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Get your teeth into macabre Scots tale

Get your teeth into macabre Scots tale

Once upon a time, a long long time ago, there was a fearsome cannibal clan who lived in a damp coastal cave in Ayrshire.
Or maybe there wasn't. But I'll tell you the story anyway.
Alexander "Sawney" Bean was the head of a cannibalistic family that inhabited a deep-sea cave on the South Ayrshire coast of Scotland.
According to legend, every night Sawney, his wife and their myriad offspring would leap upon unsuspecting travellers on the nearby highway, dragging these poor hapless souls back to the caves, where they were torn limb from limb and devoured. What wasn't consumed on the spot was pickled. As the legend goes, over 1000 people were murdered and eaten by Sawney's clan over a period of 25 years.
I must confess I was rather delighted when I stumbled upon the myth of Sawney Bean. My mother's maiden name, you see, is McBain, of the Clan McBain from Tomatin in Inverness-shire. According to some rather dubious-looking genealogy websites, the McBain surname may be traced back to Aberdeen, with a "Bean" who was a magistrate circa 1210.
Sod illustrious ancestors (a great-great-many-greats-uncle was Admiral of the White in the Royal British Navy, and my grandfather's cousin was Chief Chief to the Queen), I was tickled to find that there was a crumb of a chance I was related to real, actual, cannibals.
Considering all the rough-and-tumble, hair-pulling and biting my siblings and I engaged in, I wasn't surprised. Of course, the likelihood that Sawney Bean actually existed, let alone was related to me, is negligible, if not non-existent. But there's something delightfully fun about imagining what one's (dubious) ancestors might have done.
The story of Sawney Bean and his ravenous family first appeared in The Newgate Calendar , a rather lurid crime catalogue of the 18th and 19th centuries loosely connected with Newgate Prison in London. According to this sensationalist paper, Alexander Bean was born in East Lothian during the 16th century. Bean tried to follow in the footsteps of his father, who was a ditch-digger
and hedge-trimmer, but swiftly realised he was not cut out for that line of work.
Instead, Bean took up with an alleged witch called "Black" Agnes Douglas, and the pair embarked on their chosen trade of robbing and cannibalising people. They soon found the perfect piece of real estate: a coastal cave in Bennane Head between Girvan and Ballantrae, some 180m deep, with an entrance blocked by water during high tide, enabling the couple to live there undiscovered.
Bean and Douglas got busy; they produced six daughters, eight sons, 14 granddaughters, and 18 grandsons (the grandchildren allegedly the products of incest between their children). Surely the local authorities must have been confused and horrified by the sheer number of people going missing in the area?
Despite widespread efforts to scour the surrounding countryside in hopes of finding the vanished individuals or those responsible for their disappearance, no-one ever considered venturing into the dark recesses of Bennane Cave.
Their crimes only came to light when the Bean clan botched an ambush on a married couple riding home from a local fair. The man was armed with a sword and pistol and as such was able to hold the clan off. His wife was not so lucky however; she fell off their horse, was promptly collected by the Beans and stripped and disemboweled on the spot.
Thankfully for the man, a group of around 20 fairgoers came upon the chaos. A fierce skirmish broke out and for the first time, the Bean clan was outnumbered. Overwhelmed, they abandoned the attack and fled back to their coastal lair to regroup. The grief-stricken husband escaped to the local magistrate and recounted his upsetting tale to all who might listen.
It wasn't long before an official posse of 400 men and several bloodhounds, led by King James himself, set off to investigate. The dogs sniffed out the Beans in their cave, and by torchlight, the searchers made a gruesome discovery — the numerous Beans surrounded by the grisly remainders of their meals, body parts strung up on the walls, barrels full of pickled limbs and masses of clothes and jewellery.
Here, the story diverges into two versions of events. The first claims that the clan was captured alive and docilely transferred to the Tolbooth jail in Edinburgh, then moved to Leith, where they were promptly executed, being deemed as subhuman and therefore unfit for trial.
According to the other version, the search party detonated gunpowder at the entrance of their cave, leaving the Bean clan to suffocate.
In truth, there is very little to suggest Sawney Bean and his cannibalistic clan actually existed. Given the alleged widespread panic, one might expect to find some trace of this public alarm in contemporary family records, letters or personal memoirs. But none exist.
It's likely that the story is fictional or exaggerated folklore, possibly borrowed from older European legends and amplified over the years. Dorothy L. Sayers, for example, penned a lurid account of the tale in Great Short Stories of Detection, Mystery and Horror (1928), which became a best-seller in Britain.
Tales of fearsome Scottish cannibals date back to the early 15th century, with the story of Christie Creek, who lived during a famine in the mid-14th century.
It may be that the legend of Sawney Bean served as political propaganda to denigrate the Scots after the Jacobite rebellions. Bean and his family represented everything that the English feared about the "uncivilised north" — the barbarity of the Highlands, their lawlessness, violence and remoteness. Cannibalism is, after all, the ultimate taboo.
Perhaps the legend was nothing more than a convenient morality tale used to justify English superiority and political control. In an interview with the BBC, Scottish historian Dr Louise Yeoman argued that the legend of Sawney Bean conveyed a "sinister subtext — the books it sold were published not in Scotland but in England, at a time when there was widespread prejudice against Scots".
Whatever the reasons for the legend's genesis, you can't deny it's a fearsome tale, inspiring countless horror stories, novels and movies, such as Wes Craven's The Hills Have Eyes (1977) and Jack Ketchum's novel Off Season . The tale of the Bean clan has persisted and evolved over the years, slotting nicely into Scottish gothic tourism alongside Burke and Hare, the haunted vaults of Edinburgh and the "Canongate Cannibal".
What of the cave itself? I'd love to tell you I've been there, but sadly I have not. According to people who have been there however, the cave is indeed a couple of hundred metres deep, pitch black and rather chilly.
Graffiti and pigeon droppings have replaced the carcasses and bones, but it still doesn't sound like a pleasant place — hardly a great spot for a seaside picnic.
Whether Sawney Bean and his clan actually existed or not, the legend will persist as a reminder of what happens when a person turns his back on civilisation and retreats into the darkest, dampest, cruellest part of his very being.
The cannibalistic bogeyman will continue to terrify and enthrall generations to come as a monster that embodies humanity's worst fears about themselves. Delicious.
— Jean Balchin is an ODT columnist who has started a new life in Edinburgh.

