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Amazon Prime Day deal bags you free books for three months including Clarkson's Farm

Amazon Prime Day deal bags you free books for three months including Clarkson's Farm

Audiobooks are popular among those who want to listen to books on the go, whether that's on a walk, doing work around the house or driving. With so many books out there available to listen to, stocking up on the latest reads can cost a pretty penny - but thanks to an Amazon Prime Day deal, Prime Members can enjoy audible literature for absolutely nothing.
Indeed, ahead of Amazon Prime Day, Prime Members can enjoy 3 months of Audible for free. Members can choose one bestseller or new release each month, and it will be theirs to keep, plus they can listen all they want to thousands of included audiobooks, podcasts, and originals from July 6 to July 31. Once the three months have passed, it costs £8.99 per month to continue the subscription.
Across Audible there are a large range of audiobooks to listen to. For example, shoppers could listen in on the Sunrise on the Reaping: A Hunger Games Novel which features actor Jefferson White, who starred in Yellowstone as Jimmy Hurdstrom, as the narrator. The book follows the fiftieth annual Hunger Games as twice as many tributes are taken from their homes.
Another option is A Court of Thorns and Roses Book 1 by Sarah J. Maas, the first dramatised audiobook adaptation of the number one New York Times bestselling series. The novel is now produced with a full cast of actors, immersive sound effects and cinematic music.
For the farming enthusiasts out there, there is also Diddly Squat: A Year on the Farm by Jeremy Clarkson which invites listeners in to Jeremy's farming journey - along with his girlfriend Lisa, Kaleb the tractor driver, Charlie, Ellen the shepherd and his head of security and dry stone waller Gerald.
If Audible isn't everyone's choice for listening to their favourite books, they could instead try Google Play Books which has a range of both free and paid-for books, bundles and options from fiction, non-fiction and real-life stories to choose from. Spotify also has a range of Audiobooks with its Premium feature that allows up to 15 hours of audiobooks to listen to and choose from.
However, the books on Audible have been rated highly. For example Sunrise on the Reaping: A Hunger Games Novel has got a high 4.7 out of 5 star rating on the Amazon website. One person said: "'Sunrise on the Reaping' is one of those rare prequels that deepens the original story rather than simply leaning on nostalgia. I genuinely loved this book."
Another wrote: "Sunrise on the Reaping is everything I hoped for in a Hunger Games prequel — and more. Suzanne Collins dives deep into the twisted roots of the Games, set 24 years before Katniss volunteers, and the result is equal parts chilling and fascinating."
"This book captures the emotion of the characters better than any of the other books in the series," said another listener.
However, some others didn't love all of the audiobooks. One person reviewed Diddly Squat: A Year on the Farm and said: "I was expecting this to be a full narrative of the first year on the farm. Turns out it's extracts from his column in the Sunday Times which have been arranged in a sort of yearly order. No doubt there will be snippets I've not heard of before from watching the TV series, only read first few chapters, but initially I'm disappointed. "
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Richard Osman names one country that is 'joy' to visit for unexpected reason
Richard Osman names one country that is 'joy' to visit for unexpected reason

