
National Eisteddfod 2025: Footballer, actor and journalist invested into robes
Lili Mai Jones from Wrexham was among the 38 people who were invested into the blue or green robes of the Gorsedd by the Archdruid of Wales, Mererid Hopwood, during a special ceremony at the Eisteddfod on the festival Maes in Is-y-Coed near Wrexham.
Also honoured were a member of a popular rock group, the leader of Plaid Cymru, and an inspirational music teacher. The Archdruid heard that Lili Mai Jones is part of the women's football revolution in Wales, particularly in Wrexham.
Having played for Wrexham Club Academy since the age of 12, she spent two seasons with Everton before rejoining Wrexham. She is a familiar voice on radio and television programmes, discussing the growing influence of football on the physical and mental health of young women. The player's family was seen near the Gorsedd Circle as she was honoured.
Before the ceremony, she said: 'I'm a girl from Wrexham, and I feel I'm in the right place at the right time. I can't believe that the things I do – because I love doing them – inspire other people.
"The Welsh language is important to me, and the fact that I'm being recognised by the Gorsedd is hard to believe, but it means a lot to me.'
Her name in the Gorsedd Circle is Lili ferch Gareth. 'That's in memory of Dad. It'll be nice to take Dad with me on this next journey and keep his name alive.'
Another who commemorates her father with her bardic name is Maxine Hughes. Originally from Conwy, she now lives in the United States where she works as a journalist. She played a prominent role in the television programme Welcome to Wrexham, the series that followed the fortunes of Wrexham Football Club after actors Ryan Reynolds and Rob McElhenney bought the club.
Maxine chose John Conwy as her bardic name in memory of her father. 'Everyone knew him as John Conwy and he died last year at the age of 80. Carrying his name with me is something very special and something I'll hold close to my heart,' she said.
It was also a special celebration for the family of Plaid Cymru leader Rhun ap Iorwerth. The former journalist joined his father Edward Morus Jones and sister Awen in the Gorsedd.
'I'm so proud to be here and to be honoured and to stand alongside Dad and Awen. It's a shame Mum (the late Gwyneth Morus Jones) isn't here too,' he said.
Dylan Williams, from Caernarfon, was nominated to join the Gorsedd for his work in teaching, inspiring, and attracting interest in music among young people.
He has taught hundreds of children in Arfon schools over a quarter of a century. He is also the principal cornet player of Deiniolen Silver Band, which competes enthusiastically every year. 'Of course, it's a great honour for me, but I'm just doing what I enjoy doing,' he said.
Originally from Rhosllannerchrugog, Mark Lewis Jones is a well-known actor. In addition to being honoured by the Gorsedd, he is this year's Honorary President of the Eisteddfod.
He said: 'I'm delighted, I've really enjoyed this week. I've watched this ceremony many times and never thought I'd be joining the Gorsedd.'
Stephen Rule, known as the Welsh Doctor, received 'quite a shock' when he was invited to join the Gorsedd. 'I never thought this would happen to me. I'm still trying to get my head around it. The honour will sink in during the ceremony,' he said.
Sgali Cymraeg will be the bardic name of Rhys Roberts from Blaenau Ffestiniog. He explained he chose the name as a reflection of his time in Liverpool, where he was inspired by community companies. He went on to develop CellB, which makes significant use of the old police station building in Blaenau Ffestiniog.
Friday was a busy day for Rhys as he was playing bass guitar with Anweledig, who were performing on the Maes Stage. 'We've been practising hard and we'll be singing the old songs – if we can remember them,' he said.
Among others honoured were Elen Mai Nefydd, Wrexham, who has contributed significantly to higher education over the past quarter century as head of the Department of Theatre, Television and Performance at Wrexham University, and Dilwyn Price, Old Colwyn, known to generations of Welsh children as the lively and infectious leader of Urdd Jamborees.
Professor Emeritus Hywel Wyn Owen, Llandegfan, is known as an expert on Welsh place names. Originally from Pembroke, he was a Latin and English teacher at Maes Garmon School, Mold, before moving on to train teachers at the Normal College in Bangor.
