Mimi Fly won't let past successes influence next single
The singer, real name Shamimi Amalina Norhisham, said that the single is currently in the process, but that it will take a little bit of time seeing that she is still promoting both aforementioned songs.
"My biggest concern right now is the time. Like 'Serumpun' earlier, it had to be done in a hurry because a lot of celebrities had already released their Eid songs at the time while I was still promoting 'Angkat'. For the next single, I will need some time for it," she said.
Speaking about the success of the previous two songs, Mimi admitted that she felt the pressure of keeping the momentum for her next single.
"My mum always said not to let previous success or failure affect what we do now. As an artiste, we have to continue to create and not let the past work influence our future creations. We can't limit our creativity just because of the success of the previous work," she said.
Mimi said that she needs the freedom to create and whatever comes next will not be influenced by what she has presented prior.
(Photo Source: Mimi IG)
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 days ago
- Yahoo
‘What is the truth?' Directors Lesli Linka Glatter and Mimi Leder on the thrill of making ‘Zero Day' and ‘The Morning Show'
It should come as a little surprise that they're the closest of friends. Lesli Linka Glatter and Mimi Leder — two of the most accomplished female directors working today — each have a string of credits of TV's most successful series and Emmy nominations, dating back to the days when Leder first hired Glatter on ER. More from Gold Derby 'There were places I had to go that I'd never gone before': Chloë Sevigny on bold career choices, polarizing characters, and 'Monsters' Carrie Coon, Morgan Spector, Denée Benton, and more 'The Gilded Age' instant Emmy predictions as Season 3 ends 'When we were coming of age, there were not a lot of women directing, and we were able to find a dear friendship in each other, to talk about the joys and the difficulties and how you move through things,' says Glatter, who's now also the president of the Directors Guild of America. 'And that really has been and continues to be incredibly important to me.' Glatter — who was recently nominated for an Emmy (her ninth) for her work on helming all six episodes of Netflix's limited series Zero Day — reunited with Leder, the woman Glatter calls her touchstone, who has just finished filming Season 4 of Apple TV+'s The Morning Show, to talk about their shared experiences behind the camera. The two opened up to Gold Derby about what it means to them to be "directing showrunners," what they've learned since the days of 24-episode seasons of ER — and the power of a fresh coat of lipstick. Gold Derby: Mimi, what made you hire Lesli back then? Mimi Leder: I had seen her work — she had directed a film called A State of Emergency — and I went, 'Oh, my God, this director is incredible. Let's get her on the show. Let's let her fly!' And she did, and we became fast friends. I hired Lesli because she's a great director, not because she was a woman. But, of course, we try and bring women up. On The Morning Show, I mostly hire women — it's all women. It's very different now. Then, we used to go into the bathroom and cry and we were by ourselves. Lesli Linka Glatter: The bathroom was the safe space, if there was one! I can tell you my first day of shooting on my first project, Amazing Stories, there were 200 guys storming a beach in World War II, and there were no women's bathrooms! I have to say the joyful thing is, in TV, the statistics are somewhere around 37 percent is being directed by women and people of color. I think everyone deserves a seat at the table. And if the table isn't big enough, build a bigger table, because all voices should be heard — as well as white Caucasian males. Mimi and I were definitely mentored by wonderful, supportive men. This is not about them and us. This is about different voices, and distinctive voices need to be heard. Leder: Absolutely. There are so many different stories and point of views and it's important to get it all out there. What makes you say yes to a project when something lands in your in box? What sparks for you? Glatter: For me, when I read something, I either start to see it and feel it in my gut and heart and connect to it in a profound way, and go, I have to tell this story. I can read something that I really like, that I think is smart and interesting, and I would absolutely be there to turn it on and watch it, but I might not be the right person to direct it. So if I don't have that intuitive, profound connection, I'm not the right person to do it. Someone else who has that connection should do it. Leder: Absolutely, it's so interesting. When The Basis of Sex was offered to me [about late Supreme Court Justice Ruth Bader Ginsburg], I immediately related to her, even though I'm not a Supreme Court justice, but I'm a mother, and she was a mother, and we both work, and we both had kids, and we both had partners that love us. I don't compare myself in the amazing things that she did to change the