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Get your teeth into macabre Scots tale
Get your teeth into macabre Scots tale

Otago Daily Times

time3 days ago

  • Otago Daily Times

Get your teeth into macabre Scots tale

Once upon a time, a long long time ago, there was a fearsome cannibal clan who lived in a damp coastal cave in Ayrshire. Or maybe there wasn't. But I'll tell you the story anyway. Alexander "Sawney" Bean was the head of a cannibalistic family that inhabited a deep-sea cave on the South Ayrshire coast of Scotland. According to legend, every night Sawney, his wife and their myriad offspring would leap upon unsuspecting travellers on the nearby highway, dragging these poor hapless souls back to the caves, where they were torn limb from limb and devoured. What wasn't consumed on the spot was pickled. As the legend goes, over 1000 people were murdered and eaten by Sawney's clan over a period of 25 years. I must confess I was rather delighted when I stumbled upon the myth of Sawney Bean. My mother's maiden name, you see, is McBain, of the Clan McBain from Tomatin in Inverness-shire. According to some rather dubious-looking genealogy websites, the McBain surname may be traced back to Aberdeen, with a "Bean" who was a magistrate circa 1210. Sod illustrious ancestors (a great-great-many-greats-uncle was Admiral of the White in the Royal British Navy, and my grandfather's cousin was Chief Chief to the Queen), I was tickled to find that there was a crumb of a chance I was related to real, actual, cannibals. Considering all the rough-and-tumble, hair-pulling and biting my siblings and I engaged in, I wasn't surprised. Of course, the likelihood that Sawney Bean actually existed, let alone was related to me, is negligible, if not non-existent. But there's something delightfully fun about imagining what one's (dubious) ancestors might have done. The story of Sawney Bean and his ravenous family first appeared in The Newgate Calendar , a rather lurid crime catalogue of the 18th and 19th centuries loosely connected with Newgate Prison in London. According to this sensationalist paper, Alexander Bean was born in East Lothian during the 16th century. Bean tried to follow in the footsteps of his father, who was a ditch-digger and hedge-trimmer, but swiftly realised he was not cut out for that line of work. Instead, Bean took up with an alleged witch called "Black" Agnes Douglas, and the pair embarked on their chosen trade of robbing and cannibalising people. They soon found the perfect piece of real estate: a coastal cave in Bennane Head between Girvan and Ballantrae, some 180m deep, with an entrance blocked by water during high tide, enabling the couple to live there undiscovered. Bean and Douglas got busy; they produced six daughters, eight sons, 14 granddaughters, and 18 grandsons (the grandchildren allegedly the products of incest between their children). Surely the local authorities must have been confused and horrified by the sheer number of people going missing in the area? Despite widespread efforts to scour the surrounding countryside in hopes of finding the vanished individuals or those responsible for their disappearance, no-one ever considered venturing into the dark recesses of Bennane Cave. Their crimes only came to light when the Bean clan botched an ambush on a married couple riding home from a local fair. The man was armed with a sword and pistol and as such was able to hold the clan off. His wife was not so lucky however; she fell off their horse, was promptly collected by the Beans and stripped and disemboweled on the spot. Thankfully for the man, a group of around 20 fairgoers came upon the chaos. A fierce skirmish broke out and for the first time, the Bean clan was