
Kathy Bates says work feels ‘magnificent' after losing 100 lbs
The 'Matlock' star spoke with People magazine about her current projects and how her weight loss has changed her experiences on set.
'When I was so heavy in 'Harry's Law,' I had to sit down in between every take, and it was awful,' she said, referring to her 2011 drama series. 'I'm ashamed to have put myself through that, to be honest.'
Bates added: 'But now that I've been able to get really healthy, I can move, I can breathe, I can have fun, I'm not sore.'
'I get tired and realize I'm like an old lady, but even the kids get tired,' she said. 'But it's been a magnificent experience.'
Bates, 76, said she 'never expected to have this at my age, at the end of my career.'
The actress has lost 100 pounds over several years. She told the publication in a separate interview that she changed her lifestyle after being diagnosed with type 2 diabetes.
'[Diabetes] runs in my family, and I'd seen what my father had gone through,' she said. 'He had had a leg amputation. One of my sisters is dealing with it very seriously, and it terrified me. It scared me straight.'
Bates, who is also a cancer survivor, said she initially lost 80 pounds through diet and exercise and an additional 20 pounds with after starting a GLP-1 medication.
She said her improved health 'coincided beautifully' with the timing of her new gig, a reboot of 'Matlock.'
'Physically, I'm capable of doing this show,' she said. 'I don't have to sit down. I can stand up all day long and walk and move and breathe and do so many things that I couldn't before.'

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(George Quinn/Chicago Tribune)Friedman beavered away at his new instrument, sometimes as long as 10 hours a day. In a few short months, he was accomplished enough to get into the Chicago College of Performing Arts at Roosevelt University, and, after that, the Civic Orchestra of Chicago, the training orchestra affiliated with the CSO. In those days, Civic's top musicians would be invited to audition for CSO openings. But by a series of flukes, Friedman never once auditioned for the CSO. When a musician strike scuttled the orchestra's audition call for the 1962 season, he was promoted directly from Civic as a stopgap. The closest thing Friedman had to a tryout was arguably more stressful than an official audition. While rehearsing an all-Wagner concert in 1963, Fritz Reiner, the CSO's formidable yet formative music director, complained that he couldn't hear Friedman on the bass trumpet — an obscure doubling rarely seen outside of Wagner. 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