Loretta Swit, 'Hot Lips' Houlihan on 'M*A*S*H,' dies at 87
FILE PHOTO: Actor Loretta Swit poses during the Metropolitan Fashion Week's Closing Gala & Awards Show at Warner Brothers Studios in Burbank, California, U.S. October 1, 2016. REUTERS/Danny Moloshok
NEW YORK - Loretta Swit, the Emmy Award-winning actress who played no-nonsense U.S. Army combat nurse Major Margaret "Hot Lips" Houlihan in the hit TV series "M*A*S*H" for more than a decade, died on Friday at the age of 87.
Swit, a mainstay of one of the most successful and acclaimed series in U.S. television history, died at her home in New York City from what was suspected to be natural causes, her publicist, Harlan Boll, said.
Swit earned two best supporting actress Emmys and 10 nominations for her role as "Hot Lips," the lusty, tough but vulnerable, patriotic Army career nurse in the series that ran from 1972-1983.
As the only regular female character in the groundbreaking show set in the fictional 4077th Mobile Army Surgical Hospital during the Korean War of the 1950s, "Hot Lips" endured the insults, pranks and practical jokes of the fun-loving male surgeons. The show's cast also included Alan Alda, Wayne Rogers, McLean Stevenson, Larry Linville, Mike Farrell, Harry Morgan, Gary Burghoff, David Ogden Stiers and Jamie Farr.
Swit defined her role by playing a strong, determined, independent woman, who had input into the development and storyline of her character, including her split from her married lover Major Frank Burns, hilariously played by Linville, and her own wedding and divorce.
She appeared in nearly all of the more than 250 episodes and the series finale, which was the most watched episode of any TV series in history when the show ended in 1983.
The TV series was based on the real-life experiences of an Army surgeon, who penned the 1968 book "MASH: A Novel About Three Army Doctors," and on director Robert Altman's 1970 black comedy film of the same name.
"While we were shooting, even from the very beginning, we were aware of how very special it was," Swit said about the series in a 2017 interview with Fox News. "The symbiosis, the camaraderie, the love and respect we had for each other."
ALWAYS WANTED TO PERFORM
Loretta Swit was born on November 4, 1937, in Passaic, New Jersey. After finishing school, and against her strict parents' objections, she began training as an actress at the American Academy of Dramatic Arts in New York. She worked as a stenographer while auditioning for roles.
"The first thought I ever had in my head was being an actress. I can't remember ever not wanting to perform,' she told the Star magazine in a 2010 interview.
The tall, blonde stage and TV star was a strict vegetarian and animal lover. She started her career in theater and appeared in guest roles in TV dramas such as "Gunsmoke," "Mannix," "Bonanza" and the original "Hawaii Five-O," before landing her signature role.
Swit also originated the character of Detective Christine Cagney in the pilot for "Cagney & Lacey" but could not take on the role in the TV series because of her contract with "M*A*S*H".
The actress made her Broadway debut in "Same Time, Next Year" in 1975. She performed in the musical "Mame" on tour and starred in the one-woman play "Shirley Valentine" more than 1,000 times over three decades.
"Acting is not hiding to me, it's revealing. We give you license to feel," she said in an interview with the Star magazine in 2010. "That's the most important thing in the world, because when you stop feeling, that's when you're dead.'
After "M*A*S*H" Swit appeared in TV movies, on game shows and on the stage and in films but she never found the same level of fame. She also devoted herself to animal rights and was a former spokesperson for the Humane Society of the United States.
She married actor Dennis Holahan, who played a Swedish diplomat in an episode of "M*A*S*H," in 1983. The couple divorced in 1995 and had no children.
Although "M*A*S*H" ended decades ago, Swit found new generations of fans through syndication of the series.
