
Egyptian author Mohamed Samir Nada wins 2025 International Prize for Arabic Fiction for The Prayer of Anxiety
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Sharjah 24
8 hours ago
- Sharjah 24
Memories in poetic lines at House of Poetry
The evening was hosted by media personality Mohammed Al Mansouri, who welcomed the audience and thanked His Highness Sheikh Dr Sultan bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah, for his support of artistic events. Mohammed Issa starts the evening Mohammed Issa, an Egyptian poet, introduced the readings with a poem titled "Biography of Poetry," in which he explored his personal connection to poetry and presented a thoughtful picture of its essence, conveyed through poetic lines. He subsequently wrote another poem, "Biography of Purity," in which he addressed his vision of life, his challenges, and the tension between despair and hope, all of which were represented in poetic lines. Qamar Sabri's voice Syrian poet Qamar Sabri presented a collection of works that combined classical and free verse. She began with her poem, "Daughter of the Levant," which communicated great patriotism and the hardships faced by her motherland, symbolised through Damascus' voice and expressed in poetic words. She then recited other free-verse poems with fluidity and emotional impact, such as "On a Straw", in which she spoke in the collective voice of women as represented in poetic lines. Mohammed Al Ma'shari concludes with soaring images Mohammed Al Ma'shari, an Omani poet, finished the evening with remarkable texts rich in language, fascinating imagery, and imaginative depth. His recitations began with verses that created an impression on the listener, expressed in poetic lines. He also provided a dialogical poem of philosophical inquiry, exploring questions of existence and selfhood through poetic lines. At the end of the evening, poet Mohammed Al Breiki acknowledged the participating poets.


Broadcast Pro
12 hours ago
- Broadcast Pro
Luxor African Film Festival opens submissions for 15th edition
Submissions are open until November 25, 2025, for films produced in 2025 that have not yet been screened in Egypt. The Luxor African Film Festival (LAFF) has officially opened submissions for its 15th edition, which will be held from March 30 to April 5, 2026, in Luxor, southern Egypt. The festival, founded by screenwriter Sayed Fouad, will once again celebrate the richness of African cinema while providing a platform for emerging and established filmmakers across the continent and the diaspora. Film entries are now being accepted across four main competitions. The Long Films Competition will showcase narrative, documentary and animated features over 60 minutes, while the Short Films Competition will highlight short-form works in the same categories. Both competitions are exclusively open to African directors. The Diaspora Films Competition invites submissions from African filmmakers living abroad whose works address Africa from a global perspective. In addition, the Youth Films Competition is dedicated to young filmmakers from the governorates of Qena and Luxor. Azza El Hosseiny, Founder and Director of LAFF, said: 'Several months before the festival, we will organise a workshop dedicated to those interested in making short films with no budget, targeting youth from Luxor and Qena. The aim is to develop their skills and give them the opportunity to become part of the Egyptian and African cinematic landscape. This initiative is not limited to offering film workshops; it also includes opening submissions for a special film competition dedicated to Luxor and Qena, with members of the jury coming from these two governorates themselves.' This edition of LAFF will also pay tribute to the late filmmaker Youssef Chahine on the centennial of his birth. Under the theme 'Youssef Chahine… An Egyptian Story,' the festival will honour his pioneering contributions to Egyptian and global cinema. Film submissions open on August 20, 2025, and close on November 25, 2025, through the festival's official website. Eligible films must have been produced in 2025 and should not have been previously screened in Egypt. Acclaimed Egyptian actor Mahmoud Hemida has been named Honorary President of the 15th edition, underscoring the festival's stature within the cultural landscape. Organised by the Independent Shabab Foundation for Support and Development, LAFF is held in partnership with Egypt's Ministries of Culture, Tourism and Antiquities, Youth and Sports, and Foreign Affairs, in cooperation with Luxor Governorate.


Arabian Post
2 days ago
- Arabian Post
Slang from TikTok and YouTube Gets Permanent Home
Cambridge Dictionary has added over 6,000 entries to its online lexicon this year, including the slang 'skibidi,' alongside other terms that reflect internet-era linguistic shifts. Lexical programme manager Colin McIntosh emphasised that each word chosen shows signs of enduring use, based on analysis via the Cambridge English Corpus containing more than two billion instances of written and spoken English. 'Skibidi' entered the dictionary with a flexible definition — it can mean 'cool' or 'bad,' or serve as a humorous placeholder with no inherent meaning, often used for emphasis or amusement, as in 'What the skibidi are you doing?'. The term traces its origins to Skibidi Toilet, a surreal animated YouTube series that has become a viral phenomenon, especially among Generation Alpha. The inclusion underscores the influence of internet culture—notably TikTok, YouTube, and meme communities—on the evolution of English. Also joining the lexicon are 'tradwife,' 'delulu,' 'mouse jiggler,' and 'forever chemical.' 'Tradwife' describes a woman embracing traditional homemaking roles and often sharing her lifestyle on social media; 'delulu' is a shortened form of 'delusional,' used to playfully describe belief in fantasies over reality; 'mouse jiggler' refers to software or a device that simulates computer activity during remote work; and 'forever chemical' denotes persistent environmental pollutants. ADVERTISEMENT Public reaction has been mixed. Some commentators mocked the inclusion of 'skibidi,' with one remarking that it turns the English language into a 'TikTok comment section'. Artist Lee Escobedo described 'skibidi brain-rot' as embodying a generation fluent in irony yet starved for meaning, suggesting the term illustrates chaotic digital culture dominating young minds. Despite criticism, supporters argue that dictionaries must evolve with usage. The Cambridge Dictionary's selection process relies on frequency, context, and longevity signals in its corpus, ensuring that only words with staying power are added. These additions also shine a light on broader linguistic trends. Beyond slang, entries like 'broligarchy,' 'snackable,' and '15-minute city' reflect shifts in political and cultural conversations. The inclusion of 'mouse jiggler' and 'work spouse' reveal how post-pandemic work culture has shaped everyday language. Cambridge Dictionary's move highlights the increasing permeability between internet subcultures and formal language. Tracking these developments offers insight into evolving communication patterns.