Dewi Llwyd, Bangor, is a journalist and broadcaster who has reported on some of Wales' and the world's biggest news stories in Welsh for nearly half a century. He was the face of S4C's election programmes and presented the channel's main news programme along with the discussion show 'Pawb a'i Farn' for many years.
The 2025 National Eisteddfod in Wrexham comes to an end on Saturday night after a busy day of competitions in the Pavilion and fun and socialising across the Maes.
To close the Eisteddfod, three significant events are taking place.
In the Pavilion, a presentation titled Epilogue will be followed by a gig featuring the popular folk group Bwncath on the main stage and afterwards, there will be a very special performance.
A new arrangement of one of the most well-known Welsh songs will be sung for the first time during the Epilogue, which begins at 7:30pm.
Since the start of the year, composer Robat Arwyn has been collaborating with Archdruid Mererid Hopwood to create new songs to be performed by former winners of the Eisteddfod's main competitions. The talented ensemble will be joined by a small group of musicians for the presentation.
To conclude the event, the new arrangement of Ar Hyd y Nos (All Through the Night) will be performed. The song was written by John Ceiriog Hughes, one of Wales' most prominent poets of his time, who hailed from Llanarmon Dyffryn Ceiriog, a village in this year's Eisteddfod catchment area.
Robat said the ensemble – Meinir Wyn Roberts, Siriol Elin, Caitlyn Drake, and Lili Mohammed – will sing together and also perform solo during the presentation.
'Mererid has written six new poems for the presentation, which will bring the Eisteddfod in the Pavilion to a close and look ahead to next year's Eisteddfod in Y Garreg Las.
"They are light-hearted songs, and we hope the audience will sit back and relax after a busy week of competing, socializing, and enjoying,' he said.
Robat Arwyn is one of Wales' most prominent composers. His notable compositions include the songs Anfonaf Angel and Benedictus. He wrote the melody for Anfonaf Angel in 2008 with Hywel Gwynfryn, and it has since been recorded by many artists. The version by Bryn Terfel was especially successful in raising money for the Wales Air Ambulance.
Bwncath released their third album during the spring, and the group from the Caernarfon area is expected to include several songs from Bwncath III in their set on the Maes Stage.
The gig is expected to be striking, with a colourful set and special lighting system. Singing will begin at 9pm.
A classic Welsh novel, which portrays a vision of Wales in the year 2033, inspired the final spectacular event of this year's National Eisteddfod.
This special event will combine the talents of disabled and non-disabled artists to create a magical space that welcomes diversity, breaks boundaries, and celebrates inclusivity.
The Eisteddfod's artistic team has collaborated with an experienced producer, a prominent director, and a versatile choreographer to create the event, which is based on the science fiction novel Wythnos yng Nghymru Fydd (A Week in the Wales of the Future) by Islwyn Ffowc Elis. It will take place outdoors immediately after the closing presentation in the Pavilion.
Sioned Edwards, Deputy Artistic Director of the National Eisteddfod, said: 'Taking inspiration from Wythnos yng Nghymru Fydd and celebrating 10 years of the Well-being of Future Generations Act, we aim to create an outdoor spectacle to close the Eisteddfod.
"Like the novel, the show will travel through time to show how today's decisions can affect our future, leading to two possible futures – utopian or dystopian – and the role we must play in creating a prosperous, egalitarian, and productive future.'
In recent weeks, Cirque Bijou and artists from their Extraordinary Bodies project have supported freelance artists in producing large-scale outdoor work, giving them opportunities to develop skills, collaborate, and learn from some of the industry's leading names.