outnumbered. Overwhelmed, they abandoned the attack and fled back to their coastal lair to regroup. The grief-stricken husband escaped to the local magistrate and recounted his upsetting tale to all who might listen. It wasn't long before an official posse of 400 men and several bloodhounds, led by King James himself, set off to investigate. The dogs sniffed out the Beans in their cave, and by torchlight, the searchers made a gruesome discovery — the numerous Beans surrounded by the grisly remainders of their meals, body parts strung up on the walls, barrels full of pickled limbs and masses of clothes and jewellery. Here, the story diverges into two versions of events. The first claims that the clan was captured alive and docilely transferred to the Tolbooth jail in Edinburgh, then moved to Leith, where they were promptly executed, being deemed as subhuman and therefore unfit for trial. According to the other version, the search party detonated gunpowder at the entrance of their cave, leaving the Bean clan to suffocate. In truth, there is very little to suggest Sawney Bean and his cannibalistic clan actually existed. Given the alleged widespread panic, one might expect to find some trace of this public alarm in contemporary family records, letters or personal memoirs. But none exist. It's likely that the story is fictional or exaggerated folklore, possibly borrowed from older European legends and amplified over the years. Dorothy L. Sayers, for example, penned a lurid account of the tale in Great Short Stories of Detection, Mystery and Horror (1928), which became a best-seller in Britain. Tales of fearsome Scottish cannibals date back to the early 15th century, with the story of Christie Creek, who lived during a famine in the mid-14th century. It may be that the legend of Sawney Bean served as political propaganda to denigrate the Scots after the Jacobite rebellions. Bean and his family represented everything that the English feared about the "uncivilised north" — the barbarity of the Highlands, their lawlessness, violence and remoteness. Cannibalism is, after all, the ultimate taboo. Perhaps the legend was nothing more than a convenient morality tale used to justify English superiority and political control. In an interview with the BBC, Scottish historian Dr Louise Yeoman argued that the legend of Sawney Bean conveyed a "sinister subtext — the books it sold were published not in Scotland but in England, at a time when there was widespread prejudice against Scots". Whatever the reasons for the legend's genesis, you can't deny it's a fearsome tale, inspiring countless horror stories, novels and movies, such as Wes Craven's The Hills Have Eyes (1977) and Jack Ketchum's novel Off Season . The tale of the Bean clan has persisted and evolved over the years, slotting nicely into Scottish gothic tourism alongside Burke and Hare, the haunted vaults of Edinburgh and the "Canongate Cannibal". What of the cave itself? I'd love to tell you I've been there, but sadly I have not. According to people who have been there however, the cave is indeed a couple of hundred metres deep, pitch black and rather chilly. Graffiti and pigeon droppings have replaced the carcasses and bones, but it still doesn't sound like a pleasant place — hardly a great spot for a seaside picnic. Whether Sawney Bean and his clan actually existed or not, the legend will persist as a reminder of what happens when a person turns his back on civilisation and retreats into the darkest, dampest, cruellest part of his very being. The cannibalistic bogeyman will continue to terrify and enthrall generations to come as a monster that embodies humanity's worst fears about themselves. Delicious. — Jean Balchin is an ODT columnist who has started a new life in Edinburgh.

