A Forgotten Dwayne Johnson Sci-Fi Movie Is Swallowing The Competition On Netflix
According to FlixPatrol, which measures viewer habits on streaming services, the film has seen a spike after being added to Netflix's library. Rampage isn't usually top of mind when people think about The Rock, so it's not entirely clear why it's such a focus for viewers.
The film features Dwayne Johnson as primatologist Davis Okoye, a man who works with gorillas at a San Diego wildlife sanctuary. He's particularly close to George, a highly intelligent albino silverback gorilla who can speak via sign language. George is a gentle giant, but after a scientific experiment on a space station goes awry, the remnants come crashing to earth, where, wouldn't you know, it crashes into George's habitat, and a canister within exposes him to a strange gas.
It isn't long before George grows to an enormous size, with fits of uncontrollable rage, and escapes the facility. To make things worse, canisters of the gas also land in Wyoming, creating other large, angry creatures out of the local wildlife. They're on a collision course with George. Of course, that means Dwayne Johnson is going to do Dwayne Johnson things to stop them, and the action and mayhem quickly get out of control.
The film also stars Naomie Harris (No Time to Die's Moneypenny) as Dr. Kate Caldwell, a scientist who worked on the genetic experiments now affecting the animals, and she teams up with Dwayne Johnson to stop the threat. Malin Akerman (Watchmen) and Jake Lacy (The Office) star as Claire and Brett Wyden, billionaire siblings who own Energyne, the corporation behind the experiments, and don't want their secrets out. They send out some ex-military types to retrieve them, and the government soon gets involved as the creatures are drawn to Chicago (thanks to a convenient plot device) for a showdown.
Justice League's Deathstroke himself, Joe Manganiello, stars as Burke, an independent operator hunting down the creatures for the Wydens, and a very entertaining Jeffrey Dean Morgan (The Walking Dead) stars as a government agent trying to capture the creatures. Besides the outstanding digital effects (providing lots of angry monkey action), the movie also has a nice sense of humor, especially when Jeffrey Dean Morgan and Dwayne Johnson go head-to-head and start trading barbs.
Released in April of 2018, the film was a box office hit, despite critics who ripped the movie and gave it a 51% rating on Rotten Tomatoes (viewers are more forgiving, giving it a 72% rating). It grossed over $100 million in the United States and over $428 million worldwide, according to Box Office Mojo.
Rampage is based on the 1980s video game of the same name, and as you might expect, it has very little resemblance to the final film. The only common denominator is the creatures, who punch buildings in the video game until they fall. Players control the creatures in the game, but the movie version needed a human face for the lead, and the larger-than-life Dwayne Johnson is one of the few actors on the planet who could share the screen with giant CGI creatures and not look out of place.
Viewers will likely catch a familiar face in the film's opening moments: Marley Shelton (Scream, Sin City) as the astronaut on the doomed space station where the pathogen is first created. Sadly, another familiar face didn't make the film's final cut: a scene featuring Alexandra Daddario, Dwayne Johnson's co-star in San Andreas, was shot but later discarded. She played a scuba instructor who encounters a mutated squid.
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Those barriers have already long since broken down in music: many K-pop artists and songwriters are non-Korean or part of the Korean diaspora, reflecting the genre's history of foreign influences such as Japanese pop or American hip-hop. 'Once a cultural creation acquires a universality, you can't just confine it to the borders of the country of origin, which is where K-pop is today,' said Kim Il-joong, director of the content business division at the Korea Creative Content Agency, a government body whose mission is to promote South Korean content worldwide. 'Despite what the name 'K-pop' suggests, it is really a global product.' In 'K-pop Demon Hunters,' Zoey is a rapper from Burbank. In addition, the soundtrack was written and performed by a team that includes producers, artists and choreographers associated with some of the biggest real-life K-pop groups of the past decade. Streaming productions are increasingly flying multiple flags, too: Apple TV's 'Pachinko' or Netflix's 'XO, Kitty' are both American productions that were filmed in South Korea. But few productions have been able to inspire quite the same level of enthusiasm as 'K-pop Demon Hunters,' whose charm for many South Koreans is how accurately it captures local idiosyncrasies and contemporary life. While flying in their private jet, the three girls are shown sitting on the floor even though there is a sofa right beside them. This tendency to use sofas as little more than backrests is an endless source of humor and self-fascination among South Koreans, most of whom would agree that the centuries-old custom of sitting on the floor dies hard. South Korean fans and media have noted that the characters correctly pronounce 'ramyeon,' or Korean instant noodles. The fact that ramyeon is often conflated with Japanese ramen — which inspired the invention of the former decades ago — has long been a point of exasperation for many South Koreans and local ramyeon companies, which point to the fact that the Korean adaption has since evolved into something distinct. It's a small difference — the Korean version is pronounced 'rah myun' — but one that it pays to get right in South Korea. The girls' cravings for ramyeon during their flight also caught the eye of Ireh, a member of the real-life South Korean girl group Purple Kiss who praised the film's portrayals of life as a K-pop artist. 'I don't normally eat ramyeon but whenever I go on tour, I end up eating it,' she said in a recent interview with local media. 'The scene reminded me of myself.' South Korean fans have also been delighted by a pair of animals, Derpy and Sussy, which borrow from jakhodo, a genre of traditional Korean folk painting in which tigers and magpies are depicted side by side, popularized during the Joseon Dynasty in the 19th century. In the film, Derpy is the fluorescent tiger with goggle eyes that always appears with its sidekick, a three-eyed bird named Sussy. Though they have long since been extinct, tigers were once a feared presence on the Korean peninsula, at times coming down from the mountains to terrorize the populace. They were also revered as talismans that warded off evil spirits. But much like Derpy itself, jakhodo reimagined tigers as friendlier, oftentimes comical beings. Historians have interpreted this as the era's political satire: the magpie, audacious in the presence of a great predator, represented the common man standing up to the nobility. The movie is peppered with homages to Korean artists throughout history who are seen today as the progenitors of contemporary K-pop. There are apparent nods to the 'Jeogori Sisters,' a three-piece outfit that was active from 1939 to 1945 and is often described as Korea's first girl group, followed by the Kim Sisters, another three-piece that found success in the U.S., performing in Las Vegas and appearing on 'The Ed Sullivan Show.' Longtime K-pop fans might recognize the demon hunters from the 1990s as S.E.S., a pioneering girl group formed by S.M. Entertainment, the label behind present-day superstars Aespa and Red Velvet. (Bada, S.E.S.'s main vocalist, recently covered 'Golden,' the film's headline track, on YouTube.) For a long time, South Korean audiences have often complained about outside depictions of the country as inauthentic and out of touch. Not anymore. 'Korea wasn't just shown as an extra add-on as it has been for so long,' Kim said. ''K-pop Demon Hunters' did such a great job depicting Korea in a way that made it instantly recognizable to audiences here.'