logo
Methuen mayor, School Committee divided over district budget

Methuen mayor, School Committee divided over district budget

Boston Globe15 hours ago

The city council is expected to vote on the budget on
Advertisement
The impasse prompted the committee to seek an emergency injunction in Essex Superior Court Thursday to stop the mayor from consolidating the school district's IT department with the city's, one of his cost-cutting measures.
School Committee members said the district needs its own department to support student and staff devices, and that Beauregard doesn't have the authority to unilaterally combine the two departments. Beauregard, however said, he is just seeking such cuts to prevent further teacher layoffs.
'My mission here is to ensure that we limit the number of teacher layoffs to the maximum step possible,' Beauregard said. 'We simply cannot be reducing mission critical student-facing classroom positions.'
The mayor's proposed budget has also rankled parents, teachers, and students, who gathered at a recent City Hall meeting, demanding the councilors reconsider the proposed budget.
Advertisement
Beauregard said his proposed budget ensures that other essential city departments, like fire and police, aren't cut.
The Methuen Education Association said the city should prioritize school funding.
'What we are doing now is just going backwards in time again, and the mayor wants to move forward, well this isn't it,' said Kara Blatt, co-president of the Methuen Education Association.
Like Methuen, school districts across Massachusetts — including Brookline, Milton, and Newton — have been
Related
:
The Methuen school district serves about 6,500 students, about two-thirds of whom are classified as high needs, meaning they are low income, English learners, or have disabilities, according to the Department of Elementary and Secondary Education.
'I think my son's social development and his behavioral development is a huge part of his education as well. So I don't think any position is expendable by any means,' said John Drew, a Methuen parent who spoke out at last week's city council meeting. Drew has a son who benefited from a district special needs program for two years before integrating into the Comprehensive Grammar School.
The mayor also has proposed freezing contractual teacher raises to free up cash.
While the district has seen a declining student enrollment, losing nearly 500 students in the past decade, new
students who have been added to attendance rolls are largely high needs and require additional services that cost more, said Laurie Keegan, School Committee co-chair. Keegan said the per-student cost rose by about 25 percent from 2020 to 2023. Despite cuts to some staff positions, including 40 last year, staffing increased during the last five years to about 540 as of last school year.
Advertisement
'The students that we're losing are not the students that we're gaining, all of these populations cost a lot more money to educate. So while our actual enrollment may look like it's slightly down, the per-pupil cost is actually much higher because the needs of the kids are much greater,' Keegan said.
Merging the city's IT department and other school utilities, would free up more than $800,000, Beauregard said,
and would be enough to save more than 20 teaching positions.
Parent Nicole Pereira said
she is open to the idea of consolidating the IT department if it means saving staff positions and limiting class sizes. However, she added the current IT department is already overwhelmed, and that it took months for IT to fix her fourth grade son's Chromebook.
'I just don't know how a teacher is supposed to teach all 20 plus students effectively while making sure half of those students are receiving all of their accommodations,' Pereira said.
Keegan raised doubts over how equipped the city is to handle the 7,000 plus devices in the students' one-to-one technology program. The mayor has also proposed consolidating the district's legal department, but Keegan said the district needs specialized legal counsel in working with students in special education that she believes
the city cannot provide.
State lawmakers five years ago
Advertisement
Parents and teachers said there needs to be changes to the way aid is distributed, like raising the minimum funding requirement of Chapter 70, the primary state funding program for Massachusetts public schools.
'When you hear that Massachusetts has the best schools in the United States, I would really be just shocked to see what happens in other states and other schools,' Pereira said, 'because I just feel really let down with the way that people talk about what we can offer at school and how much we can be willing to take away from our schools.'
Maria Probert can be reached at

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Bloomberg pumps $5M into Cuomo's election efforts, as Jessica Ramos faces mounting debt
Bloomberg pumps $5M into Cuomo's election efforts, as Jessica Ramos faces mounting debt

