
Former Winemaker Of Top Merlot Wine Is Now Making A 100% Merlot In An Unexpected Place
Glasses of red wine on a stone table
The sound of several gasps along with widening eyes followed by broad smiles brought an exuberant energy to the room that was palpable. Few things can bring such awe to adults who have already lived a full and eventful life, as very little can catch them off guard with a joyful revelation. Yet at that moment, the words "blue clay" associated with a Merlot wine in a place other than where one would expect turned seasoned fine wine drinkers into giddy adolescents again.
Blue clay is associated with some of the most outstanding Merlot wines in the world, such as Château Pétrus, located in the Right Bank of the prestigious wine region of Bordeaux. But there is another Merlot wine that sometimes outdoes Château Pétrus in certain vintages, according to some, and that is Masseto from the impressive wine area of Bolgheri in Tuscany. Masseto has a devoted cult of collectors that will go to great lengths to acquire a range of vintages in various formats and come together with other Masseto obsessives in fantastical gatherings to bask in the glory of these wines as a devoted collective.
The famous Place de la Bourse in Bordeaux City, France
The former winemaker of Masseto, Axel Heinz, became the estate director for both Ornellaia and Masseto properties in 2005 and had stayed there for 17 years, longer than any other estate director. Under his guidance, he had made Ornellaia and Masseto some of the most sought-after wines on the auction market, and now, he is man aging director and CEO of an estate with a longer history than his Italian predecessor, Château Lascombes on the Left Bank of Bordeaux in the eminently elegant wine sub-region of Margaux.
Blue clay from the special plot that makes the La Côte Lascombes 100% Merlot wine
Blue clay, also known as smectite clay, is a soil with significant iron composition, hence, it is known to give a distinct mineral character not found in wines grown in other types of clays or soils in general. The absorption of minerals is more significant for blue clay as it has properties that increase its ability to attract those desirable substances that help a wine to transcend excellence to a level where words cannot do it justice.
Merlot has been the ideal partner for blue clay as it has enough expression of fruit potential to balance the fierce intensity of minerality that is endowed to the wine grapes that grow in this legendary soil. Also, clay has the ability to keep the ground cooler as it retains more water than other soils, so it is conducive to a grape that finds ideal balance with a slower ripening cycle. In Merlot's case, it keeps it from becoming too overripe, to which it has the tendency under certain conditions, yet allows it to gain enough concentration and complexity to become a magnificent wine with a regal power.
Grape vine on the Château Lascombes estate
And as Axel has been surveying the Château Lascombes' estate, he has found one area of their vineyard with some blue clay, and Merlot has already been planted there. Once he left Masseto and Ornellaia to go to a Bordeaux property on the Left Bank, to a Grand Cru Classé château (classified as a Second Growth in 1855), he thought that he would never make a majority Merlot, let alone a 100% Merlot wine, ever again (as Masseto, like Pétrus would sometimes add a touch of Cabernet Franc), as it is unheard of to make such a wine among the top producers on the Left Bank, unlike its neighbors on the Right Bank. But he never thought that he would find that much-desired substance that creates wines that still baffle many a wine collector who tries to make sense of their transcendental qualities.
Reassessing the multitude of vineyard plots of Château Lascombes, which broadly span the Margaux region as they have holdings in three out of the five villages of the region, has become the main priority for Axel as he wants to make sure that only the best vineyards, except those deemed for the 100% Merlot wine, go into their grand vin. The grand vin, aka top wine of the estate, is in line with the tradition of Left Bank Bordeaux, hence a blended wine of Cabernet Sauvignon and Merlot, sometimes with small percentages of Cabernet Franc and Petit Verdot grape varieties.
Like many other Grand Cru Classé châteaux, the amount of vineyards that Château Lascombes owns has significantly increased since they received the privilege of being listed within the Grand Cru Classé classification of 1855. As a Left Bank classified château is allowed to include any vineyards within the region, such as, in this case, the region of Margaux, to their grand vin; hence, Château Lascombes has added plots that were acquired after 1855 to their top wine in the past. But Axel is changing that "modern" concept and going back to a more "traditional" idea, an idea that deemed Château Lascombes as a Second Growth over a century and a half ago, and he is only placing those original vineyards from the 1855 classification into their top-tier wine.
Axel Heinz in the vineyards at Château Lascombes
Yet he is not against progress when it is true to the terroir matching the expected quality level of the wine, and that is why he is making the 100% Merlot from those vineyards with the blue clay – it is a top-tier wine that defies all convention. It is all about the sense of place of the vineyards being utilized in the most appropriate ways.
