logo
Americans have a ruff time watching animal violence on screen

Americans have a ruff time watching animal violence on screen

Miami Herald13-06-2025
"Not the dog!" Americans believe that it's harder to watch animals being killed on-screen than humans, according to new research.
A poll of 1,512 U.S. adults sought to uncover their "gore line," or just how much blood and violence Americans can tolerate when it comes to TV and movies.
If "I Am Legend" keeps your attention until "the dog scene" or you shy away from the first few minutes of the original "John Wick" movie, you may be part of the 51% who are more likely to turn away when something bad happens to an animal. Just 32% do the same with people.
Animal abuse/killing even ranked as the No. 1 hardest scenes to watch (57%), followed closely by child abuse (56%) and domestic violence (43%).
Dr. Chad Walding, Chief Culture Officer and Co-Founder of NativePath, weighs in on how psychological and cultural elements factor into these tendencies.
"The emotional reaction of watching cruelty or abuse to an animal or living being in the media is interesting to explore from a psychological perspective and not so different from how we view the abuse of a human," said Walding. "Every weekend, the news reels share a shocking story of animal abuse or animal cruelty; however, our strong emotional response occurs specifically from watching something that is innocent being victimized. Viewers naturally see animals as innocent and/or weak, leading to some serious emotional engagement with the source of the abuse."
Though both have tear-jerking sentiment, funerals or memorial services ranked below death beds and final "goodbyes" ranked above funerals and memorial services (27% vs 15%).
And despite every early 2000s TV drama depicting at least one, only 14% believe that car accidents are the most gut-wrenching.
Conducted by Talker Research, the results found that Americans have strong stomachs and have a high tolerance for gore.
Slaps, punches and KOs are fair game for the majority of the panel, though 12% start to draw the line at someone being stabbed repeatedly, and 14% of baby boomers agree.
One in 10 Americans call it quits if someone's head is being chopped off, whereas many (21%) will take it all the way to the end with someone being chopped into pieces.
A little more than two in five (22%) can't even identify their gore line.
In fact, 53% of respondents haven't encountered a movie or TV show in the last 12 months that they needed to turn off because it was too gory.
"Media violence is growing and desensitization to violence is becoming more and more obvious," continued Walding. "Our cognitive tolerance for gore has begun to influence the media we use and the content of these media. A major factor is simply, the more violent media that is being consumed, and therefore normalized, it reduces the emotional impact of the consumer and becomes more normalized and it works for the media input."
TOP 10HARDEST TYPES OF TV AND MOVIE SCENES TO WATCH
Animal abuse/killing - 57%Child abuse - 56%Domestic violence/abuse - 43%Violence/murder - 30%Deathbed/final goodbyes - 27%Shootings - 18%Drug use - 16%Sex/intimacy - 14%Car accidents - 14%War/battles - 13%
Survey methodology:
Talker Research surveyed 1,512 general population Americans; the survey was administered and conducted online by Talker Research between Jan. 31 and Feb. 3, 2025.
We are sourcing from a non-probability frame and the two main sources we use are:
Traditional online access panels - where respondents opt-in to take part in online market research for an incentiveProgrammatic - where respondents are online and are given the option to take part in a survey to receive a virtual incentive usually related to the online activity they are engaging in
Those who did not fit the specified sample were terminated from the survey. As the survey is fielded, dynamic online sampling is used, adjusting targeting to achieve the quotas specified as part of the sampling plan.
Regardless of which sources a respondent came from, they were directed to an Online Survey, where the survey was conducted in English; a link to the questionnaire can be shared upon request. Respondents were awarded points for completing the survey. These points have a small cash-equivalent monetary value.
Cells are only reported on for analysis if they have a minimum of 80 respondents, and statistical significance is calculated at the 95% level. Data is not weighted, but quotas and other parameters are put in place to reach the desired sample.
Interviews are excluded from the final analysis if they failed quality-checking measures. This includes:
Speeders: Respondents who complete the survey in a time that is quicker than one-third of the median length of interview are disqualified as speedersOpen ends: All verbatim responses (full open-ended questions as well as other please specify options) are checked for inappropriate or irrelevant textBots: Captcha is enabled on surveys, which allows the research team to identify and disqualify botsDuplicates: Survey software has "deduping" based on digital fingerprinting, which ensures nobody is allowed to take the survey more than once
It is worth noting that this survey was only available to individuals with internet access, and the results may not be generalizable to those without internet access.
The post Americans have a ruff time watching animal violence on screen appeared first on Talker.
Copyright Talker News. All Rights Reserved.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Trump's inspired Kennedy Center Honors picks spotlight liberals' own performance art
Trump's inspired Kennedy Center Honors picks spotlight liberals' own performance art

New York Post

time4 hours ago

  • New York Post

Trump's inspired Kennedy Center Honors picks spotlight liberals' own performance art