Yahoo

time10 hours ago

  • Yahoo

Bloomberg pumps $5M into Cuomo's election efforts, as Jessica Ramos faces mounting debt

Mayoral frontrunner Andrew Cuomo is rolling in cash after billionaire Michael Bloomberg on Friday pumped $5 million into efforts to get him elected — a record-shattering contribution that came in just as it also became clear Cuomo's unlikely new supporter, fellow candidate Jessica Ramos, is in deep debt. The drastically different financial outlooks for Cuomo and Ramos were contained in campaign finance filings released Friday on the eve of the start of early voting in the June 24 Democratic mayoral primary. The filings also portray how the sprawling primary field is starting to come into clearer view as the race enters its final stretch, with Cuomo on one end of the spectrum as the favorite to clinch the Democratic nomination, while Ramos is on the other, with nearly no shot at winning. Bloomberg, the billionaire former New York City mayor, who endorsed Cuomo earlier this week despite past tensions, sent his $5 million contribution to Fix the City, a pro-Cuomo super PAC that's spending heavily on ads, mailers and other messaging to promote the former governor's candidacy. A spokesman for Bloomberg, who has largely stayed away from endorsing mayoral candidates since leaving City Hall in 2013, declined to comment. Unlike Cuomo's campaign, the PAC isn't beholden to any spending or contribution limits, and with Bloomberg's contribution, it has now raised nearly $19 million, more than any independent expenditure in New York history, giving the ex-governor a financial edge that's all but impossible for his fellow candidates to compete with. One of those candidates, Ramos, is looking especially down for the count, with her latest campaign finance disclosure showing her nearly $100,000 in debt after raising only around $6,000 in the latest reporting window. The revelation about Ramos' mounting debt comes just days after she offered a shock endorsement of Cuomo, urging her supporters to put him second on their ranked-choice ballots. The endorsement outraged many Democrats, given that Ramos, a Queens state senator who considers herself a progressive, has been one of the ex-governor's harshest critics over the years, including leading calls for him to resign in 2021 over sexual misconduct and pandemic mismanagement accusations. Ramos has countered she's going with Cuomo because he's more well-equipped to lead the city at a time of various challenges than Zohran Mamdani, a democratic socialist Queens Assembly member who has consistently polled as the runner-up to the ex-gov. The filings from Ramos' campaign show her debt is, in part, made up of $25,000 in outstanding salary payments to her campaign manager, Trivette Knowles, dating back to April 1. She also owes several consultants tens of thousands of dollars. Knowles declined to immediately comment late Friday. Many in progressive circles have speculated Ramos opted to back Cuomo in hopes she can get help from his vast fundraising network to address her debt, though there's no indication from her new filings that something like that is afoot. Knowles declined to immediately comment on that question, too. In another sign of a thinning primary field, Michael Blake, another back-of-the-pack mayoral candidate, is also underwater, reporting being in the red by about $34,000 after raising only about $22,000 in the latest window. Meanwhile, Cuomo's campaign finance filing, which is separate from the super PAC, showed he drew in about $133,000 in the latest reporting stretch, which spanned from May 20 through this past Monday. With matching funds factored in, that means Cuomo's campaign has effectively now raised enough cash to reach the $7.9 million spending cap for the primary. Mamdani and the other leading progressive in the race, Comptroller Brad Lander, had already reached the spending cap prior to the latest filing, so their new disclosures show heavy spending on ads and mailers, but few donations rolling in. Council Speaker Adrienne Adams, whose campaign has shown some signs of momentum, is not at the spending cap yet, and only raised about $63,109 in the latest window, a relatively paltry sum.