Next year's Eisteddfod will be staged at Llantood near Cardigan and will be 850 years since Lord Rhys staged the very first Eisteddfod. It will start on August 1 and continue until August 8, 2026. More information online at www.eisteddfod.cymru
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Powys County Times
32 minutes ago
- Powys County Times
Letter: Wind farms would threaten future of Royal Welsh Show
Following another very successful Royal Welsh Show, I wonder if farmers from all over Wales, and those visiting from the other parts of the UK and the rest of the world, realise the immense threat that exists concerning the future of this world-famous show? Do they know that there are plans to surround Builth Wells with no fewer than four gigantic wind farms, all very close to the town and to the Llanelwedd show site? Going from north to south: there will be 31 x up to 730 ft high at Nant Mithil Wind Farm, overlooking the important tourist town of Llandrindod Wells and nine miles north of Builth; 16 x 720 ft high at Bryn Gilwern (again by Bute Energy) 4.5 miles north of Builth; 18 x 650 ft high, at Aberedw, just three miles east of Builth and Llanelwedd show site; and 27 x 660ft high, plus solar panels, plus battery storage units, all by Wind2 Ltd, at Banc y Celyn 4 miles south of Builth. That's 92 absolute monstrosities - the biggest on-land in the world! Ridiculous! So the gigantic wind farms are closing in on Builth Wells from all the surrounding hills, rather reminiscent of the Zulus closing in from all directions on the Welsh soldiers at the Battle of Rorke's Drift in South Africa's Zulu Wars! The trouble is the 'thumping' and 'whooshing' of the gigantic wind turbines will be infinitely louder than the rhythmic drum and shield-beating of the Zulus at Rorke's Drift and unlike the Zulus, Bute Energy will not go away and leave the scene. Builth Wells will be stuck with Bute Energy for at least 25 years. Even if Bute goes bust or they sell out to a secretive offshore company in a tax haven, the wind turbines will remain, possibly rusting and useless, like those at static Hendy Wind Farm above Builth. All this can be seen on the map on the Re-Think Wales website. Why aren't Re-Think issuing regular press releases or even writing letters to your excellent influential journal? The Royal Welsh Show at Llanelwedd could be in very big trouble. Has anyone considered how upsetting the loud noises and inaudible infra-sound (to us) from these revolving monsters will have on the fine pedigree animals of one of the premier agricultural shows of Europe? Could they suffer great stress? What is the opinion of the RSPCA , I wonder? Has anyone bothered to ask?


Wales Online
43 minutes ago
- Wales Online
Totally ordinary Welsh terrace looks like a royal palace inside and will blow your mind
Totally ordinary Welsh terrace looks like a royal palace inside and will blow your mind It's a home so incredible you'll never forget it and it might even inspire you There's no way that you know what's waiting for you behind the front door of this standard terrace (Image: John Myers) Somewhere near Swansea there's a traditional end-of-terrace house that is arguably one of the region's, if not the country's, most unusual homes inside because when you push open the front door what you find hiding behind the ordinary façade is an extraordinary and exquisite interior that will leave you speechless. The house has been the home of Royston Jones and Fiona Gray for over 27 years and over that time they have created an interior that makes you feel transported to a stately home somewhere in the middle of the countryside. Royston says about the renovation of their home: "When we arrived man y original features were ripped out but there were some of the interior features left, like the panel doors and the just one or two sort of decorative things so I just thought, 'well, come on, let's decorate it, because it's so dull'." And he and Fiona have certainly done that by the bucket load - buckets of plaster and PVA. For more property and homes stories sent to your inbox twice a week sign up to the property newsletter here. READ MORE: Inside the most amazing home for sale in Wales sat on an island with its own helipad and private jetty YOU MIGHT ALSO LIKE: Massive £3m modern mansion with swimming pool, football pitch and gym will leave you speechless Royston Jones and Fiona Gray in their Swansea home (Image: John Myers) When you step inside and see the intricate detailing of the plasterwork and artwork created on the ceilings and walls through most of the property you're hit by a wave of wonderment - this home is like no other in Wales. The pair have spent years making their house a home that they love - a painstaking effort that Royston says was 'just for fun and to bring joy'. From the hall, which has its own amazing grey and white decorative décor, there are glimpses of the other wonderful spaces (Image: John Myers) The