"The show has never been off the air! A lot of people don't realize that," Swit told the Huffington Post in 2018. "I've seen it in Thailand, in Egypt ... It's a phenomenon." REUTERS
Join ST's Telegram channel and get the latest breaking news delivered to you.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNA
a day ago
- CNA
I took a 4-day men's haircutting course for the first time – here's what I learnt (apart from failure)
Learning a new skill that has nothing to do with your day job is the quickest way to be humbled. Or so I realised after attending a men's haircutting course at the Kimage Hairdressing School earlier this year. I was influenced to sign up after seeing a friend, who'd finished the same course previously, use her newfound skills on her very trusting male partner. The final product appeared passable by salon standards, at least according to a photo of his haircut; and doable by my standards, according to my lack of self-awareness. Besides, I figured it would be easier to find my own willing male guinea pigs to practise my skills. Men generally cut their hair more frequently than women. And since they also have shorter hair to work with, there seemed less possibility of messing up. Maybe I could even turn this into a side hustle. Like I said, the quickest way to be humbled. WHAT I LEARNT ABOUT CUTTING MEN'S HAIR For S$460, I was taken through a four-day course on the basics of men's haircutting by a highly patient trainer. Participants work on mannequin heads – it was for the best, judging by my handiwork – and only move on to human canvases in the following course. Hair sectioning: This involves dividing hair into manageable portions before cutting, which helps to ensure more precise and consistent cuts. Super straightforward – until it wasn't. I hadn't realised how embarrassingly bad I was at executing neat parting lines. My mannequin head looked like it'd been through war. After spending 30 minutes on hair sectioning, mostly redoing messy portioning and zigzag lines, my trainer redid some of my work in a fraction of the time and with effortless precision. Scissors handling techniques: One such technique called 'scissors over fingers' involves cutting hair held between fingers, typical for layering. Like many left-handers, I'd been using scissors with my right hand since I was young. In the hairdressing class, however, this meant also holding the comb in my right hand, together with the scissors, for efficiency. All while learning to snip by moving only my thumb. Chalk that up to another mental workout lefties never asked for. Finger cutting techniques: The angle that a stylist positions their fingers to control hair while cutting determines the final shape, desired or otherwise. Take vertical finger placement. The pointer and middle finger are held up vertically, so that the hair between the fingers is pulled perpendicular to the head. Unfortunately, I couldn't seem to maintain the position – key to getting even layers and balanced weight distribution. The end result? Unintentional graduation, uneven sections and a clear answer that I am decidedly not the next David Gan. Different layering cuts at horseshoe section: The horseshoe section in hairdressing refers to a curved section that runs from temple to temple around the crown. It separates the top from the sides and back. Different layering cuts done at this section help control volume, shape and movement in the final haircut. The techniques were identical to what I'd learnt trimming hair on the rest of the head. But it was as though I'd been asked to execute an entirely different skill. Diagrams didn't help either. 'Square layering' and 'round layering' may as well have been written in Wingdings. My visual-spatial ability was MIA too – but thankfully, my muscle memory wasn't. When I eventually found my flow state, it was like I'd never struggled. Texturising: This refers to cutting techniques used to remove bulk, add movement or create softness in the hair without altering the overall length. It enhances the haircut's shape and flow. I focused on learning how to thin hair, using thinning scissors to blend or lighten thicker sections. It always looked deceptively simple (from the customer's chair, of course), but the key was to ensure consistency across the entire head. Unfortunately, and to no one's surprise, my inconsistency in every other area of life followed me to hairdressing. One patch ended up so sparse, it seemed my mannequin had run straight through a lawn mower. Multiple times. Handling clipper and attachments: Hold the clipper firmly with thumb and fingers around the body. Keep the blade flat against the scalp for even cutting. Tilt slightly for blending. Use smooth, consistent strokes, typically upward or with the grain of hair growth. The instructions and demonstration were clear. I knew how to handle a clipper and its guard attachments, which control the length of hair being cut. I just hoped the distance from awareness to action wouldn't be another gaping chasm. Clipper cutting and blending: I now had to use the clippers I'd learnt to handle to actually cut some hair, while seamlessly transitioning between different lengths, such as from the sides to top. A technique known as the 'clipper-over-comb' requires using a comb to lift hair, then moving the clippers over the excess hair protruding from the comb. It's often used to control the blend manually, avoiding harsh lines. And after four days of backbreaking work, my mannequin finally stopped looking like it was in witness protection. IT'S NEVER 'JUST' HAIR I didn't need four days to learn that hairdressers are deeply underappreciated or to resolve never again to complain about the price of a haircut. Neither did I need that long – the first 30 minutes of Day 1 were sufficient – to convince me I had a sizeable absence of talent that people would sooner pay me not to cut their hair. But I had to get my own hands dirty, struggle to perfect a simple snip and overcome my frustration whenever I couldn't – to realise that hairdressers, more than anyone else, know that hair is never just hair. It's the reason people travel across the island just to see their longtime stylist. It's why so many speak of their relationship with their hairdresser as if they were family. And it's why some feel genuine grief when their hairdresser retires or closes shop and they have to find a new go-to. The emotional connection to hair – and what it represents – is also why the classic onscreen makeover moment never gets old. My favourites tend to revolve around female leads, from The Princess Diaries to Miss Congeniality, or the fashion and lifestyle 'make-betters' on reality TV series Queer Eye. Then TikTok gave the hallowed trope a fresh spin with viral barber transformation videos. With just a pair of scissors, unassuming men are turned into the next romantic comedy heartthrobs, complete with tapered fades, textured fringes and the ultimate accessory: A newfound confidence. So an external transformation may start superficially, but it doesn't contradict the idea of self-acceptance. If anything, many times, it paves the way for an internal shift. And I can only imagine what a privilege it would be to help another see themselves in a new light.

