
Good catch! Vogue's edit of marine-inspired sea jewellery
High jewellery creations like those lead the way creatively, but there is certainly also a wealth of alternative options out there. These run the gamut from fine jewels in precious materials, like Tiffany & Co.'s Titan line designed by Pharrell Williams. Set with lustrous black Tahitian pearls and spiked gold designed like the tines of Poseidon's trident, it makes its references graphically and subtly.
Fred, a maison that loves the sun and sea, has also built on its sailing cable collection—distilling its signature design elements into glamorous built-in stacks in the Force 10 Rise. Nautical and imbued with the spirit of the sea, yet designed with a modern subtlety that makes it easy to wear.
Cute motifs like seashells and little fish, meanwhile, offer an easy way into the trend. A piece in a bigger size makes a fabulous, summery statement which can be paired with daintier everyday jewellery. Goossens, the Parisian maison des métiers d'art that crafts fantasy bijoux for Chanel, has a playful jewelled seashell minaudière out this summer that's as pretty as it is handy.
Here, Vogue's edit of jewellery with sea motifs. Courtesy of Tiffany & Co.
1 / 13 Tiffany & Co. Titan by Pharrell Williams ring in rose gold with a Tahitian pearl and diamonds, $14,000
The May 2025 'Sonder' issue of Vogue Singapore is available online and on newsstands. Courtesy of CCWW Designs
2 / 13 CCWW Designs Ammonite earrings in carved aventurine with 14-carat gold and lab-grown diamonds, US$5,015 Courtesy of Dior
3 / 13 Dior Rose des Vents hidden watch in yellow gold with diamonds, price on request Courtesy of Fred
4 / 13 Fred Force 10 Rise ring in pink gold with diamonds, $9,700 Courtesy of Guita M
5 / 13 Guita M GE620 earrings in rose gold with grey mother-of-pearl, grey Tahitian pearls and imperial topaz, US$9,400 Courtesy of Goossens
6 / 13 Goossens Circé minaudière necklace in gold-dipped brass with freshwater pearls, carnelian, turquoise, agate and garnet, US$2,170 Courtesy of Goossens
7 / 13 Goossens Circé shell pendant in gold-dipped brass with a freshwater pearl, US$255 Courtesy of iTÄ
8 / 13 iTÄ Bahía Shell Bead pendant in 14-carat yellow gold with diamonds, $2,150 Courtesy of Brent Neale
9 / 13 Brent Neale Cancer ring in yellow gold with diamonds, US$12,250 Courtesy of Brent Neale
10 / 13 Brent Neale Pisces ring in platinum and yellow gold with diamonds, US$19,850 Courtesy of Misho
11 / 13 Misho Sirena necklace in gold-plated bronze with pearls, $346 Courtesy of Selim Mouzannar
12 / 13 Selim Mouzannar Fish For Love double-sided pendant in pink gold with diamonds, sapphires, spessartines and orange enamel, US$27,470 Courtesy of Mociun
13 / 13 Mociun fish charm in 14-carat gold, price on request
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Vogue Singapore
an hour ago
- Vogue Singapore
High jewellery encounters Singapore's cultural heritage
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Sarong kebaya costume by Raymond Wong. Cotton, batik; 2019; Singapore. Collection of the Peranakan Museum, gift of Ivan Heng, founder and artistic director of Wild Rice and Cultural Medallion 2013 honouree. Courtesy of the Peranakan Museum The Parisian jeweller Frédéric Boucheron was a maverick in his time. While his contemporaries thought of jewels as standalone objects, he was thinking of them as part of a complete stylistic message. Hence his invention in 1879 of the Question Mark necklace, a liberated jewel without a clasp that could be worn without assistance. That expression and philosophy evolved by 1883 into peacock feather, or plume de paon , designs that aimed to evoke the fluttery lightness of its inspiration. Most recently, the house's creative director Claire Choisne has taken the feather motif and given it brilliant chromatic life, by fusing white gold with coloured titanium to give her peacock feathers even more nuanced gradations of colour. Boucheron Plume de Paon earrings. Titanium, white gold, white diamonds, brown diamonds, tanzanites, sapphires, tsavorites; 21st century; Paris, France. Ching Lee Function and flair Traditional Peranakan terrace houses tend to feature pintu pagar , a Baba Malay term for which the literal English translation is 'fence door'. Constructed at half height, these doors are meant to provide ventilation, as well as a little privacy and security during the day when they are left open. This one from the Asian Civilisations Museum's