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Tracee Ellis Ross on the joy and loneliness of solo travel

Tracee Ellis Ross on the joy and loneliness of solo travel

Boston Globe5 days ago
'Solo Traveling With Tracee Ellis Ross,' now available for free on The Roku Channel, premieres at a time when solo travel is growing ever more popular, despite criticisms that it can be scary, boring or unsatisfying. Black women in particular, who are actively prioritizing their well-being, are encouraging one another in Reddit threads and in the comments section of travel enthusiasts' social media accounts. Within these spaces, women are swapping notes on issues like safety, racism, sexism and loneliness -- all of which Ross discusses during her travels to Spain, Mexico and Morocco.
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The following interview with Ross has been edited and condensed for clarity.
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Q: Is there any advice you want to impart to solo travelers?
A: I don't believe in advice. I offer experience and hope. And this is my version. My transparency is about how I can give you a jumping-off point.
I say this in the Mexico episode: There's got to be something between cat ladies and Joan of Arc. You know what I mean?
Like, I really wish I had some other pictures on the wall culturally and historically that would show me what it means to push up against the cultural norm and choose yourself -- of the revolutionary act of joy, particularly for a Black woman, and of having the agency and the freedom to make choices that work for you, whether you have a partner or not
.
Q: Loneliness isn't often acknowledged on travel shows. Did you plan to address the topic, or did it just come up naturally?
A: Well, I didn't tackle it on purpose. I just tackled what was honest.
Sometimes things that didn't make you lonely at home might make you feel lonely while you're away. And sometimes things that you don't enjoy at home will become things you enjoy when you're away.
I really wanted to make space for the show to feel as intimate and as truthful as the experience I was actually having. Sometimes I have to remind myself that feeling lonely doesn't necessarily mean that something's wrong. It just means I have to make space for the feeling.
Q: Can we talk about that moment where you're dining alone and another table sends you a drink?
A: I'm glad that you brought up that moment.
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So, they sent over something -- I don't know, a drink. And I went over to thank them.
In that moment, one of the women was pretty much saying, 'I felt bad for you.' And I was like, 'No, no, don't feel bad for me. This is a choice. And it's a joyful choice. And it's an exciting choice. And it's a life-affirming choice. And here's why.'
Q: Were you ever concerned about how to make alone time interesting?
A: I think there's a myth that I had to be doing things on the show. And I was like, well, I wouldn't do that. People were worried that it wasn't going to be entertaining. I was, like, have you met me? I'm nuts. I've got stuff to say.
I had to figure out how to share this experience, this very intimate experience of solo travel. You can't just be in silence the whole time. And so a lot of the show was filmed on my phone, as opposed to being filmed by the camera guy. I would talk to my phone as if it were my inner dialogue.
Q: What went into the choosing destinations for the show?
A: One of the things I talk about when people ask about solo travel is: First and foremost, what kind of experience do you want as a solo traveler?
I think you have to ask yourself that question -- particularly as a woman, particularly as a Black woman, or if you're LGBTQIA or nonbinary. What are the places and the ways you might be vulnerable in spaces that are not your home? And if the goal is to be yourself, by yourself, out in the world, how can you do that safely?
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And so I asked those questions as we were planning the show.
Q: Fashion is such a big part of the show.
Each episode begins in your home while you're packing -- and
it seems like a meticulous process.
A: I joke, but I'm serious about this: I pack for beauty and I pack for disaster.
When I say I'm an overpacker, it is at a level that is completely off the radar. I understand this. I am not in denial about it.
Q: Do you approve of packing cubes?
A: No. The only things I like packing cubes for are my lingerie, like my undies and socks, because otherwise they go everywhere. But I also like to put my socks inside my shoes so I'm not wasting space.
Q: Where and when did you take your first solo trip?
A: I went to Pink Sands in the Bahamas when I was shooting 'The Dish.' I'm not sure what made me decide to go or why I decided to go by myself, but I know what I got out of it.
One of the things that I love about traveling solo is the sense of heightened experience -- heightened relaxation, heightened joy, heightened discomfort. You start to get a muscle strength, an emotional muscle strength around self-soothing and holding space for yourself and what your tools are in those moments that you bring back into your life.
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Martha's Vineyard film fest returns with Black star power, bold storytelling and cultural legacy
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Martha's Vineyard film fest returns with Black star power, bold storytelling and cultural legacy
Martha's Vineyard film fest returns with Black star power, bold storytelling and cultural legacy

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time6 hours ago

  • Associated Press

Martha's Vineyard film fest returns with Black star power, bold storytelling and cultural legacy

