logo
A Look at the Value of Dystopian Fiction as Cautionary Lessons This Memorial Day

A Look at the Value of Dystopian Fiction as Cautionary Lessons This Memorial Day

Final Blackout, by L. Ron Hubbard, is recognized as a forerunner of dystopian fiction, providing cautinary lessons for Memorial Day.
'Before dystopian fiction became a genre unto itself, 'Final Blackout' set the standard.'— A.G. Riddle, Author 'Atlantis Gene'
LOS ANGELES, CA, UNITED STATES, May 19, 2025 / EINPresswire.com / -- As we approach Memorial Day, we recognize the sacrifices many have made to guarantee our continued freedom as a country. It also provides a time to reflect and look at alternate futures that could have been if not for the dedication of our armed forces. L. Ron Hubbard penned ' Final Blackout ' as a three-part novel, which was published in the April - June 1940 issues of Astounding Science Fiction and became one of the most influential military science fiction works of the twentieth century.
Science fiction is a very special genre of fiction. Its value is often as a cautionary tale, posing what-if questions with their potential outcomes. 'Final Blackout' is one such case and was considered by Robert A. Heinlein 'As perfect a piece of science fiction as has ever been written,' penned as it was well before any of the horrors of WWII ... yet predicting much of what transpired and even more of what could have come to pass.\
The novel's lasting appeal lies in its timeless themes of sacrifice, resilience, and the human spirit. Themes as relevant today as when first written 85 years ago. Hubbard served as a Lieutenant in the US Navy and, as a World War II veteran, was familiar with war and its oft-required ultimate sacrifice. And so, when 'Final Blackout' was republished as a novel in 1948‒after the completion of WWII‒ Hubbard added the following dedication, 'To the men and officers with whom I served in World War II, first phase, 1941-1945.' And in the 1948 newly written Preface, Hubbard opens with, 'When FINAL BLACKOUT was written there was still a Maginot Line, Dunkirk was just another French coastal town and the Battle of Britain, the Bulge, Saipan, Iwo, V2s, and Nagasaki were things unknown and far ahead in history.' [ Click here to read the Preface in full. ]
Interestingly enough, science fiction thriller author A.G. Riddle ('Atlantis Gene') wrote, 'Before dystopian fiction became a genre unto itself, 'Final Blackout' set the standard. Hubbard's grim vision of a war-ravaged Europe remains as powerful and cautionary as when it first stunned readers decades ago.'
Before becoming an international bestselling science fiction author, Craig Martelle ('Battleship Leviathan') spent over two decades as a US Marine, retiring as a Major. He wrote, 'Who has a soldier's best interest at heart? Who can protect them from the machinations of the political class? The Lieutenant is born into the role fighting through a dystopian world, taking unto himself the hardest task of all with the cold logic of military precision.'
The Lieutenant, the central figure of Final Blackout, states as he meets with a delegation from the United States attempting to seize control of additional lands as the World War continues in a dystopian future, 'I am neither a politician nor a statesman; I am a soldier. I know nothing of the chicanery which goes by the name of diplomacy. But I learned long ago that there is only one way to rule, and that is for the good of all.'
What makes Memorial Day so important is its recognition of duty, honor, courage, and sacrifice. 'Final Blackout' recognizes these principles while also making it clear what life would be like if we didn't have those individuals who made the right choice to protect their ideals and their country.
Learn more about Lt. L. Ron Hubbard by visiting www.LRonHubbard.org/timeline/a-splendid-ships-crew.html
John Goodwin
Galaxy Press
+1 323-466-3310
email us here
Visit us on social media:
LinkedIn
Instagram
Facebook
YouTube
X
Legal Disclaimer:
EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Terence Stamp, who starred as 'Superman' villain Zod, dead at 87
Terence Stamp, who starred as 'Superman' villain Zod, dead at 87