Axel was born in Germany but fell in love with wine while he studied winemaking in Bordeaux and worked in the area after graduating. It was an incredible opportunity for him to become the estate director and winemaker of Ornellaia and Masseto in 2005. Yet, he says he never thought he would stay so long as he always figured he would return to Bordeaux. And no matter how much glory there is at an estate that is an international sensation, through time, one starts to reassess one's priorities in life, and it was time for Axel to go back to his spiritual home.
Yet he returns to the special place that ignited his passion with a wealth of experience from overseeing the most sought wines in the world with the mission of elevating a great château to the level of international sensation. And being a man who has worked with outstanding vineyards, he knows that delving into the soil is the path to preeminence.
2022 Château Lascombes
The 2022 vintage was generally warm and dry for Bordeaux, so these wines are riper than usual. Yet they all still display a freshness and vibrancy despite the warmer temperatures.
2022 Chevalier de Lascombes, Margaux, Bordeaux, France: 68% Merlot and 32% Cabernet Sauvignon. This is the second wine of Château Lascombes' grand vin wine. A nose that is lovely and inviting, with aromas of freshly picked raspberries during a sunny day, is enhanced by a complex note of tar with a concentrated mid-palate underpinned with lots of blueberries and plum fruit and continues with an incredible depth of flavor until the finish.
2022 Chevalier de Lascombes
2022 Château Lascombes, Margaux, Bordeaux, France: 67% Cabernet Sauvignon, 30% Merlot, 3% Petit Verdot and Cabernet Franc. Multifaceted bouquet of sage, dried flowers and fresh leather dance with vivacity in one's head with deeply concentrated blackberry fruit on the palate framed by finely sculpted tannins with an intense lifted energy along the finish that balances out the rich fruit.
2022 La Côte Lascombes, Margaux, Bordeaux, France: 100% Merlot from plots that have soils with clay over limestone with veins of blue clay throughout. Aromas that intrigue with dark, brooding fruit entice the drinker to dive into this abyss filled with delight and wonder. Slowly, the wine unravels its secrets with notes of crushed violets, sea spray and smoldering earth with a voluptuous quality on the body that satisfies on many levels, yet there is always something held back, so with each sip, more is revealed among the big velvety tannins and bright acidity that are seamlessly integrated along the sustained finish.
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New York Times
11 minutes ago
- New York Times
The ultimate Champions League final guide – PSG's pacy pressing vs Inter's intelligent defensive unit
With 188 Champions League games played, just one remains. Tonight's final between Paris Saint-Germain and Inter Milan provides an intriguing tactical battle between two styles of play. The omens look good for PSG as they look to lift the trophy for the first time — the previous four finals in Munich all provided a first-time winner and the only other time a French and Italian side met in the final (Marseille vs Milan, 1993 in Munich), the team from France came out on top. Advertisement However, Simone Inzaghi's Inter are competing in their second Champions League final in three years, and many of that 2022-23 squad remain, meaning they benefit from experience. This is the first time the two teams have faced each other in a competitive fixture, so there is no historical data to look at, but there are clues from the run-in to the final, so allow The Athletic to unpack some key tactical themes that might emerge. Last week, speaking at the UEFA media day ahead of the final, Luis Enrique was glowing in his assessment of PSG's pressing capabilities: 'You can see how many ball recoveries (the attackers) have. This is one of the concepts that is hardest to instil because attackers have to change their mindset. It's about working as a team. We did that last season, but we've been better this year.' He has coached them into becoming one of Europe's most aggressive pressing sides, often comfortable going man-for-man, though they have tweaked their scheme in deeper Champions League rounds — keeping an extra defender back and leaving No 9 Ousmane Dembele to cut the pitch in half while PSG lock on down one side. Their press was particularly excellent in the round of 16 first leg at home to Liverpool, forcing them long, and left-back Nuno Mendes shut down Mohamed Salah when he was targeted with direct balls. 