Daily Mirror

time2 hours ago

  • Daily Mirror

Richard Osman names one country that is 'joy' to visit for unexpected reason

Richard Osman has become a household name in the UK, but his success across the pond has meant he can move around without being stopped by fans of his work Richard Osman has revealed one nation that proves a "joy to visit" for a rather surprising reason. The 54-year-old has established himself as a familiar face across Britain through his roles on television programmes including Pointless and Richard Osman's House of Games. ‌ However, it's his literary career that has catapulted Richard to global stardom. His The Thursday Murder Club book series has proved a smash hit on either side of the pond, earning recognition as a New York Times bestseller. ‌ The Netflix adaptation, featuring stars like Helen Mirren and Pierce Brosnan, is due to launch later this month, reports the Express. Yet Richard reveals his authorial triumph in America has allowed him to wander about completely unrecognised. ‌ During his The Rest is Entertainment podcast, he describes how this makes the US a "joy" to explore. He shared: "Most people don't pay much attention to what authors look like. If I'm in America, it's just a joy because I don't get stopped on the street, all that sort of stuff. "If you're stopped at customs and they say you're an author and who you are, people have heard of you, and have read the books, so it's like you're John Grisham but for America. You can have a whole holiday where you do exactly what you want, where you want." ‌ Richard elaborated that while avid readers of authors like John Grisham might recognise him from book jackets, the general public likely wouldn't. The telly host delved into his experiences in the US after a listener queried about the "best job" in showbiz, suggesting band members with famous frontmen, such as Coldplay, can "live out their best rock and roll life" yet can "probably pop to Tesco without getting hassled". However, Richard pointed out that some folks enter the entertainment industry "to be famous". He added: "I think if you want the joy of being in a creative industry and you want absolutely loads of money and huge amounts of adrenaline but you want to walk down the street, then being in Coldplay is quite hard to beat as a job in showbusiness." ‌ Richard further explained that musicians have to do "loads of promo". His brother, Suede bassist Mat Osman, informed Richard that a band like Coldplay would be expected to sign around 150,000 albums for promotional material. The TV personality concluded that being a travel blogger would be among the top jobs for those seeking anonymity whilst working in the entertainment industry. He added: "You get to spend your entire life on holiday, wherever you go on holiday people absolutely love you, but outside your sphere, no one would necessarily recognise you, that would be a nice entertainment job." Richard's podcast partner, Marina Hyde, revealed that since working on the show, people now approach her "all the time". The Guardian columnist confessed: "I've never had that, I don't think really, at all."

The end of ‘woke' Hollywood? Unlucky, Florence, Mel's back
The end of ‘woke' Hollywood? Unlucky, Florence, Mel's back

