logo
‘Night Court's' Wendie Malick Plans To Keep Making People Laugh, Indefinitely

‘Night Court's' Wendie Malick Plans To Keep Making People Laugh, Indefinitely

Forbes25-03-2025
'My dance card is pretty full right now,' says Wendie Malick, really underreporting the truth.
But, she says she's perfectly happy with her seemingly overloaded schedule.
Currently, she's starring as attorney Julianne Walters in Night Court, as Harrison Ford's love interest in Shrinking, and as the owner of a fried chicken restaurant in the family drama, The Chicken Sisters. Previously, she's appeared in numerous series, including Young Sheldon, Frasier, and American Housewife. She was a lead cast member for seven seasons on Just Shoot Me and for six seasons on Hot in Cleveland.
Malick has received four Cable Ace Awards for her role in HBO's groundbreaking comedy Dream On and garnered a Golden Globe and two Emmy Award nominations for her work on Just Shoot Me!
All of this, and Malick, somewhat humbly, still refers to herself as a 'character actress.'
'You know, the work comes in waves, like right now. This has been an insane year for me, where I was doing two and three shows at the same time, which is very unusual, particularly in this in this landscape that we're in now, but very grateful for it,' she says.
Malick admits that working in comedy delights her, because, 'When they give me a character like Julianne, who's a little bit off in some way, I'm thrilled because it's just a juicy, juicy bag of tricks that I get to pull from.'
While she's also taken on several dramatic roles, Malick says that, 'My preference is that I don't like things to be too dry and straight. It's always more interesting to find the foibles and neuroses in a character because it gives me a lot more leeway as a comedian.'
Using this thought process, she explains her take on her Night Court character, an ex-con who is now an attorney. 'Julianne is a peculiar person. I had to sort of figure out a backstory for her that would help me understand how she could have this complete bouquet of vastly different emotions. At various times, she goes from the way left all the way over to the right. And, it's really helpful now that they're starting to write a little about her background into the show, so that I can fill in the blanks and figure out why she's the way she is.'
Malick does like the fact that Julianne is part of a second chance initiative sponsored and overseen by court's leader, Judge Abby Stone, played by Melissa Rauch. 'There's something really lovely about that. It makes it feel like nothing is impossible to overcome and I like that.'
Much of Malick's work on Night Court involves sparring with her ex-lover-turned-co-worker, Dan Felding, played by John Laroquette.
Of their on-screen relationship, she says, 'I think we have good dynamic, and one where, it's a 'will they or won't they' kind of have chemistry. However,' she emphasizes, 'We realize we're toxic in a relationship together, and it's probably not healthy, so we'll just fight each other in the courtroom.'
Speaking about Larroquette, she says, 'I'd never worked with him before, and have always really admired him as an actor, so it's really nice to have a partner like him, one who's just so good at what he does. I really enjoy every scene we have together.'
Now at an age when many people scale back on working, Malick says that she's not planning on taking her foot off the gas anytime soon, citing what she's learned from someone she respects tremendously.
'I take my lead from Betty White. She started her third act when she was 60, and I turned 60 when I worked with her [on Hot in Cleveland]. At the time I thought, 'wow, that is just amazing. She loves what she does. She has no reason to retire.' I feel the same way. I love what I do, and I have a great life outside of acting, but I always want this to be a part of it, so I'm in no hurry to retire.'
She quickly adds, 'I think it's really because I having the opportunity to go to a set and be with my fellow actors and tell stories, and that's what I feel like I was designed to do. So no, I don't have any plans to stop.'
Malick proves the adage that 'with age comes wisdom' as she imparts one last thought, saying, 'I think one of the beauties of getting older for me is appreciating how precious every day is, and I don't want to squander any of them. So every morning ritual by saying, 'lead with your heart, be love in the room.' If everyone did that, I think everything would be better.'
'Night Court' airs Tuesdays at 8:30e/p on NBC, and is available for streaming on Peacock.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘It's so cringe': The Chronicle weighs in on end of ‘And Just Like That'
‘It's so cringe': The Chronicle weighs in on end of ‘And Just Like That'

San Francisco Chronicle​

time4 hours ago

  • San Francisco Chronicle​

‘It's so cringe': The Chronicle weighs in on end of ‘And Just Like That'

