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To Be Hero X Episode 11: X Finally Appears As New Arc Begins—Recap, Release Date, Where To Stream And More

To Be Hero X Episode 11: X Finally Appears As New Arc Begins—Recap, Release Date, Where To Stream And More

Pink Villaa day ago

The 10th episode, titled 'The Truth Behind Luck,' reveals that public hysteria over Cyan's survival from the plane crash led to the orphanage's zombification, as people believed her luck harmed others. Her Trust Value plummets, but Queen suggests exposing the truth using the flight recorder Zhen had hidden with the director.
Cyan defeats the zombified orphans and retrieves the device, only to be attacked by Luo. She plays the recording, revealing that her luck came from the passengers' prayers. Luo regains himself, they reconcile, and Cyan rises to become the 7th-ranked hero—unaware of Zhen and Mickey's manipulation.
Expected plot in To Be Hero X Episode 11
To Be Hero X Episode 11 officially begins the Queen Arc, focusing on Liu Yuwei, a prodigy who entered the hero rankings at a young age. The arc will reportedly span 2 episodes, and will follow her journey as she seeks the title of the number one hero, 'X.'
The episode will also introduce Heroine Boar, who views Queen as her rival. In the PV, Queen delivers a speech declaring that the X title belongs to anyone worthy. The episode will also feature Valkyrie and Hero Smile as Queen begins her climb to claim the top spot, eventually meeting and duelling X himself.
To Be Hero X Episode 11: Release date and where to stream
To Be Hero X Episode 11, titled 'Road to the Top,' is scheduled to release in Japan on Sunday, June 15, 2025, at 9:30 am JST, according to the official website. Because of global time differences, some international viewers may access it as early as June 14.
In Japan, it will broadcast on Fuji TV and other local stations and stream on platforms like Amazon Prime, U-NEXT, ABEMA, d-anime Store, Hulu, and more. Internationally, To Be Hero X Episode 11 will be available on Crunchyroll, as well as Bilibili Global in select areas.
For more updates from the To Be Hero X anime, stay tuned to Pinkvilla.

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Amitav Ghosh's Wild Fictions is a heartfelt essay collection on how climate crises are shaping human activity
Amitav Ghosh's Wild Fictions is a heartfelt essay collection on how climate crises are shaping human activity

Indian Express

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  • Indian Express

Amitav Ghosh's Wild Fictions is a heartfelt essay collection on how climate crises are shaping human activity