All the finalists in the 2025 NZ Book Awards for Children and Young Adults
All the finalists in the 2025 NZ Book Awards for Children and Young Adults

The Spinoff

time04-06-2025

  • The Spinoff

All the finalists in the 2025 NZ Book Awards for Children and Young Adults

Announcing all the books – and their authors, illustrators, translators and publishers – in the running for this year's New Zealand Book Awards for Children and Young Adults. The winter months are an apt time to celebrate the creators of books that feed future creators of books. With long nights and days punctuated by weather, here's an opportunity to gather around the best Aotearoa has to offer and their promises of armchair adventure. There were 156 entries to the awards this year (slightly down on 2024's 176). The judging panels were assisted by 450 reviews submitted by school students from 51 schools around Aotearoa. Among this year's finalists are books that, according to convenor of judges Feana Tu'akoi, present 'big ideas from our past, present and possible dystopian futures are considered in absorbing and thoughtful ways, providing springboards for deeper discussion. Themes include identity, connection, mental health, our histories, traditional wisdom, indigenous languages, and the importance of being exactly who we are.' Before we dive into some analysis of each category, a recap of what they are and the monies attached. There are six categories: Picture Book, Junior Fiction, Young Adult Fiction, Non-Fiction, Illustration and te reo Māori. Winners are announced at a ceremony at Pipitea Marae in Wellington on August 13 and will each take home $8,500. Of those winners, one will be named the Margaret Mahy Book of the Year and will receive an extra $8,500. The Best First Book prize winner gets $2,500. The Bookhub Picture Book Award finalists Ten Nosey Weka by Kate Preece, illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu) (Bateman Books) Titiro Look by Gavin Bishop (Tainui, Ngāti Awa), translated by Darryn Joseph (Ngāti Maniapoto, Ngāti Rereahu) (Gecko Press, Lerner Publishing Group) You Can't Pat a Fish by Ruth Paul (Walker Books Australia) Picture books are an artistic collaboration. Words, text, design and format all have to work together perfectly. These finalists are all pros. Gavin Bishop, Ruth Paul, Juliette MacIver have all been here before, as have illustrators Lily Uivel and Isobel Joy Te Aho-White. Kate Preece is new to the awards with her first-of-a-kind counting book revolving around those curious, sneaky wee birds, the weka. In this interview with The Sapling, Preece explains how the book is tri-lingual and is the first to include Ta rē Moriori, the indigenous language of Rēkohu, where Preece now lives. Wright Family Foundation Esther Glen Junior Fiction Award finalists Brown Bird by Jane Arthur (Penguin Random House New Zealand) Detective Beans and the Case of the Missing Hat by Li Chen (Penguin Random House New Zealand) The Apprentice Witnesser by Bren MacDibble (Allen & Unwin) The Raven's Eye Runaways by Claire Mabey (Allen & Unwin) V iolet and the Velvets: The Case of the Missing Stuff by Rachael King, illustrated by Phoebe Morris (Allen & Unwin) This is all very … strange, for me. I love writing. I love writing novels for young readers because at heart I am still a young reader. It's extremely odd to be writing with this books editor hat on about this award with my author hat on. But the books editor is saying well done to the author and the author is chuffed (if not quite awkward). Mostly because of the company my first novel is keeping here. Back for the second year in a row is the unstoppable Rachael King (who was also a finalist in 2024 for The Grimmelings); I adored Jane Arthur's self-described 'quiet novel' about a character who now looms large in my mind. Bren MacDibble is an absolute powerhouse writer whose work is admirable for its voice, its world building and its control. And Li Chen's Detective Beans and the Case of the Missing Hat has stunning visual worldbuilding and a cute as leading cat. Note the mystery