collection is a rare and unusually ornate example. Fine carving and gilt work are present on both sides, as opposed to the usual one, and it features an eclectic mix of Chinese and European motifs—a symbol of status, displayed to visitors, for what was perhaps a wealthy Peranakan family. Outer gates (pintu pagar). Teak, gilt paint, glass; late 19th to early 20th centuries; Singapore. Collection of the Asian Civilisations Museum. Courtesy of the Asian Civilisations Museum Van Cleef & Arpels is deeply feminine and romantic, but some of its most inventive and enduring creations were born out of functional, industrial advances. In 1934, amid burgeoning serialised production and the Bauhaus school's design philosophy of replicability, the Parisian maison embarked on a creative quest. It designed the Ludo (a nickname of Louis Arpels), inspired ostensibly by the wraparound function of a belt, with a supple, new-at-the-time gold mesh technique. It has endured as a Van Cleef & Arpels signature, taking on stylistic evolutions in keeping with its time. This modern example is crafted with classic details: hexagonal briquette links, star-set round rubies and a functional twisting jewelled clasp. Van Cleef & Arpels Ludo bracelet. Rose gold, rubies, diamonds, coral; 21st century; Paris, France. Ching Lee Artistic roads Tiles are one of the more unassuming but vibrant expressions of a culture's artistic heritage. 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Courtesy of the Asian Civilisations Museum The simplest of design motifs has also a way of travelling across cultures, escaping boundaries and finding its way into artistic heritages the world over. Rosettes, which are a graphical representation of the leaves of a flower, can be found as far back as ancient Mesopotamia. This motif travelled and was adopted in Renaissance Italy, where it featured as a decorative architectural element. The Milanese jeweller Buccellati, which has an abiding love for Renaissance-era craftsmanship and an ornate, old-world look, uses these in many of its designs. In these Tulle watches, the rosette compositions on the dial, as well as the articulated bracelets, are filled with coloured enamel for a stained-glass effect. Buccellati Tulle watches. White gold, diamonds, enamel; 21st century; Milan, Italy. Ching Lee Summer Splendour The auspicious, blooming colours and motifs of flora and fauna on this circa 1920s beaded tablecloth are thought to be part of the 'spring table' of a Peranakan wedding chamber. Crafted so that it can be appreciated from all sides, the designs draw inspiration and influence from the colours and compositions of Chinese embroidery as well as bird and flower elements from Europe. It is crafted with over a million glass beads, some of them faceted, and said to be one of the largest and most important pieces of Peranakan beadwork in existence. Table cover. Cotton needlepoint canvas and European glass seed beads; around 1920; Penang. Collection of the Asian Civilisations Museum, restoration sponsored by BNP Paribas Foundation and BNP Paribas Singapore Branch. Courtesy of the Asian Civilisations Museum Tablecloth. Beadwork; early 20th century; Penang. Collection of the Asian Civilisations Museum. Courtesy of the Asian Civilisations Museum Cartier's Anansi necklace is named after a trickster deity from African folklore who is often portrayed as a spider. This creation comes from the Parisian jeweller's [Sur]naturel high jewellery collection, which is themed around creative abstractions of nature. It is set with a rare sequence of eight hexagonal peridots, composed with fine diamond and platinum lines and faceted peridot beads to resemble light glistening off a spider's web—perhaps after a summer rain. Cartier Anansi earrings and necklace. Platinum, peridots, diamonds; 21st century; Paris, France. Ching Lee Treasures of the old world One of the more remarkable qualities of jewellery, viewed historically, is that it lasts. Metal and stones are hardy materials, and surviving jewels can tell us a lot about the tastes and styles of a different time. That much is obvious in this magnificent 1900s jewelled peacock belt, one of the Peranakan Museum's prized artefacts. It is made of 18 linked panels of gold, set with a central diamond weighing over five carats. Each of these panels features peacock designs, decorated with white, yellow, brown and orange-pink diamonds. Peacock belt. Gold, diamonds; early 20th century; Singapore