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Martin Scorsese Announces Documentary Featuring Pope Francis' Final Interview

Martin Scorsese Announces Documentary Featuring Pope Francis' Final Interview

Yahoo22-05-2025

Martin Scorsese will release Aldeas – A New Story, a full-lengthy documentary film featuring Pope Francis' 'final in-depth on-camera interview for cinema.'
The film will reflect on the work of Scholas Occurrentes, a non-profit, global education project founded by Pope Francis in 2013. Part of the project has been cultivating filmmaking in communities around the world to help create 'the culture of encounter from the peripheries, gathering together the beauty of human diversity, and fostering unity in a divided world.' Aldeas – A New Story will feature short narrative films made in Indonesia, the Gambia, and Italy.
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Produced by Aldeas Scholas Films in association with Scorsese's Sikelia Productions and Massive Owl Productions, the film will intertwine the short films with Pope Francis' interviews with Scorsese during a return to his ancestral hometown in Sicily.
'Aldeas is an extremely poetic and very constructive project because it goes to the roots of what human life is, human sociability, human conflicts… the essence of a life's journey,' Pope Francis said in a statement before his death in April.
Scorsese added, 'Now, more than ever, we need to talk to each other, listen to one another cross-culturally. One of the best ways to accomplish this is by sharing the stories of who we are, reflected from our personal lives and experiences. It helps us understand and value how each of us sees the world. It was important to Pope Francis for people across the globe to exchange ideas with respect while also preserving their cultural identity, and cinema is the best medium to do that.'
A press release notes, 'By empowering communities to tell their own stories and preserve their cultural legacies, the feature documentary stands as a testament to the enduring belief that creativity is not only a means of expression but a path to hope and transformation. The short films themselves will ultimately premiere in newly established local cinemas, serving as lasting hubs for cultural expression and education.'
Aldeas – A New Story was produced by Scorsese along with Teresa Leveratto, Ezequiel del Corral, and Alfonso Gomez-Rejon. It was executive produced by Lisa Frechette, Romilda de Luca, Ariel Tcach, and Ariel Broitman. It was directed by Clare Tavernor and Johnny Shipley, and produced by Massive Owl Productions' Amy Foster. Cinematographers Ellen Kuras and Salvatore Totino also contributed to the film.
Scorsese met with Pope Francis several times over the years. The filmmaker used their conversations to help inform his films The Last Temptation of Christ and Silence. He paid tribute to Francis following his death, saying, 'He was, in every way, a remarkable human being. He acknowledged his own failings. He radiated wisdom. He radiated goodness. He had an ironclad commitment to the good. He knew in his soul that ignorance was a terrible plague on humanity. So he never stopped learning.'
He added, 'The loss for me runs deep — I was lucky enough to know him, and I will miss his presence and his warmth. The loss for the world is immense. But he left a light behind, and it can never be extinguished.'
A release date for the film has not been announced, but Aldeas Scholas Films noted on Instagram that it is coming 'soon.'
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65 Extremely Rare And Fascinating Pictures I Found Last Month That Will Completely And Totally Change Your Perspective On The Past
65 Extremely Rare And Fascinating Pictures I Found Last Month That Will Completely And Totally Change Your Perspective On The Past

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time3 days ago

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65 Extremely Rare And Fascinating Pictures I Found Last Month That Will Completely And Totally Change Your Perspective On The Past

