
U2 fans surprised by meaning behind name and why it makes band 'embarassed'
In 1976, a 14-year-old Larry Mullen Jr. posted a handwritten note on the notice board at Mount Temple Comprehensive School, expressing his desire to form a band. What started as six youngsters jamming in a kitchen gradually evolved into something much more ambitious: Paul Hewson (soon to be known as Bono), David Evans (aka The Edge), Adam Clayton and Dik Evans made up the early formation of the band.
Initially, they went by the name Feedback - a choice they later confessed was because it was one of the few musical terms they actually understood. They then rebranded as The Hype, a name which also didn't stick around for long. It was in 1978 when things truly transformed, reports the Irish Star.
Dik Evans left the band, and a new four-piece line-up emerged into the limelight with a fresh name: U2. The name was actually proposed by Steve Averill, a punk musician from The Radiators From Space and a mate of Adam Clayton's.
He presented the band with a shortlist of six potential names - and U2 just scraped through... But only just. "It wasn't that it jumped out to us as the name we were really looking for" The Edge recalled, "but it was the one that we hated the least."
During a chat on Awards Chatter, the band's axeman remarked that the moniker felt "fresh" and was open to multiple interpretations, without shoehorning their music into any particular style. Bono conceded: "I still don't [like it]. I really don't."
He mentioned that initially, they were drawn to the name due to its connotations of cutting-edge technology – "the spy plane", "the U-boat", etc. , however, eventually, it seemed to suggest an undue compliance. "As it turned out to imply this kind of acquiescence - no, I don't like that name".
Talking about hearing their music unexpectedly, he said: "I've been in a car when one of our songs has come on the radio," and "And I've been the colour of - as we say in Dublin - scarlet. I'm just embarrassed."
Bono hasn't shied away from expressing his ambivalence towards U2's earlier endeavours, including their aesthetic and auditory identity: "I do think U2 pushes out the boat on embarrassment quite a lot" he admitted on the Awards Chatter podcast.
"And maybe that's the place to be as an artist - right at the edge of your level of pain for embarrassment." The vocalist has even critiqued his younger self's vocal performances, stating "my voice sounds very strained on those early recordings" yet acknowledged the singular piece where he believes his vocals shone: 2004's chart-topping 'Vertigo'.
In an interview, he unexpectedly revealed that his late-diagnosed dyslexia might have been why it took so long to twig that The Beatles was actually a play on words: "I didn't realise that The Beatles was a bad pun either.." Following a swift rebrand which included a name change, bolstered line-up, and fresh image, the band bid goodbye as The Hype with a farewell performance in March 1978.
They later returned to the same venue that night under their now-famous moniker U2, introducing audiences to their own material. Just weeks after this pivotal switch, they snagged the top prize at Limerick's "Pop Group '78" talent competition—a win The Edge retrospectively deemed "a great affirmation" for the novice group.
Fast forward, U2 has risen to global fame, having sold north of 150 million records, bagged an awe-inspiring 22 Grammy Awards, and crafted a tour legacy that has revolutionised live music for generations.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Irish Times
4 hours ago
- Irish Times
Kaiser Chiefs' Ricky Wilson: ‘Ryan Tubridy? I love him'
As with many rock stars who've been around a bit, Ricky Wilson of Kaiser Chiefs has a Bono anecdote. 'I was sat at a table with Bono , his wife and Stella McCartney. Everyone's chatting. And I hadn't got anything to say,' the singer says from his home in London . 'I was thinking, 'I've got to have something to say. I've got to bring things to this. So what do I do? What do I say?' And there's a lull in the conversation. I thought, 'Now's my chance: say something.' And I don't know why – I think I heard about it the other day – that Pringles, when you set them on fire, they burn with a blue or green flame. So I said, 'Has anyone ever set fire to a Pringle?' At which point there was a resounding 'No'. I got up and left and went back to my room. Embarrassed.' The story is a nice party piece, but it also articulates a fundamental truth about Kaiser Chiefs – or so Wilson feels. They've been in glamorous company – Pringlegate happened when they were supporting U2 on tour – clocked up three Brit awards and two number-one albums. Yet they have always felt like outsiders, gatecrashers who might be shown the door at any moment. 