
Pro-Israel group hacks Iran crypto exchange for over $90 million, firm says
An Israel-linked group appears to have hacked Iran's largest crypto exchange, Nobitex, transferring more than $90 million out of crypto wallets, according to the blockchain analytics firm Elliptic.
The Israeli hacking group, known as Gonjeshke Darande or Predatory Sparrow, claimed early Wednesday that they had conducted cyberattacks against Nobitex, just one day after claiming responsibility for the hack of a state-owned Iranian bank.
The latest hack comes amid increasing tensions between Iran and Israel, as the two sides volley attacks at one another following Tel Aviv's surprise attack on Tehran's nuclear facilities and missile sites last week.
The hacked Nobitex funds are currently held by addresses that feature explicit language taking aim at Iran's Islamic Revolutionary Guard Corps (IRGC), underscoring the motivations behind the hack, according to Elliptic.
The funds appear to have been effectively destroyed by the hacking group. Elliptic noted it is 'computationally infeasible' to create addresses with such long text strings, meaning the hackers likely do not have the private keys to access the funds.
'It's technically infeasible for them to have the private keys for these addresses, so the funds are lost,' Tom Robinson, co-founder of Elliptic, said in a statement.
'You can create crypto addresses containing specific text, but it becomes exponentially more computationally expensive as the length of the text increases,' he continued. 'This enabled the hacker to send a clear message, but at a very high cost.'
The Israeli hacking group said it was targeting Nobitex for facilitating terrorism financing and sanctions evasion.
Two IRGC operatives, who have been sanctioned by the U.S. for their ties to ransomware operations, have used the crypto exchange, according to Elliptic.
The blockchain analytics company has also identified interactions between Nobitex and wallets associated with Hamas, Palestinian Islamic Jihad and the Houthis — all of which are designated as terrorist groups by the U.S. government.
The potential for terrorist groups and other sanctioned entities to use crypto exchanges to evade restrictions has long been a concern about the industry. However, crypto advocates often argue it is easier to track and block illegal transactions over the blockchain.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
23 minutes ago
- Yahoo
Colombian ‘Narcos' Producer Dynamo Hires Angélica Guerra to Drive International Growth (Exclusive)
Angélica Guerra, a former top executive at Apple, Sony, Colombian free-to-air network Caracol Televisión and Telemundo, has joined Dynamo, the Colombian production company and production services firm that has worked on the likes of hit crime drama Narcos and One Hundred Years of Solitude, as a partner and chief strategy officer. She will also lead two newly launched business units called Franchises and Unscripted. The hire underlines Dynamo's ambition for international growth. With it, the company said it 'is poised to accelerate its global ambitions, innovate across genres, and further solidify its position as a leader in premium content production.' More from The Hollywood Reporter Israel-Iran Conflict Dominates Global News Peter Chan's Noir Drama 'She's Got No Name' Debuts in Shanghai After "Experimental" Two-Part Overhaul 'Ne Zha 2' Director: China's Animation Boom Must Lead to Creative Risk, Not Repetition With offices in Bogota, Mexico, New York, and Madrid, Dynamo, founded in 2006, has so far developed and produced 26 series and 49 feature films for the likes of Netflix (Narcos, One Hundred Years of Solitude, Wild District etc), Amazon (Falco, Medellin, The Head of Joaquin Murrieta etc), and Starzplay (Malayerba). Its films have included The 33, Mile 22, American Made, and Gemini Man. With more than 25 years of experience in the audiovisual industry, Guerra's leadership of the two new divisions will also help with 'further broadening the company's footprint in both scripted and unscripted formats,' Dynamo said. 'In her most recent role, Guerra spent five years as head of Apple TV+ for Latin America, leading the content strategy for Spanish-speaking audiences worldwide,' Dynamo said. As senior vp of production for Latin America and U.S. Hispanic at Sony Pictures Television, she oversaw a slate of original primetime series that included the likes of Metastasis, the Spanish-language adaptation of Breaking Bad, and local-language versions of such nonscripted formats as Shark Tank, X Factor, and Got Talent. Before that, during her tenure at Caracol, she helped the company expand its international presence. 'Angélica's arrival as a partner marks a milestone in our growth strategy, propelling us into newbusiness areas that align with the evolving needs of our industry,' said Dynamo CEO Andrés Calderón. 'Her leadership, experience, and strategic vision are widely recognized, and we're confident she will be instrumental in Dynamo's international expansion.' Guerra is ready for her new challenge. 'Dynamo has built an extraordinary legacy of bold, high-quality storytelling that resonates globally. I'm thrilled to join this talented team at such a pivotal moment, as we expand into new formats and push creative boundaries,' she said. 'With the launch of the Unscripted division, we'll focus on discovering, creating, and adapting the most innovative formats for Latin American audiences and beyond. Meanwhile, our Franchises division will develop fiction properties with the potential to grow across multiple seasons and platforms.' Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire
Yahoo
23 minutes ago
- Yahoo
How Clear Angle Studios Is Harnessing the Power of Hollywood's Most Sought-After VFX Tech
There's a lot of talk in Hollywood about the U.K.'s production boom. Studios, it seems, are scrambling to find ways to shoot in California, keep talent stateside and claw back some semblance of industry glory that once belonged to L.A. (all while fighting off a president hellbent on terrorizing the rest of the world with his tariffs). This isn't news: It's no secret that London is benefiting from Hollywood's demise. Its 2024 production revenue topped around £5.6 billion ($7.4 billion) and streaming giants such as Prime Video, Netflix and Disney are currently expanding their U.K. offices. You've no doubt heard about the likes of Pinewood — home to 12 MCU blockbusters — or Sky Studios Elstree (Wicked, Jurassic World: Rebirth), which remain booked out and full to the brim with the most in-demand stars in the world. More from The Hollywood Reporter Israeli Missile Strike Hits Iranian State Broadcaster on Live TV Japan's Yuya Danzuka Mines Family Drama and Urban Design for Breakout Directorial Debut 'Brand New Landscape' OUTtv: They're Here, They're Queer, They're Canadian! It's a lot of numbers — X amount of sound stages or X amount of dollars invested — but what, exactly, is going on behind closed doors at these enormous movie lots? What kind of work is keeping Britain's film and TV biz thriving? The Hollywood Reporter was recently a guest of Pinewood Studios with a company that is emblematic of the industry's impressive run of form. Spoiler: they've got a monopoly on some futuristic technology. Clear Angle Studios is a leading 3D capture and processing company with offices all over the world. Headquartered at Pinewood and led by co-founders Dominic Ridley and Christopher Friend, the digital visual effects business operates in cyber scanning and photogrammetry capture. It was born out of a conversation between Ridley and Friend at a Halloween party years ago. In 2013, they kicked off with just 70 cameras and a dream. Since then, Clear Angle has come to dominate a vital field in the world of film and television, specializing in full body, face, prop and environment scanning that has undoubtedly improved some of your favorite movies and TV shows of the last 10 years. Have you wondered how Tom Cruise was capable of all his epic stunts in Mission Impossible: The Final Reckoning? Or maybe why Robert Pattinson was so convincingly a set of twins in Bong Joon Ho's recent sci-fi feature Mickey 17? Ridley's the man to ask. 'We have a very good relationship with Marvel, Lucasfilm, Warners, Netflix, Apple, Amazon, MGM, Universal, Paramount, 20th Century — and we try to do as much as we can without spreading ourselves too thin,' the Clear Angle director tells THR while showcasing the scale of the company's tech. Ridley, whose career-spanning work behind the camera started in the visual effects department, is attempting to put into laymen's words how Clear Angle's ultra-high resolution facial capture system works, a rig made up of 90 individual cameras and fondly named Dorothy. 'Your big superheroes, any big face replacements or face changes, prosthetics — any weird stuff that happens close up on frame,' Ridley beams with pride about Dorothy, 'if you have an actor fighting himself or herself or you need a close up of the same people in the shot, this rig would be useful.' It's hard to describe the system's spaceship-esque structure, but with 54 Canon SLRs, 22 Sony A7R3s, 13 machine vision cameras and 497 programmable LED light nodes, you can imagine the detail it's able to capture. With the ability to reproduce an actor's exact facial performance with little to no input from an animator, Dorothy can shoot 48 frames a second. Only three of these exact rigs exist in the entire world. The other two are stationed at Clear Angle's offices in Atlanta and Culver City. But with such frantic activity in London, the Atlanta Dorothy has been shipped over to the U.K. 'There's quite a lot of shooting here, whereas there's not very much going on in Atlanta or L.A., at all, currently.' It's a 180, Ridley adds, after Europe's production plunge post-COVID and Hollywood strikes. 'Europe is getting busy,' he continues. 