Why Edie Falco Didn't 'Socialize' with James Gandolfini Outside 'The Sopranos' Set
Edie Falco shared some rare reflections on her offscreen relationship with the late James Gandolfini, who died in 2013, in Jason Bailey's new memoir,
Falco played Carmela Soprano, wife to Gandolfini's mob boss Tony Soprano, on all six seasons of.
She described her late costar as "a very gregarious person" and a "tremendously generous soul."
Edie Falco's off-camera relationship with the late James Gandolfini was not what fans would guess.
In Jason Bailey's new memoir about the late actor, who died in 2013 following a heart attack, GANDOLFINI: Jim, Tony, and the Life of A Legend, released on April 29, Falco, 61, offered new insight into the dynamic between her and her onscreen husband when the cameras weren't rolling on The Sopranos.
'I really didn't have much of a relationship with Jim outside of our shooting relationship," Falco said in the book. "He was a very gregarious person, but we didn't socialize. We didn't have the same group of friends."
Related: The Sopranos Creator David Chase Had 1 Concern About James Gandolfini Before Casting Him as Tony Soprano
Things between them were "certainly cordial and professional," Falco said, "But we didn't hang out."
"It was not on purpose, it was just the way it was," she continued. "I'm thinking part of me really just loved the very full, dimensional relationship I had with him as Tony. And I think maybe I only wanted that."
Elaborating further on their dynamics on-set, Falco, who played Carmela, the wife of Gandolfini's mob boss Tony Soprano, said, "We kind of stayed out of each other's ways when we weren't shooting, if we had a break, or if they were changing the camera angle. There was no chitchat, and there wasn't like, 'What do you need me to do? Should I leave?' There was no discussion about it."
Instead, the actors shared "an intrinsic understanding" of each other — and of what they needed to get the scene right.
Related: James Gandolfini's Son Michael Sets the Record Straight on the Possibility of a Sopranos Prequel Series
Though she wasn't particularly close with him, Falco described her costar as a "tremendously generous soul."
She recalled that he was "always getting presents for people, doing nice things, taking care of people, families," which echoed what many of his other costars said in the memoir, too.
Falco and Gandolfini, who was just 51 when he died, reconnected in 2012, five years after the finale of The Sopranos aired.
Over dinner in New York City, Falco felt connected to him for the first time. 'I actually thought, Oh, who's this guy? You know what I mean? I so did not feel close to him — my own doing — throughout the years. And all of a sudden I realized, Oh, that's right. He was on that ride with me too, you know?"
She continued of how Gandolfini had changed in the years since the show's conclusion, "He was just easier. He smiled a lot. The stress appeared to have lifted. I daresay he definitely seemed happier, for sure."
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Jason Bailey's GANDOLFINI: Jim, Tony, and the Life of A Legend is now available wherever books are sold, and The Sopranos can be streamed in full on Max.
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GOLDSBERRY: I need to give myself license to be more than one thing. I think that's always been the case with recorded music for me. I've been writing since I was a kid. The challenge for me has always been feeling like you have to be extremely specific about a box when you're a recording artist. It has to all sound like one mood, one vibe. I had to give myself permission to not try to fit into a box that exists, or even a box that's specific. I gave myself license to express myself in all the ways it naturally comes out. AP: You started the album process in 2020. What was your initial thoughts on re-recording 'Satisfied'? GOLDSBERRY: Somebody said to me 'You could probably get a record deal and do an album if you re-record 'Satisfied.'' I said 'Absolutely no.' I'm absolutely not doing that. It already exists. It's perfect. The show is perfect. AP: What shifted your thinking? GOLDSBERRY: In the process of recording all the music, we rented a studio in Nashville. It's where Dolly Parton recorded 'Jolene.' It felt like all this history was there. We had all these great musicians there. We booked the studio for a week or two and we finished early, and they were going to let everybody go home. And I was like 'We might as well record this version of 'Satisfied' that I do in my concert, because we're sitting here.' And these cats are amazing. We started playing. They started playing, and our minds exploded. The control booth. Our brains exploded. It was so good. Then I started singing it. I said to us 'This belongs.' AP: Your 'Girls5Eva' co-star Sara Bareilles wrote the song 'Smiling.' How was it reuniting with her? GOLDSBERRY: I think she is one of the greatest singer-songwriters that has ever existed and might ever exist. I had the privilege of being in a concert with her. I opened for her at the Hollywood Bowl a couple of months ago. She was doing something new. I love artists and I'm one of them in this moment. But I love artists that do new things that might not work, bravely. She had orchestrated all of her music. She had a huge symphony orchestrated show. All the music that she had written. AP: What happened next? GOLDSBERRY: We got to see her jump off a cliff for the first time. It was one of the greatest things I ever saw in my life. I could start crying right now. It was so great. It's so brave. I'm surrounded by people like that, and it's so inspiring. They're all doing crazy things. All of them. Leslie Odom Jr. decided to go back to 'Hamilton.' Like that's insane. AP: Would you ever return to 'Hamilton'? GOLDSBERRY: That's what Leslie taught us: Never say never. AP: You're halfway to EGOT status. Is that something you feel like it's achievable? GOLDSBERRY: I'm not going to lie, I've thought of different ways I could slip in the back door, you know what I mean? Like I have a documentary called 'Satisfied' (which premiered at the Tribeca Film Festival last year) about the journey in my life when I was part of the original company of 'Hamilton' and also trying to raise my young family. We were like, 'What original song can we put in this movie to contend for slipping in the Oscar category. ... It's possible. But I'm less interested in the results of a journey than the journey itself.