This, snapped the day before his death, is one of the last pictures ever taken of Pope Francis: And here's what Pope Francis looked like as a young man: Popes: they were once young! Who'da thunk it. This is what Niagara falls looks like from way, way above: Would ya look at that. This, my friends, is what a pregnant horse looks like: I am still searching for what a horse baby shower looks like. I imagine it's delightful. This is what a human skeleton looks like next to a gorilla's skeleton: Feel free to pull this image up in your next "Yo Mama" debate on the playground. This is Fernand Meyssonnier, France's last executioner, standing next to one of the guillotines he used on the job: Someone was executed by guillotine as recently as 1977 in France. The death penalty has since been abolished. And here's a mask an executioner would typically wear: Not creepy at all. This is what the USS Midway looks like compared to a person in a kayak: This makes me feel very relaxed. Just kidding. This is what the bottom of the deepest trench on Earth, the Mariana Trench, looks like: Imagine being the guy responsible for the trash at the literal deepest part of the ocean. In the mid-80s, the Statue of Liberty was completely covered in scafolding while being renovated: A pigeon's dream come true. Over 2.5 MILLION people attended Lady Gaga's show in Brazil last month. Here's what millions of people in one place looks like: I have to pee just thinking about it. Here's another angle: Again, my bladder hurts. This comparison of the graphics of Grand Theft Auto V and the upcoming Grand Theft Auto VI has been making the rounds. The jump in graphical fidelity is incredible: What a different 13 years makes. This is what an x-ray of a baby's hand looks like: A comforting thought. In 1731, King Frederick I of Sweden was gifted with a lion that, after its death, he sent to be stuffed and preserved. The only issue was that the people doing the taxidermy had never actually seen a lion. This, the Lion of Gripsholm Castle, is the finished product: Juuuuuust a bit off. Speaking of terrible taxidermy and fossil reconstruction, this is the Magdeburg Unicorn, quite possibly the worst fossil reconstruction ever: It was probably done by Otto von Guericke, who thought he had found the remains of a unicorn. Turns out he'd just mixed and matched the bones of a rhinoceros, a mammoth, and a narwhal. This is Steven Spielberg on top of Bruce, the animatronic shark that, well, played Jaws in Jaws: And now I'm realizing why the shark in Finding Nemo was named what it was. Here's a look at the full Jaws fake-shark rig: In 2001, there was a huge dust storm on Mars that obscured the whole planet from the outside: Imagine leaving your windows open on Mars that day. This is what a lizard getting a CT scan looks like: Stay strong, l'il fellah. The is the one-time record holder for world's heaviest hamburger: Are the tomatoes really necessary? They're not even that heavy. Deep scars don't sweat, so dirt doesn't stick to them: That's one way to stay clean. Quarters... quarters can be very, very tiny: They were made by the Franklin Mint in the 1980s. This is what a World War II combat helmet looks like compared to a World War I combat helmet: Here's the other side of the helmets: I'm taking the World War II helmet for anything combat-related and the World War I helmet for anything heaping-bowl-of-soup-related. This is what the first iPhone's camera looks like compared to a recent iPhone's camera: What is this... a camera for ants? This is what a nuclear warhead looks like: Looks like the next water bottle TikTok is going to convince half the world to buy. In 1924, a game of Human Chess was played in the Soviet Union: You know, if you weren't able to watch Babe Ruth hit 46 homeruns back then, you had to find some other way to entertain yourself. This is what a four person see-saw looks like: That's a little busy. Some libraries let you know just how much money you save by going to them: Let's hear it for 'braries, folks. This is what a golf course green that's been struck by lightning looks like: Or when my approach shot from 65 yards at hits the screen and bounces directly into the woods behind it. This is what a Coke bottle from 48 years ago looked like: It was intentionally a throwback design for Coke's anniversary. The original Pledge of Allegiance didn't include "under God": This was changed by Dwight Eisenhower during the Cold War, for, of course, Cold War reasons. The year 2025 is the first year that's a square number since 1936: And you will almost certainly be long dead before the next one. Have a nice day! This is "Boy Samson," the 14-year-old "strongest boy