Comic Book Legend Jack Kirby Getting Definitive Documentary in ‘Kirbyvision'
Documentary film director, Ricki Stern ('Joan Rivers: A Piece of Work,' 'UFOs: Investigating the Unknown'), is set to direct 'Kirbyvision' a feature length documentary telling the complete and fascinating story of legendary artist, storyteller, and creator, Jack Kirby.
Dan Braun and Josh Braun ('The Andy Warhol Diaries', the Emmy-winning 'Wild Wild Country') will produce under their Submarine Deluxe production banner, a wholly owned subsidiary of Submarine, alongside Mike Cecchini, Ron Fogelman, and Chris Longo.
Kirby is widely regarded as one of the comic book medium's most innovative, prolific, and influential creators. At the height of his nearly six decade career, Kirby created or co-created many of Marvel's major characters including Captain America (with Joe Simon), the Avengers, Black Panther, the Fantastic Four, Hulk, Iron Man, Silver Surfer, Thor, the X-Men, and countless others (with comics impresario Stan Lee).
He worked similar magic for DC Comics, where he created the sprawling, psychedelic 'Fourth World,' a series of political and psychedelic sci-fi epics often considered his most ambitious work. His creations as writer, artist, and editor include Darkseid, Mister Miracle, OMAC, The Demon, and many others who are mainstays of DC's publishing and screen projects to this day.
In the decades since his passing, Kirby's name has become synonymous with epic sequential art storytelling and unrestrained creativity. But the influence of his work extends far beyond the page, and his name is often celebrated by not only the entire comic book industry, but blockbuster filmmakers, contemporary artists, best-selling novelists, musicians, and more.
To bring Kirby's remarkable story to life, 'Kirbyvision' will work with the Estate of Jack Kirby as represented by the Rosalind Kirby Family Trust, his daughters Lisa and Barbara Kirby, and grandchildren Tracy and Jeremy Kirby, as well as the Jack Kirby Museum and Research Center to access a treasure trove of personal documents, home movies, and creative materials, many widely unseen by the public until now.
'We are thrilled to work with such a dedicated, passionate, and knowledgeable team of filmmakers,' Lisa Kirby said in a statement. 'The legacy of Jack Kirby is in good hands, as Ricki, Dan, Josh, Ron, Mike, Chris, and their team share the same creative energy that helped my father create boundless universes of characters that continue to inspire us and shape our imaginations.'
Variety first reported the news.
The post Comic Book Legend Jack Kirby Getting Definitive Documentary in 'Kirbyvision' appeared first on TheWrap.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Lena Waithe Dropped Over $35,000 for a Special Piece of 'The Mary Tyler Moore' Set: 'I Will Cherish This'
On Wednesday. June 4, Doyle's Auctions held an auction for "The Collection of Mary Tyler Moore" One of the big sales of the auction was a gold-painted "M" that sat on the wall of Mary Richards' apartment in The Mary Tyler Moore Show The Emmy-winner says it's an "honor" to own the special piece after purchasing it for $35, 200Lena Waithe has purchased a special piece of television history. The Emmy Award winner has purchased the gold-painted "M" that adorned Mary Richards' apartment wall on The Mary Tyler Moore Show. The sale took place on Wednesday, June 4, at Doyle's "The Collection of Mary Tyler Moore" auction. The humble prop was the highlight of the auction, receiving a ton of interest due to its prominence in the background of a beloved sitcom, which aired from 1970 to 1977. Original estimates had the piece going for anywhere from $5,000 to 8,000. The piece far exceeded expectations, opening at $14,000 and ultimately selling for a stunning $35,200. In a statement about the sale, Waithe shares, "I will cherish this piece of television history for the rest of my life. I feel honored to have custody of it until it's time to pass it along to someone else." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. Other Mary Tyler Moore items garnered impressive sales. A colorful portrait of Moore by Peter Max sold for $15,360. Original Al Hirschfeld drawings capturing Moore's roles in The Dick Van Dyke Show ($6,080) and The Mary Tyler Moore Show ($7,680) also exceeded expectations. Moore began leading The Mary Tyler Moore Show in 1970, not long after her starring role on The Dick Van Dyke Show. The show was produced by her company, MTM Enterprises, which was behind many successful TV series. Her TV alter ego, Mary Richards, was not that different from the real Moore, the late actress once told PEOPLE in 1974. 