world. I'm just a filmmaker, and hopefully I'll make people cry and laugh a little bit and feel something. I just have to feel a connection to the material deeply. Glatter: It's also very important to me the environment that you build on a set, because we spend so much time with our work family. We tell stories in this very unique way, with a huge group of incredible artists and craftsmen. We're not sitting alone writing our poetry, we're with this huge canvas, and we move an army every day. And that's kind of extraordinary. Leder: You always know if you're getting it right, when you're watching a take, and you turn your head, and the dolly grip is sobbing over there, and he's completely invested. There's nothing more exciting. Both of your shows are so topical. Is that what appeals to you both as directors? Glatter: I love the fact that in The Morning Show and in Zero Day, we're asking a lot of questions that are really essential right now. Zero Day very much deals with what is truth in a post-truth world when we can't agree about what is fact and what is opinion. Leder: Beautifully designed, beautifully shot, beautifully directed. It was kind of breathless. Glatter: That means so much coming from you, because all I can say is, "Right back at you, my friend." I always watch your work and I'm like, "Wow, she told that story so well." And at the end of the day, it's about characters. Whatever the plot is, you need to connect in that way. Leder: Absolutely. We deal with the truth. What is the truth? Our journalists this season are faced with telling the truth and AI and political protests and polarizing viewpoints, and it's the journalist's responsibility to deliver the facts, and when they do, there are consequences, and especially today, as the country has changed. The world has changed, and there's truth versus lies, and that is one of our main themes this season. How do you strike that balance? How do you make sure that when you're trying to tackle these very timely issues, that they're still feel relevant when the show airs? Leder: It's very difficult, because the news cycle will always be ahead of us. You're always behind. So we pick a time frame to tell our story. And a lot of the things we tell haven't actually happened, but then they do happen. Glatter: That's exactly what happened on Zero Day. We did a huge amount of research on zero day events — they've been going on since 2014. It's the most powerful tool, cyber weapon, that the intelligence services has. The one thing that has not happened is a zero day event that affects every industry simultaneously. But you can't chase the news. There was the fact that we hired Angela Bassett as the president of the United States, and then a few months later, Kamala Harris was running for president. She obviously did not win, but that was like, "Oh, wow." That, of course, was not in our zeitgeist at all, but a lot of the questions we were asking have become more relevant by the time the series actually aired, which is fascinating, even issues of acuity in a leader which was not being talked about at all when we started filming. Lesli, why did you take on all six hours of ? Do you prefer that versus just setting the tone with the pilot? Glatter: It's not necessarily a preference. It depends on the material and who's involved. This was a closed-end story, and with Robert De Niro, who was a wonderful collaborator, besides being a legend and a brilliant actor, he is an extraordinary human being, and was great to work with on all levels. But he was very involved with the development. He had never done anything for television, so the idea of multiple directors was just not something he could wrap his mind around. And we definitely approached this like one big movie. That's what was needed to tell that story. Leder. I love doing a pilot and letting it go. Yes, I did stay on The Morning Show to produce and direct as many as I could and can and still do. But it's something that you create. You create the look, the sound, the color palette, the narrative with the writer. And in developing those characters, they're stepping into their shoes for the first time, and seeing who they are, trying to figure out who that character is. It's been really a journey on The Morning Show, to see where they began to where they are now, in terms of who their characters have become, working in the world, power, and deceit and misinformation and the news. It's a real character study, our show. Glatter: I was just thinking of the good old, bad old days of doing a 22-episode show! I mean, I think about that, and I'm just … [gasps]. Leder: On ER we sometimes did 24! We'd shoot them in eight days. The scripts used to be 53 pages and then with the Steadicam, we started going faster and faster, and our scripts started to become 83 pages. Glatter: I'll never forget that! How is that even possible? As directors, how much do you inject yourself into the writers' room, into the showrunning process? Glatter: I feel like the writer is my partner in crime. We're partners trying to tell the best possible story, and for me personally, that's the best it gets. We have different