USA Today

time9 hours ago

  • USA Today

Terence Stamp, who starred as 'Superman' villain Zod, dead at 87

LONDON − Terence Stamp liked to recall how he was on the verge of becoming a tantric sex teacher at an ashram in India when, in 1977, he received a telegram from his agent with news that he was being considered for the movie "Superman." "I was on the night flight the next day," Stamp said in an interview with his publisher Watkins Books in 2015. After eight years largely out of work, getting the role of the arch-villain General Zod opposite Christopher Reeve in "Superman" and "Superman II" turned the full glare of Hollywood's limelight on the Londoner. Buoyed by his new role, Stamp said he would respond to curious looks from passersby with a command of "Kneel before Zod, you bastards," which usually went down a storm. He died on Sunday morning, Aug. 17, age 87, his family said in a statement. The cause was not immediately known. "He leaves behind an extraordinary body of work, both as an actor and as a writer, that will continue to touch and inspire people for years to come," the family statement said. Tristan Rogers dies at 79: The actor played superspy Robert Scorpio on 'General Hospital' Terence Henry Stamp was born in London's East End in 1938, the son of a tugboat coal stoker and a mother who Stamp said gave him his zest for life. As a child, he endured the bombing of the city during World War II and the deprivations that followed. "The great blessing of my life is that I had the really hard bit at the beginning because we were really poor," he said. He left school to work initially as a messenger boy for an advertising firm and quickly moved up the ranks before he won a scholarship to go to drama school. Until then, he had kept his acting ambitions a secret from his family for fear of disapproval. "I couldn't tell anyone I wanted to be an actor because it was out of the question. I would have been laughed at," he said. He shared a flat with another young London actor, Michael Caine, and landed the lead role in director Peter Ustinov's 1962 adaptation of "Billy Budd," a story of brutality in the British navy in the 18th century. That role earned him an Academy Award nomination and filled him with pride. "To be cast by somebody like Ustinov was something that gave me a great deal of self-confidence in my film career," Stamp told the Thomson Reuters Foundation in 2019. "During the shooting, I just thought, 'Wow! This is it.' " Brandon Blackstock dies at 48: Obituary for Kelly Clarkson's ex gives shoutout to his 'loving partner' Brittney Marie Jones Famous for his good looks and impeccable dress sense, he formed one of Britain's most glamorous couples with Julie Christie, with whom he starred in "Far From the Madding Crowd" in 1967. But he said the love of his life was model and actress Jean Shrimpton. "When I lost her, then that also coincided with my career taking a dip," he said. After failing to land the role of James Bond to succeed Sean Connery, Stamp sought a change of scene. He appeared in Italian films and worked with Federico Fellini in the late 1960s. "I view my life really as before and after Fellini," he said. "Being cast by him was the greatest compliment an actor like myself could get." It was while working in Rome – where he appeared in Pier Paolo Pasolini's "Theorem" in 1968 and "A Season in Hell" in 1971 – that Stamp met Indian spiritual speaker and writer Jiddu Krishnamurti in 1968. Krishnamurti taught the Englishman how to pause his thoughts and meditate, prompting Stamp to study yoga in India. Mumbai was his base but he spent long periods at the ashram in Pune, dressed in orange robes and growing his hair long, while learning the teachings of his yogi, including tantric sex. "There was a rumor around the ashram that he was preparing me to teach the tantric group," he said in the 2015 interview with Watkins Books. "There was a lot of action going on." After landing the role of General Zod, the megalomaniacal leader of the Kryptonians, in "Superman" in 1978 and its sequel in 1980, he went on to appear in a string of other films, including as a transgender woman in "The Adventures of Priscilla, Queen of the Desert" in 1994. Other films included "Valkyrie" with Tom Cruise in 2008, "The Adjustment Bureau" with Matt Damon in 2011 and movies directed by Tim Burton, including "Big Eyes" and "Miss Peregrine's Home for Peculiar Children." He counted Princess Diana among his friends. "It wasn't a formal thing, we'd just meet up for a cup of tea, or sometimes we'd have a long chat for an hour. Sometimes it would be very quick," he told the Daily Express newspaper in 2017. "The time I spent with her was a good time." In 2002, Stamp married for the first time at age 64 to pharmacist Elizabeth O'Rourke, 35 years his junior. They divorced in 2008. Asked by the Stage 32 website how he got film directors to believe in his talent, Stamp said: "I believed in myself. Originally when I didn't get cast, I told myself there was a lack of discernment in them. This could be considered conceit. I look at it differently. Cherishing that divine spark in myself."

We're All Living in a Sci-Fi Novel
We're All Living in a Sci-Fi Novel

Bloomberg

time14 hours ago

  • Bloomberg

We're All Living in a Sci-Fi Novel

I'm Christina Sterbenz, and this is Bloomberg Opinion Today, a Minority Report fan's interpretation of Bloomberg Opinion's opinions. On Sundays, we look at the major themes of the week past and how they will define the week ahead. Sign up for the daily newsletter here. As a journalist swallowing a heavy dose of reality on a daily basis, I gravitate toward science fiction (and fantasy) whenever I read or watch for pleasure. So when my worlds start to collide, I pay attention. And this week had a lot of that.