Times

time12 hours ago

  • Times

The end of ‘woke' Hollywood? Unlucky, Florence, Mel's back

That didn't take long. Woke is dead, apparently. Or it is in Hollywood where, according to the gist of a recent New York Times report, 'diversity' is a dirty word, 'equality' a thing of the past and 'inclusion' is an embarrassment. Sydney Sweeney, allegedly, was the final nail in the coffin. Her controversial advert for American Eagle denims, one that appeared to dog-whistle the values of Aryan breeding (with a pun on 'genes'), is emblematic of a creative community that has effectively abandoned the concerns of the cancel culture brigade. In short, the all-girls Ghostbusters is out. Middle-aged white men? They're in. And so Mel Gibson is back (of course he is!) with a new Jesus movie, called The Resurrection of the Christ. The film will be split into two tantalising parts, and released in 2027. As Mel would say, put it in your diary now, sugar tits! Next year, meanwhile, Hollywood celebrates the greatest middle-aged white male of western culture, Odysseus, played by Matt Damon in Christopher Nolan's version of The Odyssey. Expect Oscars, chin-stroking analysis and Damon in full flight. The 54-year-old actor was one of the first Hollywood males, when the MeToo movement emerged, to suggest that the time had come for men to listen, and not speak. He promised, in 2018, to 'get in the backseat and close my mouth for a while'. Well, Matt, you know what they say? Time's up. And, grandads, grab your Viagra, there's the news that 80-year-old Basic Instinct screenwriter Joe Eszterhas is back in smut mode. The Hungarian-American controversialist, who also wrote the sleazy Nineties classics Showgirls and Sliver, has allegedly been paid $2 million to reboot Basic Instinct for an anti-woke audience. When interviewed about the project Eszterhas promised that this new instalment would be a 'wild and orgasmic ride'. It's a phrase, presumably, that the octogenarian also applies to bath time, doing the crossword and eating an extra portion of Ambrosia creamed rice. Point being, is that it? Is it really all over? No Pixar cartoons, like Elio and Elemental, about being an outsider in an oppressive, heteronormative society? No more Florence Pugh in Don't Worry Darling, mobilising terrible dialogue and a 'world's worst' performance from Harry Styles into a battle against the tyrannical patriarchy? No more flop Marvel blockbusters such as Eternals, where superheroes from marginalised social groups spend hours hectoring everyone about the importance of inclusion while ignoring the fundamentals of narrative, character and dramatic tension? Angelina Jolie as the first superhero with dementia? Just forget about it. Being a middle-aged white man, however, I'm not sure I'm ready to go backwards either. I have no interest in Eszterhas's wild and orgasmic ride, and I certainly don't want to revisit a Michael Douglas type, in a V-neck jumper and saggy buttocks, humping his way through another Basic Instinct. And, yes, I loved the Lethal Weapon movies at the time, but I'm not especially intrigued by the proposed new Maga-baiting sequel Lethal Weapon 5 — Gibson recently said of that movie's screenplay, 'It's the best of all of them.' And though I'm excited to see what Christopher Nolan has done with The Odyssey (I loved the Ralph Fiennes version, The Return, this year) it's baffling to think that we might now need some sort of protective push towards the work of 'endangered' middle-aged white men in Hollywood. • Thanks to Sydney Sweeney we are now living in the 'can trousers be Nazi?' era This, at a time when we are surely only a handshake deal away from an official Trump movie, about and starring the subject? He is, after all, an inveterate cameo player, and has popped up in everything from Home Alone 2 to Zoolander to, my favourite, Wall Street: Money Never Sleeps. In that movie's one truly bizarre scene, cut from the final release, Trump delivers hairstyling tips to Gordon Gekko, asking, 'Did anyone ever tell you you'd look great — really great — in a combover?' A big studio movie about Trump and his miraculous return to frontline politics would indeed signal the death of woke Hollywood. Just don't ask me to review it. When Trump called Thompson Speaking of Trump and movies … Emma Thompson has recently grabbed global headlines for revealing, apparently for the first time, or at least since she last revealed it on The Graham Norton Show in 2017 (how quickly they forget!), that Donald Trump once asked her out on a date. He called her on the set of Primary Colors, in 1997, on the day that her divorce from Kenneth Branagh had been finalised, and suggested they go to dinner. 'A nice divorcee. That's what he was looking for,' said Thompson, when rehashing the story at the weekend. Now the joke here is in the disparity between these two public figures, and in the idea of Thompson, the Cambridge-educated left-leaning luvvie and Corbyn-supporting human rights activist, possessing anything at all in common with Trump. At the dinner date she talks Jane Austen while he does WWF. She mentions Greenpeace. He does tanning tips. And so on. Hilarious. Yes. Obviously. I, however, am not so sure. She did one thing, for instance, that was very Trump to me, and probably me alone. At a London Film Critics' Circle bash in 2022, with the star-struck audience in the palm of her hand, she suddenly began reading from my (admittedly savage) review of her then recent, and much admired elsewhere, sex comedy Good Luck to You, Leo Grande. She addressed the room and asked for me to reveal where I was sitting, and to show my face. Thankfully, I wasn't there (star sucking is, weirdly, not my bag), but I sometimes shudder to think about what exactly she had in store for me, and how far her retribution would've gone. Either way, it's always struck me as a mean-spirited gesture, certainly petty, clearly thin-skinned, and well, very Trump.

Harriet Kemsley took me back to her hotel room at the Edinburgh Fringe
Harriet Kemsley took me back to her hotel room at the Edinburgh Fringe