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Hakimi's underlap took the defender with him… … and Dembele passed across to Mendes, who controlled with his first touch and curled past Emi Martinez, in off the post, with his second. Many neutrals might give PSG the edge in Saturday's final, given the blistering pace and intelligent interchange of their fluid attack. However, if there were one team in European football that you would back to stop them, it would be Inter. Inter's defensive unit has been incredible in the Champions League this season, conceding just one open-play goal in their opening 10 games. Granted, six goals conceded across two semi-final legs against Barcelona will give Luis Enrique confidence that he can inflict similar punishment on Inzaghi, but Inter are comfortable in their disciplined 5-3-2 block that can frustrate teams for long periods. Inter are not set up to be gung-ho in their pressing, but will shuffle across from left to right and block central spaces — forcing the opposition to circulate possession and do their best to find gaps in their structure. While PSG are not the most aerially dominant in attack, they could learn from Inter's semi-final clash with Barcelona — where crosses were a thorn in the side of the Nerazzurri. Running back the tape, Inter failed to deal with back-post crosses specifically, with Barcelona scoring three goals that way. Advertisement Given Inter's back-five defensive line, disruption can come from second-line runners or aggressive full-back position from the opposition (as was the case with Dani Olmo and Eric Garcia's finishes below), meaning that late runs from PSG's Hakimi, Nuno Mendes, or Fabian Ruiz could be crucial in unlocking Inter's defence. Crucially, Inter are not accustomed to chasing the game. Such defensive discipline and intelligent street-smarts have meant that Inzaghi's side have trailed for just 16 minutes across the whole Champions League campaign — just one per cent of their total time on the pitch. Considering they have played against Arsenal, Manchester City, Bayer Leverkusen, Barcelona and Bayern Munich, you can understand why caution is being encouraged when suggesting that PSG are the overwhelming favourites in Munich. When the margins are so tight between two elite sides, moments from set pieces could be integral in swinging the outcome of this final. Inter have had plenty of success from set-piece situations on the domestic stage this season, with 18 set-piece goals scored being comfortably the highest in Serie A. Meanwhile, goals from corners have been particularly lucrative for Inzaghi's side in the Champions League, with 9.5 goals per 100 corners being the highest rate of any team in the competition this season. Goals from Benjamin Pavard and Dumfries have been crucial in Inter's knockout phase clashes with Bayern Munich and Barcelona, with the Nerazzurri boasting seven different goalscorers from corner routines across league and European competition this season. Much of that threat stems from the delivery. While Dimarco can whip in an excellent cross from the left, Inter's best set-piece taker is undoubtedly Hakan Calhanoglu, with the Turkey international well placed to take corners from both sides of the pitch. Advertisement That explains Inter's asymmetry in corner style, where the majority of deliveries are from Calhanoglu's outswingers from the right — compared with a more equitable share between Dimarco and Calhanoglu from the left, varying the approach between inswinging and outswinging crosses. Irrespective of the taker, Inter's delivery is often placed perfectly towards the central zones — close to the penalty spot — for team-mates to attack. The battling approach from Inzaghi's side is borne out in the numbers, with a 54 per cent duel success rate in Europe this season — better than any other side since the start of the competition. Winning first contact and responding to second balls might not sound attractive, but such an agricultural part of the game could be crucial in deciding where the trophy ends up by the end of Saturday evening. For this answer, we can turn to The Athletic's match prediction model. This uses per-shot expected goals to create an attacking and defensive rating for each team, before employing a data model to simulate upcoming games. Here, the model is giving the edge to Luis Enrique's side, with PSG having a 53 per cent chance of victory (excluding penalties) compared with Inter's 27 per cent. If pushed for more detail, The Athletic's model predicts that a 2-1 PSG victory will be the most likely scoreline on the night. That would be a logical projection of events on Saturday evening in Munich — but as we know, football does not conform to logic. In a straight shootout at the highest level of European competition, all rules often go out of the window. Leave your predictions in the comments below. Where to watch the final: UK — TNT Sports 1 and Discovery+, 6pm BST; U.S. — CBS and Paramount+, 1.30pm ET (Illustration: Eamonn Dalton / The Athletic; Thibaud MORITZ / AFP, David Ramos, Jeroen van den Berg/Soccrates, Mattia Ozbot – Inter/Inter /Getty Images)

Associated Press
20 minutes ago
- Associated Press
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New York Times
21 minutes ago
- New York Times
Is Champions League money making Europe's domestic football uncompetitive?