'We were never friends': A massacre on the eve of WW2 still haunts China-Japan relations
'We were never friends': A massacre on the eve of WW2 still haunts China-Japan relations

Yahoo

timea day ago

  • Yahoo

'We were never friends': A massacre on the eve of WW2 still haunts China-Japan relations

Japanese vlogger Hayato Kato's 1.9 million followers are used to his funny clips about exploring China, where he has been living for several years. But on 26 July he surprised them with a sombre one. "I just watched a movie about the Nanjing Massacre," he said, referring to the Japanese army's six-week rampage through Nanjing in late 1937, which, by some estimates, killed more than 300,000 civilians and Chinese soldiers. Around 20,000 women were reportedly raped. Dead To Rights, or Nanjing Photo Studio, is a star-studded tale about a group of civilians who hide from Japanese troops in a photo studio. Already a box office hit, it is the first of a wave of Chinese movies about the horrors of Japanese occupation that are being released to mark the 80th anniversary of the end of World War Two. But a sense of unfinished history - often amplified by Beijing – persists, fuelling both memory and anger. Speaking in Chinese on Douyin, China's domestic version of TikTok, Kato recounted scenes from the film: "People were lined up along the river and then the shootings began… A baby, the same age as my daughter, was crying in her mother's arms. A Japanese soldier rushed forward, grabbed her, and smashed her into the ground." He said he had seen many people on the Japanese internet denying the Nanjing Massacre had happened, including public figures, even politicians. "If we deny it, this will happen again," he continued, urging Japanese people to watch the movies and "Iearn about the dark side of their history". The video quickly became one of his most popular, with more than 670,000 likes in just two weeks. But the comments are less positive. The top-liked one quotes what has already become an iconic line from the movie, uttered by a Chinese civilian to a Japanese soldier: "We are not friends. We never were." For China, Japan's brutal military campaign and occupation are among the darkest chapters of its past – and the massacre in Nanjing, then the capital, an even deeper wound. What has made it fester is the belief that Japan has never fully owned up to its atrocities in places it occupied – not just China, but also Korea, what was then Malaya, Philippines, Indonesia. One of the most painful points of contention involves "comfort women" - the approximately 200,000 women who were raped and forced to work in Japanese military brothels. To this day, the survivors are still fighting for an apology and compensation. In his video, Kato seems to acknowledge that it's not a subject of conversation in Japan: "Unfortunately these anti-Japanese war movies are not shown in Japan publicly, and Japanese people are not interested to watch them." When the Japanese Emperor announced on 15 August that he would surrender, his country had already paid a terrible cost – more than 100,000 had been killed in bombing raids on Tokyo, before two atom bombs devastated Hiroshima and Nagasaki. Japan's defeat, however, was welcomed in large parts of Asia, where the Imperial Japanese Army had claimed millions of lives. For them, 15 August carries both freedom and lingering trauma – in Korea the day is called 'gwangbokjeol', which translates to the return of light. "While the military war has ended, the history war continues," says Professor Gi-Wook Shin, of Stanford University, explaining the two sides remember those years differently, and those differences add to the tension. While the Chinese see Japanese aggression as a defining, and devastating, moment in their past, Japanese history focuses on its own victimhood - the destruction caused by the atom bombs and post-war recovery. "People I know in Japan don't really talk about it," says a Chinese man who has been living in Japan for 15 years, and wished to remain anonymous. "They see it as something in the past, and the country doesn't really commemorate it - because they also view themselves as victims." He calls himself a patriot, but he says that hasn't made things difficult for him personally because their reluctance to talk about it means they "avoid such sensitive topics". "Some believe the Japanese army went to help China build a new order - with conflicts occurring in that process. Of course, there are also those who acknowledge that it was, in fact, an invasion." China fought Japan for eight years, from Manchuria in the north-east to Chongqing in the south-west. Estimates of the Chinese who died range from 10 to 20 million. The Japanese government says around 480,000 of its soldiers died in that time. Those years have been well-documented in award-winning literature and films – they were also the subject of Nobel laureate Mo Yan's work. That period is now being revisited under a regime that holds patriotism as central to its ambitions: "national rejuvenation" is how Xi Jinping describes his Chinese dream. While the Party heavily censors its own history, from the Tiananmen Square massacre to more recent crackdowns, it encourages remembering a more distant past – with an outside enemy. Xi even revised the date