logo
Lista de ganadores en la historia de Preakness Stakes

Lista de ganadores en la historia de Preakness Stakes

Chicago Tribune18-05-2025

Por The Associated Press
2025 — Journalism
2024 — Seize the Grey
2023 — National Treasure
2022 — Early Voting
2021 — Rombauer
2020 — Swiss Skydiver
2019 — War of Will
2018 — Justify
2017 — Cloud Computing
2016 — Exaggerator
2015 — American Pharoah
2014 — California Chrome
2013 — Oxbow
2012 — I'll Have Another
2011 — Shackleford
2010 — Lookin at Lucky
2009 — Rachel Alexandra
2008 — Big Brown
2007 — Curlin
2006 — Bernardini
2005 — Afleet Alex
2004 — Smarty Jones
2003 — Funny Cide
2002 — War Emblem
2001 — Point Given
2000 — Red Bullet
1999 — Charismatic
1998 — Real Quiet
1997 — Silver Charm
1996 — Louis Quatorze
1995 — Timber Country
1994 — Tabasco Cat
1993 — Prairie Bayou
1992 — Pine Bluff
1991 — Hansel
1990 — Summer Squall
1989 — Sunday Silence
1988 — Risen Star
1987 — Alysheba
1986 — Snow Chief
1985 — Tank's Prospect
1984 — Gate Dancer
1983 — Deputed Testamony
1982 — Aloma's Ruler
1981 — Pleasant Colony
1980 — Codex
1979 — Spectacular Bid
1978 — Affirmed
1977 — Seattle Slew
1976 — Elocutionist
1975 — Master Derby
1974 — Little Current
1973 — Secretariat
1972 — Bee Bee Bee
1971 — Canonero II
1970 — Personality
1969 — Majestic Prince
1968 — Forward Pass
1967 — Damascus
1966 — Kauai King
1965 — Tom Rolfe
1964 — Northern Dancer
1963 — Candy Spots
1962 — Greek Money
1961 — Carry Back
1960 — Bally Ache
1959 — Royal Orbit
1958 — Tim Tam
1957 — Bold Ruler
1956 — Fabius
1955 — Nashua
1954 — Hasty Road
1953 — Native Dancer
1952 — Blue Man
1951 — Bold
1950 — Hill Prince
1949 — Capot
1948 — Citation
1947 — Faultless
1946 — Assault
1945 — Polynesian
1944 — Pensive
1943 — Count Fleet
1942 — Alsab
1941 — Whirlaway
1940 — Bimelech
1939 — Challedon
1938 — Dauber
1937 — War Admiral
1936 — Bold Venture
1935 — Omaha
1934 — High Quest
1933 — Head Play
1932 — Burgoo King
1931 — Mate
1930 — Gallant Fox
1929 — Dr. Freeland
1928 — Victorian
1927 — Bostonian
1926 — Display
1925 — Coventry
1924 — Nellie Morse
1923 — Vigil
1922 — Pillory
1921 — Broomspun
1920 — Man o' War
1919 — Sir Barton
1918 — War Cloud and Jack Hare, Jr.
1917 — Kalitan
1916 — Damrosch
1915 — Rhine Maiden
1914 — Holiday
1913 — Buskin
1912 — Colonel Holloway
1911 — Watervale
1910 — Lay Master
1909 — Effendi
1908 — Royal Tourist
1907 — Don Enrique
1906 — Whimsical
1905 — Cairngorm
1904 — Bryn Mawr
1903 — Flocarline
1902 — Old England
1901 — The Parader
1900 — Hindus
1899 — Half Time
1898 — Sly Fox
1897 — Paul Kauver
1896 — Margrave
1895 — Belmar
1894 — Assignee
1893-91 — No hubo carreras
1890 — Montague
1889 — Buddhist
1888 — Refund
1887 — Dubine
1886 — The Bard
1885 — Tecumseh
1884 — Knight of Ellerslie
1883 — Jacobus
1882 — Vanguard
1881 — Saunterer
1880 — Grenada
1879 — Harold
1878 — Duke of Magenta
1877 — Cloverbrook
1876 — Shirley
1875 — Tom Ochiltree
1874 — Culpepper
1873 — Survivor

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ganadores en la historia de Belmont Stakes
Ganadores en la historia de Belmont Stakes

