Janhvi Kapoor Says India Is Not An Aggressor Amid Rising India-Pakistan Tensions
Mumbai: Just like all of us, actress Janhvi Kapoor is also devastated and extremely concerned about the growing tension between India and Pakistan.
Taking to her Instagram stories, Janhvi penned an emotional note that read, "The visuals that unfolded on news channels and social media last night felt like they were something out of a movie, something I never fathomed I'd see in this lifetime happening on Indian soil. It was a kind of anxiety I had never experienced before. And it made me think of all the times we'd remark on foreign conflicts from a safe distance and call for an end to any and all kinds of confrontation between countries. But this time it's at our door step."
The diva stated that, as history is proof, India is not an aggressive country.
"We by nature, by history are never the aggressors. We don't invade, we don't enforce ourselves into places and onto people that don't welcome us."
"Yesterday after decades of being at the receiving end of cowardly attacks we chose to hit back. We finally said enough. The might, power and strength of our armed forces was never any secret. But yesterday, despite the terror and uncertainty of what may unfold, there was a sense of security," she added.
Thanking our Indian Armed Forces, Janhvi added, "Our Air Forces, our Navy, our Army, their bravery and their prowess will prevail and they won't let a single Indian come in the way of harm."
Showing her gratitude for our PM, she went on saying, "Thank you Shri Narendra Modi for showing us that sometimes being an Indian also means to take a stand and to put an end to injustice inflicted upon us."
"The only scenario in which the perpetrators get what they want is if we let them divide us from within. I implore you to rise above that instinct, India's long overdue response to terrorism is not extremism, it is an act of survival." Janhvi concluded.
After Operation Sindoor, tension has escalated along the India-Pakistan border.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
40 minutes ago
- Time of India
He made Lata Mangeshkar and Kishore Kumar overnight stars, yet his wife was found begging at Mumbai station. Who was Khemchand Prakash?
Javed Akhtar , a respected voice in the Indian film industry, has consistently supported the cause of fair compensation for those behind the creation of music — including lyricists, composers, and singers. His passionate advocacy for the Copyright (Amendment) Bill 2010 stemmed not only from a sense of justice but also from heartbreaking real-life stories that illustrate the absence of protective systems for creators. One such story is that of legendary composer Khemchand Prakash , whose family endured neglect and hardship after his untimely death. Prakash's name is etched in the golden era of Hindi cinema as a musical genius who shaped the careers of icons like Lata Mangeshkar , Kishore Kumar, Naushad, and Manna Dey. In an era when fresh talent struggled to find recognition, it was Prakash who gave Lata her big break in the film Ziddi in 1948. However, it was their second collaboration — the hauntingly beautiful 'Aayega Aane Wala' from Mahal — that catapulted her into national fame. Unfortunately, Prakash did not live to see the success of the film or the song, as he passed away in 1950 at the young age of 42 due to liver cirrhosis. His death not only marked the end of a brilliant musical journey but also pushed his family into financial turmoil. His wife, Sridevi, and daughter, Chandrakala, reportedly received little to no support from the industry. Their financial situation worsened over time, and in a painful revelation later shared by Javed Akhtar in the Rajya Sabha, it was found that Prakash's wife was reduced to begging at a Mumbai railway station, decades after her husband had composed timeless melodies. The industry's failure to support the families of its pioneers exposed the systemic gaps in how creators were compensated. Akhtar's speech during the parliamentary session served as both a tribute and a call to action. He emphasized how creators like Prakash were denied their rightful earnings because royalties were either poorly enforced or entirely absent. He argued that if Prakash's family had received ongoing income from the music he composed, their lives would have been very different. One of his compositions alone, 'Aayega Aane Wala,' could have earned his family lakhs in royalties, with reports suggesting a potential amount of ₹50 lakh. Khemchand Prakash was born in 1907 into a family deeply rooted in classical performance traditions. His father, Goverdhan Das, was a skilled Dhrupad singer and Kathak performer in the royal court of Madho Singh II. Though Prakash began his musical career early, his initial contributions to the 1935 version of Devdas were uncredited. His formal debut came in 1939 with Meri Aankhein. Over the next decade, he delivered a series of hits, including in films like Tansen, Ziddi, and Mahal. His compositions graced the voices of KL Saigal, Shamshad Begum, Noorjehan, and Kamini Kaushal, setting a high bar for Bollywood music. One of Prakash's greatest contributions to the industry was not just his music but his talent-spotting abilities. He discovered Kishore Kumar and brought him to public attention with the song 'Marne Ki Duaaen Kyun Maangu.' Lata Mangeshkar herself recalled in a 2020 interview that her first meeting with Kishore took place en route to Prakash's studio, highlighting how the composer was the connecting thread in some of Indian cinema 's most celebrated artistic unions. Today, the story of Khemchand Prakash stands as both a tribute to a musical visionary and a stark reminder of how creators can be forgotten if laws fail to protect their contributions. His life and legacy underscore the urgency of reform in recognizing and rewarding artistic labor — not just for the sake of artists, but for the dignity of their families as well.
Economic Times
40 minutes ago
- Economic Times
He made Lata Mangeshkar and Kishore Kumar overnight stars, yet his wife was found begging at Mumbai station. Who was Khemchand Prakash?