I'm Running Out of Ways to Explain How Bad This Is (Again)
I'm Running Out of Ways to Explain How Bad This Is (Again)

Yahoo

time11 hours ago

  • Yahoo

I'm Running Out of Ways to Explain How Bad This Is (Again)

The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. One hallmark of our current moment is that when an event happens, there is little collective agreement on even basic facts. This, despite there being more documentary evidence than ever before in history: Information is abundant, yet consensus is elusive. The ICE protests in Los Angeles over the past week offer an especially relevant example of this phenomenon. What has transpired is fairly clear: A series of ICE raids and arrests late last week prompted protests in select areas of the city, namely downtown, near a federal building where ICE has offices, and around City Hall and the Metropolitan Detention Center. There have been other protests south of there, around a Home Depot in Paramount, where Border Patrol agents gathered last week. The majority of these protests have been civil ('I mostly saw clergy sit-ins and Tejano bands,' The American Prospect's David Dayen wrote). There has been some looting and property destruction. 'One group of vandals summoned several Waymo self-driving cars to the street next to the plaza where the city was founded and set them ablaze,' my colleague Nick Miroff, who has been present at the demonstrations, wrote. [Read: Stephen Miller triggers Los Angeles] As is common in modern protests, there has also been ample viral footage from news organizations showing militarized police responding aggressively in encounters, sometimes without provocation. In one well-circulated clip, an officer in riot gear fires a nonlethal round directly at an Australian television correspondent carrying a microphone while on air; another piece of footage shot from above shows a police officer on horseback trampling a protester on the ground. All of these dynamics are familiar in the post-Ferguson era of protest. What you are witnessing is a news event distributed and consumed through a constellation of different still images and video clips, all filmed from different perspectives and presented by individuals and organizations with different agendas. It is a buffet of violence, celebration, confusion, and sensationalism. Consumed in aggregate, it might provide an accurate representation of the proceedings: a tense, potentially dangerous, but still contained response by a community to a brutal federal immigration crackdown. Unfortunately, very few people consume media this way. And so the protests follow the choose-your-own-adventure quality of a fractured media ecosystem, where, depending on the prism one chooses, what's happening in L.A. varies considerably. Anyone is capable of cherry-picking media to suit their arguments, of course, and social media has always narrowed the aperture of news events to fit particular viewpoints. Regardless of ideology, dramatic perspectives succeed on platforms. It is possible that one's impression of the protests would be incorrectly skewed if informed only by Bluesky commentators, MSNBC guests, or self-proclaimed rational centrists. The right, for example, has mocked the idea of 'mostly peaceful protests' as ludicrous when juxtaposed with video of what they see as evidence to the contrary. It's likely that my grasp of the events and their politics are shaped by decades of algorithmic social-media consumption. Yet the situation in L.A. only further clarifies the asymmetries among media ecosystems. This is not an even playing field. The right-wing media complex has a disproportionate presence and is populated by extreme personalities who have no problem embracing nonsense AI imagery and flagrantly untrue reporting that fits their agenda. Here you will find a loosely affiliated network of streamers, influencers, alternative social networks, extremely online vice presidents, and Fox News personalities who appear invested in portraying the L.A. protests as a full-blown insurrection. To follow these reports is to believe that people are not protesting but rioting throughout the city. In this alternate reality, the whole of Los Angeles is a bona fide war zone. (It is not, despite President Donald Trump's wildly disproportionate response, which includes deploying hundreds of U.S. Marines to the area and federalizing thousands of National Guard members.) I spent the better part of the week drinking from this particular firehose, reading X and Truth Social posts and watching videos from Rumble. On these platforms, the protests are less a news event than a justification for the authoritarian use of force. Nearly every image or video contains selectively chosen visuals of burning cars or Mexican flags unfurling in a smog of tear gas, and they're cycled on repeat to create a sense of overwhelming chaos. They have titles such as 'CIVIL WAR ALERT' and 'DEMOCRATS STOKE WW3!' All of this incendiary messaging is assisted by generative-AI images of postapocalyptic, smoldering