'We don't introduce ourselves to famous people. We prefer twitching the curtains of our dressingroom, looking at all the famous people walking past. Not feeling that we're part of that. I find it exhausting talking to people. I'm a classic introvert. That's not a famous person saying, 'Actually, I'm shy.' I do find it exhausting. I don't find being on stage exhausting. That's different. That's performance on my terms. I'm there to entertain people. I get off and I don't go to the after-show. Because that would be exhausting.' READ MORE Kaiser Chiefs are preparing for a show at Collins Barracks, part of the Wider Than Pictures series of events at the historic Dublin venue. The concert marks the 20th anniversary of their debut LP, Employment, which has sold two million copies and spawned the timeless indie-disco smashes I Predict a Riot – a song that also became a Leeds United terrace anthem – and Oh My God. 'We must have been doing something right for 20 years. In between doing some things wrong. That's what makes it last for 20 years. If you're consistently not making mistakes, that's how you disappear. Your graph will go up and up and then you drop off. Ours has gone up and down, up and down. At the time you don't think you're making a mistake. Looking back, there are whole albums where I think, 'That isn't as good as it could have been.' We're in the privileged position of making albums that weren't as good as they could have been. And I'm glad of it. We're still going, still searching for that perfect thing.' As he says, they've had an up-and-down time since Employment: it was long voguish to deride Kaiser Chiefs as pub rockers who'd got too big for their boots. But that's all vitriol under the bridge, and Wilson and bandmates are today celebrated for their great tunes. Just how completely they have been rehabilitated was underlined when they played the main stage at Glastonbury this year to a huge audience. 'It was kind a validation, because a f**king s**tload of people turned up. I had no idea our songs have become household songs.' He points out, however, that nothing is ever simple for Kaiser Chiefs. There's always that sting in the tail, that wrinkle that won't be ironed out. For instance, although the set was a triumph, the BBC didn't see fit to record it. Kaiser Chiefs' Ricky Wilson: 'There's been many times I've wanted to leave [the band]. But the alternative for me has never been as good as what I've got 'I have no idea why. It's crazy. We're not going to do a Kneecap or anything,' he says, referring to the controversial Belfast/Derry rap trio, who led chants of 'F**k Keir Starmer' at the festival. 'Maybe we should have. Even if we had done it, no one would have seen it. My mother was furious.' [ Kneecap will face no further action over Glastonbury performance, police say Opens in new window ] Wilson is friendly, but the 47-year-old has been through the mill. Though hugely acclaimed early on, the tide quickly turned against Kaiser Chiefs. Cheery chaps from Leeds, they were an easy target for the London music press, and the backlash was pitiless. 'Humdrum, ambition-less,' the website Drowned in Sound said of their second LP, Yours Truly, Angry Mob. Noel Gallagher of Oasis was even more scathing, saying, 'I did drugs for 18 years and I never got that bad as to say, 'You know what? I think the Kaiser Chiefs are brilliant.'' Boris Johnson, of all people, labelled them 'the weeds from Leeds' in a newspaper column. Many reviews also focused on Wilson's appearance and his fluctuating weight. He's had the last laugh – but there is some scarring. 'The press used to be a weird thing. Because it was, like, you have some success; then, obviously, with success comes the press turning on you. The thing is, it got personal,' he says. 'Could you imagine [nowadays] a review of a band going deep into how ugly or fat they were? It would be career suicide for the journalist. I still have a little chuckle to myself. The internet lasts forever. People don't look good, do they, in respect of some of the things they said?' Wilson dealt with insults by turning them into positives. They were a reminder that, regardless of how many records they sold, Kaiser Chiefs would always be scrappy outsiders. 'We like being the underdog. And even when we're top of the world, there was always that element of not being that happy. I mean, even Glastonbury ... the fact it wasn't filmed by the BBC. If it had been, everything would have been perfect – and I probably wouldn't have come away as happy, because something has to go wrong. We have to still be striving. As soon as everything is perfect, what's the point in carrying on?' The rise of Kaiser Chiefs coincided with what was regarded as a musical low point – the heyday of 'landfill indie'. These were the glory days of meat-and-two-veg merchants such as The Pigeon Detectives, Razorlight, The Kooks and The Fratellis. Kaiser Chiefs rubbed shoulders with them all, but they were always aware of not being cut from the same image-conscious cloth. 