Agencies Forgotten Maestro: The Genius Who Launched Legends but Died in Obscurity Javed Akhtar, a respected voice in the Indian film industry, has consistently supported the cause of fair compensation for those behind the creation of music — including lyricists, composers, and singers. His passionate advocacy for the Copyright (Amendment) Bill 2010 stemmed not only from a sense of justice but also from heartbreaking real-life stories that illustrate the absence of protective systems for creators. One such story is that of legendary composer Khemchand Prakash, whose family endured neglect and hardship after his untimely death. Prakash's name is etched in the golden era of Hindi cinema as a musical genius who shaped the careers of icons like Lata Mangeshkar, Kishore Kumar, Naushad, and Manna Dey. In an era when fresh talent struggled to find recognition, it was Prakash who gave Lata her big break in the film Ziddi in 1948. However, it was their second collaboration — the hauntingly beautiful 'Aayega Aane Wala' from Mahal — that catapulted her into national fame. Unfortunately, Prakash did not live to see the success of the film or the song, as he passed away in 1950 at the young age of 42 due to liver cirrhosis. His death not only marked the end of a brilliant musical journey but also pushed his family into financial turmoil. His wife, Sridevi, and daughter, Chandrakala, reportedly received little to no support from the industry. Their financial situation worsened over time, and in a painful revelation later shared by Javed Akhtar in the Rajya Sabha, it was found that Prakash's wife was reduced to begging at a Mumbai railway station, decades after her husband had composed timeless melodies. The industry's failure to support the families of its pioneers exposed the systemic gaps in how creators were speech during the parliamentary session served as both a tribute and a call to action. He emphasized how creators like Prakash were denied their rightful earnings because royalties were either poorly enforced or entirely absent. He argued that if Prakash's family had received ongoing income from the music he composed, their lives would have been very different. One of his compositions alone, 'Aayega Aane Wala,' could have earned his family lakhs in royalties, with reports suggesting a potential amount of ₹50 Prakash was born in 1907 into a family deeply rooted in classical performance traditions. His father, Goverdhan Das, was a skilled Dhrupad singer and Kathak performer in the royal court of Madho Singh II. Though Prakash began his musical career early, his initial contributions to the 1935 version of Devdas were uncredited. His formal debut came in 1939 with Meri Aankhein. Over the next decade, he delivered a series of hits, including in films like Tansen, Ziddi, and Mahal. His compositions graced the voices of KL Saigal, Shamshad Begum, Noorjehan, and Kamini Kaushal, setting a high bar for Bollywood of Prakash's greatest contributions to the industry was not just his music but his talent-spotting abilities. He discovered Kishore Kumar and brought him to public attention with the song 'Marne Ki Duaaen Kyun Maangu.' Lata Mangeshkar herself recalled in a 2020 interview that her first meeting with Kishore took place en route to Prakash's studio, highlighting how the composer was the connecting thread in some of Indian cinema's most celebrated artistic the story of Khemchand Prakash stands as both a tribute to a musical visionary and a stark reminder of how creators can be forgotten if laws fail to protect their contributions. His life and legacy underscore the urgency of reform in recognizing and rewarding artistic labor — not just for the sake of artists, but for the dignity of their families as well.
India.com
40 minutes ago
- India.com
India's highest-paid comedian, once sold eggs on street, then charged more than Rajesh Khanna, Amitabh Bachchan, Dharmendra, used to scare heroes with his…, name was…
Names like Shah Rukh Khan, Salman Khan, Prabhas, are highest-paid actors today, charging over Rs 150 crore per film precisely. These superstars headline mass entertainers, the genre that majorly dominates the box office. So, it would be difficult to imagine a time when the title of India's highest-paid actor was once held by a comedian. Well, today we will be discussing this talented artist whose impeccable films and hilarious performances etched his name in the Indian Industry forever. In 1960s, he wasn't just India's leading comedian, but also a bankable star in his own right. He was none other than Mehmood, son of Mumtaz Ali, who was a dancer and actor in Bombay Talkies. Mehmood's family faced severe financial challenges due to which his father fell into alcoholism and lost his career. Due to unfortunate circumstances, he became the sole earner of his family. To make ends meet, Mehmood did several odd jobs to survive. He worked as a driver, sold eggs on street, also became a horse-riding instructor and tennis coach. During this difficult phase, he managed to enter the film industry and stared working as a junior artiste. In 1950s, he made his name as comic character actor by appearing in supporting roles like CID and Pyasa. Following that, he led many successful films like Padosan, Bhoot Bungla, Johar Mehmood in Hong Kong, Bombay to Goa, and became the highest-paid actor in the country. Reportedly, Mehmood used to charge Rs 7.5 lakh for just two-week cameos in films at the time. Even superstars like Rajesh Khanna, Amitabh Bachchan, Dharmendra, Shammi Kapoor were not able to cross this mark until mid-70s. The ace comedian's presence intimated heroes to an extent that they would reject starring with him in the same film. In 1996, he released Dushman Duniya Ka , his final directorial. His final on-screen appearance was in Ghar Bazar , a box office flop. The actor passed away in 2004, leaving millions of his fans shattered and heartbroken.
