
Parents outraged by trans film for kids at NYC's Museum of Natural History
The eight-minute stop-motion animation short titled 'Dragfox' – featuring a 'charismatic' fox in drag voiced by Sir Ian McKellen — played last weekend on a loop inside the august Milstein Hall in the shadow of the famed 94-foot long blue whale.
In one scene 11-year-old Sam twirls around with his sister's pink dress, eventually wearing it. The flamboyant fox, 'Ginger Snap,' snatches it and breaks into a drag musical number as the duo embark on a 'magical journey' in the attic.
Advertisement
3 The film played on a loop in the museum, surprising parents.
Dragfox
'What on Earth is this doing playing in the Natural History Museum? No connection whatsoever to space, the ocean, anything,' blasted one stunned museum-member mom in an online parents group.
'There's a time and place for drag queens but the AMNH isn't it,' added the mom about the museum, which received at least $17 million in government funding in 2024, according to its financial disclosures.
The mom was galled that the subject matter 'was intentionally placed in front of us, in cartoon format, with no posted forewarning, in an exhibit about sea animals.'
Advertisement
The 'family friendly' series, part of the annual Margaret Mead Film Festival, was innocuously called 'Our Friends, The Animals' and described a collection of five 'imaginative' shorts that explore 'the deep and often mysterious connections between humans and animals' told through 'myth, magic and quiet moments of discovery.'
De-transitioner Oli London rejected the film's sentiment that transitioning magically brings happiness.
'Children should not be exposed to gender ideology in any format,' said London, who's 35 and detransitioned two years after beginning the grueling process.
Advertisement
3 Jacqueline Toboroff called the film 'predatory indoctrination.'
Obtained by the New York Post
He railed against the animated film aimed at 'targeting' youngsters by including a character with a 'cute, friendly-looking fox . . . encouraging them to become confused with their gender identity and become trans. Children should be off-limits from radical gender ideology.'
Parents accused the museum of straying from its mission to 'discover, interpret, and disseminate —through scientific research and education — knowledge about human cultures, the natural world, and the universe.'
Instead of understanding science, they're 'ignoring' it by 'presenting something that's ideological as scientific fact,' said Natalya Murakhaver, an UWS mom-of-two and documentary filmmaker, who blasted the screening as 'predatory behavior for young, impressionable children.
Advertisement
'I think we have activists running the museum who are trying to portray their idea of reality as fact, when it's actually ideological,' she added.
But 'Dragfox' director, Lisa Ott, exulted during a 2024 BAFTA award acceptance speech that the short 'celebrates drag queens and trans joy.' The singular goal of the film was to 'have one little queer kid or trans child out there feel a little bit less alone.'
The festival is a way to 'step beyond your comfort zone to listen, feel, and see yourself reflected in the stories presented on screen,' insisted Jacqueline Handy, the AMNH Director of Public Programs.
It's more insidious than that, said downtown mom of two, Jacqueline Toboroff. Showing a loaded film aimed at kids is 'predatory indoctrination' meant to sow chaos, she said.
3 Parents were surprised the show was showing, on a loop, in an exhibit about sea life.
Robert Miller
'It's an attempt to dislodge American traditions,' said the author of 'Supermoms Activated,' claiming that the focus on kid-rich environments – 'libraries, schools and museums' – is an 'intentional effort to groom these kids.
'It's meant to sexually exploit impressionable minds and to mainstream sexual deviance.'
Advertisement
New York is among the states with the most gender-affirming care, with 1,154 minors in the state who were sex change patients between 2019 and 2023.
There's social contagion being artificially created and 'harming a new generation of kids that can't escape this ideology,' according to Maud Maron, a parents-rights activist in NYC running on the Rrepublican ticket for Manhattan district attorney against Alvin Bragg.
She added, 'You just don't have a right to push it down New Yorkers' throats in taxpayer-funded institutions.'
Advertisement
The museum said the festival is funded by the New York State Council on the Arts with support of the 'Office of the Governor,' but Gov. Kathy Hochul's spokesperson insisted the state stopped directly funding the film festival in 2021. 'The state did not allocate funding for this film festival and was not involved in the curation or selection process,' the spokesperson insisted.