Amitav Ghosh's collection of essays, Wild Fictions, is an invitation to be part of the author's journey as he seeks ways for a more caring and humane world. They traverse Ghosh's arc as a writer who has cast a critical eye on the ways human societies relate to themselves and the environment. He questions certitudes on civilisation, progress and Eurocentric modernity and problematises the links of postcolonial societies with their colonial past. In his recent works, Ghosh has tried to join the dots between the world of the past three hundred years and perhaps the gravest challenge of our times — climate change. The world, as he puts it, quoting the Italian Marxist Antonio Gramsci, is entering a 'time of monsters', when an old era is dying and a new one is struggling to be born. 'But the monsters that Gramsci had in mind were political creatures — fascists. What is distinctive about our time is that its monsters also consist of weather events that would have been considered improbable in Gramsci's time — supercharged storms, megadroughts, catastrophic rain bombs and the like'. Ghosh is aware of the pitfalls of a cause-and-effect narrative. He was trained as an anthropologist, but it's well known that the writer is adept at looking at events through the eyes of a historian, environmentalist and climate scientist. Like his works of fiction, the essays showcase what Ghosh is best at — lending an attentive ear to migrants, sailors, soldiers, tribal communities, friends, neighbours. He isn't a passive interlocutor, but a seeker who scans archives, diaries and correspondences and reaches out to his respondents to draw out the complexities of their experiences. He is alert to the changes brought out by the developments in communication technology and, most importantly, does not shy away from showing that the ecological is political. As with his works of fiction, the reader is struck by the wealth of Ghosh's research. Those acquainted with his fiction will find familiar characters — Deeti from The Sea of Poppies (2008), the seafaring community Lascars from the Ibis trilogy, the legend of Bon Bibi from The Hungry Tide (2004). At times, the writer lets the reader make connections. For instance, in one essay, he observes the tragedy of 9/11 through the eyes of friends — among them. architects of the Twin Towers — as one of them gives up his life trying to evacuate people from the crumbling skyscraper. In another essay at a different part of this collection, he gets a ringside view of the incident from his daughter who sees the buildings coming down from her classroom. The incident evokes memories of research he had conducted 20 years ago in Egypt as a doctoral student in Anthropology. 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Instead, he tries to find connections between the eponymous tree, the bania, the traveller, sailor and nawabs, and then locates the changing fortunes of the garment in the country's economic trajectory. Wild Fictions is about migration, ecological crises and conversations of Ghosh with fellow writers and academics. It's also a travel book — about the journeys of communities, commodities and ideas. But if there's one thing that unites the essays, it's Ghosh's criticism of Eurocentric modernity. In an exchange with historian Dipesh Chakrabarty, he draws links with modernity, colonialism and racism. In other essays, he asserts that current crises — whether events such as 9/11, the discomfiture with migrants in some parts of the world, the climate and ecological challenges — have to do with power structures created by modernity. Ghosh isn't against modernity per se, but he does seem to believe that European hegemony has foreclosed alternative imaginations of progress. Ghosh doesn't engage much with the large corpus of scholarly engagement with modernity. But in many ways, the writer is like Manmohan Mitra, the protagonist of Satyajit Ray's trenchant critique of the modern civilisation, Agantuk (1991) – a seeker who amplifies the moral voice of some of his protagonists. He draws attention to myriad forms of inequalities — between humans and nature, between different worldviews, nations and peoples. And, he does so gently, without even a sentence in anger.

Zoya Akhtar reveals how 'Made in Heaven' led to powerful docuseries 'In Transit': 'We got so much love from the LGBTQ+ community'
Zoya Akhtar reveals how 'Made in Heaven' led to powerful docuseries 'In Transit': 'We got so much love from the LGBTQ+ community'

Time of India

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Zoya Akhtar reveals how 'Made in Heaven' led to powerful docuseries 'In Transit': 'We got so much love from the LGBTQ+ community'