The Kennedy Center Honors are the nation's top performing-arts-achievement awards and their celebration the highlight of the capital's cultural calendar. Yet the honorees are typically announced in that most artless of ways — a press release. Not this year. You'd think liberals who decry conservatives as contemptible Philistines would be pleased to see a Republican president focus the country's attention on the arts with something of a show itself. But no — not when that president is Donald Trump. They slammed the selections too, though the list isn't much different from those under Democratic presidents such as Barack Obama — and reflects a wide swath of what Americans appreciate and admire in the arts. Of course, the small spectacle Trump held Wednesday at the John F. Kennedy Center for the Performing Arts wasn't exactly establishment Washington. The president walked to a podium in front of five pictures on easels, all covered with red cloth. Two attractive women in sleeveless dresses and high heels assisted — distinctly reminiscent of ring girls in boxing and Trump's beloved UFC — dramatically unveiling each honoree on cue. 'Rocky' creator-star Sylvester Stallone, glam-metal rockers KISS, country king George Strait, disco goddess Gloria Gaynor and Broadway luminary Michael Crawford will receive the 48th annual Kennedy Center Honors. Trump himself — also the center's chairman — will host the gala tribute Dec. 7, which CBS will air later that month. DC doesn't have a lot of glitz, so the December weekend honorees and those paying tribute to them spend in town is a big deal. I know because I covered the cocktail parties, the rehearsals, the red carpets and more for years when I lived in Washington. And the political and performing elite can't stand the idea of Donald Trump taking part in the ritzy rituals. Trump didn't attend a single Honors gala in his first term after 2017 honoree 'All in the Family' creator Norman Lear said he'd skip any White House event to protest the president. But Trump 2.0 is bolder and brasher — and wants to make real his 'vision for a Golden Age in arts and culture,' as he put it. The media fawned over First Lady Michelle Obama's White House Kitchen Garden. They published deep think pieces about her husband's summer playlists. But the same people who believe right-wingers want to cut all cultural education are annoyed when a GOP president spends an hour talking about great artists. 'You might be wondering why you haven't heard much about important issues like inflation, health care or infrastructure lately, but there's a very good reason: Donald Trump doesn't care,' late-night talker Seth Meyers said. Conservatives 'want to go on Fox News and whine about woke,' he continued. 'This is what the right really cares about. This is why Trump is spending his precious time announcing the Kennedy Center Honors.' Cue the subtle — and not-so-subtle — digs about the choices. 'The line-up explains a lot about him, his power and why he's president,' CNN's Stephen Collinson intoned. It's 'more populist than 'high' culture.' 'At the Kennedy Center, Trump Puts His Pop Culture Obsession on Display,' The New York Times headlined its story. Time Senior Correspondent Philip Elliott declared, 'The Kennedy Center Honors Is Now Just Another Trump Show,' and likened the Florida man to Stalin, who made the genius Shostakovich's life a living nightmare. This year's choices, Elliott wrote, 'signal yet the latest example of Trump putting his thumb on the scale of American culture and tossing it back to yesteryear.' Who's going to tell the storied Time the Kennedy Center Honors are lifetime-achievement awards whose winners always send us 'back to yesteryear'? Liberals howling this isn't the highfalutin' list it should be forget the first awardees under Obama included Bruce Springsteen, Robert De Niro and Mel 'Blazing Saddles' Brooks. LL Cool J won in 2017. Trump's is not a way-out-there list. It's true one spot usually goes to classical music or dance, and I'm disappointed that's missing — though to Trump, Michael Crawford is operatic. And he did originate the title role of 'The Phantom of the Opera,' which Andrew Lloyd Webber wrote for his then-wife, classical soprano Sarah Brightman. KISS is an inspired choice — a great American story. Two Jewish New York kids whose families had fled the Holocaust, Stanley Bert Eisen and Chaim Witz, transformed themselves into the makeup-laden, otherworldly Paul Stanley and Gene Simmons. And in doing so, they transformed concert touring itself. Texan George Strait helped bring back a very American genre as a trailblazer in neotraditional country in the 1980s, when pop crossovers were stealing stages in Nashville and beyond. Now young country-not-crossover stars such as Zach Top and Parker McCollum cite his influence. As a Strait fan from Alberta, the Texas of Canada, told me, 'People like him because he's real. He's not fake ass. And he can actually sing.' Authenticity — it reminds me of my time covering the Honors. At the various events, the rest of the press wanted to talk only to the cool kids. At the cocktail party the year Steve Martin won, for example, their sights were set on well-known actors. That let me have Ricky Jay, Steve Martin's friend who appeared with him in the David Mamet film 'The Spanish Prisoner,' all to myself. He was one of the greatest magicians of our time, a learned man with an amazing medieval collection. Another year, it was just me and an AP reporter left on the red carpet for Chris Cornell, there to perform for The Who — the super famous stars had walked it already. The AP fellow knew nothing about him, so I was able to ask all of the questions of one of rock's greatest voices. Speaking of David Mamet, can Trump turn his attention to Mark Twain Prize for American Humor next? The Kennedy Center refuses to give it to politically incorrect geniuses like him and Woody Allen. Washington could certainly use some intelligent laughs these days.

