'Silent Hill 2' Adaptation Set for Major Theatrical Release
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Entertainment gossip and news from Newsweek's network of contributors
Silent Hill remains one of the most popular video game horror franchises in the world, and none of its titles are more beloved than 'Silent Hill 2.'
'Silent Hill 2' proved that video games didn't need to use jump scares in order to terrify its audience, instead opting for psychological horror and messing with the player's mind.
More Entertainment: Fan-Favorite Star From 'The Bear' Cast in 'Spider-Man 4'
Now, 'Silent Hill 2' is set to make its theatrical debut, and it will be getting a wide release.
Pyramid Head on the poster of 'Return to Silent Hill.'
Pyramid Head on the poster of 'Return to Silent Hill.'
Aleksandar Letic
According to an exclusive announcement through Variety, it has been revealed that 'Return to Silent Hill' will be getting a wide theatrical release in the United States through production company Cineverse.
This will mark the third film based on the Silent Hill franchise, with the last movie, 'Silent Hill: Revelation,' releasing in 2012.
'Return to Silent Hill' Set for Wide Theatrical Release From Cineverse, Promises to Be a 'Faithful Adaptation' of 'Silent Hill 2' (EXCLUSIVE) https://t.co/QbK2H8coPM — Variety (@Variety) May 8, 2025
'Return to Silent Hill' is helmed by Christophe Gans, who directed the first movie in 2006.
"I am delighted to partner with Cineverse, which has shown a genuine understanding of fanship," Gans said in a statement. "'Return to Silent Hill' is an adaptation created out of deep respect for a true masterpiece of a game, Konami's iconic 'Silent Hill 2.' I hope fans will enjoy and be fulfilled with the experience this new film has to offer."
"'Silent Hill' is one of the best video game franchises period and Christophe Gans did a phenomenal job capturing the atmosphere of the games once again with 'Return to Silent Hill,'" Cineverse executive director of acquisitions Brandon Hill said.
More Entertainment: Uma Thurman Returns to Action Films in 'Old Guard 2' First Look
According to the press release, the film follows "James, a man broken after his relationship with the love of his life, Mary, ends. When a mysterious letter from her calls him back to Silent Hill, he finds a once-recognizable town transformed by an unknown evil.
"While James desperately searches for Mary he encounters terrifying creatures and begins to unravel the mystery of what happened to the town. But as he descends deeper into the darkness the secrets he uncovers lead to a horrifying truth, and James finds himself struggling to hold on long enough to save his one true love."
The film stars Jeremy Irvine as James, Hannah Emily Anderson as Mary, and Robert Strange as the terrifying Pyramid Head.
More Entertainment: Mark Hamill to Lead New Dystopian Stephen King Survival Thriller
For more film and entertainment news, head on over to Newsweek Entertainment.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
42 minutes ago
- Yahoo
Carrie Coon, Leslie Bibb and Michelle Monaghan on ‘The White Lotus' Cut Scenes: ‘There Are Things You Won't See That Are a Part of Our History'
There's nothing quite like working on 'The White Lotus,' where cast members live on the same hotel set where they're filming for as long as six months. And for Season 3 stars Carrie Coon, Leslie Bibb and Michelle Monaghan — who played three lifelong friends on a girls' trip to Thailand — it's something they're forever bonded by. 'We'd spent half a year together making this thing far from our homes and our families and our routines,' Coon tells Variety's Awards Circuit Podcast. 'And it's so fraught when we watch it in a way that it will never be for anybody else. We'll never be able to explain it. There's no way to express the fulsomeness of that experience. I've said, It's like being an astronaut. The only person who knows what it's like is another astronaut.' More from Variety 'There Is No Feud': Walton Goggins and Aimee Lou Wood Tell All on Their 'White Lotus' Connection, a Cut Love Scene and Yes, Why He Unfollowed Her on Instagram Bridget Everett on How 'Somebody Somewhere' Was the Best Experience of Her Life: 'It's Like, Now What Am I Gonna Do?' How 'The Studio,' 'Yellowjackets,' 'Monsters' and 'White Lotus' Make Bad Behavior Appealing That's true of 'White Lotus' cast from other seasons too. 'We're in this very specific club, this amazing experience that is so singular that Mike [White creates], and you get to say his words and live your life in this alternate reality,' Bibb says. 