Pack up your Manolo Blahniks and grab your Fendi baguettes: The ' Sex and the City ' universe is coming to an end with the series finale of ' And Just Like That… ' The original show was based on writer Candace Bushnell's 1996 book, a compilation of her New York Observer columns, and followed the lives of relationship columnist Carrie Bradshaw (Sarah Jessica Parker), publicist Samantha Jones (Kim Cattrall), lawyer Miranda Hobbes and gallerist Charlotte York (Kristin Davis.) It debuted on HBO in 1998, and soon left its mark on pop culture, gifting the world phrases like, 'He's just not that into you' and 'I'm a try-sexual. I'll try anything once.'' With its sexually frank discussions, themes of female friendship and innovative use of fashion in storytelling, the series became not just a lauded hit for the cable network, but also the kind of zeitgeist entertainment that developed a passionate following. It also gave rise to the ultimate fan question: 'Are you a Carrie, Samantha, Miranda or Charlotte?' Then, after six seasons, 'Sex and the City' wrapped its series run in 2004. Two subsequent movies — simply titled 'Sex and the City: The Movie' (2008) and 'Sex and the City 2' (2010) — hit theaters. The first broke several records, raking in approximately $57 million in its opening weekend. It marked the biggest launch ever for a romantic comedy and the highest opening for an all-women at the time. The sequel, however, was deemed a commercial disappointment, and fans soon accepted it was the last they'd see of the characters. But 11 years later, 'And Just Like That…' revived the franchise once again. Its return sparked plenty of debate, with Mr. Big's death in the first episode, the absence of Cattrall's Samantha and the introduction of new characters like the nonbinary comedian Che Diaz (Sarah Ramirez) all sparking online backlash. For many longtime fans, 'And Just Like That…' became the TV equivalent of a car crash — awful in parts, but it was impossible to look away. Some feel that in Season 3, the show finally hit its stride, making its just-announced conclusion all the more disappointing. Yet, after making its cultural mark through everything like inspiring fashion trends, drag versions and countless meme-able moments, we couldn't help but wonder: Is this really the end of the 'Sex' universe? Chronicle staff writers Tony Bravo, Zara Irshad, Vanessa Labi and J.D. Morris recently gathered over a virtual cosmopolitan to toast — and sometimes lovingly roast — the series, which concludes Thursday, Aug. 14. Q: How do you feel about the decision to end 'And Just Like That…'? Zara Irshad: I always respect when showrunners opt to end a show themselves rather than running it into the ground trying to maintain cashflow. I was surprised that 'And Just Like That…' ran for as long as it did, given the mixed reviews. J.D. Morris: Not at all surprised, given its polarizing reception. But I doubt the finale is going to be satisfying, because it doesn't seem like it was intended to be the end of the series when it was made. The show was a hot mess for most of its run, but I enjoyed getting to spend more time with these characters and seeing them in a different phase of life. Vanessa Labi: It could've brought it home with one more season. But maybe it's just as well that it's leaving us — or me at least — wanting more. Tony Bravo: Given how expensive this show must be, I wasn't surprised. Q: When did you start watching 'Sex and the City?' Labi: I went in toward the end of high school. My friend and I had a ritual where we would rent a season from Blockbuster and binge it on Fridays. I also like to rewatch it every few years and relate to it differently each time. Irshad: I'm a newer fan. I started watching the original show when it was released on Netflix last spring, and have seen it a few times through. I had heard tons of Carrie Bradshaw jokes from friends when I started working as a journalist — even more when I too started dating a furniture designer — and figured it was time to get in on the discourse. The general vibe seems to resonate, though a number of the jokes and sub-plots have been questionable looking back. It seems to have become a default comfort show for us nonetheless. Bravo: I was a freshman in high school when it debuted and I would VHS record episodes to share. It shaped a lot of how I saw dating, friendship and city dwelling. Morris: I really got into it in college. Me and some girlfriends from my dorm — who I'm still close with today — used to watch episodes of the show while doing our laundry freshman year. Q: How do you think 'And Just Like That…' continued the characters' stories? Labi: I thought Charlotte's character development felt pretty earned and natural! If she had stayed her prudish self with old-fashioned values, it would've felt one-note and stunted her storylines. It was fun to see her have fun. Bravo: I agree that Charlotte fared best, but I did like how Miranda had to find herself as a queer woman. Morris: I appreciated the fact that the show did not pretend Carrie was anything other than a very wealthy woman. Miranda's arc felt like a mess until this last season. At the beginning of this show I kept wondering where the old Miranda went. Irshad: Charlotte's development felt refreshing — it was really nice to see more of how she handles motherhood. Miranda's storyline did feel a bit frazzled in that first season (and I miss Steve too!) but I appreciate the way that the show depicted her journey in the end. Q: Has it been must-watch