Review: Unoriginal ‘Nobody 2' forgets what worked in the original
Review: Unoriginal ‘Nobody 2' forgets what worked in the original

Chicago Tribune

timea day ago

  • Chicago Tribune

Review: Unoriginal ‘Nobody 2' forgets what worked in the original

Just about anyone can be an action hero when production company 87North — the team behind the 'John Wick' franchise — is behind the camera. They proved that in 2021 when they made comedian and 'Better Call Saul' star Bob Odenkirk a surprise badass in the hyper-violent dadsploitation flick 'Nobody.' Odenkirk played Hutch, a suburban dad and corporate stooge with a surprising past, who is unable to keep a lid on his instincts, like a kettle boiling over, when his family is threatened. In the sequel, 'Nobody 2,' Hutch has found his groove, and once again he's fallen into a routine of quotidian drudgery, delivering brutality day in and day out, in an attempt to pay off his debt — not that the script by Derek Kolstad and Aaron Rabin recaps anything from the first film. But all you need to know is that Hutch is a dad, his job is violence, and he needs a break. Desperate to save his marriage and family, Hutch decides to take his wife, Becca (Connie Nielsen), and kids Sammy (Paisley Cadorath) and Brady (Gage Munroe), as well as his wacky former FBI agent dad (Christopher Lloyd), on a summer break trip to one of his beloved childhood haunts: Plummerville Tiki Rush, a ramshackle water park somewhere in the Upper Midwest. He's trying to get away from it all, but as his handler The Butcher (Colin Salmon) reminds him, 'Wherever you go, there you are.' And there Hutch goes. Try as he might to take a break from himself, he can't escape his true nature when a scuffle breaks out at an arcade and a security guard swats Sammy. The resulting brawl, set to the Offspring's 'Come Out and Play,' is one of the best moments of 'Nobody 2' — funny, colorful, innovative. Hutch's greatest strength is his MacGyver-like ability to use every tool and random object around him in service of violence, and he plays Whack-a-Mole with the guard's head. Much like that other Kolstad-scripted character, John Wick, Hutch is a reluctant warrior, desperate to avoid using his skills, but seemingly unable to stop, whether by obligation or training. But where Wick is brooding and operatic, 'Nobody' is cheeky and irreverent, because 87North shapes their action franchises to the star, not the other way around. 'Nobody 2' maintains that sense of humor, now with Timo Tjahjanto taking over directing duties from Ilya Naishuller. But 87North also has a house style now, both aesthetically and thematically, and both 'Nobody 2' and Tjahjanto fall prey to that formula. There are a few great action sequences that utilize Hutch's inventive thinking and emphasize the incongruity of his skills. The camera will follow the impact of a smash, the swing of a punch, and the violence is satisfyingly crunchy as usual. But the script itself feels dashed off like an afterthought, reverse-engineered around a few key set pieces in the amusement park. What works about these movies is Odenkirk, his pained expression as he resorts to inflicting pain and destruction, his blackout rage mode when protecting his family. The first antagonist they introduce, a bootlegger named Henry (John Ortiz), who is also an overprotective dad, matches that energy perfectly. So why, then, do Kolstad and Rabin jettison that villain who fits the rural setting for a slick, glamorous gangster that is Sharon Stone in a three-piece suit? As a psychopathic mob boss with a French bulldog puppy and 87North regular Daniel Bernhardt as her right-hand man, Stone is certainly having fun, but her character, Lendani, feels wildly out of place. 'Nobody 2,' which plays on the juxtaposition of the suburban and the super-violent, works when it's Hutch facing off with the redneck good ol' boys on a duck boat, not when he's going through the motions with an elite villain who feels like she's 'from the world of John Wick.' It's like their wires got crossed in the writing, and the Lendani plot feels forced, sludgy and totally unnecessary. However, everyone seems to be having a good time, from Stone to Ortiz to Colin Hanks as a mean sheriff with a bad haircut, and especially RZA as Hutch's brother Harry, in full ninja nerd mode. At 89 minutes, with a few pops of amusement and levity, there are worse ways to spend an August afternoon. Yet the story feels so thin, the script so rote, that it's a disappointment from the surprising appeal of the first film. All the elements were there to make 'Nobody 2' a great sequel — it just seems like nobody really thought about what makes the original really work.'Nobody 2' — 2 stars (out of 4) MPA rating: R (for strong bloody violence and language throughout) Running time: 1:29 How to watch: In theaters Aug. 16