The arts council budgeted $25,000 in capital grants for the museum this year and that money may have been funneled towards this year's festival, said the rep. AMNH did not respond to repeated requests for comment.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tom's Guide
15 hours ago
- Tom's Guide
'Alien: Earth' might just be my favorite show of all time — and it proves the franchise is thriving
Hearing we were getting a TV show set in the 'Alien' franchise had me a little worried at first. As a superfan, I've always found the iconic sci-fi horror movies incredibly effective, especially in how much terror they pack into just 90 minutes of claustrophobic space. So, the idea of stretching that into eight hours of content definitely gave me some concerns. But now, having seen the first six episodes, I can confidently say I'm genuinely blown away. I'll admit some of my opinion might be a little biased, but I tried to distance my love for the franchise and be critical of 'Alien: Earth' fairly. Even then, it still blew me away. 'Alien: Earth' is pure sci-fi goodness, wrapped in a smart TV show format that's equal parts character drama and savage horror. There's so much to appreciate here, and showrunner Noah Hawley exceeded all expectations. He clearly knows the franchise inside and out, delivering exactly what fans want from an 'Alien' series. With a flashy marketing campaign (including an exhibit at the Natural History Museum in London) Disney and Hulu clearly want 'Alien: Earth' to be the next big TV event. And I'm not alone in thinking this: my colleague Rory Mellon called it the best new show of the year in his review. Now that 'Alien: Earth' is streaming its first two episodes on Hulu (and Disney Plus in the U.K.), I just have to talk about why it might rank as my No. 1 show of all time, and why you need to stream it right now. Most of the 'Alien' movies follow a group of human characters (plus an android) who come face-to-face with the Xenomorp, with each of them dying one by one until only the final girl remains. 'Alien: Romulus' leans heavily on this concept, and while I still love this format (and wouldn't mind seeing it used in future 'Alien' movies), I'm glad 'Alien: Earth' breaks away from it. Don't get me wrong, in the first two episodes we follow a group of search and rescue soldiers who encounter the Xenomorph aboard the Weyland wreckage (and soon discover exactly what they're up against). Episode 5 takes that format almost entirely, feeling like a 60-minute 'Alien' movie, which was incredible. But for the most part, the series breaks that mold in a really smart way. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. That comes down to its storytelling structure and how Hawley clearly wanted to explore the concept of 'man is the monster' even further. Instead of following characters' traumatic survival on a spaceship, we're introduced to Prodigy, a major Earth-based corporation that, in 2120, is one of five companies governing the planet. Prodigy is another example of corporate greed, led by the ego-inflated, shoe-hating CEO Boy Kavalier, who is very unlikeable (Samuel Blenkin delivers one of the strongest performances). After learning about the Weyland research vessel crashing into his city, he becomes determined to obtain everything on that ship including every species that was caged on board. 'Alien: Earth' strays from the usual movie format by introducing multiple species and showing how organizations like Prodigy constantly hunt for the next big innovation. Instead of characters dying one by one, the group of hybrids in 'Earth' must survive the very organization that created them. Unfortunately, in the process, they encounter several species (and the deadly Xenomorph) under far from ideal circumstances. In essence, 'Alien: Earth' expands the franchise's storytelling from a simple survival horror into a deeper, more layered drama about corporate power, scientific experimentation, and diverse alien threats. It's a remarkable piece of TV. I think any 'Alien' fan will agree that the franchise has always been visually stunning. Even the clean aesthetic of 'Prometheus' was pleasing to look at, alongside the grittiness of 'Romulus' and the rough, gritty look of 'Alien 3' (despite some dodgy special effects). 'Alien: Earth' takes all these elements and meshes them together. We experience the claustrophobic terror of spaceship corridors, the sleek corporate design of scientific labs inside Prodigy's main building, and the fresh addition of the natural setting at the Neverland research facility, which is something new for the franchise. From the very first scene in episode one, it nails the vibe. You could probably guess it's 'Alien' even if you closed your eyes and listened to the sound alone, including the iconic clicking of the computer interface. Every aspect of the TV show screams 'Alien' and I found myself almost jumping with excitement when something recognizable pops up. The set design, haunting music, and satisfying opening title sequences only add to the quality of this incredible series. Most of all, I had so much fun watching 'Alien: Earth,' and I was sad every time an episode ended. Franchise fans will eat it up, and even those who haven't encountered any piece of 'Alien' media can still enjoy this show with no prior knowledge. Hawley does an incredible job setting up the story and characters without relying on lore from the movies. Plus, even though we see 'more Xenomorph on screen,' the design is still incredible. I'm glad they stuck with practical effects for the costumes, especially since other species required special effects. The Xenomorph looks as cool as ever with its flashy silver fangs and dripping drool, and horror fans will especially love how gory things get. This show actually has some pretty shocking scenes, to say the least. Based on the first six episodes, I could easily say 'Alien: Earth' is my favorite show of all time. Maybe. 'The Walking Dead' has been my top show for years and one I've rewatched the most, so it's hard to say anything could truly top that. But 'Alien: Earth' is definitely giving it a run for its money. In fact, I'd fight a Xenomorph barehanded to experience this sci-fi masterpiece again for the first time. The first two episodes of "Alien: Earth" are now streaming on Hulu in the U.S and Disney Plus in the U.K.