or Straits Settlements. Collection of the Peranakan Museum, Peacock belt, gift of Edmond Chin. Courtesy of the Peranakan Museum Tiffany & Co. is relishing the legacy of Jean Schlumberger, the talented midcentury designer whose works for the New York jeweller helped advance and define a modern look of jewellery. With time, Schlumberger's design codes have acquired the lustrous patina of an older, rarer and more refined world. Glamour, after all, is often more tantalising when it's just out of reach. The Fringe necklace, based on a celebrated 1956 design, references Schlumberger's origins in a family of Alsatian textile merchants. Each 'fringe' of hand-twisted gold rope is articulated, and dotted with diamonds set on platinum so it looks as though they are floating. The paillonné enamel Croisillon bracelet, first introduced in 1962, is meanwhile one of the jewellery world's icons of design history. The ancient technique of enamelling is enhanced with sheets of gold foil, laid in layers, to create colours that are deep, vibrant and luminous. Schlumberger by Tiffany & Co. Fringe necklace and Croisillon bracelet. Yellow gold, platinum, diamonds; 21st century, New York, the US. Yellow gold, paillonné enamel; 21st century; New York, the US. Ching Lee Photography Ching Lee Styling Lance Aeron Vogue Singapore's July/August 'Home' issue is available on newsstands and online.


Vogue Singapore
6 days ago
- Vogue Singapore
Vogue's Watches Report: Seriously beautiful high jewellery watches
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As watch brands continue to hone and improve their offerings for women, and as men's interest in jewellery looks set to grow, there's a point where the interests to join to create high jewellery pieces that are spectacular highlights. Rather than fuss over reference numbers and one- or two-millimetre differences in case sizes, or the hours in a power reserve and how many metres of waterproofness, how about a more indulgent spread of vital statistics in the form of carats and gemstones? Courtesy of Patek Philippe 1 / 7 Patek Philippe ref. 5811/1460G Nautilus Haute Joaillerie In this new Nautilus Haute Joaillerie model, Patek Philippe has paired the silhouettes of round brilliant and baguette-cut diamonds to create a watch that's as mesmerising as it is structured. It's crafted in white gold and set with a total of 1,285 brilliant-cut diamonds weighing 6.43 carats total, and 195 baguette-cut diamonds weighing 13.27 carats. The case is set with 100 brilliants, with 32 baguette-cuts on the bezel; 13 baguette-cuts and 297 brilliant-cuts on the dial; and finally 150 baguettes and 888 brilliants on the bracelet. 2 / 7 Van Cleef & Arpels Ruban Mystérieux The Parisian high jeweller Van Cleef & Arpels counts the world of haute couture as one of its core inspirations, and this new watch evokes the delicate fold of a ribbon on the wrist. It's crafted in white and rose gold, with a virtuosic snow-set arrangement of diamonds. On its left edge, a line of emeralds; and on the right edge of this ribbon, the house's signature Traditional Mystery Set with emeralds and sapphires. The dial, with a base of mother-of-pearl, is its most subtle but breathtaking detail. It is, in fact, an oval-cut 3.72-carat DIF diamond so internally flawless that it reveals a perfect, clear view of the dial. 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Courtesy of Hermès 6 / 7 Hermès Maillon Libre Hermès may have debuted its Maillon Libre as a non-traditional, nomadic brooch, but it's also come up with a more classic wristwatch style that turns its links into a structured cuff bracelet. This model in rose gold is bezel-set with four cushion-cut terracotta tourmalines, 218 brilliant-cut diamonds weighing around 3.96 carats, and 12 baguette-cut diamonds weighing around 1.08 carats. 7 / 7 Piaget Essentia Piaget has dedicated its thematic focus this year to shapes, and in its high jewellery timepieces the most charming expression is perhaps this Essentia. Instead of a definite, geometric shape, this cuff watch has a biomorphic fluidity, like pebbles that have been shaped by running water—the hands of the divine. It's a testament to the maison's gold crafting savoir-faire to create such an organic feeling. The yellow gold case and bracelet are accented by gentle, wavy lines of brilliant-cut diamonds, and a resplendent opal dial. Vogue Singapore's June 2025 'Gold' issue is available on newsstands and online.