Metro

time2 days ago

  • Metro

Harriet Kemsley took me back to her hotel room at the Edinburgh Fringe

Being in a hotel room at the Edinburgh Fringe with 20 strangers might sound odd to some, slightly exciting to a few, but to me, it sounded like a once-in-a-lifetime luxury. Especially compared to the accommodation Hunger Games that usually unfold during the festival. That's the kind of cut-throat housing competition that sees improv troupes battling it out for a chance to stay in Gladys's airing cupboard in Leith (story for another time). So when I heard that 38-year-old Harriet Kemsley was hosting guests in her hotel room as part of her new show, In Bed With…Harriet Kemsley, I knew I had to be there to witness the magic for myself. After all, it's not every day a comedian invites you upstairs… Fresh off the back of her appearance on Amazon Prime Video's Last One Laughing UK, which drew 6.1million viewers and became one of the streamer's most-watched original shows, Kemsley returned to the Fringe with a lot to live up to after making it mainstream. And rightly so — she's undeniably a big dog now. Fuel your wanderlust with our curated newsletter of travel deals, guides and inspiration. Sign up here. Down a cobbled street, the show was held at the Hotel Indigo, York Place, where I'd been invited to stay for the weekend. On the morning of the performance, I headed down for breakfast (of course, the full Edinburgh, haggis and all), and as I took my first sip of black coffee, still half-asleep, I heard the familiar shuffle of sliders on polished floorboards. I looked up, and there she was: Kemsley herself, settling at the table next to mine. At first, I wondered: Is this part of the show? An immersive, day-long experience where she roams the halls, joins guests for breakfast, and debates the appropriate shade of a cup of tea? Sadly not. She was simply grabbing a vegetarian full English before service wrapped up, but a boy can dream. Regardless, my excitement to head upstairs to her hotel room had officially peaked. Hours later, Harriet did, in fact, take me back to her hotel room – along with 19 other eager strangers – for what turned out to be the most unexpectedly cosy, clever and personal set I've seen at the Fringe. I didn't know what to expect. After all, if she could fire ping pong balls from her nether regions at Daisy May Cooper and Richard Ayoade on national television, what on earth might she do in a hotel room? (Get your head out of the gutter.) Inside, she was perched cross-legged on a double bed, framed by four plush pillows and tucked beneath crisp white hotel linens, the kind you have to foot wrestle with on night one. If I'm being honest, I'd walked the corridor in single file with the rest of the audience, feeling a tad apprehensive. But once inside, the room transformed into something familiar and warm. It felt like heading into your friend's bedroom the morning after a big night out for a debrief. She held court, and we, her devoted subjects. I knew I was about to see something special. The irony of a stand-up show performed entirely sitting down was enough to make me chuckle, but the material stood entirely on its own. The tight, half-hour set delivered joke after joke, and I found myself laughing in a way that made me sympathise with her Last One Laughing co-stars. Covering the trials of being newly single following her 2024 divorce from fellow comedian Bobby Mair, Kemsley's authority and authenticity were magnetic. From navigating an amicable split and re-entering the dating world, to choking on Lego, knees pressed against the edge of the 'stage' (aka the bed), I was witnessing a seasoned pro at work, one who knows her voice and what resonates. Winning over the nation on television is one thing. Translating that energy into a tiny hotel room for a dozen people is another entirely. It was a masterclass in intimacy and comedic control. A Fringe and comedy veteran, Kemsley began her stand-up career in 2011, quickly rising through the ranks. She's long been outspoken about the challenges the Edinburgh Fringe poses to emerging performers. In an Instagram post following her 2022 show Honeysuckle Island, she described the Fringe as 'really weird and sometimes not in a good way,' commenting on the 'horrible pressure' placed on artists, and advocating for the Festival to be a space for experimentation and fun. Speaking with her after the show, she reflected on being in a 'lucky position now', free from some of the pressures she faced early on, but was quick to stress that more support is still needed for newcomers. Specifically, how the financial strain of coming to the Fringe often shuts out underrepresented voices, meaning it's usually the same kinds of acts that can afford to take the risk. Part of that support, she said, is as simple as showing up. Seeing new performers. Filling seats. More Trending Over a drink in Indigo's newly refurbished bar and lounge, Kemsley rattled off timings, venues and names like a living, breathing Fringe encyclopaedia. She insisted I see Sharon Wanjohi's In the House – which I did, and was utterly obsessed with. (Seriously, don't miss it if you're heading up this month.) While financial support for artists at the Fringe still lags where it should be, I left feeling quietly hopeful. With voices like Kemsley's leading the conversation, change feels not just possible but probable. Here's hoping next year brings even more hotel room performances, just maybe not in Gladys's airing cupboard (as I said, story for another time). Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Red Arrows flight path: Where and when to see this weekend's displays MORE: I took my family on a digital detox holiday and something extraordinary happened MORE: Hal Cruttenden: 'When my wife left me I realised men are just spoilt babies'

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