Still Game star taking part in gala day football match
The actor, known for his role as shopkeeper Navid Harrid in the popular series, will be taking part in the upcoming all-star match at the Glasgow park.
Read more: Search for bargains at free family event in Glasgow
Held at Peterson Park in Glasgow, the gala day promises a full programme of family-friendly fun, with the celebrity match expected to be a major highlight for attendees of all ages.
Alongside the football, visitors can expect to enjoy food stalls, bouncy castles, dancing displays, and even a dog of the year show.
The event aims to bring the community together for a day of entertainment, local pride, and summer celebration.
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Scotsman
2 hours ago
- Scotsman
Brendan Rodgers addresses anti-Celtic board chants and why Adam Idah was subbed at half-time
Celtic boss admits squad depth is 'lightest' it has been Sign up to our Football newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Brendan Rodgers has acknowledged the fans' unhappiness after Celtic's Champions League play-off clash with FC Kairat ended in a frustrating goalless draw at Parkhead. It means the Scottish champions' hopes of a place in the league stage and the estimated £40 million booty rests on a game played 3,500 miles away in Almaty. It might be just as well it's so far away as far as the Celtic hierarchy are concerned. Advertisement Hide Ad Advertisement Hide Ad Chairman Peter Lawwell and chief executive Michael Nicholson were targeted during the game by the Green Brigade, who demanded the pair leave the club. 'Sack the board!' chants resounded round the ground. Supporters also protested at the front of the main stand afterwards. Celtic manager Brendan Rodgers (centre) during the goalless draw with Kairat Almaty at Cetic Park. (Photo by Rob Casey / SNS Group) | SNS Group Rodgers tried to make light of the discord at such a crucial period for his team but he knows there's been a dereliction of duty somewhere in the building. 'What I do know is, over many years 'sack the board' usually means 'sack the manager',' he said. 'It's normally the manager that goes when that starts to be sung! I can only really look at the players we have here, and the performance. We've known for a long time what we've needed as a squad, so I don't want to go into that.' He was asked again and again about the shortage of signings - or at least new players of the standard required to fill the gaps left by the likes of Kyogo Furuhashi and Nicolas Kuhn, as well as the injured Jota. Right-back Alistair Johnston has also joined Jota on the sidelines after sustaining a suspected hamstring strain in the first half. 'I haven't spoken to the medical guys yet, but it looks hamstring injury, which is disappointing,' said Rodgers. 'So I'll get more info on that.' On the issue of new signings, or the lack of them, he was asked why Celtic are in this position when they've had so long to prepare for the play-off round. Advertisement Hide Ad Advertisement Hide Ad 'I can't answer that,' he said. 'Because it's not my decision in the end. I can prepare the team. The staff, the players that are here have been fantastic over pre-season. We're all clear on what we need to improve. And for whatever reason, we haven't been able to do that. So now we're in this position. 'And we have to accept it, and not dwell on it. And try and come through it for Saturday (v Livingston) and for Tuesday." Celtic manager Brendan Rodgers at full time after the goalless draw with Kairat Almaty. (Photo by Rob Casey / SNS Group) | SNS Group 'Can't afford to wait' He was asked whether he has enough game-changers to be confident of progression next week. "Whether I think it or not, we have to do it," he said. Adam Idah is not included among the game-changers on current form. The striker was taken off at half-time and has yet to score this season. Advertisement Hide Ad Advertisement Hide Ad Rodgers accepted it's a tricky time for the struggling Irishman. 'There's no rocket science in it,' he said. 'It's all hard work. It's all preparation. That will obviously lead to confidence, and then you'll obviously succeed as a player from that. It didn't quite go for him in the first half. I wanted a little bit more activity in and around the box, because I felt we could get up there. 'Adam's a good boy. He's an honest boy. He hasn't quite started how he would have liked. But in games like these here, I can't afford to wait. And that's why I made the change at half time.' Celtic's Adam Idah was substituted at half-time during the Champions League play-off first leg against Kairat Almaty. (Photo by Rob Casey / SNS Group) | SNS Group 'Lightest we've been' Rodgers admitted Celtic are as 'light' as he can remember when it comes to squad depth. He described the team's first-half performance as "passive" and lacking intent. He stressed that players are being forced to play out of position. 'I would say going into these sort of games, this is probably the lightest that we've been in certain key areas of the pitch,' he said. 'You can see over the course of the season so far we haven't given away a great deal. We've defended well, we've defended strong. Of course, goals win games, and that's the area of the pitch where we've been short in. Advertisement Hide Ad Advertisement Hide Ad
The National
3 hours ago
- The National
Brendan Rodgers in admission over signings after Celtic board fan flak
The Scottish champions' furious fans turned on their board – chairman Peter Lawwell and chief executive Michael Nicholson in particular – during the first leg match against the Kazakhstan team. They chanted 'sack the board', 'Lawwell, Lawwell, get to f***' and 'Michael, Michael, get to f***' as their team struggled against opponents they were expected to overcome comfortably. The Glasgow club's supporters are unhappy that more players haven't been signed in the summer transfer window to replace striker Kyogo Furuhashi, who left back in January, and winger Nicolas Kuhn, who departed last month. Read more: Rodgers - who has added, among others, Kieran Tierney, Benjamin Nygren, Shin Yamada and Jahmai Simpson-Pusey to his squad in recent weeks - has been eager to increase his options in the forward areas and confessed that he was not surprised his charges had toiled against Kairat. Asked if he had envisaged Celtic struggling without further reinforcements, he said, 'I think it was pretty clear. You didn't need to look into the future too far. You know these games are tough games and you want to have your best players in. And have players in as quick as you can to tackle these sorts of situations. 