'I never went the actors' studio route. I'm not an actress who can create a character. I play me. I'm scared that if I tamper with it I might ruin it,' she shared, noting her single girl character happened, in part, because she didn't want to play married again, and CBS didn't want her character to be divorced. She ended up with eight Emmy nominations and four wins for her work on the series. Read the original article on People
Boston Globe
4 hours ago
- Boston Globe
2025 Tony Awards: How to watch, who's performing, and everything else you need to know
The 2025 Tony Awards will take over Radio City Music Hall in New York City on Sunday, June 8, with the main ceremony set to kick off at 8 p.m. How can I watch the 2025 Tony Awards? The Tonys will broadcast live on Sunday night starting at 8 p.m. on CBS. Paramount+ with Showtime subscribers can also stream the awards live, while subscribers of other Paramount+ plans can watch the Tonys the next day on-demand via the streaming service. Prior to the main ceremony, 'The Tony Awards: Act One,' a live pre-show, will stream on the free Pluto TV platform starting at 6:40 p.m. 'Act One,' hosted by first-time Tony nominee Darren Criss ('Maybe Happy Ending') and Tony- and Grammy-winning star Renée Elise Goldsberry ('Hamilton'), will include the presentation of the night's first round of Tony winners. Cynthia Erivo, the 2025 Hasty Pudding Woman of the Year, during her roast at Farkus Hall in Cambridge on Feb. 5. Matthew J. Lee/Globe Staff Advertisement Who's hosting the show? The main ceremony on CBS will be hosted for the first time by Tony-, Emmy-, and Grammy-winning actress Cynthia Erivo, a three-time Oscar nominee and star of the film adaptation of the 'Wicked' stage musical. Meanwhile, fellow former Tony winner Brian Stokes Mitchell will serve as the show's announcer. Who's performing at the 2025 Tonys? Expect a packed night of performances headlined by a special reunion of the original cast of 'Hamilton,' which shattered records at the 2016 Tonys, winning 11 awards, including best musical. In honor of the production's 10th anniversary, stars including Lin-Manuel Miranda, Leslie Odom, Jr., Daveed Diggs, Ariana DeBose, and more will perform on Sunday night. Advertisement The evening will also feature performances by cast members from several 2025 Tony-nominated shows, including best musical nominees 'Buena Vista Social Club,' 'Dead Outlaw,' 'Death Becomes Her,' 'Maybe Happy Ending,' and 'Operation Mincemeat: A New Musical'; best revival of musical nominees 'Floyd Collins,' 'Gypsy,' 'Pirates! The Penzance Musical,' and 'Sunset Blvd'; musical 'Just In Time,' which earned six nominations; as well as 'Real Women Have Curves,' which scored two nominations. George Clooney in "Good Night, and Good Luck." EMILIO MADRID Who's presenting on Sunday? A ton of big names will take the stage to present at the Tonys this weekend, including Oprah, Keanu Reeves, Katie Holmes, Jesse Eisenberg, Samuel L. Jackson, Michelle Williams, Ben Stiller, Lin-Manuel Miranda, and Bryan Cranston. Additional presenters include Boston-born star Allison Janney, Adam Lambert, Kelli O'Hara, Charli D'Amelio, Aaron Tveit, Alex Winter, Sara Bareilles, Lea Salonga, Jean Smart, Ariana DeBose, Kristin Chenoweth, Carrie Preston, Renée Elise Goldsberry, Sarah Paulson, Danielle Brooks, LaTanya Richardson Jackson, Rachel Bay Jones, and Lea Michele. What productions and stars are nominated? Even before the show starts, Broadway legend Audra McDonald has already made history, earning her 11th career Tony nomination. She's up for best actress in a musical for 'Gypsy' (she already holds the record for most Tony wins by a performer with six). Squaring off against McDonald in the category are Megan Hilty ('Death Becomes Her'), Mass. native Jasmine Amy Rogers ('BOOP! The Musical'), Nicole Scherzinger ('Sunset Blvd.'), and Meanwhile, Hollywood superstar George Clooney hopes to pick up his first Tony after scoring his first-ever nomination for Advertisement Matt Juul can be reached at
Yahoo
4 hours ago
- Yahoo
I Work At ‘Dateline.' Here's The 1 Question I Get Asked The Most — And My Answer Might Surprise You.
