Stunning Bernadette in Salem serves fanciful French food
The back story
The couple, who live on the North Shore (Shanna is from Swampscott), are raising three boys. Aaron, born in Yorkshire, England, worked for celebrated New York chef Daniel Boulud for almost a decade and cooked in other top kitchens. The duo opened Bernadette in late 2024. The name is the French word for 'brave as a bear,' say the owners, to symbolize strength and resilience.
Barbajuan at Bernadette in Salem.
Jessica Rinaldi/Globe Staff
What to eat
Barbajuan, a specialty of the French Riviera and Monaco, are small fried fritters with Swiss chard and ricotta filling; frisee salad comes with a perfect poached egg, bacon lardons, and lacey-thin toasts; plump mussels from Penobscot Bay are served in a white wine-cream sauce with a crunchy slab of grilled hearty toast; frites (exquisite) with homemade aioli are a lovely accompaniment; vacherin, with orange sorbet and crunchy meringue pieces on top, is a very unclassic and delightful take on the French dessert.
What to drink
Full liquor license with cocktails like La Vie en Rose (bourbon, hibiscus Lillet) and House of Bernadette (vodka, Lillet, Curacao). A by-the-glass list fits right in with the vibe. It's all French, you're trying pours from Alsace, Bordeaux, Burgundy, Loire, etc., and producers are solid with very good reputations. Nothing you'd call adventurous. Anyone can find something appropriate to drink right here before venturing into the larger list.
Advertisement
Marshall Cove Moules Marinières at Bernadette.
Jessica Rinaldi/Globe Staff
The takeaway
The 60-seat room with a 12-stool bar, designed by Shanna with
65 Washington St., Salem,
978-224-2976,
. Entree prices about $31-$48.
Advertisement
Sheryl Julian can be reached at
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Eater
27 minutes ago
- Eater
Fancy Swiss Chocolatier Läderach Is Bringing ‘FrischSchoggi' to Washington State
Seattle-area malls are going to be upgrading their chocolate offerings this summer, as the Swiss brand Läderach is set to open two stores, one in Westfield Southcenter next month, and one in Bellevue Square in August. These will be the first Läderach locations in Washington State; the chain already has locations across the country, including a flagship store in New York. So, what's Läderach? The thing the brand is most famous for, according to the press release we got, is 'FrischSchoggi,' a.k.a. fresh chocolate. You order at the counter by weight, and a Läderach chocolatier breaks pieces of chocolate off of slabs. The stores will also have the kinds of thing you'd expect at a chocolate shop, including truffles, bars, popcorn, and so on. Everything comes from Läderach's production facilities in Switzerland. Now on to more news you should know: Rainier Beer may not be brewed in Seattle anymore, but the brand is still trying to keep a foot on the ground here with R-Day, a free music festival in Georgetown that serves as a 'thank you letter' to Seattle, according to the brand. This year R-Day lands on September 6, and will be headlined by Mudhoney. There will also be food courtesy of the Dubsea Fish Sticks truck, plus (of course) Rainier Beer and cocktails using Rainier gin. Go here for more info. After a $2.5 million renovation, the cafe at the Museum of Pop Culture has reopened. The new restaurant, called The Lounge, features food from new head chef Athan Pixler. According to a press release, Pixler's menu will include items like tempura squash blossoms, dry-aged salmon with dashi, and a koji-aged burger with bone marrow butter. This follows a trend of museums around town stepping their dining game up; a couple years ago acclaimed tapas restaurant MariPili took over the cafe at the Frey. Seattle's most famous market is throwing its annual big fundraising dinner on August 16. The Sunset Supper, which brings together 100 restaurants and producers for a party at the market, regularly raises hundreds of thousands for the Pike Place Market Foundation, a nonprofit that supports the market and provides a variety of social services in the neighborhood. Tickets are $250; to purchase and for more information, go here. See More: Coming Attractions Seattle Restaurant News
Yahoo
2 hours ago
- Yahoo
Trump to attend 'Les Misérables' premiere as protests persist across the country
President Donald Trump is set to attend the opening night of 'Les Misérables,' a musical set against a background of revolution and protest, at Washington, D.C.'s John F. Kennedy Center for the Performing Arts on Wednesday. 'I love the songs, I love the play,' Trump told Fox News Digital last week. 'I think it's great.' The opening night of a monthlong run of the Tony Award-winning show comes amid widespread protests against the president's immigration policies and his decision to deploy members of the military in response. Protesting against power is a major theme in the show, which is centered around student-led demonstrations against the French monarchy. 'Set against the backdrop of 19th-century France, the musical tells an enthralling story of broken dreams and unrequited love, passion, sacrifice, and redemption — a timeless testament to the survival of the human spirit,' reads the official summary on the Kennedy Center's website. Songs from the musical have been used in protests against governments around the world since the show debuted in 1980, including by pro-democracy demonstrators in Hong Kong in 2019. Protesters sang one of the show's most popular and recognizable hits, 'Do You Hear the People Sing?' which includes the lyrics, 'Do you hear the people sing? Singing a song of angry men?' The show will be the first production Trump has attended as head of the Kennedy Center. He did not attend any performances during his first term in office, and in February he replaced the entire board of trustees and had himself named chairman of the board. The shake-up resulted in some concerts being canceled — including a performance by the Gay Men's Chorus in honor of Pride Month — and other artists and productions pulling out of planned shows to protest the changes, including actor Issa Rae and a production of 'Hamilton.' 