in the world" holding up a grown man on a motorcycle circa 1932: Today, that very same boy might have a Podcast. The mind reels. This is how much it cost to buy a whole bunch of groceries in 1988, almost 40 years ago: Today that'll get you about two and half bell peppers. This is what the first class menu looked like on the Titanic the day the ship sunk: No chicken tenders? No thanks. And this is what the Second Class menu looked like that same day: Some similarities to the first class menu, but overall very, very different. And, for good measure, this is what the third class menu looked like that day so many of them tragically died: Literally getting served "GRUEL." This is what the World Trade Center looked like at the very beginning of its construction: Construction began in 1966 and was finished in 1971. This is what a fusion reactor looks like compared to a person: This particular reactor is located in China and set a record "160 million degrees celsius for 20 seconds." This is Igor Sikorsky, inventor of the world's first "practical" helicopter, getting ready to take off in his contraption: This was in 1939. And here he is in the air: My guy Igor CHILLIN' up there. Some playgrounds have special "wheelchair only" swings: Love it! This is Norwegian speed skater Oscar Mathisen pictured with his many, many, many, many awards and honors throughout the early 1900s: He set numerous world records, some even apparently lasting until the 21st century. This is what a pair of maraschino cherries put through a dishwasher looks like: Now you have officially seen everything. Here's a scientist testing out a hands-free shaving machine that used robotic arms: Okay, it was actually meant to be used with radioactive material, but shaving is a cool second use-case. Strawberries, my boy... strawberries can be very, very big: Nature is beautiful. And dogs? Dogs can be gigantic: Who's a good... man? And frogs, my boy... frogs can be very, very tiny: Now you know. Use this knowledge wisely. This is a group of World War I soldiers creating a "Human Liberty Bell" at Camp Dix in 1918: This is what people did before iPhones. This is 17-year-old Bryn Owen and his, frankly, ludicrous amount of mirrors on his Vespa: Every single source I've seen containing this picture points out that he used his own "pocket money." Now you know. Here's a scene from the 1924 Olympics gold medal hockey game between the USA and Canada: Canada won 6-1. This is what Meryal Waterpark, home of the world's tallest waterslide, looking like while it was under construction in Qatar: I can feel the wedgies just looking at this picture. This is what Earth looks like from 3.7 billion miles away: To paraphrase the big man Carl Sagan, everyone and everything you have ever known exists on that little speck. This is what the grave of HR Giger, creator of the design of the alien from Alien, looks like: Commitment to the very end. Speaking of which, the new Pope Leo went to a World Series game in 2005 and was caught on TV: Slacking off there, Leo. Should've been Pope-ing. This is what caffeine looks like under a microscope: Looks about right. This is Henry Behrens, at one time the world's smallest man, doing a little tango with a cat: He stood 30 inches tall, and, we can safely assume, was one heck of a dancer. This is planet J1407b, a, I quote, "Super-saturn" with "over 30 rings, each stretching over tens of millions of kilometers in diameter:" It's hundreds of times bigger than the Saturn we all know and love. This is what the remains of a World War I trench looks like today: These trenches date back to the Battle of the Somme and are located in Newfoundland Memorial Park near Albert, France. This picture, from the early 1900s, shows an early basketball game, kneepads and all: Josh Hart would make that man CRY. Here's another photo of a vintage basketball player, standing in front of a piano and striking fear into the hearts of his opponents: I think Jalen Brunson could put up 176 on this dude. This is what Stephen Hawking's grave looks like: It reads "Here lies what was mortal of Stephen Hawking." This isn't a fake picture of your worst "driving nightmare." It's the Hisashimichi Interchange, located near Tokyo, perhaps one of the most complicated roads in the world: I'll walk, thanks. This is what the nerve inside a tooth looks like: (Cartoon cat slamming his finger inside a door voice) YEEEEE-OUCH! This is what the knots on the outside of a tree look like on the inside: Neat! Cough medicine used to be very, very, very strong: Add some melatonin to that baby and you might never wake up. Finally, there's a copperhead snake in this picture. Can you find it? Well, can you?