skills, but the intention is to tell the story in the best possible way, Leder: Absolutely. And I have had that experience with Damon Lindelof [on The Leftovers], and he would always call me the directing showrunner. Charlotte Stoudt, who I work with now, we equally as partners create this show and this world together. Glatter: I feel that that is the best situation you can get. I certainly had that with Alex Gansa on Homeland, which was a dream job, for all those years of traveling the world together. When you find the right partners in that way, it's not about anything, but telling the story in the best possible way, and that you are partners and can argue and hopefully what comes out of that is something even better. Leder: You give your entire self to the process in order for it to come alive, as you would nurture a child inside your body. You've both had a front-row seat to the evolution of television. Glatter: Audiences now have that expectation when we watch a Morning Show or a Zero Day or a Homeland, that it looks like a film. We are visual storytellers, so this idea of TV being 'a lesser medium' — that is from another era. Leder: It used to be where people in film would not touch television, and television people wanted to get into film. People often ask, "What do you prefer television or film?" I don't see any real difference in television and film, except for when you have to pick your format. My approach is exactly the same for both mediums. Either in your living room, where the lights go down, or in a big theater, when the lights go down, it's magic, and there's nothing like it. I think Lesli and I both love what we do. I think you have to love telling stories to do it well. Glatter: And telling them in this crazy way. We do it with a team of 200, 250 people. I agree with you. I don't ever think about, "Oh, what is the delivery system for this story?" You tell the story in the best and most visual way for that story. Way back in the Dark Ages, when I was just becoming a director, from being a modern dancer and a choreographer, my first actual series was Twin Peaks. And Twin Peaks obviously broke every rule of what one imagined TV to be, but that's what I was raised in. We would mix it as if we were mixing a film, and then David Lynch would make us listen to the playback on the worst possible television set ever. He would say something like, 'Les, keep your eye on the donut and not the hole.' What do you think of the current trend of oners? I know they've been around forever. Leder: We invented the oner! Glatter: Listen, I think if the material lends itself to that, fantastic and you don't feel like you're missing something, or the emotion or the story, it's great. I have to say, Adolescence — I thought it was jaw-dropping, because it worked so perfectly on every level. And I was never thinking, "Oh my God, this is a oner." I'm so moved by the story and the storytelling. So to me to do it, just to be showy, why? Leder: I would say Evan Goldberg and Seth Rogen, the oner episode on The Studio, was brilliant, brilliant, brilliant. Those two are incredible. I have only praise and admiration for them. Glatter: And it made fun of the oner along the way. It was genius! And what do you think of the success of , given your roots in ? Leder: I think it's incredible. I love The Pitt. I think it's an extraordinary show. It's so incredible to watch. Noah Wyle who I worked with when he was 24 years old, and now he's a 53-year-old grown-up man, sexy as f--k, and just incredible human and what a performance. Glatter: I think we were at dinner at John [Wells'] house when he was talking about this. I love the fact that he took this tried-and-true genre, rediscovered it for this time and place, and put Noah as a leading man. His performance moves my heart. It makes me so happy to see this, so happy that people I love and respect are doing such extraordinary work. What have you learned over the course of your careers? What advice would you give to somebody trying to break into filmmaking now? Glatter: Tell the stories you want to tell, and that it only takes one yes. You will get dozens of nos, but it only takes one yes, and you can't give up. So you have to be incredibly tenacious, and you can't forget the joy, because if you become hard and bitter about how difficult the climb is, once you get there, you won't be there to enjoy the process. So it's this tricky balance. It takes a lot of opposing things. You have to have strength and clarity, but you also need a lot of compassion. You need to be a great planner and know exactly what you want, but you need to be completely open to possibility. So embrace all the contrary aspects of this, and don't stop now, because things are really difficult now, but we need all kinds of stories. Oh, and remember to reapply lipstick. Mimi and I are firm believers in a fresh coat of lipstick. Leder: I very much agree with everything Lesli said. You have to remain open. Your heart has to be open to change. You have to be able to lose your location, or you lose a piece of equipment, you're out in the desert and you don't have an arm to dolly into