'Our show simply cannot, in good conscience, participate and be a part of this new culture that is being imposed on the Kennedy Center,' 'Hamilton' producer Jeffrey Seller said in a statement in March. A spokesperson for "Les Miz" said Wednesday, 'We are looking forward to performing for DC audiences beginning tonight and throughout the engagement at the Kennedy Center, where the US first saw the original production in 1986.' The performance Wednesday is serving as a fundraiser for the Kennedy Center. First lady Melania Trump, Vice President JD Vance and his wife, Usha Vance, are expected to attend as well. Security will be tightened around the venue for the performance, the Kennedy Center said. 'Please be advised the Kennedy Center will be closed to non-ticket holders on Wednesday, June 11, 2025, due to enhanced security protocols,' the venue's website said. This article was originally published on
Yahoo
2 hours ago
- Yahoo
‘Andor' Season 2: Crafting Cultures, World-Building, and Story All At Once
'' is an in-depth podcast and video essay series featuring interviews with the stars and creative team behind an exceptional piece of filmmaking. For this edition, the IndieWire Crafts and Special Projects team partnered with Disney+ to take a closer look at 'Andor' with creator Tony Gilroy, executive producer Sanne Wholenberg, actors Alïas Lawson, Diego Luna, and Genevieve O'Reilly, production designer Luke Hull, costume designer Michael Wilkinson, composer Brandon Roberts, cinematographer Mark Patton, director Janus Metz, as well as editors Yan Miles and John Gilroy to explore how building distinct cultures grounded the most explosive moments of the show's second season. There is a whole galaxy full of TV critics, including our own here at IndieWire, who have found 'Andor' Season 2 to be the very best of 'Star Wars' — certainly the entry in the franchise that most compellingly grapples with the romance and sacrifice that power revolutions. The Disney+ series does not do this by leaning into the voluminous annals of existing 'Star Wars' lore, though. More from IndieWire Even Tramell Tillman Is 'Scared' of His 'Severance' Character Milchick: 'Who the Hell Is That Guy Who Has My Face?' Genndy Tartakovsky Knows 'Fixed' Is a 'Unicorn' of an Animated Movie Tony Gilroy and his creative team figured out that showing viewers the repressive opulence of imperial strongholds, that getting us to feel the humanity of the places that the Empire wishes to crush, makes Cassian Andor (Diego Luna) and his rebel friends' fight against the Empire so much more meaningful. Perhaps the most key location in Season 2 is the planet Ghorman, a wealthy, first-world world that just so happens to have some rare minerals the Empire may want to extract. Every decision about Ghorman, from its fabric export economy to its French and Algerian resistance roots to its spider mascots, was made working backwards from the fact that the Empire was going to perpetrate a massacre there. 'Ghorman was built to be destroyed,' Gilroy told IndieWire. 'The social climate of Ghorman is crucial for this season, so all this investment is done in terms of storytelling, of time spent in this place, and in terms of design and building,' Luna said on an episode of IndieWire's Filmmaker Toolkit podcast. 'In our story, it's important to go deeper and get to understand the community.' On 'Andor,' the Empire is crushing communities everywhere, even the ones where everything seems lovely and fine. Season 2 spends much of its first three episodes on Chandrila, the homeworld of rebel leader Mon Mothma (Genevieve O'Reilly), in no small part to show the personal cost of her choosing rebellion over family, friends, and her own moral compass. Mon's tacit consent to the murder of childhood friend/shaky banker Tay Kolma (Ben Miles) culminates in a dizzying dance number, but everything we learn about Chandrila's traditions before that gives the audience a vivid sense of why Mon is making that choice. In the videos below, watch how the 'Andor' creative team constructed the cultures of Chandrila and Ghorman to build to some of the most visually detailed, emotionally heartrending, and thematically meaningful sequences in 'Star Wars' history. Genevieve O'Reilly has played the character of Mon Mothma across multiple 'Star Wars' films and series now, going back to a deleted scene cameo in 'Revenge of the Sith.' But 'Andor' was the first time she got any real context for where the character came from, or why she'd made the choices that would lead to her becoming a rebel leader. Going to Chandrila, getting to experience its old world opulence and rigid, ancient wedding traditions, was deeply revelatory. 'It made so much sense. The complexity of tradition within oneself partly defines who we are, whether we accept that or reject that. And in fact, it gave me a window into what [Mon's] first rebellion really probably was, which was to find her way out of that culture,' O'Reilly told IndieWire. The work of creating those traditions was spread across the 'Andor' creative team — including composer Brandon Roberts' blend of classical polish, tribal rhythms, and EDM remixes on the score, Luke Hull's melding of 'Star Wars' shapes and expensive textures in the Mothma family home, and Michael Wilkinson's richly layered costumes that conjure a sense of nobility while drawing on a diverse set of cultural styles. Every aesthetic choice for Chandrila is part of a setup for the end of Episode 3, 'Harvest,' where Mon dances away the pain of all the lives she's having to ruin, not least her own, in service of fighting the Empire. For a moment, she drowns in the concentric circles of, as Gilroy puts it, Chandrila's 'wealth utopia,' just to keep herself from screaming. 