RI's Verdi Productions to team with Scorsese, DiCaprio to film action thriller in October
RI's Verdi Productions to team with Scorsese, DiCaprio to film action thriller in October

Yahoo

time6 days ago

  • Yahoo

RI's Verdi Productions to team with Scorsese, DiCaprio to film action thriller in October

EAST GREENWICH – Rhode Island movie producer Chad A. Verdi Sr. will team up with Martin Scorsese and Leonardo DiCaprio to film several movies in Rhode Island over the next five years, Verdi Productions announced on Tuesday, May 27. First up will be the action thriller "Carthage Must Be Destroyed," with casting already begun for filming to start in the Ocean State in October. In addition to Verdi, Scorsese and DiCaprio, "Carthage" will be produced by LBI Entertainment's Christopher Donelly and Gareth West, with Michelle Verdi, Chad Verdi Jr., Paul Luba, Jennifer Davisson, Lisa Frechette and Sera Verdi on the production team. The production companies are Sikelia Productions, Appian Way Productions, Verdi Productions, and Ketchup Entertainment. "Carthage" will be directed by Ted Griffin, writer of "Ocean's Eleven." The story follows a stranger in a rust-belt city in decline that is ruled by the criminal underworld. The stranger looks to create chaos to bring the downfall of the corrupt power structure. Verdi Productions will spend more than $150 million over the next five years on roughly 20 projects, some of which will include the involvement of Scorsese and DiCaprio, according to Verdi Sr. This article originally appeared on The Providence Journal: Scorsese, DiCaprio, Verdi Productions film Carthage Must Be Destroyed

‘You' Star Charlotte Ritchie Is Making Boss Moves Only
‘You' Star Charlotte Ritchie Is Making Boss Moves Only