'The U.K. is picking up. Australia has got some great tax incentives [as well as] Toronto, but Italy, Spain, Hungary, Bulgaria, Germany, they're all starting to pick up. It shows that studios are actually starting to get serious again about rolling out content. There was definitely a reset,' he says, 'and that process took time. But I feel like we're at the end of the tunnel and the light is fast approaching.' Clear Angle's other international offices cover Vancouver, Athens, Cape Town and Budapest. Worldwide, they have 18 full-body, custom-built photogrammetry rigs, each equipped with 204 cameras and 32 lights. Some of the talent to have stepped into this set-up include the cast of Lucasfilm's Andor, the recent live-action adaptations of Lilo and Stitch and How to Train Your Dragon, and even the star-studded lineup from Marvel's Deadpool & Wolverine. 'If somebody's falling off a bridge or jumping out of a high-rise building, these things are just far too dangerous,' Ridley says about where the 3D full body scanning comes in handy. 'There's often a computer-generated takeover [in film and TV] where a stuntman or talent would run and just before they jump through the window, CG takes over. So, arguably, we're saving lives, right?' Clear Angle can also retrieve a digital likeness of an actor, prop, landscape or animal (Ridley says they've scanned lions, donkeys, zebras, flamingos, seals and a whole lot of horses) through a full body scan, facial capture and even voice capture. This data is then handed over to the VFX vendors to use however they like. Anyone who comes in for a scan is given 24 hours notice of exactly what the systems do and what shots they'll be used for. The talent have to give their explicit permission that they're happy to be captured. So is using this kind of technology getting increasingly difficult to navigate at a time when artificial intelligence grows more powerful by the day? Scarlett Johansson is among one of the more recent stars to speak out after OpenAI launched a chatbot with an 'eerily similar' voice to her own. She had previously turned down an approach by the company to voice the digital bot. 'When I heard the released demo, I was shocked, angered and in disbelief,' she said. OpenAI maintain it was not meant to be an imitation of the actress. 'Since the strikes, actors have certainly become far more aware of scanning and digitizing themselves and the rights and legalities behind that,' says Ridley. 'And I think that's a really good thing. Education is a good thing. I don't think studios were capturing data and using it in a negative way [before], or using it in the way that is often broadcast in the media.' 'When we've captured data for the big studios, that data has always been used only in that production, only on that film. We've been doing this for 10 years,' he continues. 'And I personally don't know where this idea — that we'd scan an extra on one show and that data would be used on other shows — has come from. That doesn't happen. That's not a thing.' Ridley's team is 'particularly studious' when it comes to data security. 'We follow security protocols for the big studios that will have very stringent protocols. And all the data is offline. There's no way you can get to it. [That's] a huge focus and emphasis within Clear Angle and other vendors within film — we really take care of the data. It's paramount for us. It's our lifeline.' Clear Angle, at the company's Pinewood base, have scanned a record 300 people in one day. It's an intricate system with a lot of moving parts in a location — a quick cab ride from London — that allows an enormous wealth of talent to come in and out, undetected and in a flash. The business scans for games, too, helping to create accurate, photo-realistic avatars of, for example, your favorite athletes. They also use drone and helicopter technology to capture entire landscapes. The gaming world is one that Ridley would like to explore further. Of course, there have been finance-related speed bumps along the way. Cameras, PCs and servers aren't cheap — Ridley says he and Friend invested a lot of their own money when Clear Angle was in its infancy, even putting a house on the line as collateral before the business took off. The instability of the industry has also proved tricky, he adds, but since 2016, with an ever-expanding employee directory including finance boss Michael Pedersen, the company has generally gone from strength to strength. And the demand in London, especially, won't let up. 'The biggest sadness that I tend to have [now] is when somebody calls me up and they say, 'Hey, great working with you — we're shooting XYZ in a couple of months,' and I have to say, 'Oh, really sorry, we're fully booked,'' Ridley says. 'I just hate letting people down like that. But it's still better to let them down that way than it is to do a poor job because you're stretched too far.' A tour of the set-up at Clear Angle's Pinewood hub feels like stepping into the future, or some top-secret lab where highly-skilled crew are toiling away in the underbelly of the film industry beast. What sets Clear Angle apart is the people, Ridley adds. 'When we work on a Marvel show, they're hiring us because the data is good, but also because they actually want to work with these people for a six-month, five-month period.' He adds: 'That's what motivates me. I'm not interested in a whole host of things — I am more interested in the tech, the facilitation and the logistics, and the people that get to be a part of the process. Those are my memories.' Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now