or hate-watch TV for you? Bravo: Must-watch while sending critical texts to the friends I used to pass the VHS copies of 'Sex and the City' to. Morris: Both. I watch it alone and have consistently found myself pausing the show to scroll TikTok for a minute because it's so cringe. But I also needed to know what comes next and relished escaping into this world again. Labi: I also watch it alone! I can't watch it with my husband in the room because it amplifies my awareness of how absurd the writing has become. But in a very earnest way, I love it. It sneaks up on you, the way the characters and performances are still able to affect you. Irshad: It's a guilty pleasure show, for me. I haven't been as invested as I was while watching the original series, but I think that has to do with my lack of nostalgia, since I've only been immersed in the 'Sex and the City' universe for a year or so. Q: What did you like about the new series? Bravo: The fabulous —but ludicrous — clothes by costume designer Molly Rogers. And as a gay Italian American, I loved how much more Mario Cantone's character Anthony was featured. Morris: I thought Seema and Lisa were fun additions to the group. Labi: They were fun! I enjoyed seeing the universe expand and how their perspectives felt more fleshed out by Season 3. Even if one of Seema's storylines was literally: Will she embrace her boyfriend's natural deodorant? Irshad: It was cool to see how each character progressed in their careers since the original series. I particularly enjoyed seeing Charlotte return to the art world. Q: What didn't work? Labi: The tonal switch-ups were really tough. Episode 10, for example, delved into some serious subject matter only to be followed by a three-way phone call where the girls discuss it — over a score with silly sound design — while Carrie purses her lips to cue a goofy tone. Bravo: Everyone was so rich there didn't seem to be real world stakes. Morris: Che Diaz. I appreciated what the show was going for there, but it wasn't executed well. Also, the Samantha cameos felt really forced and awkward to me. But maybe that's just because I've read too much about the off-screen issues there. Irshad: It did feel a little off without Samantha in the mix. I think her personality brought a level of lightness that this show didn't have as much of. Q: Publicly, the story from Sarah Jessica Parker and Darren Star, is that it was a mutual decision to cancel the series. Other reports say HBO canceled it. Has that affected your feelings? Bravo: I think the show got markedly better this season, so I would be disappointed if it was canceled without the writers being able to craft a proper finale. Morris: I don't know enough about the behind-the-scenes drama, if there was any, that led to the cancellation. But I will say, I thought SJP's Instagram farewell to Carrie was lovely. Labi: I wonder if Parker started to feel limited by the character and maybe even tired of criticism of the show. Q: How do you think it will end? Bravo: I want Samantha or Che to suddenly show up. Labi: I would definitely shed some happy tears if Samantha came onscreen for the last episode. Morris: Carrie probably stays single at the end of this one, which will be kind of disappointing to me if it pans out that way. I liked her and Aiden as a couple! A final moment with the original four would melt hearts and break the internet. Irshad: Agreed, Carrie's probably going to stay single. I hope the finale is filled with all the nostalgia. Q: Final thoughts on its legacy? Morris: Something I kept thinking about while watching 'AJLT' was how the show depicted the characters spending time with each other while running errands and going about their regular routines. Normalize catching up with your friends while going mattress shopping! Bravo: Like 'The Golden Girls,' the show was at its best when it focused on the friendship between these women. I aspire to see my friends as often as Carrie. Irshad: It's cool to see the original show getting somewhat of a second life with Gen Z watching for the first time. It's definitely seeping into the social media mainstream with TikTok edits and Carrie's cringier moments being made into memes. I'm here for it! Labi: I love how so many shows that have come after 'Sex and the City' are in conversation with it, like HBO's 'Girls.' It seems its format and legacy will continue to be reinterpreted for a long time. Labi: I don't think I'm any of them! Maybe Carrie for the writerly aspect, and Lisa because I relate to feeling perpetually frazzled. Bravo: When I wrote my relationship column 'Connectivity' for the Chronicle Style section, people often compared me to Carrie. I started as a Carrie who tried to be as empowered as Samantha and have ended up a Carrie, with a very strong sense of Charlotte propriety. Irshad: I think that I'm some combination of Charlotte and Carrie, though that's tough to admit. Carrie's messy in a way you can't look away from, especially in those earlier seasons — and I, too, feel that way sometimes. Charlotte's loyalty and optimism also resonate, and I feel like she has stayed true to those values throughout. Morris: I used to think I was a Miranda. But as I've gotten older, and especially after watching 'AJLT,' I'd put myself somewhere between a Carrie and a Miranda. I relate to Miranda's ambition and directness, but I love the way Carrie loves her city. I think more people should romanticize San Francisco — or wherever your chosen home is — the way she romanticizes New York.

