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Minutes of Fed's May meeting likely to show officials grappling with uncertainty

Minutes of Fed's May meeting likely to show officials grappling with uncertainty

Reuters4 days ago

WASHINGTON, May 28 (Reuters) - The U.S. Federal Reserve at its May 6-7 meeting undercut expectations that it would change its policy interest rate anytime soon, and minutes from that session released on Wednesday may show just how firmly policymakers are holding onto their current wait-and-see approach.
The minutes will be released at 2 p.m. EDT (1800 GMT) and in key ways have been superseded by developments since then. The meeting took place when concern over the economic fallout from changes in global trade and tariff policy was intense, stoked by President Donald Trump's announcement in early April of massive new import taxes.
A week later the most aggressive of the new tariffs had either been lowered or postponed in announcements by Trump that reduced pressures that had been driving bond yields sharply higher, buoyed a sinking stock market, and led analysts who regarded a U.S. recession as a near certainty in a high-tariff world to upgrade their growth forecasts.
Still, the minutes are likely to show policymakers wrestling as much with uncertainty as with the negative outlook from early May, and the erratic nature of administration policymaking - Trump from this past Friday to Sunday announced then postponed steep new taxes on European imports - hasn't changed.
"I've been describing this as driving through fog," Richmond Fed President Tom Barkin said Tuesday on Bloomberg Television. "It's just very hard."
Barkin said that data for the year so far shows the economy on the same path as it has been, with reasonably low unemployment and inflation easing to the Fed's 2% target.
But there are competing narratives, he and other policymakers say, that see a new jump in inflation in coming months as tariffs take hold, or rising joblessness as widespread uncertainty and rising costs fuel a slowdown, or even a toxic combination of both.
Until it is clear which way the economy pivots under the influence of shifting global trade rules, the Fed has little reason to alter the 4.25% to 4.50% policy interest rate it has maintained since December.
"Published data shows an economy very much on the same trajectory that we've been on for the last year or two. Low unemployment, inflation settling toward target," Barkin said.
"I could describe how some of these forces, like tariffs, might be inflationary. I can describe how other forces, like lower gas prices, might be disinflationary," he said. "Less government spending might be less employment...People who haven't hired for 18 months, if spending continues, might need to start hiring. So I'm waiting to see what happens."
Fed staff have been trying to estimate the likely impact of different tariff rules in a series of studies that may get mention in the minutes if they were presented to policymakers as part of the discussion around the economic outlook.
But even those reports are contingent on the assumptions made about final tariff levels, something likely to remain unknown at least until July when a 90-day reprieve on the stiffest import taxes expires. Market optimism about the final outcome of the trade debate has been based on an expectation that negotiated deals with lower levies will by then have been approved.
Even then it may take months more for the Fed to know how the economy is responding. Investors now anticipate the Fed holding the policy rate steady at the June and July meetings, but cutting a quarter point in September and again in December.
"Until we know more about how this is going to settle out and what the economic implications are for employment and for inflation, I couldn't confidently say that I know what the appropriate path will be," Powell said at a May 7 press conference at the end of the Fed's meeting.

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Wildfire destroyed a historically Black town. These artists won't let its legacy disappear
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timean hour ago

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Ode to 'Dena aims to capture the rich creative legacy of Altadena, a community that for decades nourished Black artists, performers, writers and activists, from Eldridge Cleaver and Sidney Poitier to Octavia Butler. The small town, nestled in the hills to the north of Los Angeles, offered Black families an early chance at homeownership in a region long defined by racial segregation and redlining. When neighborhoods that had offered Black families a chance to build generational wealth were reduced to ash in January's historic wildfires, it was a trauma that resonated far beyond the city. Locals immediately feared that the gentrification of Altadena would be accelerated by the destruction, and that the pre-fire community would be pushed out, longtime Black residents scattered, while the town was rebuilt for wealthier newcomers. But Altadena's close-knit community immediately rallied to prevent this double destruction, drawing on a wide range of allies and supporters. While Donald Trump chose not to visit fire survivors in Altadena, limiting his presidential tour to the destruction in the wealthier Pacific Palisades, organizations like the NAACP and BET Media raised funds, and multiple arts institutions, including Frieze LA, stepped up to document the effects of the fires and highlight the work of artists who had lost their homes and studios. The California African American Museum exhibit, which runs through October, is part of this broader effort. The show highlights not only the multiple generations of prominent Black visual artists with connections to Altadena, but also the deep connections among them. Several of the artists have multiple generations of their family in the show, including textile, performance and portraiture artist Kenturah Davis, whose father's watercolors and mother Mildred 'Peggy' Davis's quilt work are both included. The oldest artist on display, the assemblage artist and printmaker Betye Saar, is 98 years old. 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'The Eaton fire didn't only affect the most celebrated artists – it affected everybody,' she said. More established artists were likely to have 'the means and resources to start over'. 'A lot of other artists don't have gallery representation. They don't have families with extra room to store all of their stuff. Those are the people I worry about.' When she was putting the exhibit together in early spring, Clayton said, many of the Altadena artists whose homes were standing after the fires were still living elsewhere. In the immediate aftermath of the devastation, gas lines and water lines had been shut off in parts of the community. A lot of artists 'were staying in other places'. Now, six months after the blaze, more people have returned to their homes, or to the land where their homes once stood, and are assessing how to continue. How safe the post-burn areas are is an unresolved question. 'Everyone is concerned about the air quality, the soil, the water,' Clayton said. 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