How to watch 'The Rainmaker' TV legal drama online from anywhere
How to watch 'The Rainmaker' TV legal drama online from anywhere

Tom's Guide

timea day ago

  • Tom's Guide

How to watch 'The Rainmaker' TV legal drama online from anywhere

Adapted from the best-selling novel by John Grisham (like the 1997 movie of the same name), 10-part series "The Rainmaker" has been repackaged for a new generation but the story is essentially the same – an underdog with nothing to lose takes on the legal establishment and its corrupt corporate paymasters... Here's how to watch the "The Rainmaker" TV show from anywhere with a VPN. "The Rainmaker" premieres on USA Network on Friday, August 15 at 10 p.m. ET/PT and streams on Peacock one week later.• U.S. — USA Network via Sling/Fubo/Peacock (delayed)• CA — USA Network via CTV/ Crave (August 16)• AUS — Stan (August 16)• Watch anywhere — try NordVPN risk-free But there's more to it than that. Rudy Baylor (played by Milo Callaghan) is the hot shot rookie legal eagle who gets fired from a prestigious firm and ends up in a small-time practice with no ambition but takes on a wrongful-death lawsuit after a black man dies under hospital care. But who is representing the medical institution? You guessed it, his former employer in the intimidating figure of lead attorney Leo F. Drummond (John Slattery) plus, for extra measure, his former girlfriend Sarah Plankmore (Madison Iseman). The odds are stacked against him from the start but he digs deep into the case and brings the best out of his new colleagues. Read on to find out how to watch "The Rainmaker" (2025) online and from anywhere. "The Rainmaker" premieres on USA Network in the U.S. on Friday, August 15 at 10 p.m. ET/PT and streams on Peacock one week later. Peacock subscriptions start from only $10.99/month. Or get 12 months for the price of 10 on either tier by signing up for an annual plan. Americans away from home will need one of the best VPNs to log in to use Peacock as it will be geo-blocked when abroad. We recommend NordVPN. You'll find "The Rainmaker" available to stream on Peacock from Friday, August 22 - one week after it has been broadcast on USA Network. It also has the rights to live NFL, WWE, EPL and a huge library of binge-worthy content. Some of the best Peacock shows include "The Day of The Jackal" and "The Traitors U.K." season 3. Thanks to the wonders of a VPN (Virtual Private Network), the "The Rainmaker" should be available no matter where you are. VPN software allows your devices to appear to be back in your home country regardless of where in the world you find yourself. Our favorite is NordVPN – and you can find out why in our NordVPN review. There's a good reason you've heard of NordVPN. We specialize in testing and reviewing VPN services and NordVPN is the one we rate best. It's outstanding at unblocking streaming services, it's fast and it has top-level security features too. With over 7,000 servers, across 110+ countries, and at a great price too, it's easy to recommend. Get 70% off with this NordVPN deal Using a VPN is incredibly simple, just follow these steps. 1. Install the VPN of your choice. As we've said, NordVPN is our favorite. 2. Choose the location you wish to connect to in the VPN app. For instance, if you're away in the U.K., and want to view your usual U.S. service, you'd select U.S. from the list. 3. Sit back and enjoy the show. Head to Peacock and watch the "The Rainmaker" (2025). "The Rainmaker" premieres in Canada on Friday, August 15 on USA Network via CTV and is then available to stream the next day on Crave. Crave subscriptions start at $9.99 per month for its Basic plan, up to $22 per month for Premium. Those on vacation away from Canada could try NordVPN to log in back home to watch the 2025 TV adaptation of the classic movie. In Australia, "The Rainmaker" premieres on Stan on Saturday, August 16. If you're an American Down Under, you can watch the show on your own domestic streaming platform via a VPN instead. Our favorite VPN service right now is NordVPN. Unfortunately, at the time of writing, "The Rainmaker" does not have a release date in the U.K. If that changes you will hear about it here first. Traveling in the U.K.? Don't panic. You can watch the show on your own domestic streaming platform via a VPN instead. Our favorite VPN service right now is NordVPN – try it risk-free and save over 70% off the 2-year plan. The movie directed by Francis Ford Coppola, starred Matt Damon in the Rudy Baylor role with Jon Voight as Leo F. Drummond, Mickey Rourke as Bruiser (gender-swapped from the book and the film for the TV series) and Danny DeVito as Deck. Dublin and County Wicklow with locations like St. Mary's Hospital in Phoenix Park standing in for the 'North City Hospital.' We test and review VPN services in the context of legal recreational uses. For example: 1. Accessing a service from another country (subject to the terms and conditions of that service). 2. Protecting your online security and strengthening your online privacy when abroad. We do not support or condone the illegal or malicious use of VPN services. Consuming pirated content that is paid-for is neither endorsed nor approved by Future Publishing.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store