14 romantasy books to read if you loved 'A Court of Thorns and Roses' by Sarah J. Maas
14 romantasy books to read if you loved 'A Court of Thorns and Roses' by Sarah J. Maas

Business Insider

time4 hours ago

  • Business Insider

14 romantasy books to read if you loved 'A Court of Thorns and Roses' by Sarah J. Maas

My feverish experience reading Maas' work isn't uncommon. "ACOTAR" and Maas' other series have become massively popular as romantasy has taken the publishing world by storm. Maas has sold over 70 million copies of her books in English globally, and Bloomsbury had its highest sales year of all time in the 2023-2024 fiscal year, largely due to her work. After I finished "ACOTAR" and the other published works in Maas' series, I wanted another novel like them immediately, but I knew I would have to wait a while for the sixth "ACOTAR" book to come out. Luckily, I've found plenty of romantasy books that give me the same feeling "ACOTAR" does in the last few years, so if you've found yourself in the same position, look no further. If you discovered "Fourth Wing" on BookTok, you're probably already familiar with Sarah J. Maas' "A Court of Thorns and Roses" series about the second book in the series feels most similar in tone to "Iron Flame." In "A Court of Mist and Fury," Feyre Archeron is adjusting to her newfound life as a faerie after she almost died Under the Mountain — as well as coming to terms with the deal she made with Rhysand, the High Lord of the Night Court, to spend a week with him every month. But despite it all, she got what she wanted: an immortal life with Tamlin, the High Lord of the Spring Feyre's life in the Spring Court starts feeling more claustrophobic by the second, especially when Tamlin forbids her from leaving the house. To her shock, she ends up seeking refuge with Rhysand, where she uncovers truths about the Night Court, Rhys, and herself that will change everything she thought she out more about this book here. You may know Sarah J. Maas best for the "A Court of Thorns and Roses" series, but "Throne of Glass" is just as enthralling as her TikTok-famous first installment in her 7-book series introduces readers to Celaena Sardothien, an 18-year-old, world-renowned assassin who has been imprisoned for her crimes against the Kingdom of Ardalan, a land that has been leeched of the magic that once ran free in it. Celaena thinks she will be stuck in a work camp for the rest of her life, but when the Crown Prince of Ardalan offers her a chance at freedom in exchange for competing in a life-or-death competition against 23 other criminals, she sees a way out. Celaena is prepared to fight and kill for a second chance at life, but she isn't ready for the torrent of evil brewing in the castle of glass — or for the way both the Crown Prince and Captain of the Guard will make her feel."Throne of Glass" is a suspenseful and romantic introduction into Maas' most sweeping series to out more about this book here. "The Serpent and the Wings of Night" by Carissa Broadbent Carissa Broadbent's "The Serpent and the Wings of Night" has all the fun of "A Court of Thorns and Roses," but it will also appeal to "Twilight" fans because vampires are at the center of the has been fighting to survive since the Nightborn vampire king adopted her when she was a human child. Her world is full of threats, and her only hope of reprieve is winning the Kejari, a once-in-a-generation tournament where the champion is granted a wish from the goddess of death, Nyaxia. Oraya intends to stay away from the other vampires in the competition, but she finds herself with no choice but to ally with Raihn, an annoyingly handsome vampire from a rival house. What's worse, she discovers she actually likes Raihn as the competition goes on, which is inconvenient as war looms between the houses. As Oraya tries to determine who she can trust, she discovers shadows from her past have more impact on her future than she could have out more about this book here. I love "From Blood and Ash," but I think Armentrout's prequel to the series, "A Shadow in the Ember," is even more gripping and tantalizing. To the world, Seraphena Mierel is the Maiden, chosen to be the Primal of Death's wife before she was even born. But to the royal family's inner circle, she is their only hope — an assassin trained to kill the Primal to stop a Rot from decimating her country. But when she finally meets the Primal of Death, he's nothing like Sera expected. And when he touches her, killing him is the last thing on her mind. But will what she wants matter if she can't save her people?Find out more about this book here. Amanda Bouchet's "The Kingmaker Chronicles" is a three-part series full of magic, gods, and romance, and it will appeal to Yarros fans who were drawn to Violet's powerful signet, as well as Xaden's dedication to the first installment "A Promise of Fire," Cat Fisa has been on the run for years. She was born with the ability to tell when people are lying, a once-in-a-generation power that makes her the "Kingmaker." But Cat wants nothing to