'There was a real facade. Being 'traditional cool' comes with a lot of facade and a lot of effort. When we went to the NME Awards there was lots of being cool … by the traditional use of the word cool and also pretending they didn't want to be there. I thought, 'It's not very cool if you're pretending you don't want to be here. If you don't want to be here ... don't go.' Going and pretending, 'I don't want to be here.' Well, why are you here if you're so cool? And that must have rubbed people the wrong way. Even people I know in other bands. The fact that we seemed to be having a good time – because we were.' The wheels came off in 2008 with the band's third album, Off With Their Heads. It had all the makings of a huge hit. The Amy Winehouse collaborator Mark Ronson was producing and Lily Allen guested on the single Never Miss a Beat. But the album proved to be plodding and directionless – the work of musicians asked to go to the well once too often. [ Mark Ronson: 'I wish I'd been more upfront about Amy Winehouse's addiction' Opens in new window ] 'Mark Ronson was a weird one. We were friends with him. We made the record and I think we hadn't finished writing it. I listen to it now and there are some good moments. It has Never Miss a Beat on it, which is a classic. But there's a lot of stuff on it which needed finishing before we went in the studio. Maybe needed playing live. We didn't play any of it live. First and second albums we played live a lot before we recorded. 'We should have spent a bit more time in the rehearsal studio. We didn't have time. Nick' – Hodgson, then Kaisers Chiefs' drummer and songwriter – 'was doing a lot of the hard work. Usually with an album I know what it is about. With this album it was the first time I didn't know what it was about. You can tell if you listen to it – a lot of the lyrics are all over the shop. A lot of them are just things that sounded cool.' Things got even worse in 2012 when Hodgson left. He and Wilson, who went to school together, had started Kaiser Chiefs in 1996 (when they went as Runston Parva). But Hodgson, who wrote their 2007 number-one Ruby, had become disillusioned. And, much like Roger Waters leaving Pink Floyd, he had assumed that the band would not continue without him. Wilson had other ideas. The relationship turned frosty, though there seems to have been a reconciliation when Hodgson joined the Kaisers on stage in Leeds this summer, playing guitar on Oh My God. 'It was very disappointing when he left. He thought it was broken. He was probably right,' Wilson says. 'But we fixed it. In that way it was a break-up. I didn't want to break up, and he did. He did the best thing and the right thing for him, and fair play to him. There's been many times I've wanted to leave. But the alternative for me has never been as good as what I've got.' Touring Employment has been fun, though Wilson does have to remind himself that the album came out 20 years ago. 'It's weird. In 2005, 20 years ago was 1985. If there was a band from 1985 playing the same festival as us I'd be, like, who are these old geezers?' Wilson is in a healthy place where Kaiser Chiefs are still his day job but not his whole life. Around the time of Hodgson's departure he replaced Danny O'Donoghue, of The Script, as a judge on The Voice UK. He has gone on to play the Artilleryman in a touring production of Jeff Wayne's The War of the Worlds and has worked as a presenter on BBC children's TV. He currently has a side hustle as the host of the drivetime slot on Virgin Radio UK, where one of his colleagues is the Irishman abroad Ryan Tubridy. He perks up at the mention of Tubridy's name, praising him as a respected colleague and style icon. 'There's someone that's good at conversation. I love Ryan Tubridy. Like most people in England, I didn't know who he was. I knew him from The Late Late Show. We'd been on his show. I'd no idea how huge he was. I have good conversations with him. He's recommended books. I've recommended books to him – he's never read them. But I do like him. He always looks impeccably ironed. Amazing. Everything about him looks like it's straight out of the shop, apart from the battered old leather bag he takes everywhere. Always a fresh haircut. He looks incredible.' These are heady days for live music. Kaiser Chiefs are on the march again – and Oasis's comeback tour is introducing a new generation to the joy of living it large in a big field with your friends. There's still that tetchy history – in addition to Noel insulting the Leeds band, Liam Gallagher once labelled them 'naff c**ts'. But Wilson is delighted the Gallaghers are back, louder and lairier than ever. 'It's exciting, and I understand why everyone's going. I think it's brilliant. And I saw Oasis many, many times from the mid-1990s on. Then we started playing with them on the same festival bills. Incredible just to be around them – even as people, there's this buzzing energy. People will always like live music. There's something about bands like that. It's almost as if it has to be live. It's like an animal in the zoo: it has to be in the wild. That's where it will thrive.' Kaiser Chiefs play Collins Barracks, Dublin, as part of the Wider Than Pictures series, on Saturday, August 23rd