For all that this season marks a new epoch in the tale of booming UEFA prize money, cash will be far from the thoughts of Paris Saint-Germain on Saturday evening in Munich. Luis Enrique and his players sit on the cusp of the club's first Champions League success, a prize both coveted and elusive since the French club were taken over by Qatar Sports Investments (QSI) almost 15 years ago. Advertisement Since that date, QSI has poured billions into transforming a team that, in an albeit truncated existence since they were formed in 1970, had only won the French league twice. Eleven more championships have followed in the subsequent 14 seasons, with PSG's domestic ventures rarely even resembling a proper competition. A comparison of Ligue 1 wage bills, that great financial barometer of on-field performance, has long required two scales — one for PSG, another for the rest. Money, then, is not at the forefront of the Paris club's mind as they face Inter of Italy tonight. That is despite the fact a win at the Allianz Arena would see PSG take home a single-season record in UEFA prize money, eclipsing the previous mark of €138.8million (£116.4m/$157.2m) set by Real Madrid's triumph in the same fixture last year. PSG should clear €140million in earnings if they win it all, a figure which would have been higher had they fared better than 15th in the competition's newly-introduced league phase, with four wins and a defeat in their eight matches. Inter did better, finishing fourth by winning six times and drawing once, which helped them make up ground lost due to Italian TV rights forming a smaller share of the Champions League pool. They should top €140m with a win this evening, too. PSG hardly want for money, but it's a different story among their domestic peers. Ligue 1's already-reduced TV deal with DAZN has been cancelled just one season into a five-year term, and the trouble surrounding the matter reportedly led Jean-Marc Mickeler, the head of the DNCG, French football's financial watchdog, to request that clubs budget for no domestic TV money at all next season. Another report in leading French newspaper L'Equipe back in August laid bare the stark drop-off that awaited Ligue 1 clubs even with the DAZN deal in place. At the top end, it was estimated the league winners (inevitably that turned out to be PSG, again) would bank around €22million in prize money this season — roughly a third of 2023-24's €60m. That €22m is less than €4m away from the €18.6m PSG and three other Ligue 1 clubs pocketed simply for reaching the league phase of the Champions League. Advertisement The reduction was similar in percentage terms at the other end, with this year's bottom-placed side, Montpellier, expected to earn just €5million, again around a third of last season's basement dwellers Clermont. Of course, while the percentage shift might be similar, the real impact on clubs lower down the league in France is likely to be much harsher, just as the improved Champions League bounty could have an outsized impact on the top ones. This season, three other French clubs joined PSG in the Champions League, and each of Lille, Monaco and Brest have earned far more from Europe than they did domestically. In the case of Brest, their expected earnings from a first foray into European competition in club history are pegged at around the €50million mark; Brest's total revenue in 2023-24 was just €64m. In a positive sense, the money flowing from Brest's unlikely arrival on the biggest stage can help elevate a club otherwise unlikely to compete for trophies all that often. Yet the stark disparity between what French sides can earn at home and abroad risks deepening divides within a league that already suffers badly from a lack of competition at its top end. What of Saturday's other finalists? Inter will be looking to make up for narrowly missing out on a second consecutive Serie A title last weekend to Napoli. Financially, like their opponents this weekend, they'll earn more from Europe this season than they did at home. The difference, though, is nowhere near as vast. Inter received €101.1million in prize money for winning the Italian league in 2023-24, and while their earnings as runners-up this season are unclear (it will be less than their European income, given their progress to the Champions League final), the impact of UEFA funds on the overall finances of Serie A is less pronounced than it will now be over in France. Advertisement That is even more true of the other domestic leagues that make up Europe's 'Big Five'. Based on UEFA's most recent European Club Finance and Investment Landscape report, clubs in England's Premier League relied on income from the continental competitions for just 6.7 per cent of their combined revenues in the 2022-23 season. That was the third-lowest mark among UEFA's 54 national associations; the only countries where European prize money made up a lower proportion of club revenues were Russia, whose teams remain barred from the three competitions following the invasion of Ukraine in early 2022, and Romania, where figures were impacted by its clubs' financial years running annually rather than across two football seasons. In Spain and Germany, UEFA money comprised around 10 per cent of top-tier turnover, even as clubs in those countries received €386million and €335m respectively from the European governing body. Spanish and German sides, collectively, generate substantial revenue from other sources. At the other end of the scale, per that same UEFA report, several national associations significantly rely on European income. In five of them, UEFA money comprised more than half of clubs' annual turnover in the 2023 financial year. Leading the way in that regard in both 2022 and 2023 was Gibraltar, where money from UEFA comprised over 70 per cent of total revenues in the top tier. Clubs from