do with her power — or her family in the North that would use her for it — so she stays hidden, pretending to be a soothsayer in a traveling circus in the Griffin, the general of a newly established human kingdom, sees her, he knows what Cat is immediately and takes her in the hopes of protecting his family's throne. Cat won't go down without a fight, though, and Griffin's hostage becomes even harder to control when powerful members of her family come looking for they make their way toward his family's castle, Griffin will have to convince Cat his family is worth working with — a task that becomes even more difficult when he realizes he doesn't want Cat to just work with him; he wants her to be his out more about this book here. "The Cruel Prince" by Holly Black Being a human in a faerie world isn't all it's cracked up to be. But Jude has no choice, as she and her sisters were forced to live in the High Court of the Fae after their parents were murdered before their hates feeling lesser than the magical creatures around her, and no one makes her feel smaller than Prince Cardan — who also happens to be the most beautiful fae she's ever seen. She makes it her mission to rise up in the fae ranks, no matter the when Jude finds herself embroiled in a battle for the safety of her sisters and the fae, she finds there's more to the prince than she ever first installment in Holly Black's "The Folk of the Air" series, "Cruel Prince" is a mysterious and sexy page-turner that fans of the enemies-to-lovers trope and fantasy will out more about this book here. "Ledge" by Stacey McEwan Just like "A Court of Thorns and Roses," I saw "Ledge" making the rounds on TikTok before I read it, so it's no surprise it was also a hit. The Ledge is all Dawsyn has ever known. Her life exists in the limits of the frozen clifftop, and time is marked by visits from Glacians, evil creatures that look like winged humans who steal Ledge dwellers from the land multiple times per Dawsyn is taken by the Glacians, she knows she has to escape the monsters, even though their plans for her are a mystery. She has no choice but to accept help from Ryon, a half-Glacian who offers her a path down the mountain the Glacians castle sits is the only thing on Dawsyn's mind, and she isn't prepared for what reaching the human lands at the bottom of the mountain could bring — or for the feelings Ryon will stir in out more about this book here. "Red Queen" by Victoria Aveyard There are two kinds of people in Mare Barrow's world: mortals with red blood, and superhero-like people with silver blood who possess magical powers and rule over the is prepared to live out her life as a normal human until she discovers that she has magical abilities despite her red blood — in a room full of silvers. The show of impossible, supernatural power leads the king to create a ruse in which Mare must pretend to be a lost silver princess and marry one of the king's decision sets Mare on a path of deceit and double agency as she works to get information for the Scarlet Guard, a red resistance movement, while she's in the halls of the castle. Mare's life only grows more complicated as she feels herself falling for both of the king's sons — and that love could lead her to destruction, in Victoria Aveyard's "Red Queen." "The Song of Achilles" by Madeline Miller HarperCollinsDespite the title, "The Song of Achilles" by Madeline Miller actually follows the life of Achilles' closest companion, Patroclus, who is best known in mythology for his death that drives Achilles mad with puts a fresh lens on the well-known tale, focusing on the rivalry between Achilles and Patroclus that develops in their feud soon becomes friendship and then something more, and the duo have to reckon with what their feelings for each other mean as Achilles faces a fatal prophecy about his involvement in the Trojan war."The Song of Achilles" is both a war story and a beautiful look at first love, making Homer's epic accessible and meaningful in a whole new out more about this book here. "Heartless Hunter" by Kristen Ciccarelli In "Heartless Hunter," the first book in Kristen Ciccarelli's "The Crimson Moth" duology, Rune Winters has more secrets than she knows what to do public, Rune is a human socialite loyal to the new leadership. In secret, she is the Crimson Moth, a vigilante witch who helps others like her escape the execution her grandmother faced when human rebels overthrew the witch is on a mission to find Seraphine, a witch friend of her grandmother's, before the hunters do, but when Seraphine is arrested before Rune can save her, she decides she must get closer to the guard to prevent Seraphine's death. She sets out to convince Gideon Sharpe, a powerful hunter who has always hated her, to fall in love with her, hoping he'll lead her right to does she know, Gideon has his own reasons for getting closer to Rune, suspecting she has a connection to the Crimson Moth. Both begin spending more time together under false pretenses, making it all the more surprising when real feelings develop between them.