theme: definitely a trend I've noticed in international publishing. Young readers love intrigue just as much as anyone! Young Adult Fiction Award finalists Bear by Kiri Lightfoot, illustrated by Pippa Keel Situ (Allen & Unwin) Gracehopper by Mandy Hager (One Tree House) Migration by Steph Matuku (Ngāti Tama, Ngāti Mutunga) (Huia Publishers) The Mess of Our Lives by Mary-Anne Scott (One Tree House) The Paradise Generation by Sanna Thompson (umop apisdn press) Writing for young adults is a tall order. Young adults (otherwise known as teenagers) can be a tough crowd. What all of these books do is simply tell a story, build worlds, with teenage protagonists at the heart of them. Kiri Lightfoot's Bear is akin to acclaimed Patrick Ness novel, A Monster Calls, in that it uses a metaphoric beast to represent Jasper's rage, fear and consuming emotional undertow. Steph Matuku (no stranger to these awards) has written a brilliant dystopian sci-fi that reflects our present-day conflicts all too well. The Mess of Our Lives by Mary-Anne Scott is a story of overcoming an extremely challenging home life; while Mandy Hager (also no stranger to these awards) has written a story that centres on themes of identity and inclusion. First-time author Sanna Thompson is the wild card here: you can read an excerpt from The Paradise Generation over on Kete Books. Elsie Locke Award for Non-Fiction Finalists Black Magic by David Riley, illustrated by Munro Te Whata (Ngāpuhi, Ngāti Porou, Makefu) (Reading Warrior) Dear Moko: Māori Wisdom for our Young Ones by Hinemoa Elder (Te Aupōuri, Te Rarawa, Ngāti Kurī, Ngāi Takoto, Ngāpuhi nui tonu) (Penguin Random House New Zealand) Ruru: Night Hunter by Katie Furze, illustrated by Ned Barraud (Scholastic New Zealand) The Treaty of Waitangi / Te Tiriti o Waitangi by Ross Calman (Ngāti Toa, Ngāti Raukawa, Kāi Tahu) (Oratia Books) Tui Pea Luva by Mele Tonga Grant, illustrated by Luca Walton (Mila's Books) Huge names! These books are so crucial for education at home and at school: they condense complex subjects and present them in fluid, learnable ways via text, image and design. I love Ruru: Night Hunter for its immersive journey through the nightlife of our little owls. Ross Calman's The Treaty of Waitangi | Te Tiriti o Waitangi is extremely useful: highly illustrated, clearly written, an all-ages text, really. Mila's Books are the only all-Pasifika publishing house in the world and they consistently put out books made by and for Pasifika children and families. Tui Pea Luva is Grant's poetry collection which passes down the wisdom of Pasifika women. David Riley's Reading Warrior is a multi-faceted organisation that publishes books, creates projects in collaboration with communities, runs workshops and puts student writing into print. Black Magic continues Reading Warrior's focus on sporting heroics with the story of how we got our all black uniforms with a silver fern. Russell Clark Award for Illustration Alice and the Strange Bird by Isaac du Toit (Isaac du Toit) Hineraukatauri me Te Ara Pūoro, illustrated by Rehua Wilson (Te Aupouri, Te Rarawa), written by Elizabeth Gray (Ngāti Rēhia, Ngāti Uepōhatu, Tama Ūpoko ki te awa tipua, Ngāti Tūwharetoa anō hoki) (Huia Publishers) Poem for Ataahua, illustrated by Sarah Wilkins, written by Alistair Te Ariki Campbell (Reading Warrior) Sad Sushi, Anna Aldridge (Anna Aldridge) You Can't Pat a Fish by Ruth Paul (Walker Books Australia) It's always amazing to me how illustrators find angles, perspectives, and wordless narratives that bring a text to life. Sarah Wilkins' illustrations for Poem for Ataahua first caught my eye on Instagram: they're stunning, ethereal. Wilkins is longlisted for the World Illustration Awards 2025 for this same work (selected from 5000 entries from 81 countries). I also adore Ruth Paul's bold style: there's such comedy in the images that work so well with Paul's rollicking rhyme (hard to do but Paul does it so well). Wright Family Foundation Te Kura Pounamu Award Finalists A Ariā me te Atua o te Kūmara by Witi Ihimaera (Te Whānau a Kai, Rongowhakaata, Te