Chicago Tribune

timean hour ago

  • Chicago Tribune

Ganadores en la historia de Belmont Stakes

Por The Associated Press 2025_Sovereignty 2024_Dornoch 2023_Arcangelo 2022_Mo Donegal 2021_Essential Quality 2020_Tiz the Law 2019_Sir Winston 2018_Justify 2017_Tapwrit 2016_Creator 2015_American Pharoah 2014_Tonalist 2013_Palace Malice 2012_Union Rags 2011_Ruler On Ice 2010_Drosselmeyer 2009_Summer Bird 2008_Da' Tara 2007_Rags to Riches 2006_Jazil 2005_Afleet Alex 2004_Birdstone 2003_Empire Maker 2002_Sarava 2001_Point Given 2000_Commendable 1999_Lemon Drop Kid 1998_Victory Gallop 1997_Touch Gold 1996_Editor's Note 1995_Thunder Gulch 1994_Tabasco Cat 1993_Colonial Affair 1992_A.P. Indy 1991_Hansel 1990_Go and Go 1989_Easy Goer 1988_Risen Star 1987_Bet Twice 1986_Danzig Connection 1985_Creme Fraiche 1984_Swale 1983_Caveat 1982_Conquistador Cielo 1981_Summing 1980_Temperance Hill 1979_Coastal 1978_Affirmed 1977_Seattle Slew 1976_Bold Forbes 1975_Avatar 1974_Little Current 1973_Secretariat 1972_Riva Ridge 1971_Pass Catcher 1970_High Echelon 1969_Arts And Letters 1968_Stage Door Johnny 1967_Damascus 1966_Amberoid 1965_Hail To All 1964_Quadrangle 1963_Chateaugay 1962_Jaipur 1961_Sherluck 1960_Celtic Ash 1959_Sword Dancer 1958_Cavan 1957_Gallant Man 1956_Needles 1955_Nashua 1954_High Gun 1953_Native Dancer 1952_One Count 1951_Counterpoint 1950_Middleground 1949_Capot 1948_Citation 1947_Phalanx 1946_Assault 1945_Pavot 1944_Bounding Home 1943_Count Fleet 1942_Shut Out 1941_Whirlaway 1940_Bimelech 1939_Johnstown 1938_Pasteurized 1937_War Admiral 1936_Granville 1935_Omaha 1934_Peace Chance 1933_Hurryoff 1932_Faireno 1931_Twenty Grand 1930_Gallant Fox 1929_Blue Larkspur 1928_Vito 1927_Chance Shot 1926_Crusader 1925_American Flag 1924_Mad Play 1923_Zev 1922_Pillory 1921_Grey Lag 1920_Man o' War 1919_Sir Barton 1918_Johren 1917_Hourless 1916_Friar Rock 1915_The Finn 1914_Luke McLuke 1913_Prince Eugene 1912_No se realizó 1911_No se realizó 1910_Sweep 1909_Joe Madden 1908_Colin 1907_Peter Pan 1906_Burgomaster 1905_Tanya 1904_Delhi 1903_Africander 1902_Masterman 1901_Commando 1900_Ildrum 1899_Jean Bereaud 1898_Bowling Brook 1897_Scottish Chieftain 1896_Hastings 1895_Belmar 1894_Henry of Navarre 1893_Comanche 1892_Patron 1891_Foxford 1890_Burlington 1889_Eric 1888_Sir Dixon 1887_Hanover 1886_Inspector B. 1885_Tyrant 1884_Panique 1883_George Kinney 1882_Forester 1881_Saunterer 1880_Grenada 1879_Spendthrift 1878_Duke of Magenta 1877_Cloverbrook 1876_Algerine 1875_Calvin 1874_Saxon 1873_Springbok 1872_Joe Daniels 1871_Harry Bassett 1870_Kingfisher 1869_Fenian 1868_General Duke 1867_Ruthless

New PSA Uses AI Fakery To Warn About AI Fakery
New PSA Uses AI Fakery To Warn About AI Fakery