the war with Japan started – the Chinese government now counts the first incursions into Manchuria in 1931, which makes it a 14-year war, rather than eight years of full-fledged conflict. Under him, Beijing has also been commemorating the end of World War Two on a bigger scale. On 3 September, the day Japan formally surrendered, there will be a major military parade in Tiananmen Square. Also in September, a highly-anticipated new release will focus on the notorious Unit 731, a branch of the Japanese Army that conducted lethal human experiments in occupied Manchuria. The date of release – 18 September – is the day Japan attempted its first invasion of Manchuria. That is apart from Dongji Rescue, a film inspired by the real-life efforts of Chinese fishermen who saved hundreds of British prisoners of war during Japanese raids; and Mountains and Rivers Bearing Witness, a documentary from a state-owned studio about Chinese resistance. And they seem to be striking a nerve. "That one generation fought a war on behalf of three, and endured suffering for three. Salute to the martyrs," a popular RedNote post on Nanjing Photo Studio reads. "We are not friends...", the now-famous line from the movie, "is not just a line" between the two main characters, says a popular review that has been liked by more than 10,000 users on Weibo. It is "also from millions of ordinary Chinese people to Japan. They've never issued a sincere apology, they are still worshipping [the war criminals], they are rewriting history – no-one will treat them as friends", the comment says, referring to some Japanese right-wing figures' dismissive remarks. Tokyo has issued apologies, but many Chinese people believe they are not profuse enough. "Japan keeps sending a conflicting message," Prof Shin says, referring to instances where leaders have contradicted each other in their statements on Japan's wartime history. For years, in Chinese history classes, students have been shown a photo of former West German Chancellor Willy Brandt kneeling before a memorial to the Warsaw Ghetto Uprising in 1970. The Chinese expect a similar gesture from Japan. This wasn't always the case, though. When Japan surrendered in 1945, the turbulence in China did not end. For the next three years, the Nationalist Kuomintang – then the ruling government and the main source of Chinese resistance against Japan – fought a civil war against Mao Zedong's Communist Party forces. That war ended with Mao's victory and the Kuomintang's retreat to Taiwan. Mao, whose priority was to build a communist nation, avoided focusing on Japanese war crimes. Commemorations celebrated the Party's victory and criticised the Kuomintang. He also needed Japan's support on the international stage. Tokyo, in fact, was one of the first major powers to recognise his regime. It wasn't until the 1980s - after Mao's death - that the Japanese occupation returned to haunt the relationship between Beijing and Tokyo. By then, Japan was a wealthy Western ally with a booming economy. Revisions to Japanese textbooks began to spark controversy, with China and South Korea accusing Japan of whitewashing its wartime atrocities. China had just begun to open up, and South Korea was in transition from military rule to democracy. As Chinese leaders moved away from Mao – and his destructive legacy – the trauma of what happened under Japanese attack became a unifying narrative for the Communist Party, says Yinan He, associate professor of international relations at Lehigh University in the US. "After the Cultural Revolution, Chinese people for the large part were disillusioned by communism," she told the BBC. "Since communism lost its appeal, you need nationalism. And Japan is [an] easy target because that's the most recent external [aggressor]." She describes a "choreographed representation of the past", where commemorations of 1945 often downplay the contributions of the US and the Kuomintang, and are accompanied by growing scrutiny of Japan's official stance on its wartime actions. What hasn't helped is the denial of war crimes - prominent right-wing Japanese don't accept the Nanjing massacre ever happened, or that Japanese soldiers forced so many women into sexual slavery - and recent visits by officials to the Yasukuni Shrine, which honours Japan's war dead, including convicted war criminals. This hostility between China and Japan has spilled over into everyday lives as nationalism online peaks - Chinese and Japanese people have been attacked in each other's countries. A Japanese schoolboy was killed in Shenzhen last year. China's economic rise and assertiveness in the region and beyond has changed the dynamic between the two countries again. It has surpassed Japan as a global power. The best time to seek closure – the 1970s, when the countries were closer - has passed, Prof He says. "They simply said, let's forget about that, let's set that aside. They've never dealt with the history – and now the problem has come back to haunt them again." Japan's 75-year pacifism hangs in balance as new threats loom China and Japan: Seven decades of bitterness Disfigured, shamed and forgotten: BBC visits the Korean survivors of the Hiroshima bomb Japan was the future but it's stuck in the past

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store