New York Times
4 days ago
- New York Times
‘We Would Wait Patiently Outside the Hotel Where the Band Was Staying'
An Animal Dear Diary: Back in the mid-1960s, my best friend at the time, Peggy, and I would travel to Manhattan whenever we heard that a British pop group was coming to New York City. We would wait patiently outside the hotel where the band was staying, hoping for a sight of one of our musical heroes. Sometimes our patience was rewarded; sometimes it was not. I, a 15-year-old schoolgirl, once got to stroll arm-in-arm on a street in the West 50s with John Steele, the drummer for The Animals. I gave him a gift, a Mad magazine that he tucked under his other arm. Another time I entered a shop and saw a New York comedian who often appeared on late-night talk shows. I asked him for his autograph. He smiled. 'You don't know who I am,' he said. 'Sure I do,' I replied. 'You're Milt Kamen.' I got the autograph along with a huge smile. — Lisa Morais-Knudsen Submit Your Metropolitan Diary Your story must be connected to New York City and no longer than 300 words. An editor will contact you if your submission is being considered for publication. Want all of The Times? Subscribe.


Buzz Feed
5 days ago
- Buzz Feed
Sam Nivola Addresses Nepo Baby Title
Sam Nivola is undoubtedly making a name for himself in Hollywood, and he wants the world to know that he's doing it on his own terms. The White Lotus star addressed whether or not his success is attributed to his famous parents, Emily Mortimer (Paddington in Peru, The Newsroom) and Alessandro Nivola (Kraven the Hunter, The Brutalist). "Other than my genes, I don't think I can attribute much of my success to my parents," he said in an interview with Variety. "I feel proud that I've done it for myself, and sometimes in spite of them." Sam's first major role was in Noah Baumbach's 2022 film White Noise as the on-screen son of Adam Driver and Greta Gerwig's characters, a role his high school drama teacher helped him land and audition for. "I didn't get my dad's agent to call up so-and-so," Sam said of his White Noise character Heinrich Gladney. "I did it by myself. I didn't want to give anyone an excuse to be able to say that anything I've achieved has been because of anyone other than me. And I'm proud of that." Fun fact: Sam's real-life sister played his little sister in White Noise, but that wasn't their first time acting together. The siblings worked together on an episode of The Pursuit of Love, a British miniseries written and directed by their mother, based on a 1945 novel by Nancy Mitford. Sam had his acting debut in 2013 when he starred in the episode "Six" of Doll & Em, a show starring his mother and produced by his father. Since then, Sam has starred in several films and TV shows portraying the son of some major stars, including 2023's Eileen and Maestro. In 2024, he starred as Will Winbury, the awkward son of Nicole Kidman, in the Netflix limited series The Perfect Couple. It's fair to say that his genes probably had more to do with his career than he considers, but I don't think that's always bad. Sure, when nepotism is attributed to unqualified people who might underperform, it's an ethical problem. But, based on Sam's consistent performances and his ability to carve a proper lane for himself, his parents should be congratulated for introducing him to the craft. Besides, you probably didn't even know who his parents were until I said it. In June, during a Variety conversation with actor Cooper Koch, Sam said his parents advised against him following in their footsteps. "My whole thing was that my parents really didn't want me to be an actor, which I totally get — I don't know if I'd want my kid to be an actor," he admitted. "It's a really mentally tough career to be in." Well, I'm glad that his parents lost that battle. Sam's latest projects slapped. Do you love all things TV and movies? Subscribe to the Screen Time newsletter to get your weekly dose of what to watch next and what everyone is flailing over from someone who watches everything!