
Thug Life Box Office Collections: Kamal Haasan has a DISASTROUS weekend, Set to wrap under 100cr worldwide
Tamil film Thug Life has a disastrous debut at the Indian box office, collecting a pathetic Rs. 40 crore approx over its four-day extended weekend. The Kamal Haasan starrer fared relatively better overseas, though still poor, with USD 4.80 million (Rs. 41 crore) weekend, for a worldwide haul of Rs. 81 crore.
The film was a dead-on-arrival opening poorly, and then the final nail in the coffin was the outright rejection from the audience. It will be lights out for the film from today and will hardly have any run after the first week. It seems unlikely to cross Rs. 50 crore mark in India and will likely succumb to less than Rs. 100 crore worldwide. The big tentpole films from South India are doing this much and more on their opening day, and here this film is not sure to do in its entire lifetime.
The Day Wise Box Office Collections of Thug Life in India are as follows:
Thug Life is the second box office misfire for Kamal Haasan in a row, after Indian 2, or third, if one already considers the write-off that Indian 3 is. That said, even Indian 2 managed to gross over Rs. 100 crore worldwide. Ironically, it was exactly three years ago, in the same week, that Haasan stormed back to box office glory with the blockbuster Vikram. On paper, his lineup that followed Vikram seemed to promise a strong commercial run, but it has failed spectacularly.
Despite the dismal theatrical performance, the producers of Thug Life are insulated from financial loss, as they fetched handsome prices for the non-theatrical rights. The losses will be with those who paid those prices, as they are certainly not going to recover them, and with the exhibition sector, which has been deprived of footfall during what should have been a peak summer window.
The Territorial Breakdown for Box Office Collection in India is as follows:

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India Today
an hour ago
- India Today
What went wrong with Kamal Haasan and Mani Ratnam's Thug Life?
'Thug Life' marked the legendary and most ambitious collaboration in Indian cinema by bringing Kamal Haasan and Mani Ratnam after almost four decades. Their gangster saga promised an epic exploration of gangsters, violence and betrayal in the trailer sparked curiosity, evoking memories of Mani Ratnam's classic gangster films like 'Nayakan' and 'Chekka Chivantha Vaanam'. With a strong cast including Silambarasan TR, Trisha, Joju George, and music by AR Rahman, expectations were once the film ended, one question remained: what went wrong with a film that had everything going for it? Spoiler alert...!The story wants to be everything, and ends up being nothing'Thug Life' tells the story of Rangaraya Sakthivel, an ageing gangster seeking revenge on those who betrayed him, including his brother, his own gang members, and Amar (his right hand and adopted son, played by Silambarasan). It is also a tale of mistrust and power struggles, with Sakthivel willing to destroy anyone he suspects of threatening him. The film also explores a morally murky subplot: Sakthivel's extramarital relationship with Indrani (Trisha Krishnan), a social media influencer. He casually calls the act of infidelity his 'disorder'.On paper, 'Thug Life' is rich with ideas: it aims to be a dark, psychological crime drama in the vein of 'Nayakan'. But in execution, it tries to be too many things at once. With multiple subplots competing for attention, characters feel underdeveloped and scenes rushed. While 'Nayakan' also juggled complex narratives, it did so with organic flow and emotional depth, something 'Thug Life' gangster drama feels like the final instalment of a franchise film, packed with too many characters and motives, yet without the benefit of prior films to build toward this so-called final arcs and unclear motivationsPerhaps the most unexpected shortcoming is the lack of clear motivations, surprising from a legend like Mani Ratnam, known for emotionally complex characters. For instance, Sakthivel names Amar as his successor as he goes to prison. Amar conquers and calls himself the next Rangaraya Sakthivel. Also, there's a secret regarding Amar's father's killing that affects his bond with Sakthivel. What makes Amar the potential leader? What does he contribute to the gang? The film offers no satisfying answers. If the gangsters' own activities are unclear, it is unrealistic to expect a well-defined motivation for Indrani is another missed