city streets—pure propaganda to fill the gap between reality and the world as the MAGA faithful wish to see it. I've written before about how the internet has obliterated the monoculture, empowering individuals to cocoon themselves in alternate realities despite confounding evidence—it is a machine that justifies any belief. This is not a new phenomenon, but the problem is getting worse as media ecosystems mature and adjust to new technologies. On Tuesday, one of the top results for one user's TikTok search for Los Angeles curfew was an AI-generated video rotating through slop images of a looted city under lockdown. Even to the untrained eye, the images were easily identifiable as AI-rendered (the word curfew came out looking like ciuftew). Still, it's not clear that this matters to the people consuming and sharing the bogus footage. Even though such reality-fracturing has become a load-bearing feature of our information environment, the result is disturbing: Some percentage of Americans believes that one of the country's largest cities is now a hellscape, when, in fact, almost all residents of Los Angeles are going about their normal lives. On platforms such as Bluesky and Instagram, I've seen L.A. residents sharing pictures of themselves going about their day-to-day lives—taking out the trash, going to the farmers' market—and lots of pictures of the city's unmistakable skyline against the backdrop of a beautiful summer day. These are earnest efforts to show the city as it is (fine)—an attempt to wrest control of a narrative, albeit one that is actually based in truth. Yet it's hard to imagine any of this reaching the eyes of the people who participate in the opposing ecosystem, and even if it did, it's unclear whether it would matter. As I documented in October, after Hurricanes Helene and Milton destroyed parts of the United States, AI-generated images were used by Trump supporters 'to convey whatever partisan message suits the moment, regardless of truth.' [Read: I'm running out of ways to explain how bad this is] In the cinematic universe of right-wing media, the L.A. ICE protests are a sequel of sorts to the Black Lives Matter protests of the summer of 2020. It doesn't matter that the size and scope have been different in Los Angeles (at present, the L.A. protests do not, for instance, resemble the 100-plus nights of demonstrations and clashes between protesters and police that took place in Portland, Oregon, in 2020): Influencers and broadcasters on the right have seized on the association with those previous protests, insinuating that this next installment, like all sequels, will be a bigger and bolder spectacle. Politicians are running the sequel playbook—Senator Tom Cotton, who wrote a rightly criticized New York Times op-ed in 2020 urging Trump to 'Send in the Troops' to quash BLM demonstrations, wrote another op-ed, this time for The Wall Street Journal, with the headline 'Send in the Troops, for Real.' (For transparency's sake, I should note that I worked for the Times opinion desk when the Cotton op-ed was published and publicly objected to it at the time.) There is a sequel vibe to so much of the Trump administration's second term. The administration's policies are more extreme, and there's a brazenness to the whole affair—nobody's even trying to justify the plot (or, in this case, cover up the corruption and dubious legality of the government's deportation regime). All of us, Trump supporters very much included, are treated as a captive audience, forced to watch whether we like it or not. This feeling has naturally trickled down to much of the discourse and news around Trump's second presidency, which feels (and generally is) direr, angrier, more intractable. The distortions are everywhere: People mainlining fascistic AI slop are occupying an alternate reality. But even those of us who understand the complexity of the protests are forced to live in our own bifurcated reality, one where, even as the internet shows us fresh horrors every hour, life outside these feeds may be continuing in ways that feel familiar and boring. We are living through the regime of a budding authoritarian—the emergency is here, now—yet our cities are not yet on fire in the way that many shock jocks say they are. The only way out of this mess begins with resisting the distortions. In many cases, the first step is to state things plainly. Los Angeles is not a lawless, postapocalyptic war zone. The right to protest is constitutionally protected, and protests have the potential to become violent—consider how Trump is attempting to use the force of the state to silence dissent against his administration. There are thousands more peaceful demonstrations scheduled nationally this weekend. The tools that promised to empower us, connect us, and bring us closer to the truth are instead doing the opposite. A meaningful percentage of American citizens appears to have dissociated from reality. In fact, many of them seem to like it that way. Article originally published at The Atlantic