Yahoo

time27-05-2025

  • Yahoo

‘You' Star Charlotte Ritchie Is Making Boss Moves Only

[This story contains spoilers from season five, including the series finale, 'Finale.'] Charlotte Ritchie not only got to unlock a new version of herself in the fifth and final season of You but also a new version of her character Kate Lockwood. More from The Hollywood Reporter Martin Scorsese to Produce Pope Francis Doc 'Aldeas - A New Story' Kneecap Concerts Canceled In Germany Following Anti-Israel Statements at Coachella Oliver Stone Looks Back at the Fall of Saigon 50 Years Later: "We're Back to Learning Nothing" (Exclusive) The 35-year-old English actress, also known for her roles on Fresh Meat, Call the Midwife and Ghosts, learns something new from each project she takes on after inadvertently manifesting her career when she was younger. 'In the past, I've been very coy. I never wanted to say I wanted to be an actress,' she explains to The Hollywood Reporter. 'But then I found a diary from when I was about 10 that literally says all over the front cover, 'I want to be an actress.' So I obviously did, and I've just decided to curate this version of myself that's so much more humble.' As for Ritchie's character Kate, one of Joe Goldberg's (Penn Badgley) love interests in You seasons four and five, humble would probably not be the best way to describe her. In the fifth and final season of the hit Netflix series, Kate, now the CEO of her father's company, goes from agreeing to let Joe kill her uncle to leading an effort to take down the charismatic killer — a power switch-up that Ritchie enjoyed playing into. 'I stopped judging her a bit in the space between the two [seasons],' she says. 'I started liking her more and I feel like there was an opportunity in this [season] to see a different side of her, and that felt really satisfying because we only got to see her crack kind of at the end of [season] four and she's still so serious. So it's really satisfying to open her up and and and let that happen.' Below, Ritchie opens up about that epic final season of You and the scene she's most proud of, showing a new side of Kate, overcoming her biggest challenges and her dream project. *** How did this final season of feel different than , your first season with the show? It felt so different in so many ways. I was away from home, and something changes about not having your routine or your comforts of the people you usually have around you. I had a couple of lovely friends here in New York, but broadly it was like starting afresh and having time to kind of really focus on the work in a way that sometimes is harder when you have your life going on. There's also something about the spirit of New York; the energy of the city, the go-getting, inspiring nature, the way the crew work — I found that really refreshing and lovely. I also got to know Kate and I think I stopped judging her a bit in the space between the two [seasons]. I started liking her more and I feel like there was an opportunity in this [season] to see a different side of her, and that felt really satisfying because we only got to see her crack kind of at the end of [season] four and she's still so serious. So it's really satisfying to open her up and and and let that happen. Kate shows just how much of a boss she is this season, willing to risk her life to take down Joe (Penn Badgley). What was it like playing into that power? She lets in a lot more emotions this [season]. She lets them happen to her more, she lets herself feel more, which is really fun to play. There's one scene where she takes Joe to task. He's been caught on camera doing this stuff and she's just at her end. There's a line where she says, 'Were you always this obvious?' And there's this kind of depth of realization and this total abandon of any feeling for him. While I was doing it, I felt this infuriation at this character who was consistently revered and loved. He constantly gets away with the worst stuff and I suddenly felt so angry. I know he's not real, but on behalf of anybody that comes into contact with these people who manage to manipulate their way through. So Kate gets to express a lot of that anger and outrage. But unlike so many people, she has the protection of her money and her power, and she's so lucky that she has that structure around her. There's a force that she can go at him with, there's no risk. What was going through your head when you first read in the script that Kate would have a lapse in judgment at the beginning of the season, teaming up with Joe to kill her uncle? We watched the episode with a lot of the fans, and there's a real enjoyment for them at seeing them both slide into this pattern again. There is a kind of enjoyment of all the transgression that is obviously a big part of what the show is. But I feel like it's so disappointing for Kate. I think it's important that we see she has that in her, that she has that instinct, as well as Joe. Hers is a bit more distant, more bureaucratic. She gets other people to do her dirty work, which in its own way is very cowardly, but it means she can live with it a bit more. I think it's important we know she is fighting something internally. She's not suddenly this moralistic person. She has all the instincts to do the dirty work, to get this done, to off people — because it's convenient to put yourself first. It sets up the stakes for her moral quandary a bit more, because we know she's not just suddenly on this positive path. She really has it in her to be bad like him. Were you worried that Kate was potentially going to get killed this season, and what was your reaction to learning she survives and gets to reunite with [Joe's son] Henry (Frankie DeMaio) in the end? I was really happy. The weeks leading up to getting episodes nine and 10, I didn't know what her fate was going to be. There were rumors that she either lived or died, and there was a moment in makeup where I think Penn thought at one point she didn't survive, or maybe he was referencing the fight, but he was like, 'Are you sad?' I was like, 'What do you mean sad? Sad about what?' He was like, 'What do you mean, what do you mean?' I was like, 'What are you talking about?' And he was like, 'No, no, I'm just… I'm just talking, are you sad that you've got a late lunch?' I was like, 'Oh my gosh, she dies, she dies! I can't believe this!' And he was like, 'No, I don't know, it might not be true.' So I was carrying this not knowing. I really wanted to know how it happened, whatever it was, I just wanted to know, but I have to say I'm so pleased. I think the way that Marcos [Siega] directed that fire scene between Joe and Kate and the writing of that is so pitch perfect. I feel like that was such a great final out for her, not