'We talked a lot about sort of circular movements, swirling and raising arms, and using the fabrics for the camera to sort of find her as everything descends into chaos,' Wilkinson said. The costume designer worked with fabrics specifically chosen to accentuate movement during the dance sequence, so that each twist and turn of the dance would look as dramatic as Mon's emotional turmoil. In the video above, watch how Wilkinson, Hull, Roberts, and the entire 'Andor' creative team crafted a gilded cage to trap Mon Mothma, even as she tries to dance her way free. The Ghorman Massacre is part of 'Star Wars' lore. It's the inciting incident that causes Mon Mothma to leave the Senate, and hence a turning point for the Rebellion that Gilroy knew would be a tentpole moment going into the Season 2 writers' room. But little had been established about the planet itself. '[Ghorman] was a blank book, it was a complete void,' said producer Sanne Wohlenberg. 'You knew about the Ghorman Massacre, you knew all that history through canon, but really nobody had been to Ghorman, and so 'Who are these people and what is the culture?'' As Gilroy and team detail in the video above, this meant they would build the society and its history from the ground up, even inventing its economy (fabrics), the native spiders whose webs were used to produce the famed twill fabrics, and a sophisticated culture that's proud of its history. 'We always knew that it was a new culture and we wanted to create a new language for it,' said Wohlenberg. 'Tony had this great idea, so why don't we cast French people whose natural way of speaking French lends itself for the new language. He started creating alphabets and literally they built a language. Our actors could actually speak Ghor to each other and eventually became fluent.' For the Ghorman Massacre in Episode 8, Gilroy and Season 1 composer Nicholas Britell had even written a national anthem for the proud Ghor to sing in protest as the Empire's trap starts to tighten. 'Just being in a crowd and us singing together and chanting together, it just felt very real,' said Alaïs Lawson, the French-speaking actress cast to play Ghorman Front fighter Enza Rylanz. 'I actually have kind of chills thinking about it.' Much like with Ferrix in Season 1, these building blocks of Ghor society were created with the arc of the season in mind. Whereas the Ferrix storyline would culminate with the working class residents' anger boiling over into rebellion, the Ghor's peaceful protests would end in a pre-determined slaughter. As Gilroy says in the video, 'Ghorman was built to be destroyed.' Added series production designer and producer Luke Hull, 'We really were working back off this notion that this becomes a killing field.' In the video above, Hull and team break down one of the biggest builds in TV history: The circular Ghorman town center backlot set. 'You are working within a set that's the size of two football fields, and it's a real plaza. It's got a fountain, it's got a hotel, it's got a cafe,' said episode 7-9 director Janus Metz. 'At some point, you forget that the sets are sets, you're just living within the reality of [the place].' The Ghorman backlot set is not only the beating heart of its culture and history, it's the noose the Empire places around their neck in Episode 8, as the storylines of Cassian, Dedra (Denise Gough), Syril (Kyle Soller), Wilmon (Muhannad Bhaier) converge in the fateful clash between the Ghorman Front and the Empire. 'I'm a freak for geography and action that you always have to know where you are always,' said Gilroy. 'But Luke's set lets you know where everybody is all the time if you're taking attendance. And it pushes the directors into always being proper about it.' In the video above, Metz, episode 8 editor Yan Miles, and cinematographer Mark Patten break down how they kept the action clear and the masterful episode's drama mounting toward its dreadful conclusion. Deep Dive 'Andor' Season 2: Crafting Cultures, World-Building, and Story All At Once Watch Tony Gilroy, Diego Luna, Genevieve O'Reilly, and the Season 2 production team break down the Chandrila wedding and the Ghorman Massacre. By Sarah Shachat, Chris O'Falt 1 hour ago Deep Dive 'The Substance': The Cinematic Metamorphosis of Elisabeth Sparkle IndieWire goes under the skin of Elisabeth's transformation with Demi Moore, writer/director Coralie Fargeat, and the filmmaking team. By Chris O'Falt December 20, 2024 11:30 am Deep Dive How 'The Boys' Shaped the Emotional Journey of Season 4 Watch 'The Boys' creative team explain stirring the psychological and political pot for the Prime Video series' penultimate season. By Daron James December 6, 2024 4:40 pm Hi Barbie! How 'Barbie' Became Real The creative team behind 'Barbie' breaks down how they built the film's box of more than just toys. By Sarah Shachat November 30, 2023 4:00 pm Best of IndieWire The Best Thrillers Streaming on Netflix in June, from 'Vertigo' and 'Rear Window' to 'Emily the Criminal' All 12 Wes Anderson Movies, Ranked, from 'Bottle Rocket' to 'The Phoenician Scheme' Nightmare Film Shoots: The 38 Most Grueling Films Ever Made, from 'Deliverance' to 'The Wages of Fear'