13 Horror Movies You Really Need to Stream on HBO Max
13 Horror Movies You Really Need to Stream on HBO Max

CNET

time5 hours ago

  • CNET

13 Horror Movies You Really Need to Stream on HBO Max

You have a swathe of streaming services to choose from when you want to watch a horror movie. So why should you spend time sifting through HBO Max? With new movies like Sinners and classics like Carrie in its catalog, HBO Max's library is up there with the best of them. The streamer recently reinstalled the HBO portion of its name and starts at $10 per month or $100 per year. You can also get the streaming service free with a Doordash DashPass annual plan. If you're in the mood for a horror movie, here are 13 excellent options. Eric Milner/Warner Bros. Final Destination Bloodlines (2025) Final Destination Bloodlines is the first film in the franchise in 14 years, and it won't be the last -- another entry with the co-writer of Bloodlines is officially in the works. Bloodlines manages to feel fresh while carrying on the series' well-known elaborate killings, premonitions and efforts to outwit death. Warner Bros. Sinners (2025) Michael B. Jordan takes on two leading roles in this genre-bending film from Ryan Coogler (Creed, Black Panther). Sinners is a box office hit, but if you have yet to spend time with Smoke and Stack (or missed the post-credit scenes in theaters), now's your chance to stream it. Cara Howe/Warner Bros. Companion (2025) Companion is a scary movie you should boot up and watch without much pre-Googling. It's clever, unsettling and thrilling, with great performances from Sophie Thatcher of Yellowjackets and Jack Quaid of The Boys. Produced by the filmmakers behind 2022's Barbarian, Companion sets the bar high for 2025 horror films. A24 Heretic (2024) The inclusion of Hugh Grant may draw you into this religious horror movie, but once you hit play, there's no escaping the creepiness of his character, Mr. Reed. Watch this one if you want to see if a pair of young missionaries are able to outwit their evil captor. Orion Pictures The Silence of the Lambs (1991) Jodie Foster interviews Anthony Hopkins' evil Hannibal Lecter in this classic psychological thriller. Foster plays FBI agent Clarice Starling, who's determined to bring down a killer. It's the only horror movie ever to win a best picture Oscar, and it also won for best director, screenplay, actor (Hopkins) and actress (Foster) in 1992. Universal Pictures Get Out (2017) Jordan Peele's directorial debut scored Oscar nominations for best picture, director and actor, and an Oscar win for best original screenplay. The twisty psychological horror flick stars Daniel Kaluuya as Chris, a Black man who unknowingly steps into danger when he meets his white girlfriend's family. A24 Pearl (2022) The Mia Goth-starring slasher Pearl is a prequel to Ti West's film X, centering on a younger version of the elderly villain in that flick. HBO Max carries X, Pearl and a third film in the series, MaXXXine, but I recommend Pearl if you only have time for one movie. Warner Bros. It (2017) When this adaptation of the classic Stephen King novel hit theaters in 2017, it had moviegoers like me looking twice at storm drains and dreading red balloons. With a cast of intrepid kids and a lot of heart, it makes a compelling case for more supernatural coming-of-age stories. And a strong case against clowns. Max/Screenshot by CNET Night of the Living Dead (1968) George Romero's first horror film is an easy recommendation. A group of survivors take refuge in a house while members of the undead swarm outside. The influential flick is often regarded as the first modern zombie movie, and while it may not offer Freddy Krueger-level frights, you'll be drawn in by the characters at the center of its story. You're going to want to leave the door open for this one (but in the case of an actual apocalypse, keep it very, very shut). Red Bank Films Carrie (1976) It's more Stephen King, and you have to watch Sissy Spacek's Oscar-nominated portrayal of the prom queen at least once in your life. Why not now? Warner Bros. Beetlejuice Beetlejuice (2024) The 1988 horror comedy Beetlejuice may not be on Max, but you can catch Michael Keaton's ghost with the most in the 2024 sequel. Winona Ryder and Catherine O'Hara also reprise their roles in the spooky follow-up film. Libra Films Eraserhead (1977) David Lynch's first feature-length film will make you feel like you're in a bizarre nightmare. The 90-minute black-and-white horror flick is packed with odd sounds and imagery, and the result is incredibly eerie. Don't even get me started on the main character's freakish, otherworldly looking "baby" (that's oddly still kind of cute?). There are messages about men and parenthood here, but even setting aside the bigger picture, Eraserhead's surreal world is absolutely worth a visit.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store