered by Chery, LEPAS has advanced rapidly: its first model, L8, rolled off the line in April, favored by urban elites for its design, intelligent cockpit, space, and safety. On July 23, its "L8 + L6 + L4" lineup debuted at the Indonesia International Auto Show, securing initial orders and offering a "new standard for exquisite life travel". Chery's "Double 500" achievements, spanning trust, channels, R&D, and industrial chains, act as an "acceleration engine" for LEPAS. Empowered by Chery, LEPAS, with its "Colorful Life, Masterful Drive" proposition, is scripting a new chapter in the global exquisite travel market.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store