the window. Well, build an arm. You have to be tenacious. You gotta be willing to jump off the cliff with your actors and go into the deep end. You have to love every single moment, even if it hurts. Even when negative stuff comes at you turn it into a positive and just make it work. You have to just find the truth in every story and every character in every moment. And as Lesli said, find the joy. If you don't have the passion, you shouldn't be doing it. And change your shoes at lunch. Glatter: We have to be grateful that we're on this journey, because not everyone gets to be on it. Be fearless. And for me personally, if I don't feel that fear and passion, it would be time to move on. But thank God, every time I read something that I get so excited about, I'm like the fires burn that bright. I'm not done, not hardly at all. Leder: No, me neither. I'm not done. They're going to throw me out. Glatter: I'm going to be rolling to set with my walker and my oxygen tank. We can roll together. Best of Gold Derby 'Australian Survivor vs. The World' premiere date and cast photos: 'King' George Mladenov, Cirie Fields, Parvati Shallow … 'Five new life forms from distant planets': Everything to know about 'Alien: Earth' as new trailer drops Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Click here to read the full article. Solve the daily Crossword
Time Business News
5 days ago
- Time Business News
Luxurious Chiffon Embroidered Suits
If elegance could be woven into fabric, it would look exactly like Modeserene's chiffon embroidered suits. Known for their timeless charm, exquisite craftsmanship, and unparalleled quality, Modeserene has become a go-to brand for women who want luxury without compromising on comfort. Modeserene was born out of a passion for blending tradition with modern fashion. The brand started with a mission to create clothing that celebrates femininity, grace, and sophistication. Today, Modeserene is synonymous with premium quality chiffon suits that are adored both locally and internationally. At Modeserene, elegance isn't just a style—it's a lifestyle. Their vision revolves around crafting outfits that not only enhance beauty but also tell a story of luxury, tradition, and cultural richness. Chiffon has always been the queen of fabrics in the world of luxury wear. Its sheer texture, flowy drape, and lightweight feel make it perfect for formal events, festive gatherings, and even semi-casual occasions. While many fabrics sacrifice comfort for style, chiffon offers both. Modeserene takes this a step further by using the highest quality chiffon that feels smooth on the skin and holds its structure beautifully. Hand embroidery is the heart of every Modeserene suit. Skilled artisans spend hours—sometimes days—perfecting every stitch to create intricate designs that stand out. Along with traditional work, Modeserene also incorporates modern embellishments like sequins, pearls, and fine thread work, ensuring each piece is both trendy and timeless. Soft pinks, powder blues, and mint greens dominate the pastel range, perfect for spring and summer events. For weddings and festive occasions, Modeserene offers deep reds, royal blues, and emerald greens adorned with shimmering embroidery. Some suits are part of an exclusive limited edition range, making them unique statement pieces for your wardrobe. Every Modeserene outfit starts with carefully chosen chiffon sourced from trusted suppliers. Then, expert tailors ensure every seam, pleat, and hem is perfectly executed. From floral vines to geometric artistry, each pattern is thoughtfully designed to complement the fabric's natural elegance. Pair your Modeserene suit with statement earrings, a matching clutch, and strappy heels for a complete luxe look. Whether it's a wedding reception, Eid gathering, or a high-end dinner party, Modeserene suits make you stand out effortlessly. Unlike mass-produced outfits, every Modeserene suit goes through a strict quality check to ensure perfection. The designs capture the soul of traditional embroidery while staying relevant to current fashion trends. Always opt for dry cleaning to maintain the fabric's delicate texture and embroidery details. Store in a breathable garment bag and avoid hanging for extended periods to prevent stretching. Many customers praise Modeserene for its luxurious feel, flattering cuts, and long-lasting quality. The suits not only look stunning in person but also photograph beautifully—perfect for social media-worthy moments. You can shop Modeserene's latest collections through their official website, flagship stores, and selected premium boutiques. They also offer worldwide shipping for international clients. Modeserene's luxurious chiffon embroidered suits are more than just outfits—they're a symbol of sophistication, artistry, and timeless fashion. With their commitment to quality and unique designs, Modeserene ensures every woman feels confident, beautiful, and effortlessly elegant. Q1: What makes Modeserene's chiffon embroidered suits unique? The combination of premium chiffon, intricate embroidery, and modern design sets them apart. Q2: Are these suits suitable for summer wear? Yes, chiffon's lightweight and breathable texture makes it perfect for warm weather. Q3: Can I customize my suit? Modeserene offers customization options on select designs—contact their customer service for details. Q4: How long does delivery take? Local deliveries take 3–5 days, while international orders can take 7–14 days. Q5: Do they offer matching accessories? Yes, some collections include matching dupattas, handbags, and jewelry recommendations. TIME BUSINESS NEWS