Forbes

time7 hours ago

  • Forbes

New PSA Uses AI Fakery To Warn About AI Fakery

Remember when a boat crew rescued a polar bear last year, but really didn't because the widely ... More shared video was AI-generated? For a greatest-hits parade of viral AI images, just watch a new public service announcement designed to help people spot AI fakery. You'll get such classics as a skydiving baby, the late Pope Francis wearing a designer puffer coat, a boat crew not actually rescuing a polar bear cub and, of course, Will Smith slurping spaghetti. That meme from a couple of years back became an early benchmark of just how far AI images had to go to appear convincing. A lot has changed since then, with AI tools for generating images and videos progressing toward realism at an astounding rate. The advancements open up countless creative possibilities, but with them comes a higher risk that people will confuse fake for real, sometimes with serious consequences. 'At stake is trust in substantiated information and the health of democracy,' said Betsy Morais, acting editor of the Columbia Journalism Review, the magazine for journalists published by Columbia University's Graduate School of Journalism. That's what prompted CJR to launch PSAi, a campaign aimed at helping the public distinguish real from AI-generated. 'For more than a century, photography has been one of the greatest tools journalists have had to establish truth and trust,' reads a description of the campaign. 'But AI-generated images are making it increasingly hard to distinguish real from fake media.' As part of PSAi, CJR partnered with creative agency TBWA\Chiat\Day New York to produce a short, snappy music video that serves as a crash course in AI-spotting basics. The video pairs some of the best-known AI-generated images out there with a song in the style of '90s rap delivering tips that might seem obvious to those attuned to AI oddities, but aren't to the scores who get fooled. 'Extra fingers are a telltale sign, so is skin with the perfect shine,' the lyrics go. 'Flawless hair that's smooth and clean, warped faces in the back of the scene.' To make the video, the TBWA\Chiat\Day team scoured social media platforms to collect AI-generated images ranging from the emotionally charged — a terrified little girl paddling through the floodwaters of Hurricane Katrina holding her dog — to the downright bizarre (I'm looking at you 'Shrimp Jesus'). The images were chosen not only because they were 'liked' and shared widely, but because they misled people into believing they were legitimate. The team animated the images using Runway's AI video generation and alteration tools, specifically its Act-One feature, which makes it possible to animate facial expressions and sync mouth movements with speech. In the case of the PSAi video, image subjects appear to be lip-synching the rap lyrics. 'That's the way you spot AI,' Meta CEO Mark Zuckerberg appears to sing as he peeps into a window from outside (remember that one?). An iProov study earlier this year revealed that many people can't spot a deepfake, with 20% of consumers polled saying they don't even know what one is. Dustin Tomes, chief creative officer of TBWA\Chiat\Day New York, stressed that PSAi isn't intended as an anti-AI statement, but an awareness-building toolkit. 'The PSAi is designed to give people simple, effective tools to spot the difference, without requiring too much effort,' Tomes said in a statement. 'This isn't a silver bullet, but by delivering this education in a memorable way, we hope more people will engage and apply these lessons. After all, fake news doesn't spread itself.' The video certainly is attention-grabbing, even without an appearance by the internet's favorite viral 'emotional support kangaroo.' The creative team behind PSAi scoured social media for AI-generated images that were liked and ... More shared widely, like this one of Meta CEO Mark Zuckerberg.

Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America
Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America

