Prominent Mexican band robbed of equipment at fake security checkpoint
Los Ángeles Azules posted to their social media pages that, on May 9, a bus transporting the band's instruments and audio equipment was stopped at a fake security checkpoint while on their way back from a performance in Tabasco.
The checkpoint was set up at kilometer marker 61 on the Autopista México-Puebla, a major arterial route that traverses the central part of the country and links Puebla and Mexico City, according to the band.
In their social media statement, Los Ángeles Azules (The Blue Angels) said they were in the process of contacting Mexican state and federal authorities to 'take urgent steps and guarantee safe passage on [Mexico's] highways.'
Compton-born founder of Mexican-American music label offers insight to Harvard students
'We appreciate as always your support and messages of solidarity,' the statement, published in Spanish, reads.
The six-piece Los Ángeles Azules, formed in 1976 in the Iztapalapa borough of Mexico City, is one of Mexico's most popular cumbia exports, having performed at major festivals including Coachella and Vive Latino. They are the first Mexican group to join YouTube's 'Billion Views Club,' with two videos — 'Mis sentimientos' featuring Ximena Sariñana and 'Nunca es suficiente' featuring Natalia Lafourcade – garnering 1.3 and 2.2 billion views, respectively.
Their website states that their next show is on Aug. 23 at Harrah's Ak-Chin Hotel and Casino in Maricopa, Arizona; they are poised to follow that performance up with a set at the Orange County Fair the next day.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
NBC News
33 minutes ago
- NBC News
South Korean Supreme Court dismisses U.S. composer's ‘Baby Shark' copyright claim
SEOUL, South Korea — South Korea 's Supreme Court rejected a 30 million won ($21,600) damage claim Thursday by an American composer who accused a South Korean kids content company of plagiarizing his version of ' Baby Shark,' ending a six-year legal battle over the globally popular tune known for its catchy 'doo doo doo doo doo doo' hook. The top court upheld lower court rulings dating to 2021 and 2023 that found no sufficient grounds to conclude the company, Pinkfong, infringed on Jonathan Wright's copyright. Wright, also known as Johnny Only, recorded his version in 2011, four years before Pinkfong's, but both were based on a traditional melody popular for years at children's summer camps in the United States. The courts ruled that Wright's version did not differ enough from the original melody to qualify as an original creative work eligible for copyright protection, and that Pinkfong's song had clear differences from Wright's. The Supreme Court said its ruling reaffirms the established legal principle on existing folk tunes as derivative work. 'The Supreme Court accepts the lower court's finding that the plaintiff's song did not involve substantial modifications to the folk tune related to the case to the extent that it could be regarded, by common social standards, as a separate work,' it said in a statement. Pinkfong said in a statement to The Associated Press that the ruling confirmed its version of 'Baby Shark' was based on a 'traditional singalong chant' that was in the public domain. The company said it gave the tune a fresh twist by adding 'an upbeat rhythm and catchy melody, turning it into the pop culture icon it is today.' Wright's South Korean attorney did not immediately respond to requests for comment. Pinkfong's Baby Shark became a global phenomenon after it was released on YouTube in 2015, with the original 'Baby Shark Dance' video now exceeding 16 billion views and peaking at No. 32 on the Billboard Hot 100. Baby Shark remains a crucial product for Pinkfong, which earned 45.1 billion won ($32.6 million) in revenue in the first half of 2025, according to its regulatory filing. The company has turned the five-member shark family — Baby Shark, Mama Shark, Papa Shark, Grandma Shark and Grandpa Shark — into TV and Netflix shows, movies, smartphone apps and globally touring musicals.
San Francisco Chronicle
3 hours ago
- San Francisco Chronicle
South Korean Supreme Court dismisses US composer's 'Baby Shark' copyright claim
SEOUL, South Korea (AP) — South Korea's Supreme Court rejected a 30 million won ($21,600) damage claim Thursday by an American composer who accused a South Korean kids content company of plagiarizing his version of ' Baby Shark,' ending a six-year legal battle over the globally popular tune known for its catchy ' doo doo doo doo doo doo ' hook. The top court upheld lower court rulings dating back to 2021 and 2023 that found no sufficient grounds to conclude Pinkfong infringed on Jonathan Wright's copyright. Wright, also known as Johnny Only, had recorded his version in 2011, four years before Pinkfong's, but both were based on a traditional melody popular for years at children's summer camps in the United States. The courts ruled that Wright's version did not differ enough from the original melody to qualify as an original creative work eligible for copyright protection, and that Pinkfong's song had clear differences from Wright's. The Supreme Court said its ruling reaffirms the established legal principle on existing folk tunes as derivative work. 'The Supreme Court accepts the lower court's finding that the plaintiff's song did not involve substantial modifications to the folk tune related to the case to the extent that it could be regarded, by common social standards, as a separate work,' it said in a statement. Wright's South Korean attorney and Pinkfong didn't immediately respond to requests for comment. Pinkfong's 'Baby Shark' became a global phenomenon after it was released on YouTube in 2015, with the original 'Baby Shark Dance' video now exceeding 16 billion views and peaking at No. 32 on the Billboard Hot 100. Baby Shark remains a crucial product for Pinkfong, which earned 45.1 billion won ($32.6 million) in revenue in the first half of 2025, according to its regulatory filing. The company has turned the five-member shark family — Baby Shark, Mama Shark, Papa Shark, Grandma Shark, and Grandpa Shark — into TV and Netflix shows, movies, smartphone apps and globally-touring musicals.
Hypebeast
3 hours ago
- Hypebeast
Corteiz Teases Upcoming USA Tour and Exclusive Releases
Summary London-based streetwear brandCorteizis bringing its disruptive energy to the US with a highly anticipated tour, set to drop exclusive merch that has fans buzzing. Known for its guerrilla marketing tactics and highly coveted releases, Corteiz is taking its sought-after gear directly to the streets of America. Taking to Instagram to tease his upcoming American tour with a video starringWallo267, telling a story from the perspective of one who is incarcerated. Just before the interaction between Wallo and the audience is cut, he pinpoints cities Los Angeles, Washington, D.C., New York City, and Atlanta, all of which are in Corteiz's next stop. The exclusive merchandise collection is a love letter to American culture touching on its sports, featuring a range of new apparel that reinterprets iconic team aesthetics. Among the standout pieces are football-inspired jerseys and basketball jerseys that play on the classic colors of the Knicks and the Lakers, reimagined with Corteiz's signature style. The tour's limited-edition offerings also include a variety of hoodies and sweats, promising comfort and street-ready style. Adding to the hype, the brand has collaborated withDenim Tears, founded byTremaine Emory, for a special capsule collection. This partnership of two cultural powerhouses is expected to be a major highlight of the tour's drops, further cementing Corteiz's place in the global streetwear scene. Each city on the tour will get a one-day-only pop-up, with exact locations being announced just hours before the event, ensuring that the brand's 'real life only' ethos remains intact. Corteiz's USA tour begins August 15 in LA.