Yahoo
31 minutes ago
- Yahoo
OpenAI CEO Sam Altman Says ‘We Are Heading Towards a World Where AI Will Just Have Unbelievable Context on Your Life'
OpenAI CEO Sam Altman has called ChatGPT's new memory feature his 'favorite recent' advancement, but the technology's ability to remember and leverage deep context about users is raising as many questions as it answers. In a podcast released today, Altman described the feature as a 'real surprising level up,' saying, 'Now that the computer knows a lot of context on me, and if I ask it a question with only a small number of words, it knows enough about the rest of my life to be pretty confident in what I want it to do. Sometimes in ways I don't even think of. I think we are heading towards a world where, if you want, the AI will just have unbelievable context on your life and give you super, super helpful answers.' Is Palantir Stock Poised to Surge Amidst the Israel-Iran Conflict? CoreWeave Stock Is Too 'Expensive' According to Analysts. Should You Sell CRWV Now? 'It Has No Utility': Warren Buffett Doesn't Care How High Gold Goes, He Isn't a Buyer Tired of missing midday reversals? The FREE Barchart Brief newsletter keeps you in the know. Sign up now! The new memory feature allows ChatGPT to retain information from past interactions and build a persistent profile of each user's preferences, routines, and even personal milestones. This means the AI can provide more tailored, anticipatory responses — streamlining tasks, making recommendations, and even reminding users of important events or deadlines without being prompted. For many, this represents a long-awaited leap toward truly personal digital assistants, capable of understanding context and nuance in a way that feels almost human. However, this leap in convenience comes with significant privacy implications. Persistent memory means ChatGPT is storing more personal data than ever before, including potentially sensitive details about users' lives, work, and relationships. There are also concerns about how this data might be used for targeted advertising, profiling, or even surveillance. While much of this is just speculation right now, any large pool of stored data will inevitably become a target for bad actors. As scams become more elaborate, unauthorized access to a user's OpenAI account could spell disaster, as it would allow hackers access to sensitive work documents, fragile mental states, ongoing personal issues, and a host of other information. Even worse, bad actors could essentially use one's account as a search engine for detrimental information on that user. OpenAI has anticipated some of these concerns, and is promising robust user controls and transparency. According to the company, users will be able to review, edit, and delete their stored memories at any time. There will also be options to disable the memory feature entirely, reverting ChatGPT to a 'stateless' mode where no information is retained between sessions. Altman emphasized the importance of consent and user choice in the podcast, which hopefully means users currently have little to worry about. 'I hope this will be a moment where society realizes that privacy is really important,' Altman said during the interview. The introduction of persistent memory in consumer AI comes at a time of heightened regulatory scrutiny. Lawmakers in the U.S., EU, and elsewhere are actively debating new rules for AI transparency, data retention, and user rights. OpenAI's approach to privacy and user empowerment could set a precedent for the industry, but it will also be closely watched by regulators and privacy advocates. Competitors such as Google (GOOGL) (GOOG), Meta (META), and Anthropic are reportedly developing similar features, suggesting that persistent memory may soon become standard in advanced AI systems. This raises the stakes for getting privacy protections right from the outset. For users, the promise of a digital assistant that truly 'knows' them is both exciting and unsettling. The convenience of having an AI that can anticipate needs, manage schedules, and offer personalized advice is undeniable. Yet, as Altman's comments make clear, this future depends on a delicate balance between utility and privacy. As AI systems become more deeply integrated into daily life, the conversation around memory, context, and consent will only grow more urgent. OpenAI's latest innovation is a glimpse of what's possible — but also a reminder that, in the world of intelligent machines, privacy and trust must remain at the forefront. On the date of publication, Caleb Naysmith did not have (either directly or indirectly) positions in any of the securities mentioned in this article. All information and data in this article is solely for informational purposes. This article was originally published on