The L.A. Distortion Effect
The L.A. Distortion Effect

Atlantic

time12 hours ago

  • Atlantic

The L.A. Distortion Effect

One hallmark of our current moment is that when an event happens, there is little collective agreement on even basic facts. This, despite there being more documentary evidence than ever before in history: Information is abundant, yet consensus is elusive. The ICE protests in Los Angeles over the past week offer an especially relevant example of this phenomenon. What has transpired is fairly clear: A series of ICE raids and arrests late last week prompted protests in select areas of the city, namely downtown, near a federal building where ICE has offices, and around City Hall and the Metropolitan Detention Center. There have been other protests south of there, around a Home Depot in Paramount, where Border Patrol agents gathered last week. The majority of these protests have been civil ('I mostly saw clergy sit-ins and Tejano bands,' The American Prospect 's David Dayen wrote). There has been some looting and property destruction. 'One group of vandals summoned several Waymo self-driving cars to the street next to the plaza where the city was founded and set them ablaze,' my colleague Nick Miroff, who has been present at the demonstrations, wrote. As is common in modern protests, there has also been ample viral footage from news organizations showing militarized police responding aggressively in encounters, sometimes without provocation. In one well-circulated clip, an officer in riot gear fires a nonlethal round directly at an Australian television correspondent carrying a microphone while on air; another piece of footage shot from above shows a police officer on horseback trampling a protester on the ground. All of these dynamics are familiar in the post-Ferguson era of protest. What you are witnessing is a news event distributed and consumed through a constellation of different still images and video clips, all filmed from different perspectives and presented by individuals and organizations with different agendas. It is a buffet of violence, celebration, confusion, and sensationalism. Consumed in aggregate, it might provide an accurate representation of the proceedings: a tense, potentially dangerous, but still contained response by a community to a brutal federal immigration crackdown. Unfortunately, very few people consume media this way. And so the protests follow the choose-your-own-adventure quality of a fractured media ecosystem, where, depending on the prism one chooses, what's happening in L.A. varies considerably. Anyone is capable of cherry-picking media to suit their arguments, of course, and social media has always narrowed the aperture of news events to fit particular viewpoints. Regardless of ideology, dramatic perspectives succeed on platforms. It is possible that one's impression of the protests would be incorrectly skewed if informed only by Bluesky commentators, MSNBC guests, or self-proclaimed rational centrists. The right, for example, has mocked the idea of 'mostly peaceful protests' as ludicrous when juxtaposed with video of what they see as evidence to the contrary. It's likely that my grasp of the events and their politics are shaped by decades of algorithmic social-media consumption. Yet the situation in L.A. only further clarifies the asymmetries among media ecosystems. This is not an even playing field. The right-wing media complex has a disproportionate presence and is populated by extreme personalities who have no problem embracing nonsense AI imagery and flagrantly untrue reporting that fits their agenda. Here you will find a loosely affiliated network of streamers, influencers, alternative social networks, extremely online vice presidents, and Fox News personalities who appear invested in portraying the L.A. protests as a full-blown insurrection. To follow these reports is to believe that people are not protesting but rioting throughout the city. In this alternate reality, the whole of Los Angeles is a bona fide war zone. (It is not, despite President Donald Trump's wildly disproportionate response, which includes deploying hundreds of U.S. Marines to the area and federalizing thousands of National Guard members.) I spent the better part of the week drinking from this particular firehose, reading X and Truth Social posts and watching videos from Rumble. On these platforms, the protests are less a news event than a justification for the authoritarian use of force. Nearly every image or video contains selectively chosen visuals of burning cars or Mexican flags unfurling in a smog of tear gas, and they're cycled on repeat to create a sense of overwhelming chaos. They have titles such as 'CIVIL WAR ALERT' and 'DEMOCRATS STOKE WW3!' All of this incendiary messaging is assisted by generative-AI images of postapocalyptic, smoldering city streets—pure propaganda to fill the gap between reality and the