'It's so immersive, and it makes, I think it makes the work better in a strange way. You're so far from anything that is your reality or your touchstones, which can be so hard.' On this edition of the Variety Awards Circuit Podcast, we talk to Coon, Bibb and Monaghan about what it was like to be immersed for so long in 'The White Lotus' universe, and how it bonded them much like their characters. They talk about the scene they're bummed ended up being cut, as well as whether they like to do more episodes, and where they think 'The White Lotus' might go next. Also on this episode, the Roundtable discusses the death of 'King of the Hill' voice actor Jonathan Joss, just days after he crashed an ATX TV Festival panel hosted by Mike. And we look at the nomination possibilities for the massive 'White Lotus' cast. Listen below! When it comes to iconic 'The White Lotus' moments, Carrie Coon's speech to her character's friends in the Season 3 finale ranks up at the top. 'I mean, that's a classic Mike White moment, right?' she tells the podcast. For much of Season 3, things are becoming more passive aggressive between longtime pals Kate (Bibb), Jaclyn (Monaghan) and Laurie (Coon) as their girls trip exposes some tension in the group. But in the finale, over dinner, Laurie gets honest about how really the trip had just exposed she much she had struggled with the mistakes she made in her own life. In the emotional speech, Laurie realizes that despite her regrets, both time and this friendship, has still made her life meaningful. 'What was lovely about the language of that speech is that it was in in many ways, speaking into the experience we had,' Coon says of their shared journey moving to Thailand and shooting 'The White Lotus' over the course of six months. 'We got to have that experience together near the end of shooting, and so I think we were all processing the ending of this thing while that was unfolding at the table.' Bibb says in shooting that scene, she remembers how the three of them 'felt very dialed in, all day, like I couldn't stop crying every time [Coon] said it. I kept improvising these 'I love yous,' and then Michelle would say 'I love you,' and I think Mike was getting annoyed! But it was so genuine, and I'm so glad they kept it in there… these three people are seen by each other.' Adds Monaghan: 'We all knew what the dialog was, but it was the way in which Carrie performed it. It really spoke to our hearts at that point, personally and professionally. It was a really special ending for us.' As for moments that didn't make the final cut, Coon describes the puppet show that wound up not on the show. 'It was really sweet,' she said. 'So there are things you won't see that are a part of our history.' The different 'White Lotus' groupings were mostly siloed from each other, but Monaghan singles out Patrick Schwarzenegger for being 'a fantastic gentleman and not this douche you see. And I lived with Parker [Posey], and I didn't even know Parker was utilizing a Southern accent!' Would they do 'The White Lotus' again? Bibb was bowled over by the fact that she was able to work so closely to two more actresses her age — 'I never get to work with these two! Mike really knows how to write great women, and we're so lucky to have that.' Where might 'White Lotus' end up next? Bibb agrees that White will never pick any place that's cold. 'I sent him a picture of this location I was in, it was at the Shining hotel up in Oregon, and the snow was up past the window,' she says. 'He was like, 'I'm fearful. I don't trust where you are right now. I hate the cold..' They'll never do a cold one. No way.' Variety's 'Awards Circuit' podcast, hosted by Clayton Davis, Jazz Tangcay, Emily Longeretta, Jenelle Riley and Michael Schneider, who also produces, is your one-stop source for lively conversations about the best in film and television. Each episode, 'Awards Circuit' features interviews with top film and TV talent and creatives, discussions and debates about awards races and industry headlines, and much more. Subscribe via Apple Podcasts, Stitcher, Spotify or anywhere you download podcasts. Best of Variety 2025 Tony Winners Predictions: A Starry, Stacked Broadway Season Sets the Stage for an Unpredictable Ceremony What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week
Yahoo
an hour ago
- Yahoo
Molly Gordon Reacts to Her Viral Kissing Pics with 'The Bear' Costar Jeremy Allen White, Says We're a 'Judgmental Society'