'But listen, it is what it is. And I just have to accept where it's at. This is it and we'll now get ready for Saturday and then the long haul on Sunday. Then we'll try and get through on Tuesday." Asked for his response to the abuse which was aimed in the direction of the Celtic directors, he said, 'What I do know is that 'sack the board' usually means 'sack the manager'. It's normally the manager that goes when that starts to be sung. "I can only really look at the players we have here, and the performance. We've known for a long time what we've needed as a squad, so I don't want to go into that. 'Of course, at the end of the game, we're having to shuffle things about to try and make it work. The players are out of position, but the players' endeavour in the second half was really good. But at this level, it's more than that. So hopefully we can show that. 'I think that we need to improve the squad. There was clarity around that for a long time. So we see that. I think supporters see that. We certainly do in football. We need to improve. 'And then from that, this is a performance club. This is a club that's to perform. And that starts on the field. And you do that with getting the very best players you possibly can to allow you to perform. 'So it's getting performance on the pitch. The style and the type of football excites supporters. That's what this club is used to. So we know that. Hopefully between now and the end of the window, we can get that. And then that will support us going through the rest of the season.' Read more: Asked if he was frustrated that he hadn't been able to bring in any more players by this late stage of the transfer window, Rodgers said, 'I can't answer that. Because it's not my decision in the end. 'I can prepare the team. The staff, the players that are here, have been fantastic over pre-season. We're all clear on what we need to improve. And for whatever reason, we haven't been able to do that. So now we're in this position. 'We have to accept it and not dwell on it. And try and come through it for Saturday and for Tuesday. We have to do it. But I do believe that we'll be better than what we were in the first half. 'The second half we dominated and arrived into a lot of good areas. But just that final ball, a little bit of finesse and that little extra bit of quality that's needed as you come through the levels, they're likely to break teams down. So that's something we'll look at and analyse.'
The Herald Scotland
3 hours ago
- The Herald Scotland
Irvine Welsh documentary was a fitting end to close the EIF
Irvine Welsh is full of stories, one reason he is such a prolific author. He isn't short of anecdotes, either, or of opinions. These range from politics to what he mockingly refers to as his 'practice', in other words his approach to fiction writing. But he also has the raconteur's gift of delivery and – whisper it – a whiff of the public intellectual to him. God knows we need that breed these days. Throw in his oeuvre (another term he probably hates) and his authorship of the most iconic Scottish novel of the last 30 years, and you can see why he is such a rich subject for a documentary. Unsurprisingly there have been a few to date. But Edinburgh-based film-maker Paul Sng's is undoubtedly the best, making it a welcome and fitting work to bring down the curtain on this year's Edinburgh International Film Festival. Artful, considered, imaginative, rewarding, though-provoking and pleasingly high concept, it avoids dwelling too much on past glories to foreground its subject in the present. Read More: We open, though, with a sort of career précis. It comes courtesy of clips from an onstage interview conducted at a Toronto literary festival by Welsh's fellow Edinburgh-er Michael Pedersen, fast approaching national treasure status himself. Still in Canada, we then see Welsh visit the offices of a couple of lifestyle/therapy gurus in order to take hallucinogenic drug Dimethyltryptamine. Known as DMT – or, sometimes, the businessman's drug, because the trip it induces can be had in a lunch-break – it offers Welsh a break from the reality which he says is 'not enough' for a writer and from which Sng takes his intriguing title. Having brusquely headed off some therapy-speak 'bullshit' from the shaven-headed wellness dudes – just give me the drug is Welsh's simple request – he takes to a mattress to enjoy the experience. We return to him there throughout, Sng using this as a framing device and as a slipway to launch the free-wheeling sequences in which Welsh, dressed in white suit and t-shirt, wanders through an abandoned factory as images and colours are projected onto him and the walls. These sequences are trippy and psychedelic, and have the effect of making it look as if he is in some liminal space, or is being invited to amble through a dream version of his own life. Much of the projections show old footage of Edinburgh, causing the author to reflect on his early life, the death of his parents, his use of drugs, his reasons for first picking up a pen. 'I wouldn't have been a writer if it hadn't been for Acid House,' he says at one point. Sng also drops in excerpts from Welsh's novels, accompanied by even trippier visuals. The obliging readers include Liam Neeson (a passage from The Acid House), Stephen Graham (Glue), Maxine Peake (Porno), Ruth Negga (Dead Men's Trousers) and, last, an unspecified voice with a very slight Australian lilt. Could it be? It is: Nick Cave, reading from The Blade Artist. Too much of this would be, well, too much, so interspersed with the curated readings and the jazzy visuals are more prosaic sections. We see Welsh and his wife Emma at Traquair House in the Borders following a book festival event. We watch him play football with childhood friends in Muirhouse, at the ground of Lowland League football club Civil Service Strollers, then chatting easily with them in the bar afterwards. We see him in LA with his manager, at his house in Miami, and at the boxing club he frequents there. Sng controls and presents his material well, though it's Welsh's own observations, thoughts and opinions which really drive the film. Some are just wryly humorous. 'Married to me? I think it would be a hard shift,' he says, the only time he answers an off-screen question. Others are more reflective. 'Writing ... is essentially a square go with yourself,' he says. Then, later: 'You steal from your own life. You're constantly putting fangs in your own fucking neck.' And: 'The most important resource you have is time. I basically retired 30 years ago, I've just been indulging myself since.' But it's one of his post-trip comments which lingers most in the mind. 'I'm no longer an atheist,' he says. 'It makes dying a more exciting thing than a thing to dread.' No sign of that yet, though – it's very much a life and an appetite for life which Paul Sng's commendable documentary celebrates and explores.