quite final, but yeah. There was something almost calm about that final moment and dialogue between Kate and Joe in episode nine, 'Trial of the Furies.' I remember feeling a bit moved because there's a sort of surrender for both of them to their fate. And there's that kind of relief or calm that comes with the surrender. So there is a kind of weird peace to it. And also she gets him, and so she can just die happy, or at least be satisfied with that. Watching the finale, what was your reaction? Did you feel satisfied that Joe got what he deserved? I think so. It felt really important that he no longer had access to these women and that he didn't get to swan around New York in nice suits. Rightly or wrongly, there's a part of me that wishes he could accept what he'd done and for a moment have some inner revelation where he sees himself for how he really is, but it's so apt that he doesn't do that. He never has accepted responsibilities. It's always someone else's fault. And then he finally turns it on his fans and it's like, 'Eek.' I think that's absolutely fitting. Do you have a specific season five moment or scene that you're most proud of as an actor? One from a practical point of view — sorry, this should be more serious of an answer — but I had a really bad stomach virus just before I did the scene with the cage with Nadia [Amy-Leigh Hickman] and Marienne [Tati Gabrielle], and when I was like dying. So on a physical level, I feel really proud of myself that I managed to get through that after about three days of basically seeing god! But it really helped inform that kind of delirium, that final moment, it's bizarre how that happened. And I do love laying into Joe. The feeling of getting to list all of the things that he's done: that he kills a woman and runs away to chase another woman, and then he kills her, like just laying out his basic nothingness and his total formulaic pathetic-ness was really fun. Then Joe gets to give it back because he doesn't care about her anymore. There's nothing to lose, so there's this abandon to it. It was fun. Is there anything you personally take away from playing Kate? Oh, so much. I've learned so much from this whole experience of doing this show from the beginning of getting the role, the fear I felt coming into it, the things I learned about myself and about working. This feels very indulgent because it's my own personal relationship with it, but it taught me loads of great things, like you should try and not get in your own way. It sounds so hard to say things that don't sound cliché, but wasting your time, constantly worrying about whether things are gonna be good or bad, gets in the way of just doing the job. That was a huge thing I've learned. And whether you're up to the challenge or not, especially with something as big as this, is again just a waste of time because you have to do it, so stop worrying about whether you're gonna match it or not and what that even means. Also working for a big company, it's made up of individuals and you can kind of find those connections. Ultimately, you learn so much from the things that you find difficult, and I definitely found it challenging playing Kate. How have your past projects helped inform the actor you are today, and do you ever find yourself reflecting on those past roles? I do. I think I don't ever really consciously reflect until quite a lot later. It's always a good six months or a year later. I can see with some distance, the changes that might have happened. But as you get older, you start to realize that every experience, positive or negative, deepens you in some ways if you let it. I feel so lucky because I've got to work with such great people. I think I grew up with a kind of image of actors or showbiz that it was sort of flighty and everyone was a bit self-involved, but I've just had the best conversations, the best scene partners, the best colleagues over the years. I'm sounding like I'm retiring (laughs). But I just love it. I'm glad that I can start to see that even when things are tricky, that's a worthwhile thing. Is there a genre, project or role that you have yet to do that you would like to do in the future? I would love to be in some kind of sci-fi thing that was optimistic about the future. I am craving a vision of the future that is positive. Optimistic early Star Trek visions of humanity would be so nice. What does your perfect day off look like? It's probably a not-too late wake up, so I feel like I'm making the morning. It's lovely weather, it's spring. It's a cup of tea in bed. It's maybe a nice breakfast with my boyfriend and then maybe see a friend for lunch, maybe play football for an hour or so, go to the pub, have a really nice time, come home, be alone and play my PlayStation for five hours (laughs). Really, I think that's where I'm at right now. I would love if it ended with some sort of click my fingers and I'm in a club and it's great music and all my friends who like dancing are there. That would be really nice if it could end like that and I had the energy, but in all honesty, some of my nicest evenings recently have been just closing the curtains on a beautiful summer's evening and playing The Last of Us for about five hours (laughs). What's one of the biggest challenges you've been able to overcome to help get you to where you are today? I think it's the way in which an anxious mind can sabotage your mental freedom. I've had therapy for anxiety for four years now, on and off. I spoke to this amazing acting coach last summer in New York, and I have so many friends around me who are having these revelations, realizing how powerful those negative voices are and how much it's up to you to stop them from getting in the way. Also this amazing phrase that someone said to me: 'If you can't get out of it, get into it.' And the sense that once you're doing something, stop fanning around and being like, 'I wish it wasn't like this.' It's like this, so either do it or don't do it. If you had to describe what makes Charlotte Ritchie, Charlotte Ritchie, what would you say? Oh my gosh, I honestly can't answer that (laughs). Let's say it's something I'm trying to work out. We are all so many multitudes of things at any given moment that to summarize into one thing, I don't think it's possible. So I'm going to give myself credit that I'm more than one thing at a time. *** Season five of You, along with all previous seasons, is currently streaming on Netflix. Read THR's finale postmortem with co-showrunners Michael Foley and Justin W. Lo and Penn Badgley. Best of The Hollywood Reporter 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise 'Yellowstone' and the Sprawling Dutton Family Tree, Explained

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