world as the MAGA faithful wish to see it. I've written before about how the internet has obliterated the monoculture, empowering individuals to cocoon themselves in alternate realities despite confounding evidence—it is a machine that justifies any belief. This is not a new phenomenon, but the problem is getting worse as media ecosystems mature and adjust to new technologies. On Tuesday, one of the top results for one user's TikTok search for Los Angeles curfew was an AI-generated video rotating through slop images of a looted city under lockdown. Even to the untrained eye, the images were easily identifiable as AI-rendered (the word curfew came out looking like ciuftew). Still, it's not clear that this matters to the people consuming and sharing the bogus footage. Even though such reality-fracturing has become a load-bearing feature of our information environment, the result is disturbing: Some percentage of Americans believes that one of the country's largest cities is now a hellscape, when, in fact, almost all residents of Los Angeles are going about their normal lives. On platforms such as Bluesky and Instagram, I've seen L.A. residents sharing pictures of themselves going about their day-to-day lives—taking out the trash, going to the farmers' market—and lots of pictures of the city's unmistakable skyline against the backdrop of a beautiful summer day. These are earnest efforts to show the city as it is (fine)—an attempt to wrest control of a narrative, albeit one that is actually based in truth. Yet it's hard to imagine any of this reaching the eyes of the people who participate in the opposing ecosystem, and even if it did, it's unclear whether it would matter. As I documented in October, after Hurricanes Helene and Milton destroyed parts of the United States, AI-generated images were used by Trump supporters 'to convey whatever partisan message suits the moment, regardless of truth.' In the cinematic universe of right-wing media, the L.A. ICE protests are a sequel of sorts to the Black Lives Matter protests of the summer of 2020. It doesn't matter that the size and scope have been different in Los Angeles (at present, the L.A. protests do not, for instance, resemble the 100-plus nights of demonstrations and clashes between protesters and police that took place in Portland, Oregon, in 2020): Influencers and broadcasters on the right have seized on the association with those previous protests, insinuating that this next installment, like all sequels, will be a bigger and bolder spectacle. Politicians are running the sequel playbook—Senator Tom Cotton, who wrote a rightly criticized New York Times op-ed in 2020 urging Trump to 'Send in the Troops' to quash BLM demonstrations, wrote another op-ed, this time for The Wall Street Journal, with the headline 'Send in the Troops, for Real.' (For transparency's sake, I should note that I worked for the Times opinion desk when the Cotton op-ed was published and publicly objected to it at the time.) There is a sequel vibe to so much of the Trump administration's second term. The administration's policies are more extreme, and there's a brazenness to the whole affair—nobody's even trying to justify the plot (or, in this case, cover up the corruption and dubious legality of the government's deportation regime). All of us, Trump supporters very much included, are treated as a captive audience, forced to watch whether we like it or not. This feeling has naturally trickled down to much of the discourse and news around Trump's second presidency, which feels (and generally is) direr, angrier, more intractable. The distortions are everywhere: People mainlining fascistic AI slop are occupying an alternate reality. But even those of us who understand the complexity of the protests are forced to live in our own bifurcated reality, one where, even as the internet shows us fresh horrors every hour, life outside these feeds may be continuing in ways that feel familiar and boring. We are living through the regime of a budding authoritarian—the emergency is here, now—yet our cities are not yet on fire in the way that many shock jocks say they are. The only way out of this mess begins with resisting the distortions. In many cases, the first step is to state things plainly. Los Angeles is not a lawless, postapocalyptic war zone. The right to protest is constitutionally protected, and protests have the potential to become violent—consider how Trump is attempting to use the force of the state to silence dissent against his administration. There are thousands more peaceful demonstrations scheduled nationally this weekend. The tools that promised to empower us, connect us, and bring us closer to the truth are instead doing the opposite. A meaningful percentage of American citizens appears to have dissociated from reality. In fact, many of them seem to like it that way.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store