Straits Times
2 days ago
- Straits Times
Loretta Swit, ‘Hot Lips' Houlihan in hit TV series M*A*S*H, dies at age 87
Emmy Award-winning Loretta Swit played army combat nurse Margaret "Hot Lips" Houlihan in the acclaimed TV series M*A*S*H, set during the Korean War of the 1950s. PHOTO: REUTERS NEW YORK - Loretta Swit, the Emmy Award-winning actress who played no-nonsense US army combat nurse Major Margaret "Hot Lips" Houlihan in the hit TV series M*A*S*H for more than a decade, died on May 30 at the age of 87. Swit, a mainstay of one of the most successful and acclaimed series in US television history, died at her home in New York City from what was suspected to be natural causes, her publicist, Harlan Boll, said. Swit earned two best supporting actress Emmys and 10 nominations for her role as "Hot Lips," the lusty, tough but vulnerable, patriotic Army career nurse in the series that ran from 1972-1983. As the only regular female character in the groundbreaking show set in the fictional 4077th Mobile Army Surgical Hospital during the Korean War of the 1950s, "Hot Lips" endured the insults, pranks and practical jokes of the fun-loving male surgeons. The show's cast also included Alan Alda, Wayne Rogers, McLean Stevenson, Larry Linville, Mike Farrell, Harry Morgan, Gary Burghoff, David Ogden Stiers and Jamie Farr. Swit defined her role by playing a strong, determined, independent woman, who had input into the development and storyline of her character, including her split from her married lover Major Frank Burns, hilariously played by Linville, and her own wedding and divorce. She appeared in nearly all of the more than 250 episodes and the series finale, which was the most watched episode of any TV series in history when the show ended in 1983. The TV series was based on the real-life experiences of an Army surgeon, who penned the 1968 book MASH: A Novel About Three Army Doctors, and on director Robert Altman's 1970 black comedy film of the same name. "While we were shooting, even from the very beginning, we were aware of how very special it was," Swit said about the series, in a 2017 interview with Fox News. "The symbiosis, the camaraderie, the love and respect we had for each other." Always wanted to perform Loretta Swit was born on Nov 4, 1937, in Passaic, New Jersey. After finishing school, and against her strict parents' objections, she began training as an actress at the American Academy of Dramatic Arts in New York. She worked as a stenographer while auditioning for roles. "The first thought I ever had in my head was being an actress. I can't remember ever not wanting to perform,' she told the Star magazine in a 2010 interview. The tall, blonde stage and TV star was a strict vegetarian and animal lover. She started her career in theatre and appeared in guest roles in TV dramas such as Gunsmoke, Mannix, Bonanza and the original Hawaii Five-O, before landing her signature role. M*A*S*H was a groundbreaking show set in the fictional 4077th Mobile Army Surgical Hospital during the Korean War of the 1950s, and ran from 1972 to 1983. PHOTO: FOX Swit also originated the character of Detective Christine Cagney in the pilot for Cagney & Lacey, but could not take on the role in the TV series because of her contract with M*A*S*H. The actress made her Broadway debut in Same Time, Next Year in 1975. She performed in the musical Mame on tour and starred in the one-woman play Shirley Valentine more than 1,000 times over three decades. "Acting is not hiding to me, it's revealing. We give you licence to feel," she said, in an interview with Star magazine in 2010. "That's the most important thing in the world, because when you stop feeling, that's when you're dead.' After M*A*S*H, Swit appeared in TV movies, on game shows and on the stage and in films but she never found the same level of fame. She also devoted herself to animal rights and was a former spokesperson for the Humane Society of the United States. She married actor Dennis Holahan, who played a Swedish diplomat in an episode of M*A*S*H, in 1983. The couple divorced in 1995 and had no children. Although M*A*S*H ended decades ago, Swit found new generations of fans through syndication of the series. "The show has never been off the air! A lot of people don't realise that," Swit told the Huffington Post in 2018. "I've seen it in Thailand, in Egypt... It's a phenomenon." REUTERS Join ST's Telegram channel and get the latest breaking news delivered to you.