When I tell people I'm a writer at 'Dateline NBC,' I get a variety of reactions. Often I hear, 'Cool! What's Lester Holt really like?' Or 'Do you think that husband really disconnected his wife's oxygen tank while they were scuba diving on their honeymoon or was it just a bizarre accident?' However, sometimes I detect a look of mild horror, the kind I imagine trauma surgeons and cops get. It's a look that says, Wow, you spend every day immersed in all that darkness. Isn't it depressing? Actually ... no. When I first started at 'Dateline,' the show followed a different format. We covered consumer issues, did investigations and profiles (one was of a young and sunny Taylor Swift, no less), and offered plenty of human interest stories. But times change and so does the audience. True crime is where our audience went and we met it there with, I like to think, an arsenal of journalistic talents: expert storytelling that captures victims, families and killers in all their human, complicated glory; the highest standards of fairness; and maybe just as important as anything else, true respect for the lives that are taken and the loved ones left behind. Still, I admit the subject matter is dark. Nearly every episode involves a murder, or at least a disappearance. We do some powerful stories about the wrongfully convicted, but those people are usually convicted of killing someone. Death almost always figures into what happened in one way or another. I work on the 'open' of the show: the minute and a half at the top that highlights the most dramatic parts of the story. It includes things like: how many hearts the victim touched, how shocking the crime was, and how depraved the killer's actions were. In short, it's made up of the saddest, starkest, most potent stuff. Like my colleagues in this strange, very particular universe, I have developed an eye for small moments that reveal deep emotion, whether it's anger or grief. And I've written the words 'a chilling discovery,' 'a savage assault,' and 'a bizarre twist' more times than I care to count. So, yes … dark. And, of course, heartbreakingly sad. But depressing? No. Many of our greatest and most popular writers — including Stephen King, Gillian Flynn, Edgar Allen Poe and Agatha Christie, to name just a few — wrestle almost exclusively with sinister themes, like violence and murder. People don't tend to think of their work as 'depressing.' Spine-tingling? Yes. As well as engaging. Thought-provoking. I would argue one of the reasons great writers engage with this material is that the stakes in a murder mystery are so high. A human life is taken. In Michael Cunningham's Pulitzer Prize-winning novel 'The Hours,' Virginia Woolf says, 'Someone has to die in order that the rest of us should value life more. It's contrast.' But dark stories offer a flip side as well: the possibility for redemption, hope and understanding. This is such a fundamental paradigm that it resonates even with children. Studies show that fairy tales, many of which are scary, help children process difficult emotions like fear, envy and loneliness. This reassures children that they are not alone and that they're 'normal.' Fairy tales give children a safe place to explore these feelings and can teach them how to express and deal with them in an effective, constructive way. For grown-up readers, different kinds of mysteries may offer different kinds of sustenance. In an astute essay for Time magazine, award-winning novelist Tana French argues these stories mostly fall into one of two camps. The first, like those written by Christie, are about restoring order and seeing justice meted out. Her offerings are tidy, self-contained, feature a satisfying resolution — and go perfectly with a cup of tea. 'In a world that can often be chaotic and reasonless, we need these stories,' French writes. Others, which French dubs 'wild mysteries,' ask us to engage with deeper questions about human nature. 'What are we capable of? How much of who we are is determined by choice, by circumstance, or by nature?' French asks. 