the tiny state at the southern tip of Western Europe generated just €8.2million across the two years, €6m of it coming via the continent's football governing body. The vast majority of that also accrued to one club. Lincoln Red Imps reached the Conference League group stage in 2021-22 and have continued to enjoy income from UEFA competition since. In the 2024 calendar year, they banked a further €2million even while not making it beyond this season's Conference League qualifying phases. That's great for them but ruinous for competitive balance at home; since the turn of the millennium, Lincoln have failed to win Gibraltar's top league only twice. Advertisement That's not a uniform occurrence but there are other examples of how prize money earned at European level can simply widen domestic gaps. In Moldova, third on our list, Sheriff Tiraspol's run in the Champions League in 2021-22 included a historic 2-1 away win against the competition's eventual winners Madrid. For their efforts, the first side from the Moldovan league ever to reach the group stage earned €24.2million in prize money. By contrast, the total income in their domestic league in 2022 was just €16m (note that Sheriff's European income was split across their 2021 and 2022 financial years, so doesn't correspond to the single-season income from UEFA). Sheriff's journey to the Bernabeu began through them winning the Moldovan Super Liga a season earlier, their 19th domestic title in 21 seasons. That would swiftly become 21 in 23. Exploits abroad gave them an even greater financial advantage back home. Strangely enough, though, Sheriff's continental boon has since been followed by reduced domestic dominance. In both 2023-24 and 2024-25, they only managed a runners-up spot, so perhaps more money doesn't always translate to ever-greater success. For club accounts with a financial year ending in 2023, 15 national associations relied on UEFA for more than a quarter of team incomes in their respective top tiers. That was actually a reduction from 2022, when 22 national associations attributed more than 25 per cent of revenue to monies from UEFA. Several of those associations might be termed minnows, reliant on money from afar or susceptible to the skewing effect of one of their sides progressing further than expected on the continent. Yet a constant among the nations relying on UEFA for a big chunk of club incomes is one few would consider a footballing backwater. In both 2021-22 and 2022-23, teams in Portugal's Primeira Liga earned 32 per cent of their collective revenues from Europe. In the latter season, €195million of the division's €615m total revenue came from UEFA, with the majority of it accruing to a small slew of teams. Advertisement UEFA hasn't released figures for financial years ending in 2024, but the general trend in Portugal will remain. Across 13 clubs (data for five more is currently unavailable), €161million of €587m total revenue was attributable to UEFA which, while a proportional reduction on 2023 (2024: 27 per cent), is still a high amount and, what's more, accrues to a small slew of clubs. Last season, that €161million in UEFA money went to just four teams: Porto, Benfica, Braga and Sporting CP. Other than Braga, those clubs already boasted significantly higher income than the rest of the division; prize money from Europe only widens an existing chasm. There is a reason only Porto, Benfica or Sporting are ever expected to win the title in Portugal, and their continued wealth from competing in Europe is part of it. That is not to lay all the blame at UEFA's door. In the 91-season history of Portugal's top tier, only five clubs have ever been champions — and two of those have only won it once. Between them, Benfica, Porto and Sporting share 89 titles, a dominance that long pre-dates not only hefty European prize money but also the very concept of continental football in the first place. There's also the point that while European-level income might reduce competitive balance back home, it's also in certain cases necessary to keep the standard of those UEFA tournaments at a sufficient level of quality. That's certainly the case in Portugal where, without the monies from the Champions League — both prize money and the profits earned by selling players its clubs can showcase there — they'd have little chance of performing as well in Europe as they often tend to. Further in favour of how wealth is dispensed on the continental stage, revenues from UEFA aren't just limited to prize money from the governing body's three club competitions. Solidarity payments to non-competing teams, numbering in the hundreds, are up to €260million and, particularly in leagues with low turnover, form an integral part of club budgets even as sides elsewhere on the continent earn many times more. Having said that, there has been recent lobbying for UEFA to share the wealth to an even greater extent, ostensibly to improve issues with competitive balance across the continent. As PSG and Inter limber up to go for sporting glory tonight, the clubs' respective bank balances have already benefited from this season's run to the final. There's nothing odd about that; prize money has long formed a part of the game, with the most successful teams earning the most money. Doling out the fortunes that governing bodies receive from organising the sport — across the three main competitions and the pre-season Super Cup meeting of Champions League and Europa League winners, UEFA generated revenues of €3.724billion in the 2023-24 season — to clubs seems only right, though how best to do so is an ongoing debate that may only gain greater prominence as more and more money flows in. Across Europe, money from UEFA both stresses domestic leagues and props them up. Whether it does so in a way that encourages a fair and competitive sport is another matter entirely.