Forbes
16-07-2025
- Forbes
Skullcandy Revives A Classic With The Launch Of The New Aviator 900 ANC With THX Spatial Audio
The new Aviator 900 ANC from Skullcandy come with THX Spatial Audio with head tracking. The sound of ... More the headphones can be personalized using Mimi. Skullcandy isn't a headphone brand I usually feature, mainly because its customers have a specific demographic adn I think they are way too cool to be reading someone like me. The brand is as much a lifestyle icon as an audio name and Skullcandy has been striking chords with younger consumers for many years now. Known for its Aviator franchise, Skullcandy has decided to revive a classic design by launching the new Aviator 900 ANC. These are the most ambitious headphones Skullcandy has ever released. When the original Skullcandy Aviator line was launched back in 2010, it was embraced by a worldwide audience of tastemakers and celebrities who loved the form, the look and the audio experience it delivered. The new Aviator 900 ANC headphones build on the classic and retro look of the original Aviator headphones, but also use new materials and technologies for consumers who want a stylish pair of headphones but don't want to skimp on audio quality just to get ab edgy look. The latest and relaunched version of Skullcandy Aviator headphones include a Personalized Sound ... More feature from Mimi. Now With THX Spatial Audio With the new Aviator 900 ANC headphones, Skullcandy has collaborated with THX, the audio company founded by George Lucas of Star Wars fame. The idea behind the partnership was to bring immersion and emotional depth to the headphones by incorporating THX's Spatial Audio with Head Tracking technology. THX Spatial Audio recreates an effect that places the listener in a concert hall. The soundstage changes as the listener moves their head, creating a real-world spatial effect with the widest sound where individual instruments are placed in three dimensions. The Aviator 900 ANC have an adaptive array of six microphones that are used top monitor ambient sounds which are then subtracted from the audio signal using adaptive active noise cancelation. The headphones also include Mimi Personalized Sound that enables the listener to customoze the sound of the headphones to suit their hearing. 'THX Spatial Audio with head tracking on the new Aviator is a historic moment for both companies,' says Tuyen Pham, chief executive officer of THX Ltd. 'This collaboration merges THX's long-standing mission to bring the best audio technology to consumers of entertainment with the popularity of the Skullcandy brand. With THX Spatial Audio on board the Aviator 900 ANC, Skullcandy is truly empowering their customers to hear movies, music, and games the way the creator intended the content to be enjoyed with emotional connection, depth, and immersion.' The new Aviator 900 ANC are the flagship headphones from the Skullcandy stable. The headphones have ... More physical controls that can be customized, plus there is an LED panel. As you might expect from a brand that's rooted in youth lifestyle and fashion, the Aviator 900 ANC use a bold mix of materials, including vintage-inspired hardware with suede and polished finishes. The headphones also sport design elements like a knurled thumbwheel, joystick and retro-inspired multi-function LCD. Skullcandy Aviator 900 ANC With Multipoint Pairing A full charge of the Aviator 900 ANC battery can power the headphones for up to 60 hours of continuous listening time. The Aviator 900 ANC have essential features like rapid charge, Bluetooth 5.3, wear detect and Multipoint pairing so two devices can be connected at the same time. The headphones have a collapsible, travel-ready design and come with a cross-body travel bag for stowing them away. There are customizable controls which can be altered with the Skullcandy app. An adjustable 'Stay-Aware' mode helps users be aware of their surroundings, plus there are custom EQ settings and button remapping for the headphone's controls so they can be fully customized for seamless and intuitive to use. 'This marks Skullcandy's bold entry into the premium headphone space,' says Justin Regan, vice president of marketing at Skullcandy. 'It's a fearless move for a brand known for doing things differently – and proof that great sound and standout design can live in the same package.' The Skullcandy Aviator 900 ANC headphones have a collapsible design and come with a cross body ... More storage bag. The Skullcandy Aviator 900 ANC headphones – including THX Spatial Audio with Head Tracking – are available now from as well as select global retailers. The price is $299.