'The questions stay unanswered because they're unanswerable.' I like to think 'Dateline' gives viewers a bit of both kinds of stories. By the end of the hour, you will (almost always) know who committed the crime. You will know how. You will usually know why. But we take on the deeper, thornier questions, too, like how well do we ever really know another person — even one we're married to? Can a person simply snap? And, in an increasingly complicated world, what constitutes justice? I know some people say that shows like 'Dateline' serve up the trauma and pain of real people for the entertainment of our viewers. But the show's producers tell me that the victims' loved ones say talking about the case provides a kind of balm. They refer to their experience working with 'Dateline' as cathartic and say it leaves them feeling 'lighter.' They feel like someone 'important' is really listening to them and they trust that we will take their story seriously and tell it correctly. It can be a truly transformative experience for them. One producer also told me that 'Dateline' creates 'an important historical record of serious crime. Something that people can always look back on to see what really happened, told by the people it happened to.' In these times of rampant mis- and disinformation, this is no small thing. I believe our stories also resonate with viewers because, though the terrible people are truly terrible, the heroes we feature really are heroic — whether it's the detective who picks up the ice cold case and keeps digging until she finds the truth or the prosecutor who refuses to give up on the impossible-to-prove case or the sister whose hands grow raw from putting up 'missing' posters. These people's resilience struck me in an especially personal way several years ago. Though I'm fortunate to never have experienced violent crime, my mother died when I was a child. One otherwise-unremarkable day, I realized that I was older than she was when she passed. I thought I'd made my peace with her death years earlier, but on that day I was suddenly acutely aware of just how little time she'd been given on this planet. I was stewing in the sour juice of helplessness, bitterness and sadness when I started working on my next 'Dateline' story. As I began to go through the interview tapes to find the best soundbites, I found myself appreciating the friends and family members of the victim in a way I never had before. They had confronted the most terrible thing life could throw at them and somehow kept going in surprising, inspiring ways. The same is true of the loved ones in most of our 'Dateline' stories. Some of these people have actually helped solve cases. Others have found inventive ways to help other families going through similar trauma. But no matter what they've experienced, there's one thing they all share: Despite any apprehension about becoming public people — which in this day and age can be unpleasant or even dangerous — they went on national TV to make sure we knew who their murdered cousin, aunt or friend was. They spoke up to keep their memories alive. Their unbelievable strength has moved and healed me. I now carry some of their words around with me, like an aspirin for a headache, or a railing when I feel wobbly. I work on a program that some have called 'The Murder Show.' They're not wrong, but maybe toiling in a dark world makes the light more visible. Maybe it's only because of sadness that we even know and understand joy. Maybe it's injustice that allows us to appreciate justice. As Virginia Woolf might say, it's contrast. Lorna Graham is the author of 'Where You Once Belonged' and 'The Ghost of Greenwich Village,' and is a writer at 'Dateline NBC.' She has written numerous documentaries, including 'Auschwitz,' produced by Steven Spielberg and narrated by Meryl Streep, which competed at the 2016 Tribeca Film Festival. Across numerous films, PSAs, and speeches, she's written for Presidents Bill Clinton and George H.W. Bush, Tom Hanks, Harrison Ford, and Morgan Freeman. She graduated from Barnard College and lives in Greenwich Village. Do you have a compelling personal story you'd like to see published on HuffPost? Find out what we're looking for here and send us a pitch at pitch@ My Experiences On 'Sex And The City' Left Me Reeling. A Recent Run-In With One Of Its Stars Left Me In Shock. I Was One Of The Most Famous Pop Stars In The World. No One Knew The Secret Pain I Hid. A Guy I Once Dated Is Now Famous, And It's As Weird As You'd Imagine