Aitanga a Mahaki, Ngāti Porou), illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu), translated by Hēni Jacob (Ngāti Raukawa) (Penguin Random House New Zealand) *Hineraukatauri me Te Ara Pūoro by Elizabeth Gray (Ngāti Rēhia, Ngāti Uepōhatu, Tama Ūpoko ki te awa tipua, Ngāti Tūwharetoa anō hoki), illustrated by Rehua Wilson (Te Aupouri, Te Rarawa) (Huia Publishers) Ka mātoro a Whetū rāua ko Kohu i Rotorua by Hayley Elliott-Kernot, translated by Te Ingo Ngaia (Taranaki, Ngāruahine, Te Ātiawa, Waikato-Maniapoto, Ngāti Whakaue, Te Whānau-a-Karuai ) (Round Door Design) Ko ngā Whetū Kai o Matariki, ko Tupuānuku rāua ko Tupuārangi by Miriama Kamo (Ngāi Tahu, Ngāti Mutunga), illustrated by Zak Waipara (Ngāti Porou, Ngāti Ruapani, Ngāti Kahungunu, Rongowhakaata), translated by Ariana Stevens (Poutini Ngāi Tahu) (Scholastic New Zealand) * Ngā Kupenga a Nanny Rina by Qiane Mataa-Sipu (Te Waiohua, Waikato, Ngāpuhi, Ngāti Pikiao, Cook Islands), illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu) (Penguin Random House New Zealand) * Indicates a finalist book originally written in te reo Māori A specialist judging panel was enlisted to analyse the merits of these books either translated into te reo Māori or originally written in te reo Māori. Many familiar names here including Mirama Kamo and Zak Waipara (who were finalists in 2019 for Ngā Whetū Matariki i Whānakotia, translated by Ngaere Roberts); and Witi Ihimaera and Isobel Joy Te Aho-White who were finalists in 2023 with Te Kōkōrangi: Te Aranga o Matariki (translated by Hēni Jacob). NZSA Best First Book Award Finalists Brave Kāhu and the Pōrangi Magpie by Shelley Burne-Field (Ngāti Mutunga, Ngāti Rārua, Te Ātiawa, Sāmoa) (Allen & Unwin) Play Wild by Rachel Clare (Bateman Books) The Raven's Eye Runaways by Claire Mabey (Allen & Unwin) The Witch of Maketu and the Bleating Lambs by Anika Moa (Ngāpuhi, Te Aupōuri), illustrated by Rebecca ter Borg (Penguin Random House New Zealand) The Writing Desk by Di Morris (Bateman Books) I don't think many of us on this list ever expected to see our names alongside queen Anika Moa. I loved her book based on the character in her superbly creepy song. Shelley Burne-Field is a gorgeous writer (you can read about why she writes for children on The Spinoff). Di Morris' The Writing Desk is a stunning graphic account of the lives of colonial women; and Rachel Clare's Play Wild is a guide to having little adventures outside (reminiscent of Giselle Clarkson's The Observologist, though more geared towards using natural materials to aid imaginative play). Thanks to the English and bilingual judging panel: Convenor of judges Feana Tu'akoi, a Kirikiriroa-based writer; Don Long, a children's and educational publishing expert; Linda Jane Keegan, a Singaporean-Pākehā writer and reviewer; Stacy Gregg (Ngāti Mahuta, Ngāti Pukeko, Ngāti Maru Hauraki), recipient of the Margaret Mahy Book of the Year at the 2024 NZCYA awards; and Mero Rokx (Ngāti Porou, Ngāti Awa, Ngāi Tai), an education specialist who is on the English-language and bilingual panel, as well as Te Kura Pounamu panel. And to the panel judging te reo Māori entries: Convenor Mat Tait (Ngāti Apa ki te Rā Tō, Rangitāne o Wairau, Ngāti Kuia), a freelance artist, illustrator, writer and te reo Māori tutor based in the Motueka area; Justice-Manawanui Arahanga-Pryor (Ngāti Awa ki Rangitaiki, Ngāti Uenuku, Ngāti Rangi, Ngāi Te Ruahikihiki), a kaitakawaenga / library programming specialist; and Maxine Hemi (Ngāti Porou, Ngāti Kahungunu, Rangitāne), a kaiako with over 30 years' experience teaching. And praise be for those who make the awards possible: Creative New Zealand, HELL Pizza, the Wright Family Foundation, LIANZA Te Rau Herenga o Aotearoa, Wellington City Council, BookHub presented by Booksellers Aotearoa New Zealand, New Zealand Society of Authors Te Puni Kaituhi o Aotearoa, the National Library of New Zealand Te Puna Mātauranga o Aotearoa, the Mātātuhi Foundation, and NielsenIQ BookData. The Awards are administered by the New Zealand Book Awards Trust Te Ohu Tiaki i Te Rau Hiringa.