Molly Gordon reacted to the viral photos of her kissing her The Bear co-star Jeremy Allen White last September in a new interview with Vanity Fair The actors play love interests Claire Dunlap and Carmen "Carmy" Berzatto, respectively, on the series Gordon said it's been "at times annoying, fascinating and interesting — just to be a part of something that people have opinions on" regarding the onscreen romanceMolly Gordon is sharing her reaction to those viral photos of her kissing her The Bear co-star, Jeremy Allen White. The Booksmart and Theater Camp actress, 29, avoided addressing the liplocked snaps directly when asked about them by Vanity Fair, only saying, "With the internet, I just think — I even see it in myself as a fan of things — we're just a more judgmental society." Gordon joined season 2 of The Bear as Claire Dunlap, the childhood sweetheart of White's Carmen "Carmy" Berzatto. The two pursue a relationship after a chance meet-cute in the grocery store, but are currently not together in the series. However, last September, the co-stars were photographed kissing in Los Angeles, arms wrapped around each other as the embraced and shared a kiss. A month later, Gordon and White, 34, were spotted stepping out for dinner in New York City's West Village. After the PDA photos, a source told PEOPLE there were on-set rumors that the co-stars "had intense chemistry even when not filming" but that they had only recently started "exploring their chemistry" in real life. The source added that White "really seems into" Gordon. Elsewhere in her Vanity Fair interview, Gordon opened up about how she was cast on The Bear. Having previously met creator Christopher Storer, she said she signed up for the restaurant drama only knowing she'd be playing a doctor — not that she'd be Carmy's love interest, whom he affectionately calls "Claire Bear." "I'm always 'the friend,' " she said. "I've never played the romantic person. I was like, 'Whoa, this is going to be a different experience.' " Gordon said White's protagonist "is a character that people feel so protective over, and it's been kind of controversial to bring a romantic element into the show." "That's been at times annoying, fascinating and interesting — just to be a part of something that people have opinions on," she added. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. The Bear returns for season 4 on Wednesday, June 25, on Hulu. Read the original article on People
Yahoo
an hour ago
- Yahoo
‘Twelve Moons' Debuts First-Look Clip Ahead of Tribeca Premiere, Director Victoria Franco Speaks About Societal Pressures on Women (EXCLUSIVE)
'Twelve Moons,' the feature debut of Mexican filmmaker Victoria Franco, premieres on Saturday in the International Narrative Competition of Tribeca Festival. Variety debuts an exclusive first clip from the film and speaks to the director. The film stars acclaimed Mexican actor Ana de la Reguera, whose career bridges Hollywood and Latin American cinema, alongside Ariel Award winner Enrique Arreola. Filmmaker Michel Franco, Victoria's brother, is a producer on the film, and the Match Factory is handling international sales. More from Variety 'Billy Joel: And So It Goes' Directors Share Inspirational Message From Ailing Singer: 'He Will Be Back' Tribeca Festival: Miley Cyrus' 'Something Beautiful,' Barbara Walters Doc and 11 Other Films We're Excited to See 'The Shadow Scholars,' Executive Produced by Steve McQueen, Debuts Trailer Ahead of North American Premiere at Tribeca (EXCLUSIVE) 'Twelve Moons' follows Sofia, a 40-year-old architect in Mexico City, who has suffered a devastating loss, and must navigate her complex emotions while trying to stay true to herself. As she struggles with her fertility and identity as a woman, both her personal and professional life begin to deteriorate forcing her to look inward to find the light that will lead her forward. In the clip, we see that Sofia has an issue with alcohol consumption, and in the film, we discover she is also a drug user. 'For me, it's really important to portray people who don't feel comfortable with social conventions,' Franco says. 'There are many people who don't feel that they are part of society but feel societal pressure. And as a woman, there is the added pressure to have a child, have a family, be the perfect woman, and I really admire people who are really authentic and don't give in to these pressures.' Sofia is portrayed with empathy and her alcohol and drug dependency should be seen as a 'disease,' Franco says. It is Sofia's way of relaxing when faced with societal expectations and the pressure to conform – to feel 'normal,' overcome her insecurity, and appear self-confident. Unable to conceive, Sofia's life – both personal and professional – starts to unravel. 