
King's Birthday Honours: Aussie filmmaking royalty Baz Luhrmann, Catherine Martin in the King's spotlight
It's a long way from the small town of Herons Creek to Hollywood — and to the King's Birthday Honours List.
That's been the trail taken by Australia's most commercially successful film director Baz Luhrmann, who grew up in the NSW outback town and on Monday will be appointed a Companion (AC) of the Order of Australia as part of the King's Birthday Honours List.
He's been honoured for eminent service to the arts as a filmmaker, to the theatre, to cultural heritage, and to the development of artistic talent.
'My personal journey from a small, rural town to the world stage would not have been possible but for those who came before having the vision to support the arts, allowing us to reflect our stories back to ourselves and participate in global culture as Australians,' Luhrmann said in a statement to AAP.
The 62-year-old came to prominence with 1992's Strictly Ballroom, which was his first screen collaboration with his now wife, award-winning costume designer Catherine Martin, who was responsible for the film's dazzling outfits.
Martin, who has won more Oscars than any other Australian, has also been appointed an AC.
'I am so honoured to be joining the ranks of so many illustrious Australians, whom I have admired and been inspired by,' she said.
'Being recognised in your home country is especially meaningful.'
Martin has won four Academy Awards, two each for Moulin Rouge! and The Great Gatsby, from a total of nine nominations.
She has been recognised for eminent service to the arts, to costume, production and set design, and to fostering emerging artistic talent.
After Strictly Ballroom put Luhrmann and Martin on the global stage, they followed up with the sumptuous 1996 feature Romeo + Juliet, and 2001's Moulin Rouge!.
Then came 2008's Australia starring Nicole Kidman and Hugh Jackman, and 2013's The Great Gatsby, with Leonardo DiCaprio in the lead role.
After a foray into television, Luhrmann returned to the big screen in 2022 with the biopic Elvis starring Austin Butler.
Martin and her team made 90 costumes for the Elvis character, and more than 9000 outfits for extras in the film's many concert scenes.
Luhrmann has most recently been in Los Angeles for Sony's Music Vision Content Showcase, which featured his release EPiC: Elvis Presley in Concert, based on previously unseen recordings.
The project is not quite a documentary or a concert film, Luhrmann told the showcase audience.
'We call it EPiC: Elvis Presley in Concert, and he will sing and tell his story like never before. He will tell it. Because what was remarkable is that we found audio of Elvis talking about his life.'
Researchers unearthed a massive 68 boxes of film negative in the Warners Bros. film vaults, as well as unseen 8mm footage of Elvis, which has since been restored.
As for projects in the pipeline, Luhrmann is reportedly working on another biopic, this time about Joan of Arc and based on a novel by fellow Australian Thomas Keneally.
Meanwhile Martin has recently directed a short film titled Grande Envie, for luxury fashion label Miu Miu's Upcycled collection.
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7NEWS
3 hours ago
- 7NEWS
Best activewear for winter: Shop leggings, tops and hoodies up to 40 per cent off top brands
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The Advertiser
4 hours ago
- The Advertiser
Roo little beauty: meet the cuddly Aussie movie stars set to charm the world
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Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia". Meet joeys Margot, Emily, Connor and Biscuit, the cuddlesome stars of Kangaroo, the first Australian movie from the studio behind the blockbuster Paddington franchise. StudioCanal has given the ACM network, publisher of this masthead, an exclusive first look at images from its upcoming family comedy as it releases a heartwarming new trailer and the film's new poster. Opening in cinemas on September 18, Kangaroo is loosely based on the life of Chris "Brolga" Barns, founder of the Alice Springs Kangaroo Sanctuary, whose escapades raising orphaned joeys were featured in the 2013 BBC-National Geographic documentary series Kangaroo Dundee. The film stars Ryan Corr as a TV weather presenter stranded in a tiny Northern Territory town who teams up with a 12-year-old Indigenous girl to rescue an orphan joey. Newcomer Lily Whiteley, chosen from more than 300 hopefuls, makes her acting debut alongside Corr and co-stars Deborah Mailman, Ernie Dingo and Brooke Satchwell. Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia". Meet joeys Margot, Emily, Connor and Biscuit, the cuddlesome stars of Kangaroo, the first Australian movie from the studio behind the blockbuster Paddington franchise. StudioCanal has given the ACM network, publisher of this masthead, an exclusive first look at images from its upcoming family comedy as it releases a heartwarming new trailer and the film's new poster. Opening in cinemas on September 18, Kangaroo is loosely based on the life of Chris "Brolga" Barns, founder of the Alice Springs Kangaroo Sanctuary, whose escapades raising orphaned joeys were featured in the 2013 BBC-National Geographic documentary series Kangaroo Dundee. The film stars Ryan Corr as a TV weather presenter stranded in a tiny Northern Territory town who teams up with a 12-year-old Indigenous girl to rescue an orphan joey. Newcomer Lily Whiteley, chosen from more than 300 hopefuls, makes her acting debut alongside Corr and co-stars Deborah Mailman, Ernie Dingo and Brooke Satchwell. Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia". Meet joeys Margot, Emily, Connor and Biscuit, the cuddlesome stars of Kangaroo, the first Australian movie from the studio behind the blockbuster Paddington franchise. StudioCanal has given the ACM network, publisher of this masthead, an exclusive first look at images from its upcoming family comedy as it releases a heartwarming new trailer and the film's new poster. Opening in cinemas on September 18, Kangaroo is loosely based on the life of Chris "Brolga" Barns, founder of the Alice Springs Kangaroo Sanctuary, whose escapades raising orphaned joeys were featured in the 2013 BBC-National Geographic documentary series Kangaroo Dundee. The film stars Ryan Corr as a TV weather presenter stranded in a tiny Northern Territory town who teams up with a 12-year-old Indigenous girl to rescue an orphan joey. Newcomer Lily Whiteley, chosen from more than 300 hopefuls, makes her acting debut alongside Corr and co-stars Deborah Mailman, Ernie Dingo and Brooke Satchwell. Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia".


The Advertiser
4 hours ago
- The Advertiser
The stark numbers that spell grim news for Aussie musos
Aussie music lovers feel a sense of pride when they hear Australian music, but their playlists are actually dominated by pop from the US and Britain. While 71 per cent of listeners love to hear Australian tunes, and two thirds want to hear more, only one in three music fans make an effort to seek out new Australian music. It's a big contradiction revealed in landmark research by Music Australia, the federal government's music development and funding body. A massive 98 per cent of local listeners discover musicians via streaming, but more than half (51 per cent) don't think about whether an artist is Australian when they are looking for new tunes. Of the top 10,000 artists streamed in Australia during 2024, just eight per cent were Australian, while more than half were from the US, according to entertainment analytics firm Luminate. It seems the sheer convenience of personalised playlists delivered via an algorithm might be stopping music fans discovering Australian artists - and that's a problem for musicians like Sara Storer. The ARIA-award winning country musician is releasing her eighth solo album titled Worth Your Love, and says the music industry has completely transformed since her first release back in 2001. "For a young person, especially a young Aussie artist trying to get out there, I'd be terrified. Where do you start?" she said. Despite building an inter-generational audience over decades, the Darwin-based musician can no longer rely on album sales, and even solid streaming figures don't add up to a viable income. "There's no income from streaming. It looks good on paper and you think, well, I should be making a few bucks, but you don't see anything," said Storer. "All my money is made through live performance. I rely heavily on ticket sales, which is like a roller coaster." The contradiction between listener sentiment and behaviour could be the basis of a campaign for actively discovering local music - a bit like the 'Life. Be in it' health campaign of the 1980s - suggested Music Australia director Millie Millgate. "We can remind Australian audiences what these bands are doing overseas and encourage them not to miss out - like, don't miss out on your own party," said Millgate. "There's no one single bullet, but if audiences can be mobilised to do their part and really seek out Australian new music, it would go an incredible way." And the Music Australia research suggests we could potentially Aussify Spotify: listeners like the idea of a dedicated Australian music streamer, with 42 per cent saying it's something they would pay for. Melbourne rock band Amyl and the Sniffers are one act making it big on the global stage, and when the band appeared on The Tonight Show with Jimmy Fallon recently, singer Amy Taylor's top was made from two classic Aussie thongs. It's a big effort to demonstrate a sense of national pride - but it seems many Aussie musos are actually getting more love overseas, with more than 80 per cent of royalties for local musicians coming from international listeners in 2024, according to figures from Spotify. The research also found radio still plays a role. A quarter of music fans still tune in to discover new music, with ABC station triple j a popular source. An economic snapshot of the local sector showing a direct contribution of almost $3 billion to the national economy was part of three industry research reports released on Thursday. Aussie