Irish Times
a day ago
- Irish Times
Fontaines DC at All Together Now 2025: Biggest Irish group since U2 hit ferocious highs at all-conquering homecoming gig
Fontaines DC Main stage, Friday ★★★★★ Grian Chatten , the Fontaines DC frontman, must feel he's come to All Together Now underdressed, as he seems to be the only person on Curraghmore Estate on Friday night not wearing a Bohemian FC jersey bearing his band's name. He makes up for the fashion lapse by leading the band through an all-conquering homecoming gig at which the biggest Irish group since U2 hit ferocious new highs. They open with the title track from Romance , their fourth album, a psychedelic onslaught that showcases the quintet's talent for guitar pop that is both feather-light and hard-hitting. Fontaines have defied the convention of flogging one or two ideas to death. The album which they released 18 months ago, is a leap forward full of piercing pop moments that would have stunned anyone who caught the band sharing a bill with Shame and The Murder Capital in 2018. READ MORE They proceed with stately briskness through their hit parade. Beginning with an onslaught of guitar, Boys in the Better Land is The Dubliners if they'd got really into punk in 1977. Nabokov is Yeatsian art-rock with a hint of the surreal in its lyrics ('He's selling insurance, selling clouds in the sky) – Lou Reed's Velvet Underground meets David Lynch's Blue Velvet. Banter isn't their thing. Chatten introduces I Love You by proclaiming 'F*** the far right,' as the video screens proclaim 'Free Palestine'. The singer elsewhere compensates for his lack of loquaciousness by wearing a sort of cyberpunk sarong with shades of Shane MacGowan replacing Keanu Reeves in The Matrix. He is accompanied by a light show of intense pink and green that suggests a trip to a psychedelic sweetshop. [ Fontaines DC's Grian Chatten: 'Romance took a lot out of us. It was like a bomb went off, and then that silence' Opens in new window ] Fontaines DC have been playing festivals through the summer. This show could easily have been just another ticket punched at the end of a busy year of touring. But as they finish with Starburster, a mash-up of trip-hop and nu-metal, they make it clear that they want to leave an impression. At the end of day one of the biggest All Together Now to date, this is the supersized gig with pep in its step.


The Irish Sun
4 days ago
- The Irish Sun
Rosanna Davison shows off toned body in bikini in ‘stunning' summer snaps & fans say she looks ‘insane'
ROSANNA Davison has been soaking up the summer rays in Ireland this month - and fans are loving her latest photo dump. The former Miss World is a doting mum to three kids, Sophia, five, and twins Hugo and Oscar , four. 3 Rosanna Davison in newly shared snap with granny 3 Rosanna posted her 'favourite' moments from summer 3 Rosanna's fans all say she looked 'insane' The Irish star has been keeping her little ones entertained since they've been on her summer holidays from school . From buzzing beach days to exciting road trips around the Emerald Isle, The 41-year-old took to However, fans were quick to hone in on the beauty queen 's "incredible" figure in her beach snaps. READ MORE IN ROSANNA DAVISON In one picture, the Rosanna showed off her rock hard abs in a black bikini with a gold hem trim. She captioned the photo: " The model stripped down to another bikini whilst at the beach with her kids in Most read in Celebrity The smiling star held her son Hugo on her hip as they both looked out at the sparkling seaside . Rosanna wrote: " Seal spotting on Dalkey island." Rosanna Davison shares parenting hack for roadtrips The star also captured some beautiful pictures of her husband Wes Quirke and their kids having a dip in the sea while the sun set in the background. Rosanna gushed over the scene saying "the water is crystal clear". The businesswoman also paid a visit to her granny, who is 99-year-old. She said: "Chats with my granny about her long and fascinating life - from a polo player to a Cold War spy ." 'HOW WONDERFUL' Rosanna and her granny posed together for a photo in her living room - making for a beautiful memory. And fans all raced to the comment section to swoon over Rosanna's busy summer. Jess wrote: "Oh how wonderful." Peter said: "Wow lovely summer memories." While other drooled over the star's amazing beach bod. Ruth gushed: "Seriously insane." Lee added: "Beautiful figure."