urge to create a mini stately home inside their Welsh terrace Royston thinks is two-fold - his heritage and their careers as artists. But looking at their home it's not a surprise to find out that this couple aren't just standard artists, they are exceptional model makers too, creating room and home models in 1:8 scale for royalty, ambassadors and the rich and famous. The beginning of the incredible journey through terrace house rooms that are like no other (Image: John Myers) Royston says: " I've always loved stately homes. I was an unwanted child, I didn't know anything about my background until much later on in my life. And then I discovered that the people I came from were avid builders in the 18th century. "They built a whole load of mansions and stuff up in Cardiganshire, which is where I hail from originally, and I think you just inherit stuff like that. And I've always loved architecture and I've always loved the interiors of particularly neoclassical late Georgian stately homes from 1760 to 1800, I think that's how it started." Royston does all the artwork and Fiona does the mouldings and ornaments (Image: John Myers) The pair's background in model making to an exquisite and detailed level has included clients such as Lord Rothschild and the Spencers, Princess Diana's family, and many have taken years rather than months of painstaking work, surely requiring a steady hand and an ocean of patience. Fiona says: " I am patient in nature, but there was one particular part of a room with a dome, which we had to cast in fibreglass, and it was a complete nightmare. We did it about three or four times, and it just took so much time. A chandelier adds to the charm of the decorative ceiling (Image: John Myers) "But we had to get it right, for our own satisfaction and also, and most importantly, for the client we were working for. It's just something that is just part of us, you know, if something needs to be unpicked and redone, we'll just do it." Back inside their own home and visitors who feel absolutely overwhelmed by the décor, in a very positive way, probably have lots of questions but one would surely be how the couple design their incredible ceilings and walls. Visually stunning palette of colours mixed by Royston (Image: John Myers) Fiona says inspiration comes from many sources but there is a primary influence. She says: "We've made a great study into the works of 18th century architect James Wyatt, plus the contemporary architects of the 18th century, so we've got a very large photographic archive covering all of that period. For inspiration for a design that's where we go; to our archive." Wandering into each of the rooms within the couple's house that they have lavished with their immense talent is a very special journey. The ceilings demand attention and looking up you are happy to oblige because the reward is a breathtaking piece of art - of ornate plasterwork from panels to ceiling roses, from cornicing to paintings within the design created by Royston. If you look up from the hall the view is mesmerising (Image: John Myers) Maybe the couple have a chiropractor on speed dial to assist with surely a stiff neck from constantly looking up at the ceilings while they work on them? Royston says: "We do it standing on chairs and ladders and stuff. So when we did the staircase, which is an enormously high space, we got a builder to put some planks and ladders up so we could reach the ceiling, and that was terrible because I'm not very good at heights. "But overall it's such fun and it's such a lovely thing to make and you just get carried away, you don't worry about your stiff neck, you just get on with it." When you reach the top of the stairs more amazing design greets you (Image: John Myers) Both artists agree that the most challenging part of creating each design and making it a reality is the very accurate measuring required. Royston says: "I t's got to be accurately measured out, and i t's got to be symmetrically placed on the ceiling, in the space that you have. You can't be an inch out, really, you can't, it has to be very, very symmetrically placed. "And when the design joins different elements together you've got to make sure that you try to make the join as invisible as possible. It's all about mathematical accuracy, as much as you can achieve, really." The landing ceiling was the hardest area to reach (Image: John Myers) The designs are made from a combination of plaster, moulded designs and even cardboard, with the paint mixed by Royston to get the exact shade that they want, and each ceiling or wall can take between three to five weeks, depending on the layers of details included in the design. Most of the sections of a design are then stuck on with either PVA glue or UHU glue. Royston says: "T he cornicing and the friezes are the worst, they're always l ong winded because of all the intricacy of the beading and the details such as leaves and urns - all those ornaments