music lovers feel a sense of pride when they hear Australian music, but their playlists are actually dominated by pop from the US and Britain. While 71 per cent of listeners love to hear Australian tunes, and two thirds want to hear more, only one in three music fans make an effort to seek out new Australian music. It's a big contradiction revealed in landmark research by Music Australia, the federal government's music development and funding body. A massive 98 per cent of local listeners discover musicians via streaming, but more than half (51 per cent) don't think about whether an artist is Australian when they are looking for new tunes. Of the top 10,000 artists streamed in Australia during 2024, just eight per cent were Australian, while more than half were from the US, according to entertainment analytics firm Luminate. It seems the sheer convenience of personalised playlists delivered via an algorithm might be stopping music fans discovering Australian artists - and that's a problem for musicians like Sara Storer. The ARIA-award winning country musician is releasing her eighth solo album titled Worth Your Love, and says the music industry has completely transformed since her first release back in 2001. "For a young person, especially a young Aussie artist trying to get out there, I'd be terrified. Where do you start?" she said. Despite building an inter-generational audience over decades, the Darwin-based musician can no longer rely on album sales, and even solid streaming figures don't add up to a viable income. "There's no income from streaming. It looks good on paper and you think, well, I should be making a few bucks, but you don't see anything," said Storer. "All my money is made through live performance. I rely heavily on ticket sales, which is like a roller coaster." The contradiction between listener sentiment and behaviour could be the basis of a campaign for actively discovering local music - a bit like the 'Life. Be in it' health campaign of the 1980s - suggested Music Australia director Millie Millgate. "We can remind Australian audiences what these bands are doing overseas and encourage them not to miss out - like, don't miss out on your own party," said Millgate. "There's no one single bullet, but if audiences can be mobilised to do their part and really seek out Australian new music, it would go an incredible way." And the Music Australia research suggests we could potentially Aussify Spotify: listeners like the idea of a dedicated Australian music streamer, with 42 per cent saying it's something they would pay for. Melbourne rock band Amyl and the Sniffers are one act making it big on the global stage, and when the band appeared on The Tonight Show with Jimmy Fallon recently, singer Amy Taylor's top was made from two classic Aussie thongs. It's a big effort to demonstrate a sense of national pride - but it seems many Aussie musos are actually getting more love overseas, with more than 80 per cent of royalties for local musicians coming from international listeners in 2024, according to figures from Spotify. The research also found radio still plays a role. A quarter of music fans still tune in to discover new music, with ABC station triple j a popular source. An economic snapshot of the local sector showing a direct contribution of almost $3 billion to the national economy was part of three industry research reports released on Thursday. Aussie music lovers feel a sense of pride when they hear Australian music, but their playlists are actually dominated by pop from the US and Britain. While 71 per cent of listeners love to hear Australian tunes, and two thirds want to hear more, only one in three music fans make an effort to seek out new Australian music. It's a big contradiction revealed in landmark research by Music Australia, the federal government's music development and funding body. A massive 98 per cent of local listeners discover musicians via streaming, but more than half (51 per cent) don't think about whether an artist is Australian when they are looking for new tunes. Of the top 10,000 artists streamed in Australia during 2024, just eight per cent were Australian, while more than half were from the US, according to entertainment analytics firm Luminate. It seems the sheer convenience of personalised playlists delivered via an algorithm might be stopping music fans discovering Australian artists - and that's a problem for musicians like Sara Storer. The ARIA-award winning country musician is releasing her eighth solo album titled Worth Your Love, and says the music industry has completely transformed since her first release back in 2001. "For a young person, especially a young Aussie artist trying to get out there, I'd be terrified. Where do you start?" she said. Despite building an inter-generational audience over decades, the Darwin-based musician can no longer rely on album sales, and even solid streaming figures don't add up to a viable income. "There's no income from streaming. It looks good on paper and you think, well, I should be making a few bucks, but you don't see anything," said Storer. "All my money