Spider-Man: Brand New Day's Tom Holland Costume Reveal Is A Serious Upgrade
First and foremost, after teasing it yesterday, Marvel just had Tom Holland walk out in his full Spidey costume (minus mask) to drive the internet wild. It's a very, very sharp look, a combination of the raised webbing of the Maguire and Garfield eras, mixed with elements of his final suit from No Way Home, though with more muted reds and blues.
Of course, Holland's Spider-Man has had many suits through the years, including the Iron Spider and a black stealth suit, but it's certainly a departure more generally from his 'base' suit, especially the one he had initially in Homecoming:
Spider-Man has had dozens if not even hundreds of different suit variants over the years, but I find the franchise can be a little too obsessed with them at times. I'm hoping he has this new suit, it's cool (big webshooters, too, interestingly) and we move on and focus on the rest of the movie rather than some sub-storyline about how he gets a new one. If we're doing symbiotes…sure, that's different. But we're not doing that, we know that much.
The other news this week is the revelation from the trades that the film may also soon be recruiting Bruce Banner/The Hulk and Scorpion to appear, the latter being played by Michael Mando in Homecoming eight years ago, and the former, 'Smart Hulk,' not being seen since the She-Hulk Disney Plus series. Before this, we already knew officially that Jon Bernthal's The Punisher was showing up in Brand New Day, and the word is there will be some sort of fight between him, Spidey and Hulk before they figure out they're not actually enemies, or something like that (hopefully, Savage Hulk, not Smart Hulk, is present).
In addition to this, there is a persistent rumor that previously-announced cast member, Stranger Things' Sadie Sink, may be playing Gwen Stacy, but that as of yet remains unconfirmed. It would be the second time a famously red-haired actress played Stacy instead of Mary Jane (the first being Emma Stone, opposite Andrew Garfield's Peter).
So, confirmed: This suit and Punisher. Likely happening: Hulk and Scorpion. Who knows: Who Sadie Sink is playing. But no doubt we're going to start hearing more soon.
Follow me on Twitter, YouTube, and Instagram.
Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 minutes ago
- Yahoo
How a 'crush' on Loni Anderson helped a gay boy navigate his teenage years
When I was in grade school in the 1970s, every morning started the same way: My mom made breakfast while my brother, my sister, and I sat around our small kitchen table. We circled around the radio, which was always tuned to Pittsburgh's KDKA-AM 1020, the first radio station in the country. Keep up with the latest in + news and politics. The morning DJ was Jack Bogut. Because of Jack, I thought it would be great to be a radio announcer. I also wanted to be president of the United States and host The Tonight Show. But by the time I reached sixth or seventh grade, I came to my senses and figured maybe it would be easier just to become the next Jack Bogut. So I vividly remember when WKRP in Cincinnati debuted on CBS in 1978. Back then, television was limited to three networks, CBS, NBC, ABC, and maybe four if you counted PBS. And color TVs were still something only wealthier families had. Somehow, shortly before my father died the previous year, we got a color television. I don't know how he paid for it, but it meant that when WKRP came on, I saw it in full color. And when Loni Anderson appeared on-screen as Jennifer Marlowe, she was vividly colorful and dazzling. Sadly, Anderson passed away Sunday at the age of 79. Anderson as Marlowe was beautifully blond, with ruby-red lipstick and the kind of glamour that leapt off the screen. She immediately became the magnetic center of that fictional Cincinnati radio station. Her character Jennifer was clearly supposed to lean into the stereotype of the 'sexy secretary,' but even as a kid, I could tell she wasn't a joke. She had a presence. She was surrounded by men, all of whom, in their own way, recognized her vibrant beauty but one by one would be challenged by her intellect. There was the shameless sales manager Herb, tongue-tied station boss Arthur, the suave program director Andy, and nerdy newsman Les Nessman. I didn't have to Google any of those names, by the way. I can even remember their real names and still know the theme song of the show. I loved that program so much, even in reruns; therefore, feel free to hit me with all the trivia you like. Especially about Jennifer Marlowe. Or Anderson. I fell in love with Anderson, or at least, I thought I did. Because every guy in my seventh and eighth grade class talked about her like she was their dream girl, so I talked about her that way too. But the truth was, I also had a serious crush on Andy. And I was confused. But publicly, it was all about Anderson. I went to Catholic grade school, where being in love with a boy was out of the question. Every man I knew was married to a woman, and every boy I knew had a girlfriend. Well, except for the priest who sexually abused me in 1978. That abuse, along with the pressure to be straight, completely upended my understanding of love and desire. So when I said I had a crush on Anderson, I didn't know whether I was trying to fit in or if I genuinely did. Looking back now, I realize that, yes, I had a thing for her, but in a very specific way. She was safe. She was sincere. She let me feel love without shame. As WKRP progressed, so did Jennifer. Her character grew into someone self-assured, self-aware, and deeply kind. I remember one episode where Les