have to be cast and dried and stuck on. Another work of art in the next reception room (Image: John Myers) "The ceilings are fairly straightforward, as long as you measure it up correctly - if you don't measure it out and you just stick things on, you realise that it's in the wrong place, then it's all got to come off and you've got to start again." Royston says Fi ona has more of the intricate details to do, he says: "She does the casting. She's very good at casting, she's a bit of a genius. I don't do any of the casting, I just model the ornaments and she creates them. And that takes as long as it takes. And then you've got to let it dry. That's the boring bit. It takes a couple of days, two or three days sometimes." Most of the walls are included in a room's design too (Image: John Myers) Fiona adds: " I'm just sitting there making these ornaments, in some cases hundreds of these things, and you get to thinking, 'well, when will I ever finish this'? But, you know, the finished result is always very much worth all the repetitive effort, and it's all just part of the project." The pair have one more room to finish off to their liking but, due to condensation, have decided that the kitchen and the bathroom will not join the stately home vibe that runs through the rest of the home. The level of intricate detailing on is impressive (Image: John Myers) Royston is hop eful that their effort will maybe inspire others to have a go at creating more exciting ceilings in their home, saying: "Give it a go, and if it doesn't work or you don't like it, you take it down and try again or just don't do it again." When visitors arrive and enter this standard terrace Royston says they're met usually by the same reaction. He says: "W ell, mostly people don't say anything - they're kind of struck dumb! But it's nice to get a bit of feedback, you know, when people do come and look at it and are captivated." It will take time to look at every single detail in every single room as the designs are so intricate (Image: John Myers) There's no doubt that Royston and Fiona have created a very special home surrounded by the designs and décor that they love and, even if it is not to someone's personal taste, surely everyone can appreciate what's been achieved here? The reception room that's used as a workshop where all the magic is created (Image: John Myers) Royston comments: " One or two (people) think we're showing off and that is hurtful . We're not showing off. We're not people who do that. We just want to give people joy and pleasure, the pleasure of having a look at it. That's all. We've got nothing to show off about, we're very modest people. "It's done for fun and to give people joy and to show people that the world can be quite a beautiful, magical place in your home. This is about love. It's not about showing off." Article continues below For more property and homes stories join our Amazing Welsh Homes Facebook group here.


North Wales Live
8 hours ago
- North Wales Live
National Eisteddfod 2025: Cheers and groans as Wrexham AFC fans follow big screen football
Cheers rang out across the Eisteddfod Maes when Wrexham AFC took the lead in their opening match of the new football season. Devoted fans of the newly-promoted club were able to enjoy the National Eisteddfod while watching the match on a big screen after arrangements were made to show the game live. And they were treated to an extra-special commentary – the English language track was turned down and substituted by commentary from Nic Parry and former Wales international striker Malcolm Allen. Hugely experienced commentators with a ready wit and turn of phrase, Nic and Malcolm were as enthusiastic as any Wrexham fan. Excitement reached fever pitch after just 20 minutes when Kieffer Moore was fouled in the penalty box and the referee awarded Wrexham a spot kick. Successfully converted by Josh Windass, the cheers were as loud as any Eisteddfod winning choir. At half time, Wrexham AFC superfan Cledwyn Ashford, the Eisteddfod's chief steward, couldn't hide his delight. 'It's a good start and there's a fantastic atmosphere here in the sunshine. Hopefully the lads can keep it up in the second half,' he said. Rumours were rife during the Eisteddfod that the club's owners, Hollywood actors Ryan Reynolds and Rob McElhenney, would be visiting the Maes at least once. But Maxine Hughes, who played a key role in the documentary series Welcome to Wrexham, said last weekend the duo were fully focussed on the football season and unlikely to find time for a visit. During the second half Wrexham had chances to extend their lead and loud appeals for another penalty were brushed aside by the referee. Anxious fans feared Southampton might just steal a goal and so it proved with Ryan Manning scoring with a superb free-kick. There was still time to score again, and during added time Jack Stephens scored for Southampton to make the final score 2–1 to the home team.