Straits Times
2 days ago
- Straits Times
Loretta Swit, 'Hot Lips' Houlihan on 'M*A*S*H,' dies at 87
FILE PHOTO: Actor Loretta Swit poses during the Metropolitan Fashion Week's Closing Gala & Awards Show at Warner Brothers Studios in Burbank, California, U.S. October 1, 2016. REUTERS/Danny Moloshok NEW YORK - Loretta Swit, the Emmy Award-winning actress who played no-nonsense U.S. Army combat nurse Major Margaret "Hot Lips" Houlihan in the hit TV series "M*A*S*H" for more than a decade, died on Friday at the age of 87. Swit, a mainstay of one of the most successful and acclaimed series in U.S. television history, died at her home in New York City from what was suspected to be natural causes, her publicist, Harlan Boll, said. Swit earned two best supporting actress Emmys and 10 nominations for her role as "Hot Lips," the lusty, tough but vulnerable, patriotic Army career nurse in the series that ran from 1972-1983. As the only regular female character in the groundbreaking show set in the fictional 4077th Mobile Army Surgical Hospital during the Korean War of the 1950s, "Hot Lips" endured the insults, pranks and practical jokes of the fun-loving male surgeons. The show's cast also included Alan Alda, Wayne Rogers, McLean Stevenson, Larry Linville, Mike Farrell, Harry Morgan, Gary Burghoff, David Ogden Stiers and Jamie Farr. Swit defined her role by playing a strong, determined, independent woman, who had input into the development and storyline of her character, including her split from her married lover Major Frank Burns, hilariously played by Linville, and her own wedding and divorce. She appeared in nearly all of the more than 250 episodes and the series finale, which was the most watched episode of any TV series in history when the show ended in 1983. The TV series was based on the real-life experiences of an Army surgeon, who penned the 1968 book "MASH: A Novel About Three Army Doctors," and on director Robert Altman's 1970 black comedy film of the same name. "While we were shooting, even from the very beginning, we were aware of how very special it was," Swit said about the series in a 2017 interview with Fox News. "The symbiosis, the camaraderie, the love and respect we had for each other." ALWAYS WANTED TO PERFORM Loretta Swit was born on November 4, 1937, in Passaic, New Jersey. After finishing school, and against her strict parents' objections, she began training as an actress at the American Academy of Dramatic Arts in New York. She worked as a stenographer while auditioning for roles. "The first thought I ever had in my head was being an actress. I can't remember ever not wanting to perform,' she told the Star magazine in a 2010 interview. The tall, blonde stage and TV star was a strict vegetarian and animal lover. She started her career in theater and appeared in guest roles in TV dramas such as "Gunsmoke," "Mannix," "Bonanza" and the original "Hawaii Five-O," before landing her signature role. Swit also originated the character of Detective Christine Cagney in the pilot for "Cagney & Lacey" but could not take on the role in the TV series because of her contract with "M*A*S*H". The actress made her Broadway debut in "Same Time, Next Year" in 1975. She performed in the musical "Mame" on tour and starred in the one-woman play "Shirley Valentine" more than 1,000 times over three decades. "Acting is not hiding to me, it's revealing. We give you license to feel," she said in an interview with the Star magazine in 2010. "That's the most important thing in the world, because when you stop feeling, that's when you're dead.' After "M*A*S*H" Swit appeared in TV movies, on game shows and on the stage and in films but she never found the same level of fame. She also devoted herself to animal rights and was a former spokesperson for the Humane Society of the United States. She married actor Dennis Holahan, who played a Swedish diplomat in an episode of "M*A*S*H," in 1983. The couple divorced in 1995 and had no children. Although "M*A*S*H" ended decades ago, Swit found new generations of fans through syndication of the series. "The show has never been off the air! A lot of people don't realize that," Swit told the Huffington Post in 2018. "I've seen it in Thailand, in Egypt ... It's a phenomenon." REUTERS Join ST's Telegram channel and get the latest breaking news delivered to you.