Former Irish prop to coach stags
Former Irish prop to coach stags

Otago Daily Times

time03-06-2025

  • Otago Daily Times

Former Irish prop to coach stags

New Southland Stags coach Nathan White will have a hectic start to his provincial coaching career. White, a former Irish prop, who played for Waikato and the Chiefs, was named as co-coach for the side in something of a surprise move. He is expected in the South sometime later this month. No firm starting date could be provided. Rugby Southland in a statement last week said head of performance and Stags co-coach Matt Saunders was moving on. He was taking up an opportunity with Foodstuffs and operating the Otatara Four Square. Saunders, who had been in the role since 2022, previously operated the Tapanui Four Square. White is a former Toyota Verblitz forwards coach, having worked alongside former All Black coaches Ian Foster and Steve Hansen. White will be the co-coach with James Wilson. Union pathways manager Scott Eade has been promoted to assistant coach for the side, with responsibility for defence. Speaking on Saunders' departure, Rugby Southland chief executive Hua Tamariki acknowledged the mixed emotions within the organisation. "While we're gutted to see Matt go. He leaves with my full support and that of everyone involved in our union," Tamariki said. He said the timing was far from ideal, but the situation was outside Saunders' control. "We've had to act quickly to ensure we maintain continuity and momentum heading into this year's NPC campaign." Tamariki paid tribute to Saunders and said he was a steady and dependable leader. Eade had the full support of the union. "He's self-driven, an exceptional planner, and possesses a unique ability to connect with players across all levels. His inclusion in the Stags' coaching group was always a matter of when, not if," Tamariki said. Tamariki said White should fit in easily. "Originally from Waikato, Nathan has a deep connection to provincial rugby and will fit seamlessly into our community. His skills and leadership will be a great complement to James and the entire coaching group as we move closer to NPC kick-off." White played for Waikato and the Chiefs. In Ireland, he played for Leinster and Connacht. He played 13 tests for Ireland in 2015-16 before retiring because of concussion in 2016. He started his coaching career by helping out at Connacht. Rugby Southland also confirmed last year's forwards coach, Kane Thompson, would be unable to return in 2025 due to international coaching commitments with Manu Samoa. Daryl Thompson will be the set piece coach and Marty McKenzie the skills coach. Southland's first game of the NPC is against Otago in Invercargill on August 2.— APL

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