
Renowned blues singer film a blast from the past
At the time he owned Double D's Bar and Grill and operated in the Arts Centre.
It was a memorable time in Memphis, the home of the blues and the birthplace of rock and roll – he got the opportunity to meet legends BB King and Ruby Wilson.
McCullough, who is now chair of the Mt Pleasant Memorial Community Centre and Residents Association, asked Wilson if she would perform at the first Blues, Brews and BBQs which he was organising at Hagley Park in 1993.
To his amazement she agreed and the rest is history.
'She was great, she was a blues diva of the first ilk, knew exactly what she liked,' he recalls.
'Just stunning, in a club setting she had the audience in the palm of her hand, a real professional performer with an amazing voice.'
Now a slice of that memorable day resurfaced last week with footage of her performance which has never been played before, McCullough says.
CTV filmed the festival and it was played on Friday as a fundraiser for the Mt Pleasant Community Centre 'Raise the Roof' campaign.
It helped pay for a louvered roof for its front deck costing $130,000. So far more than $35,000 has been raised.
McCullough was clearing out his attic, looking for items to use for the community centre's Art in the Attic fundraiser earlier in the year when he came across a VHS copy of the festival.
He transferred it to a USB stick and played it on his TV to make sure it worked.
'It just took me right back to those days, those heady days,' he said.
As part of the trip to the barbecue event in Memphis in 1991, McCullough was invited to the opening of BB King's Blues Bar on the iconic Beale Street, where Ruby Wilson was the featured singer.
He had grown up listening to blues music, so when he had the opportunity to meet BB King, it was a surreal moment for him.
'Incredible, a little boy from Nelson meeting BB King was a real treat. He was very humble, a great guy and charming,' said McCullough.
Wilson toured and sang in Beale Street clubs for almost 40 years, until she died in 2016 from a heart attack aged 68.
She took to the stage at Hagley Park for Blues, Brews and BBQs on January 31, 1993.
'Before long she had them (crowd) all up right up the front.
'When you see the film, you'll see why she was considered the Queen of Beale Street,' he said.
She was backed by Christchurch band The Coalrangers. Wilson toured New Zealand when she was out here.
Her opening act was at Turangawaewae in Ngaruawahia, the official residence of the Māori monarch.
She performed for Te Arikinui Dame Te Atairangikahu, who Wilson also met and befriended in Memphis, said McCullough.
'That was a real honour (for Wilson) to be invited to that,' he said.
Wilson did not charge a performing fee at the Hagley Park event, McCullough instead paying for her accommodation, expenses and transport while on tour. He had a sponsorship from Continental Airlines to fly her to New Zealand and back.
'She just appreciated the opportunity to come to New Zealand,' said McCullough.
She also spent a night at a blues club in Manchester St, two nights at the famed Gluepot in Auckland and one night in Wellington.
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NZ Herald
2 days ago
- NZ Herald
Cian Parker's show explores family ties, heritage in Whangārei debut
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Scoop
2 days ago
- Scoop
Te Tuhi Announces Suzy Park As New Curator
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Scoop
2 days ago
- Scoop
Te Tuhi Announces Suzy Park As New Curator
Te Tuhi is delighted to announce the appointment of Suzy Park as Curator, joining the organisation in November 2025. Based in Seoul, South Korea, Suzy brings a decade of experience working with artists, collectives, and institutions across Korea and beyond. Her appointment marks an exciting next chapter for one of Aotearoa New Zealand's leading platforms for contemporary art. Suzy has held curatorial roles at the 2024 Busan Biennale, BOAN1942, and WESS, and was the editor of the respected art journal B-Art. Her practice spans contemporary visual art, time-based media, and interdisciplinary work, with a focus on projects that push boundaries and ask complex questions. Grounded in curiosity and intellectual rigour, Suzy's work explores how the fundamental nature of art is perceived differently across time and place – and how its inherent values might be explored through the interplay of form and content. Te Tuhi first connected with Suzy when presenting three New Zealand artists at the 2024 Busan Biennale. That experience affirmed a shared curatorial vision rooted in integrity, curiosity, and experimentation. Suzy joins Te Tuhi at a moment of transformation. With gallery spaces currently closed for essential repairs and upgrades, the team is using this time to reflect, plan, and prepare for a new phase of programming. In her first months, Suzy will relocate to Tāmaki Makaurau and begin shaping the 2026 exhibition programme. Suzy will be joining a skilled and quietly ambitious team: • Andrew Kennedy, Exhibition Programme Manager, whose 13-year history with Te Tuhi has seen the development of some of its most ambitious shows; • Dr Vera Mey, International Programme Manager At Large, an art historian and curator with a global research and curatorial practice; • Liam Jacobson, Curatorial Intern and rising voice in Aotearoa's art world. The team is supported by Executive Director Hiraani Himona (Ngāi Te Whatuiāpiti, Ngāti Rangiwhakāewa, Ngāti Hikarara), whose leadership is informed by decades of work across the arts, Māori development, youth empowerment, disability rights, gender, and sexuality. Supporting quotes On being offered the Curator position, Suzy said: 'I've been questioning how the fundamental nature of art has been understood differently across time. Yet some questions remain unresolved without stepping beyond familiar ground. Joining Te Tuhi, an institution with a remarkable 50-year legacy of continuously supporting artistic experimentation and expanding internationalism grounded in locality, offers a rare opportunity to rethink the nature of art across different geographies. Aotearoa New Zealand's unique cultural and historical context, shaped over centuries, sustains a deeply resonant art scene today. What excites me most is the chance to engage with artists here through both fresh eyes and long-held questions. I'm truly grateful to the Te Tuhi team for inviting me to be part of this journey.' On Suzy's appointment, Te Tuhi's Executive Director Hiraani Himona said: 'Our team and artists loved working with Suzy in Korea, and we're thrilled she was so enthusiastic about joining us in Aotearoa. Her curatorial approach resonates deeply with Te Tuhi's values – community-minded, collaborative, and socially engaged. Suzy brings with her a fresh international perspective and a deep commitment to artists, which will be a tremendous asset as we grow our programme and continue shaping the next 50 years of Te Tuhi.' About Te Tuhi: Te Tuhi is a leading platform for contemporary art in Aotearoa New Zealand, with a programme consciously and continually shaped towards rigorous, adventurous and socially engaged artistic experimentation. Te Tuhi's primary focus is on commissioning both national and international artists to make new work by creating stimulating contexts for artists to respond to and work within. Te Tuhi presents work in its galleries in Pakuranga and Parnell, around Auckland and Aotearoa, internationally and online. Te Tuhi offers artists and curators opportunities to develop their practice through studios, awards, residencies and internships both in Aotearoa and overseas. Integrated with its exhibitions, Te Tuhi provides public programmes for general audiences and for schools. Te Tuhi has been embedded in its local community for 50 years, delivering arts and cultural experiences for schools, young people, community groups and people of all backgrounds and ages. Arts Out East is Te Tuhi's community arts brokering programme for the Howick Local Board area in East Auckland. Te Tuhi operates O Wairoa Marae, an urban marae in Howick; Te Tuhi Café, Aotearoa's first training café for people with intellectual disabilities; and Te Taiwhanga Taiohi, East Auckland's Youth Space in Botany Town Centre. Te Tuhi's building in Pakuranga also hosts a vast range of independent community groups.