CNN

timea day ago

  • CNN

Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America

The historical echoes in 'Good Night, and Good Luck' are extraordinary. Some might even say they're eerie. On Saturday at 7pm ET, viewers around the world can see for themselves when CNN televises the blockbuster hit Broadway play starring George Clooney. The play transports viewers back to the 1950s but feels equally relevant in the 2020s with its themes of unrestrained political power, corporate timidity and journalistic integrity. Add 'Good Night, Good Luck' on CNN to your calendar: Apple / Outlook or Google The real-life drama recounted in the play took place at CBS, the same network that is currently being targeted by President Donald Trump. That's one of the reasons why the play's dialogue feels ripped from recent headlines. Clooney plays Edward R. Murrow, the iconic CBS journalist who was once dubbed 'the man who put a spine in broadcasting.' Murrow helmed 'See It Now,' a program that pioneered the new medium of television by telling in-depth stories, incorporating film clips and interviewing newsmakers at a time when other shows simply relayed the headlines. Get Reliable Sources newsletter Sign up here to receive Reliable Sources with Brian Stelter in your inbox. In the early '50s, Murrow and producing partner Fred Friendly were alarmed by what Friendly called in his 1967 memoir the 'problem of blacklisting and guilt by association.' At the time, the country was gripped by Cold War paranoia, some of it stoked by Senator Joseph McCarthy's trumped-up claims about communist infiltration of the government, Hollywood and other sectors. In a later era, McCarthy would have been accused of spreading misinformation and attacking free speech. Murrow and Friendly thought about devoting an episode to the senator and his investigations, but they wanted a dramatic way to illustrate the subject. They found it with Milo Radulovich, an Air Force reserve officer who was fired over his relatives' alleged communist views. Radulovich was a compelling, sympathetic speaker on camera, and Murrow's report on him not only stunned viewers across the country, but it also led the Air Force to reverse course. 'The Radulovich program was television's first attempt to do something about the contagion of fear that had come to be known as McCarthyism,' Friendly recalled. That's where 'Good Night, and Good Luck' begins — with a journalistic triumph that foreshadowed fierce reports about McCarthy's witch hunts and attempted retaliation by the senator and his allies. Clooney first made the project into a movie in 2005. It was adapted for the stage last year and opened on Broadway in March, this time with Clooney playing Murrow instead of Friendly. Both versions recreate Murrow's actual televised monologues and feature McCarthy's real filmed diatribes. 'The line between investigating and persecuting is a very fine one,' Murrow said in a pivotal essay about McCarthy, uttering words that could just as easily apply to Trump's campaign of retribution. A moment later, Murrow accused McCarthy of exploiting people's fears. The same charge is leveled against Trump constantly. 'This is no time for men who oppose Senator McCarthy's methods to keep silent, or for those who approve,' Murrow said, sounding just like the activists who are urging outspoken resistance to Trump's methods. In April, Trump issued an executive order directing the Justice Department to investigate Miles Taylor, a former Trump homeland security official who penned an essay and a book, 'Anonymous,' about the president's recklessness. This week Taylor spoke out about being on Trump's 'blacklist,' using the same language that defined the Red Scare of the '50s and destroyed many careers back then. 'People are afraid,' Taylor said on CNN's 'The Arena with Kasie Hunt.' He warned that staying silent, ducking from the fight, only empowers demagogues. Murrow did not duck. Other journalists had excoriated McCarthy earlier, in print and on the radio, but Murrow met the medium and the moment in 1954, demonstrating the senator's smear tactics and stirring a severe public backlash. Afterward, McCarthy targeted not just Murrow, but also the CBS network and Alcoa, the single corporate sponsor of 'See It Now.' McCarthy threatened to investigate the aluminum maker. 'We're in for a helluva fight,' CBS president William Paley told Murrow. The two men were friends and allies, but only to a point. Paley had to juggle the sponsors, CBS-affiliated stations across the country, and government officials who controlled station licenses. In a Paley biography, 'In All His Glory,' Sally Bedell Smith observed that two key commissioners at the FCC, the federal agency in charge of licensing, were 'friends of McCarthy.' The relationship between Paley and Murrow was ultimately fractured for reasons that are portrayed in the play. Looking back at the Murrow years, historian Theodore White wrote that CBS was 'a huge corporation more vulnerable than most to government pressure and Washington reprisal.' Those exact same words could be written today, as CBS parent Paramount waits for the Trump-era FCC to approve its pending merger with Skydance Media. Billions of dollars are on the line. The merger review process has been made much more complicated by Trump's lawsuit against CBS, in which he baselessly accuses '60 Minutes' of trying to tip the scales of the 2024 election against him. While legal experts have said CBS is well-positioned to defeat the suit, Paramount has sought to strike a settlement deal with Trump instead. Inside '60 Minutes,' 'everyone thinks this lawsuit is an act of extortion, everyone,' a network correspondent told CNN. In a crossover of sorts between the '50s and today, Clooney appeared on '60 Minutes' in March to promote the new play. He invoked the parallels between McCarthyism and the present political climate. 'ABC has just settled a lawsuit with the Trump administration,' Clooney said. 'And CBS News is in the process…' There, Jon Wertheim's narration took over, as the correspondent explained Trump's lawsuit. 'We're seeing this idea of using government to scare or fine or use corporations to make journalists smaller,' Clooney said. He called it a fight 'for the ages.' Trump watched the segment, and he belittled Clooney as a 'second-rate movie 'star'.' On stage, Clooney as Murrow challenges theatergoers to consider the roles and responsibilities of both journalists and corporate bosses. Ann M. Sperber, author of a best-selling biography, 'Murrow: His Life and Times,' found that Murrow was asking himself those very questions at the dawn of the TV age. Murrow, she wrote, sketched out an essay for The Atlantic in early 1949 but never completed it. He wrote notes to himself about 'editorial control' over news, about 'Who decides,' and whether the television business will 'regard news as anything more than a saleable commodity?' Murrow wrote to himself that we 'need to argue this out before patterns become set and we all begin to see pictures of our country and the world that just aren't true.' Seventy-six years later, the arguments are as relevant and necessary today.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store