LOS ANGELES (AP) — No matter the time on Martha's Vineyard, a shimmering glow will be powered by the star presence of Black filmmakers, actors and tastemakers like Issa Rae, Mara Brock Akil and Michelle Obama who are shaping culture on their own terms. For two-plus decades, the Martha's Vineyard African American Film Festival has been a cultural reunion, a summer sanctuary and a safe haven where some of the industry's most influential voices converge in Oak Bluffs, Massachusetts. This week marks the return of the 23rd annual nine-day celebration, which kicks off Friday with a stacked slate that includes appearances from singer-actor Jennifer Hudson and Hall of Fame basketball player Dwyane Wade, screenings like Spike Lee 's 'Highest 2 Lowest' and intimate conversations with figures such as the Rev. Al Sharpton. Over the years, the festival has drawn the who's who of Black Hollywood — including Ava DuVernay, Kerry Washington, Tyler Perry and Regina King. The Obamas made a surprise appearance in 2022. 'It's a moment when so many of us converge and gather in a location that has historically received us incredibly well,' said Tracee Ellis Ross, who will screen her new Roku Channel series 'Solo Traveling with Tracee Ellis Ross.' The three-episode show follows Ross as she embarks on solo journeys to unplug, indulge and reconnect through Morocco, Mexico and Spain. Ross said traveling solo is a way of life. She said sharing her project at MVAAFF felt right, noting that the Vineyard-set episode of Akil's 'Forever' captures the spirit and beauty of the picturesque island. 'It felt like the perfect location to kind of share,' she said. 'The timing was perfect from when the show came out.' What makes MVAAFF a must-stop? Set on the campus of the Martha's Vineyard Performing Arts Center and the Vineyard Lounge, the festival has grown from a grassroots gathering into a premier destination where Black creatives can find inspiration, connection and support. Akil paid homage to festival founders Stephanie and Floyd Rance, crediting them for building a creative pipeline where stories rooted in Black culture live and are seen. 'They know the value. They know the need,' said Akil, who will screen 'The Vineyard' episode from the Netflix series 'Forever' at the festival. 'Regardless of what the institution or systems of Hollywood sees as valuable, we claim the value of our stories. We have a chance to celebrate them, complete them, tell them, view them and share them with an audience. It allows for the completion of the story, so that we can move on to many, many, many more stories that need to be told.' Floyd Rance described MVAAFF as a vital part of the entertainment ecosystem, offering a platform where Black voices and stories are given the spotlight they deserve. 'It's always good to have somewhat of a convergence for folks of like mind in the arts and entertainment to gather, coalesce, share ideas, rekindle friendships and fellowship,' said Floyd, who along with Stephanie said they did not expect their festival to become such a main attraction. 'Despite the political climate and what's going on in entertainment, it's always a good time for birds of a feather to flock together.' In addition to the panels and screenings, Stephanie Rance said this year's festival centers on the theme of joy, focusing more on celebration than struggle. She's especially excited for attendees to experience a range of conversations, from little-known moments in Black history to a panel on Ralph Lauren's Oak Bluffs collection with Morehouse and Spelman. The Smithsonian National Museum of African American History and Culture will host a discussion on Black dandyism, paying tribute to fashion icon André Leon Talley. 'The community at large on the Vineyard and the folks that come from all over the world to the festival really embrace the filmmakers,' she said. 'Everybody loves the studio and the streaming content and the talent that comes in. But we really are a filmmakers' film fest at heart.' What else is happening on the Vineyard? This year's festival is delivering a dynamic slate that blends star power, conversation and creative insight. Spike Lee will unveil exclusive clips from his upcoming film 'Highest 2 Lowest' starring Denzel Washington. Courtney B. Vance is set to lead a panel on Black storytelling, diving into how content creation can retain cultural authenticity. Jennifer Hudson will open up about her Emmy-nominated daytime talk show, while Dwyane Wade will participate in a men's luncheon with industry leaders to discuss leadership, legacy and capital in today's evolving media space. Joy Reid is hosting a fireside chat on power and purpose. Issa Rae returns with a preview of part two of her documentary 'Seen & Heard,' continuing her exploration of visibility for Black creatives. And Debbie Allen will be honored with a tribute to 'A Different World,' celebrating the force the show continues to be decades later. The screenings will showcase a wide range of Black storytelling, including Starz's 'Magic City: American Fantasy,' the Tyler Perry-produced 'Old Mary Mare,' HBO Max's 'The Gilded Age,' and Ryan Coogler's critically acclaimed 'Sinners.' Michelle Obama and her brother Craig Robinson will hold a live taping of their podcast that'll include an interview with Teyana Taylor. For returning filmmakers like Andre Gaines, the festival has become a cultural home to showcase work. This year marks his third screening at MVAAFF, where he'll show 'The Dutchman,' a bold reimagining of Amiri Baraka's searing 1964 play. 'It's great to show our stories in front of our people and get this visceral and genuine reaction when it comes to things that we're familiar with,' said Gaines, who's also collaborating with MVAAFF founders Stephanie and Floyd Rance on a documentary about the late ESPN anchor Stuart Scott. Gaines said the festival affirms the value of Black storytelling in a way that mainstream spaces often overlook. 'Some people look at our festivals, media or award shows as being less than what the mainstream or our white contemporaries might consider them to be, but they aren't,' he said. 'That's the beauty of this festival. We talk to each other and herald the filmmakers that came before us and the ones currently working. We get this grand opportunity to come together in that form.'

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