is made through live performance. I rely heavily on ticket sales, which is like a roller coaster." The contradiction between listener sentiment and behaviour could be the basis of a campaign for actively discovering local music - a bit like the 'Life. Be in it' health campaign of the 1980s - suggested Music Australia director Millie Millgate. "We can remind Australian audiences what these bands are doing overseas and encourage them not to miss out - like, don't miss out on your own party," said Millgate. "There's no one single bullet, but if audiences can be mobilised to do their part and really seek out Australian new music, it would go an incredible way." And the Music Australia research suggests we could potentially Aussify Spotify: listeners like the idea of a dedicated Australian music streamer, with 42 per cent saying it's something they would pay for. Melbourne rock band Amyl and the Sniffers are one act making it big on the global stage, and when the band appeared on The Tonight Show with Jimmy Fallon recently, singer Amy Taylor's top was made from two classic Aussie thongs. It's a big effort to demonstrate a sense of national pride - but it seems many Aussie musos are actually getting more love overseas, with more than 80 per cent of royalties for local musicians coming from international listeners in 2024, according to figures from Spotify. The research also found radio still plays a role. A quarter of music fans still tune in to discover new music, with ABC station triple j a popular source. An economic snapshot of the local sector showing a direct contribution of almost $3 billion to the national economy was part of three industry research reports released on Thursday. Aussie music lovers feel a sense of pride when they hear Australian music, but their playlists are actually dominated by pop from the US and Britain. While 71 per cent of listeners love to hear Australian tunes, and two thirds want to hear more, only one in three music fans make an effort to seek out new Australian music. It's a big contradiction revealed in landmark research by Music Australia, the federal government's music development and funding body. A massive 98 per cent of local listeners discover musicians via streaming, but more than half (51 per cent) don't think about whether an artist is Australian when they are looking for new tunes. Of the top 10,000 artists streamed in Australia during 2024, just eight per cent were Australian, while more than half were from the US, according to entertainment analytics firm Luminate. It seems the sheer convenience of personalised playlists delivered via an algorithm might be stopping music fans discovering Australian artists - and that's a problem for musicians like Sara Storer. The ARIA-award winning country musician is releasing her eighth solo album titled Worth Your Love, and says the music industry has completely transformed since her first release back in 2001. "For a young person, especially a young Aussie artist trying to get out there, I'd be terrified. Where do you start?" she said. Despite building an inter-generational audience over decades, the Darwin-based musician can no longer rely on album sales, and even solid streaming figures don't add up to a viable income. "There's no income from streaming. It looks good on paper and you think, well, I should be making a few bucks, but you don't see anything," said Storer. "All my money is made through live performance. I rely heavily on ticket sales, which is like a roller coaster." The contradiction between listener sentiment and behaviour could be the basis of a campaign for actively discovering local music - a bit like the 'Life. Be in it' health campaign of the 1980s - suggested Music Australia director Millie Millgate. "We can remind Australian audiences what these bands are doing overseas and encourage them not to miss out - like, don't miss out on your own party," said Millgate. "There's no one single bullet, but if audiences can be mobilised to do their part and really seek out Australian new music, it would go an incredible way." And the Music Australia research suggests we could potentially Aussify Spotify: listeners like the idea of a dedicated Australian music streamer, with 42 per cent saying it's something they would pay for. Melbourne rock band Amyl and the Sniffers are one act making it big on the global stage, and when the band appeared on The Tonight Show with Jimmy Fallon recently, singer Amy Taylor's top was made from two classic Aussie thongs. It's a big effort to demonstrate a sense of national pride - but it seems many Aussie musos are actually getting more love overseas, with more than 80 per cent of royalties for local musicians coming from international listeners in 2024, according to figures from Spotify. The research also found radio still plays a role. A quarter of music fans still tune in to discover new music, with ABC station triple j a popular source. An economic snapshot of the local sector showing a direct contribution of almost $3 billion to the national economy was part of three industry research reports released on Thursday.