Nessman, awkward, balding, and thoroughly uncool, took Jennifer as his date to the Silver Sow Awards. Yes, I've never forgotten the name of that award that sticks out in my head. Even then, I suspected Les might be coded as gay or whatever that was, because he was nerdy and wimpy, and stereotypes had already been hammered into my young brain. But he wasn't. What that storyline did show was Jennifer's real depth. She made Les feel special, not as a joke, not out of pity but out of genuine generosity. That moment stuck with me. It was the kind of kindness I rarely saw in the real world, and it made me love her even more. The show eventually ended, and I grew up. I came out. And I slowly realized I didn't need a pretend girlfriend or to talk about having crushes on famous women. But I always thought of Anderson fondly. When she married Burt Reynolds, I paid attention. When they divorced, I took her side. I remember that divorce process was bitter and long, and I think Anderson got burned by that. And so I think she sort of disappeared from the headlines — and my radar. That is until 2017, when I read about her starring in a web series called My Sister Is So Gay. But for some reason, I never watched it, maybe because 'web series' had such a negative connotation. And because, well, quite frankly, I didn't need to be in love with Anderson anymore. Still, I thought it was great that she took on a project that celebrated queer identity. She had long embraced equal rights. In an interview about My Sister Is So Gay, she said, 'I always say my political party is equal rights,' and talked about loving and accepting her gay children in the show. When I was thumbing through the internet after her death, I came across something special. She once delivered a quiet but powerful bit of dialogue on WKRP when a character was thought to be gay: 'So what if he is? He comes to work. He does his job. He's a fine person. His sex life is his own business.' It might sound simple now, but in the late 1970s, that was radical compassion. And I completely forgot about the fact that she said this or conveniently forgot that she did. I didn't need to be reminded about something I wasn't sure I was. When the news alert popped up on Sunday that Anderson had died, my heart broke a little. As you get older, the people who shaped your world start to leave it. Each time, a small part of the younger you breaks off. Anderson's passing brought me back to a time that was both simpler and painfully confusing. From where I stand now, it's hard to say exactly what I felt for her. Was it desire? Admiration? A desperate need to be like everyone else? Maybe it was all of that. Or maybe it was the first form of affection I could understand. What I know for sure is my feelings for Anderson were real. They were innocent, sweet, and necessary at a time when I needed sincerity more than anything. She made it feel OK to believe I could belong somewhere. And for one little boy sitting too close to a color television in 1978, that was more than enough. Voices is dedicated to featuring a wide range of inspiring personal stories and impactful opinions from the LGBTQ+ community and its allies. Visit to learn more about submission guidelines. Views expressed in Voices stories are those of the guest writers, columnists, and editors, and do not directly represent the views of The Advocate or our parent company, equalpride. This article originally appeared on Advocate: How a 'crush' on Loni Anderson helped a gay boy navigate his teenage years Solve the daily Crossword
Yahoo
2 minutes ago
- Yahoo
Disney earnings: 2 things that could change this analyst's rating
Disney (DIS) is set to report earnings on Wednesday before markets open. TD Cowen managing director for media and entertainment Doug Creutz outlines what he'll be looking for in the results, including the two things that Disney could announce that could change his Hold rating on the stock. To watch more expert insights and analysis on the latest market action, check out more Market Catalysts. Zooming in on the upcoming earnings this week, Doug. What is your biggest question gonna be for the company sort of going in, uh, and awaiting those numbers? Yeah, I think the question three months ago would have been, you know, how the park's doing. Uh, particularly with Comcast Epic Park opening. You know, there was some concern with that cut into Disney's attendance. I think Epic has done well, but it hasn't done so wildly well that you you would be really concerned that Disney was seeing, you know, a major impact, not that there won't be an impact, but I think everyone assumed there'd be some impact. Um, and I also, three months ago, people were more concerned about macro, and that that seems to have receded at least a bit. I think the the more important question is, you know, they had a summer with four big movies. One of them, Lilo and Stitch, the the remake, did very well. Um, they had an animated movie, Elio, which did incredibly poorly, and will almost certainly be a meaningful write-down. Uh, it's another original IP film that they have made that hasn't done well, uh, on the animated side. And it's not just them, it's the entire industry. Original IP animated films are struggling. They also had, I think maybe most concerningly, two well-reviewed Marvel films. Um, one, uh, uh, Fantastic Four, which had a good opening weekend, but really had a major falloff in the second weekend. Um, and and I think in general, there's gotta be some concern about the trajectory of the overall Marvel franchise, and and whether it's lost a lot of the interest that it used to have and was a key driver for