Be it a school educator from Tripura or a classical musician from Bengaluru, the four-part documentary series 'In Transit' gives a sneak peek into the lives of nine individuals who live beyond the gender binary and are ready to go through hardships to fulfill their dreams. Each character is at a distinct level in their journey, confronting and challenging societal norms. Produced by Zoya Akhtar and Reema Kagti under the banner of Tiger Baby, the four-part docuseries is directed by Ayesha Sood . The project explores the lives of trans and non-binary individuals navigating love, identity, and the boundaries of gender in a uniquely Indian way. In a conversation with ANI, producer Zoya Akhtar and director Ayesha Sood got candid about the series and shared the challenges of making 'In Transit' Zoya shared that the genesis of the series traces back to the positive response to 'Made in Heaven': "The idea came, actually, after when we started doing Made in Heaven, the first season of Made in Heaven, we got a lot of support from the LGBT community and a lot of love from them. And then the next season, we had a character called Meher, which was played by Trinetra Haldar Gummaraju . And that was a trans woman character. While we were writing it, we realised we knew very little. So we did extensive interviews with about six women. And just their candour, the way they were so candid, the way they shared, and we realised how little we knew of these experiences. And they were from all over India. I just felt that this needs to be explored more. Lucky for us, our partners were Amazon Prime. And when I pitched this to them, they just went for it. So then we got Ayesha on who curated, she wanted to cover in this docuseries. And that's how it started." 'In Transit' is an unfiltered insight into the lives of nine people who live beyond the gender binary. The series features real-life stories of courage, vulnerability, and resistance from people around the country, including a young educator living in a reserve forest, a classical musician from Bangalore, and a corporate hotshot in Mumbai. Talking about the research work and bringing all the stories together, director Ayesha shared, "We did very deep research for about a year and a half. And through that time, we went through, like, from history to mythology to politics to understanding all the concerns of what it means to be trans in this country. And through that process, we made a long list and sort of filtered down ideas and thoughts of the story, and then came down to a final nine. So, you know, different stories and different perspectives and but also, you know, make them universal in that we are talking about, you know, identity and love and family. So these are also universal themes. So that's kind of broadly how we came to our characters." About the challenges of bringing them on camera to share their stories, Sood added, "Through the time that we were doing our research with the team, we started to sort of have conversations and build a relationship with these characters. We spoke with them, we did online interviews, we sent people and went and met them like one-on-one, no cameras. So I think the key thing here was to build this over time. And by the time they came to the camera, they knew us. So they were comfortable with us, and they trusted us. I think it was tough for a lot of them. These are not easy stories. They come from a lot of battles and struggles with people close to them and people in their lives. So I don't think it's easy for them at all." Referring to the story of a school educator in Tripura, Ayesha said, "Sid, who comes from Tripura, actually has a very complicated and tough story and runs away from home and had to be rescued with this conversation, this story that happened with his partner because there was another abduction involved. And we actually found Sid through a local sort of help NGO, an NGO in Kolkata. And they had rescued Sid and his partner from this traumatic night and evening. Our research team had somebody who knew of this, of this NGO and through them, we found this story. So it was like, I mean, I think it was like amazing that we were able to make these links with networks across India, like people who worked in the field, worked with trans individuals who could help us find these characters." Transgenders face different challenges including social exclusion, discrimination, unemployment, lack of educational facilities and others. The director talked about their acceptance in society and how, through the series, she hopes to bring a change. "I think people change and societies change when they experience things that move them and you'll see through the series also, there are some people who are accepting and there are some people who are not accepting and some families that do and some families that don't. So, I don't think it's, you look at the society as one block, you know, has society changed or it hasn't changed but things like 'In Transit' are what is going to help people change. You see it in your living room with family, with other people that you know and hopefully that sparks a conversation and a dialogue within that living room, you know, and changes something there." On talking about the challenges of making the project, Zoya shared, "For me, it was not challenging at all. Reema and me wanted a director that would actually not be manipulative, would actually not want to do something that would be,.. shocking or trying to attract attention in a way that we didn't want and Ayesha was the first name that came to both of us because there's a certain empathy, there's a certain understanding, there's a certain compassion, there's a certain analytical brain, there's a certain she just ticked all the boxes. Then Ayesha came on, honestly, we, for us, it was jam. We really didn't have any struggle." Ayesha agreed and said, "Filmmaking is chaotic and complicated and has many moving parts, but this wasn't a struggle for any of us. The struggle was for our characters, you know, them coming out, telling us their stories. They had to be involved in our process from beginning to end, you know, like give up parts of their life to us, whether it's photographs or introduce us to their worlds. So I think the struggles lay with them, you know, like for us, it wasn't a struggle."

"Not easy, they come from a lot of struggles": Zoya Akhtar, Ayesha Sood explore lives of trans, non-binary individuals in 'In Transit'
"Not easy, they come from a lot of struggles": Zoya Akhtar, Ayesha Sood explore lives of trans, non-binary individuals in 'In Transit'

India Gazette

time16 hours ago

  • India Gazette

"Not easy, they come from a lot of struggles": Zoya Akhtar, Ayesha Sood explore lives of trans, non-binary individuals in 'In Transit'