'She has no boundaries, so she doesn't know how to separate her professional and personal life, and she takes them both so seriously,' the director says. 'She feels that through her architecture, her feelings can become connected with other people. She tries to work in a way that is parallel to her feelings. Architecture is very important in this film, because I portray many places that are representing her feelings through their architecture.' Franco describes Sofia as an 'ethical' architect who tries to create buildings that encourage a feeling of freedom in those who inhabit them. We see her visiting buildings in Mexico City that exemplify that approach, like those designed by the architect Luis Barragán. 'She fights to create spaces that allow people to have more liberty within them. There's a conversation where she's arguing about putting fewer parking lots in order to create more green spaces so people can be happier in these places. 'I love Luis Barragán, who talks about a spiritual architecture, about architecture where you can feel the connection between the space and the mind, and you can feel connected with it, and it's the architecture of silence too. He won the Pritzker Prize, and his acceptance speech was amazing. It's beautiful.' Speaking about Ana de la Reguera, Franco says: 'Ana has great presence. She has a lovely face. She's a person with a deep, deep soul. And when I talked to her about the script, I felt that she was very connected with the matter of being a woman in her 40s and the social demands that people make. 'And she's an actress who has like 20 years of experience, so I was really amazed when we were talking and playing around, like, 'Imagine the camera is here, and what would you do?,' and she was improvising and doing things that I was amazed by, because sometimes I felt that she had known the character for her entire life, like she has lived with her.' Regarding the cinematography, she comments: 'First of all, I decided that the movie should be black and white, so the spectator had no distractions with the colors, and he could be really connected with the emotions and the state of mind of the character. 'And also, the movie is about architecture as well, so it's very geometrical. We looked for many locations that were really hard to get permission to film there, but we made it. There's a beautiful fountain by Isamu Noguchi, the Japanese artist, for example. 'The cinematographer, Sergio Armstrong G., is a genius. We improvised a lot. We never felt that we were in control of everything. We played with the freedom of being in the moment and sensing where to put the camera. We didn't have a shooting list of everything, and I felt so free. If I didn't have this cinematographer, Sergio, it would be pretty difficult, because I was pretty sure of the emotional state and everything but the visual things… it was Sergio who put everything together to make the movie look like the state of mind of the character.' As in film noir, the film uses light and shade to reflect the internal landscape of the character, but there were other cinematic influences. 'Many times, I felt inspired by Italian Neo Realism, because we didn't have much budget for lighting, but with its realism sometimes the film feels like a documentary, and the camera was very, very humbled, because we didn't need so much lighting to make it look beautiful. And the shadows and the geometric forms are so important.' There are similarities to how she and her brother work, she says. 'We both film chronologically. That was very helpful, because the actress was really involved with the process of the character and the emotions, and we improvised a lot, so the script changed a lot while shooting. Michel also does that, so I believe we're similar in terms of production.' She is full of praise for her brother's contribution as a producer. 'I think he was the best producer because he really got my back, and he just cares about the creativity and the process that I wanted, and he never gave up, for example, in getting some locations. Even though we didn't have enough money, he'd fight for everything. So, it was a paradise working with him.' Next up for Franco, she says, is a film about a teenager in New York, for which she is writing the screenplay now. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