them. Yeah, I think we were a big Marvel household, and now we've got a little Marvel fatigue, I have to admit. Um, and and when you look at that that parks question, how do you think they will be doing given, to your point, the competition from the newly opened park in Florida? Yeah, look, the parks business has been functioning very well. They had a little bit of a soft patch last summer, but it seems to have recovered. Uh, you know, again, I think Orlando will probably be a touch slower this quarter because of the Epic opening, but not so much that it's gonna have anybody concerned. You know, they've got, um, multiple cruise ships are gonna be coming to market over the next few years. That's an opportunity for them there to have additional growth. Uh, I I think the parks business is good, right? It's gonna continue to be good, sort of barring any major recession. I I think everybody knows that, right? It's sort of, I don't know as an investor if you get paid for the parks business being good just because that's kind of baked into the stock. Uh, and speaking about being baked into the stock, you've got a hold rating on it, $123 price target. What has to change for you to get more bullish on Disney? Well, I think one thing is we kind of need to know who's gonna replace Bob Iger. Yeah, small, small thing, right, Doug? Yeah, yeah, that remains a very open question. You know, will it be somebody internally? Will it be somebody from outside the company? Uh, we don't know. And he's, you know, he's supposed to be handing over the reins next year. Um, he's has he has been supposed to hand over the reins many times in the past, and, uh, you know, he's still CEO after after some time off. So, we'll see. I think that's a really big, important thing, and sort of whoever does replace him, what's their vision for Disney over the next 10 years? It won't necessarily be the same as Bob Iger's. Um, and then I think, you know, it's it's the media business, right? It's how how much can they grow Disney Plus profitability? I think that they can get it higher, but can they get it higher fast enough to offset the diminishing profits of linear? I think that's also, uh, another very open question that they have not been able to answer in any in any concrete way.
Yahoo
2 minutes ago
- Yahoo
Sean ‘Diddy' Combs is denied release on bond to await sentencing
NEW YORK (AP) — Sean 'Diddy' Combs can't go home from jail to await sentencing on his prostitution-related conviction, a judge said Monday, denying the rap and style mogul's latest bid for bail. Combs has been behind bars since his September arrest. He faced federal charges of coercing girlfriends into having drug-fueled sex marathons with male sex workers while he watched and filmed them. He was acquitted last month of the top charges — racketeering and sex trafficking — while being convicted of two counts of a prostitution-related offense. In denying Combs' $50 million bond proposal, Judge Arun Subramanian said the hip hop impresario had failed to prove that he did not pose a risk of flight or danger, adding that the record did not show an 'exceptional circumstance' that would justify his release after a conviction that otherwise requires detention. Combs' arguments 'might have traction in a case that didn't involve evidence of violence, coercion, or subjugation in connection with the acts of prostitution at issue, but the record here contains evidence of all three,' the judge wrote. Messages seeking comment were sent to prosecutors and one of Combs' lawyers. The conviction carries the potential for up to 10 years in prison. But there are complicated federal guidelines for calculating sentences in any given case, and prosecutors and Combs' lawyers disagree substantially on how the guidelines come out for his case. The guidelines aren't mandatory, and Subramanian will have wide latitude in deciding Combs' punishment. The Bad Boy Records founder, now 55, was for decades a protean figure in pop culture. A Grammy-winning hip hop artist and entrepreneur with a flair for finding and launching big talents, he presided over a business empire that ranged from fashion to reality TV. Prosecutors claimed he used his fame, wealth and violence to force and manipulate two now-ex-girlfriends into days-long, drugged-up sexual performances he called 'freak-offs' or 'hotel nights.' His lawyers argued that the government tried to criminalize consensual, if unconventional, sexual tastes that played out in complicated relationships. The defense acknowledged that Combs had violent outbursts but said nothing he did came amounted to the crimes with which he was charged. Since the verdict, his lawyers have repeatedly renewed their efforts to get him out on bail until his sentencing, set for October. They have argued that the acquittals undercut the rationale for holding him, and they have pointed to other people who were released before sentencing on similar convictions. Defense lawyer Marc Agnifilo suggested in a court filing that Combs was the United States' 'only person in jail for hiring adult male escorts for him and his girlfriend.' The defense's most recent proposal included the $50 million bond, plus travel restrictions, and expressed openness to adding on house arrest at his Miami home, electronic monitoring, private security guards and other requirements. Prosecutors opposed releasing Combs. They wrote that his 'extensive history of violence — and his continued attempt to minimize his recent violent conduct — demonstrates his dangerousness and that he is not amendable to supervision.' ___ Associated Press writer Jake Offenhartz contributed from Los Angeles.