Business Times
25-07-2025
- Business Times
FRED: Of vibrant colours, graphic arches and eternal sunshine
WHAT COULD BE MORE ESSENTIAL than sunlight? It is, after all, what sustains all life on earth. With it also comes the joy of colours in creation – vibrant and in every hue. Perhaps it is no coincidence that Fred Samuel, founder of FRED Joaillier, always looked to sunlight as an inspiration. It was a reminder of the Argentinian sun under which he was born, as well as the French Riviera, the light and cheerful spirit of which he found irresistible. No wonder the Paris-based jeweller is also known as 'The Sunshine Jeweller'. The storefront of FRED's boutique at 6 Rue Royale, Paris, in 1960. PHOTO: MICHEL CAMBAZARD This year, FRED's 19 new high jewellery creations are anchored in these distinctive codes of colour and light. Named 1936 and Soleil d'Or Sunrise, the two chapters of this remarkable collection tell the story of the jeweller's birth and its enduring signature – sunlight. 1936: A very good year When his maison was founded in 1936, Fred Samuel was eager to create, championing a contemporary, versatile and joyful approach to jewellery. He chose Paris' Rue Royale as the location for his first boutique, because its elegant arcades were typical of architecture in the Mediterranean and French Riviera that he loved. Since then, the Art Deco arch has become one of FRED's hallmark patterns and is also the inspiration for all four of 1936's jewellery sets. Across 10 different pieces, jubilant colours are played against geometric patterns to reveal elegant creations where the purity of stones and lustre of pearls shine through. A NEWSLETTER FOR YOU Friday, 2 pm Lifestyle Our picks of the latest dining, travel and leisure options to treat yourself. Sign Up Sign Up White gold necklace with emerald, diamonds and pearls. PHOTO: FRED Take, for instance, a remarkable Colombian emerald now handsomely set in the hollow of a majestic, upturned arch of a necklace. Around this exceptional stone of over 4 carats are baguette- and brilliant-cut diamonds, finished with a string of pearls interrupted only by the fire of more diamonds set in a variety of arches. Necklace in white gold with sapphire and diamonds. PHOTO: FRED In the second set of jewels, the star is a 7.13-carat, cushion-cut royal blue Sri Lankan sapphire, which sits over a vault-like waterfall of diamonds in a graceful, fluid necklace. Necklace in white gold with ruby and diamonds. PHOTO: FRED Then there is the blazing pigeon-blood red of the Mozambique ruby that's the centrepiece of the third set of jewellery. Here, the 3-carat, oval-cut stone takes pride of place in the middle of a supple choker – highlighting the curve of cascading arches filled with diamonds. Also in this chapter is a tribute to the cultured pearls admired by FRED's founder – a long necklace adorned with delicate Akoya pearls, contrasting against the brilliance of pave diamonds in interlacing arches. Soleil D'Or Sunrise: A golden dawn In 1977, FRED acquired an exceptional yellow diamond of over 100 carats. Today, it infuses its solar luminosity in Soleil d'Or Sunrise – the second chapter. Over nine creations, graphic, contemporary lines showcase the different shades of the sun, as captured at sunrise and at the day's zenith. Each piece seeks to recreate the inclination of the sun's rays as the day progresses, with diamonds shimmering as they drape across the skin. Bib necklace in white and yellow gold with diamonds. PHOTO: FRED The strands of a bib necklace set with white and yellow diamonds sit delicately on the decolletage, at the heart of which rests a 2-carat, fancy intense yellow diamond. This gorgeous piece is joined by another necklace where the sun is shown to be at its strongest. Both are accompanied by transformable rings, earrings and a matching brooch, thus completing the illumination that so bewitched the maison's founder. Ring in white and yellow gold with diamonds. PHOTO: FRED Earrings in white gold with diamonds. PHOTO: FRED With its latest high jewellery collection, FRED again demonstrates why modern, jubilant and luminous creations are its hallmark – and why they continue to captivate us so much. Discover more at or FRED boutique at Marina Bay Sands