opportunity. After her nuanced role as Kundavai in the 'Ponniyin Selvan' series, here she feels vague and ornamental. Is she a lover, muse, or distraction? The film never gives her enough space or clarity. With better writing, she could have anchored the shifting dynamics between Amar and Sakthivel, much like Nandini's character in 'Ponniyin Selvan'.Silambarasan's Amar lacks a clear personality or emotional grounding. His choices appear impulsive without adding intrigue. If his confusion was deliberate to explore inner conflict, it might have worked, but instead it feels like the film itself is unsure of who he is. Consequently, key moments like Amar's betrayal or Sakthivel's revenge lack the emotional impact they the large cast, only Inspector Jai Royappa (Ashok Selvan) carries emotional weight. His motivations are clearer, and his past is explored enough to make him compelling. But even he cannot hold together a film where most characters feel half-formed and much telling, too little showingMani Ratnam is celebrated for his visual storytelling. Iconic scenes like the sun shot in 'Thalapathi' or Shaila's pregnancy-reveal in 'Bombay' communicate volumes without words. 'Thug Life', however, leans heavily on exposition. Key developments like Amar's rise, Sakthivel's exile transformation, the gang's collapse, and what happened to Jeeva (Sakthivel's wife) are relayed through rushed dialogue and montages. Instead of giving these moments emotional weight, the film tells us what happened without letting us feel example, Amar supposedly restructured the gang's operations in two years, but what exactly did he do? How did the world change during Sakthivel's absence? Why does Amar's rise make sense, or does Sakthivel's influence wane? None of this is shown; characters just talk about it. The story feels disjointed, important moments are described rather than highs and flat revealsThe trailer's standout line, 'Inimel inga naan dan Rangaraya Sakthivel (Here on, I am Rangaraya Sakthivel),' hits hard in promos but barely registers in the film. It is not due to Simbu's performance, which is strong, but because the build-up is missing. Mani Ratnam's best films rely on emotional highs: Remember the mirror scene in 'Nayakan', the train departure in 'Alaipayuthey', or the press conference in 'Guru'? In 'Thug Life', many emotional beats arrive without proper setup or feel hastily key interval reveal, intended as a pivotal twist, falls flat. The issue is not the twist but the missing emotional groundwork. If Amar was told early on that the gang was responsible for his father's death, what motivates his sudden switch at the interval? The manipulation by Manikkam (Nasser) is unclear, and the strength of Amar's bond with Sakthivel is not explored. The scene feels gimmicky and unconvincing. Similarly, confrontations like the beach scene between Sakthivel and Jeeva or Amar's final showdown with Indrani aim for gravity but come off sluggish and under the weight of its own legacyA major factor behind the mixed response to 'Thug Life' is how it was promoted. Marketed as Kamal Haasan's grand return to the gangster genre, with heavy callbacks to 'Nayakan', from the character's name to interviews where both Kamal and Mani Ratnam evoked their earlier works' emotional and cinematic weight, expectations soared. The stage was set for a profound character drama rich with tragedy and 'Thug Life' leans heavily on the aesthetics of those classics without capturing their emotional soul. The title, tone, and visuals suggest depth, but the world it builds lacks real stakes. The final product: a gangster saga with no real danger, a father-son conflict without emotional rupture, and a betrayal that feels the film excels. But this beauty often feels disconnected from the storytelling. At times, the music, composed by AR Rahman, overwhelms rather than supports key emotional scenes. The expectations set by its legacy and marketing created a bar so high that the film struggled to reach. 'Thug Life' is not without merit. There are moments where the film shines, especially in the performances of Sakthivel and Amar, and the early scenes between them that carry Mani Ratnam and Kamal Haasan's signature craft. But instead of building on these strengths, the film often chooses style over substance. It is not a bad film, but one that feels stuck, caught somewhere between honouring the past and finding a new voice. This unresolved tension leaves the film feeling distant when it should have been deeply engaging.