By Ila Sankrityayan New Delhi [India], June 14 (ANI): Be it a school educator from Tripura or a classical musician from Bengaluru, the four-part documentary series 'In Transit' gives a sneak peek into the lives of nine individuals who live beyond the gender binary and are ready to go through hardships to fulfill their dreams. Each character is at a distinct level in their journey, confronting and challenging societal norms. Produced by Zoya Akhtar and Reema Kagti under the banner of Tiger Baby, the four-part docuseries is directed by Ayesha Sood. The project explores the lives of trans and non-binary individuals navigating love, identity, and the boundaries of gender in a uniquely Indian way. In a conversation with ANI, producer Zoya Akhtar and director Ayesha Sood got candid about the series and shared the challenges of making 'In Transit' Zoya shared that the genesis of the series traces back to the positive response to 'Made in Heaven': 'The idea came, actually, after when we started doing Made in Heaven, the first season of Made in Heaven, we got a lot of support from the LGBT community and a lot of love from them. And then the next season, we had a character called Meher, which was played by Trinetra Haldar Gummaraju. And that was a trans woman character. While we were writing it, we realised we knew very little. So we did extensive interviews with about six women. And just their candour, the way they were so candid, the way they shared, and we realised how little we knew of these experiences. And they were from all over India. I just felt that this needs to be explored more. Lucky for us, our partners were Amazon Prime. And when I pitched this to them, they just went for it. So then we got Ayesha on who curated, she wanted to cover in this docuseries. And that's how it started.' 'In Transit' is an unfiltered insight into the lives of nine people who live beyond the gender binary. The series features real-life stories of courage, vulnerability, and resistance from people around the country, including a young educator living in a reserve forest, a classical musician from Bangalore, and a corporate hotshot in Mumbai. Talking about the research work and bringing all the stories together, director Ayesha shared, 'We did very deep research for about a year and a half. And through that time, we went through, like, from history to mythology to politics to understanding all the concerns of what it means to be trans in this country. And through that process, we made a long list and sort of filtered down ideas and thoughts of the story, and then came down to a final nine. So, you know, different stories and different perspectives and but also, you know, make them universal in that we are talking about, you know, identity and love and family. So these are also universal themes. So that's kind of broadly how we came to our characters.' About the challenges of bringing them on camera to share their stories, Sood added, 'Through the time that we were doing our research with the team, we started to sort of have conversations and build a relationship with these characters. We spoke with them, we did online interviews, we sent people and went and met them like one-on-one, no cameras. So I think the key thing here was to build this over time. And by the time they came to the camera, they knew us. So they were comfortable with us, and they trusted us. I think it was tough for a lot of them. These are not easy stories. They come from a lot of battles and struggles with people close to them and people in their lives. So I don't think it's easy for them at all.' Referring to the story of a school educator in Tripura, Ayesha said, 'Sid, who comes from Tripura, actually has a very complicated and tough story and runs away from home and had to be rescued with this conversation, this story that happened with his partner because there was another abduction involved. And we actually found Sid through a local sort of help NGO, an NGO in Kolkata. And they had rescued Sid and his partner from this traumatic night and evening. Our research team had somebody who knew of this, of this NGO and through them, we found this story. So it was like, I mean, I think it was like amazing that we were able to make these links with networks across India, like people who worked in the field, worked with trans individuals who could help us find these characters.' Transgenders face different challenges including social exclusion, discrimination, unemployment, lack of educational facilities and others. The director talked about their acceptance in society and how, through the series, she hopes to bring a change. 'I think people change and societies change when they experience things that move them and you'll see through the series also, there are some people who are accepting and there are some people who are not accepting and some families that do and some families that don't. So, I don't think it's, you look at the society as one block, you know, has society changed or it hasn't changed but things like 'In Transit' are what is going to help people change. You see it in your living room with family, with other people that you know and hopefully that sparks a conversation and a dialogue within that living room, you know, and changes something there.' On talking about the challenges of making the project, Zoya shared, 'For me, it was not challenging at all. Reema and me wanted a director that would actually not be manipulative, would actually not want to do something that would be,.. shocking or trying to attract attention in a way that we didn't want and Ayesha was the first name that came to both of us because there's a certain empathy, there's a certain understanding, there's a certain compassion, there's a certain analytical brain, there's a certain she just ticked all the boxes. Then Ayesha came on, honestly, we, for us, it was jam. We really didn't have any struggle.' Ayesha agreed and said, 'Filmmaking is chaotic and complicated and has many moving parts, but this wasn't a struggle for any of us. The struggle was for our characters, you know, them coming out, telling us their stories. They had to be involved in our process from beginning to end, you know, like give up parts of their life to us, whether it's photographs or introduce us to their worlds. So I think the struggles lay with them, you know, like for us, it wasn't a struggle.' 'In Transit' is out on Prime Video. (ANI)

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