News18
an hour ago
- News18
Twinkle Khanna's Latest Obsession? Meet The Labubu Dolls Everyone's Talking About
Last Updated: Twinkle Khanna talked about the viral Labubu in her latest post. From a humble toy to a fashion's latest obsession, here's all you need to know about these quirky dolls. Labubu dolls are taking the world by storm, and their charm isn't lost on global celebrities. Icons like Rihanna, Dua Lipa, Kim Kardashian, and BLACKPINK's Lisa have already embraced these quirky toys, turning them into the latest must-have accessory. Ananya Panday was recently spotted at the airport clutching a Labubu, only adding more fuel to this rising trend. Designed by Hong Kong artist Kasing Lung in 2015, Labubu has become recognisable for its toothy grins and impish charm. With their offbeat appearance, these quirky figures have transformed into sought-after collectibles across the globe. Twinkle Khanna, who seems equally enchanted by them, shared a hilarious personal moment in her June 7 column for The Times of India. She wrote, 'My younger one (daughter Nitara) and I are debating who gets to hang the Coke-wielding Labubu on their bag today. This is unprecedented in our household – she usually leans toward Mr Beast sweatshirts, and my sartorial attempts are an ambiguous puddle of mostly Zara, sometimes what the Devil Wears (Prada), and God's favourite (if she hasn't lost everything in the stock market) Hermes. My daughter wins this contest with a simple fact, 'Mom, Labubu is a toy. I'm a child. You're an adult. It's like me wearing your big gold ring to school. It's not OK for your age.' Shamed by my own child, I give in. She hangs it on her backpack and rushes off to school." Twinkle shared a photo featuring not one but four Labubu dolls, offering a deeper look into her growing fascination with the collectable toys. 'The secret of Pop Mart's success—the thrill of surprise. Labubus are sold in blind boxes, so you don't know what you're getting until you open it. Labubus are the new recipients of my platonic love," she wrote. What Is A Labubu? As reported by Forbes, Labubu – miniature monster-like figures inspired by Nordic folklore – are sold by the Chinese brand Pop Mart. Each doll comes in a blind box, priced between $20 (Rs 1,711) and $30 (Rs 2,566) and the excitement lies in not knowing which version you'll receive until it's unboxed. Labubu's rise from niche collectable to fashion must-have has been fueled by celebrity buzz, viral unboxing videos, and the growing culture of rare toy collecting. Enthusiasts love flaunting their latest finds on social media, turning the dolls into status symbols. According to Google Trends, searches for 'Labubu doll" and 'Labubu keychain" have soared past 2.1 million in May 2025. First Published:


Time of India
an hour ago
- Time of India
Partho Ghosh, director of 100 days, Agni Sakshi and Dalaal, passes away at 75
Partho Ghosh , the man behind some of the most gripping Hindi thrillers of the '90s, passed away on Monday at the age of 75 due to heart complications. A filmmaker who often blended mystery, drama, and mainstream appeal, Ghosh carved a niche for himself in both Hindi and Bengali cinema . He was living in the Madh Island area of Mumbai and is survived by his wife, Gouri Ghosh. About Partho Ghosh's work Starting his film journey in 1985 as an assistant director on small projects, Ghosh got his big break with the 1991 psychological thriller 100 Days, starring Madhuri Dixit and Jackie Shroff. A remake of the Tamil hit Nooravathu Naal, the film's eerie plot about a woman with extrasensory perception left a lasting impression on audiences and critics alike. It was the unofficial adaptation of the 1977 Italian giallo film Sette note in nero and the American film Eyes of Laura Mars. He followed it up with a series of box office successes. Dalaal, headlined by Mithun Chakraborty, was among the year's top earners, while Agni Sakshi , starring Nana Patekar, Jackie Shroff, and Manisha Koirala, became a hit and is still remembered for its powerful performances and intense storyline. He belted out another major success titled Ghulam-E-Musthafa , which was a crime drama starring Nana Patekar and Raveena Tandon. Throughout his career, Ghosh directed more than 15 films, including Teesra Kaun, a Hindi adaptation of the Malayalam hit No.20 Madras Mail. His later works included Ek Second… Jo Zindagi Badal De? and Rehmat Ali. His final directorial, Mausam Ikrar Ke Do Pal Pyaar Ke , was released in 2018.