
Kevin Feige Teases a Major ‘Avengers: Doomsday' Location
Feige was speaking to the official Marvel website about The Fantastic Four: First Steps, which is now in theaters. It's the final piece of the puzzle before Avengers: Doomsday comes out in December 2026, and Feige confirmed that the home of the Fantastic Four won't just play a role; it'll be a central meeting spot for Earth's Mightiest Heroes.
'With the Baxter Building set, let's say it had four or five people in it at most in the Fantastic Four movie. And it's got a heck of a lot more people in it [in Doomsday],' Feige said. 'It's a thrill to see that interaction. And it's surreal for me, who's been around for 25 years.'
So now we know that several Avengers, or potentially their nemeses, are going to be all together in the Baxter Building. But this raises some questions, does it not? The Baxter Building as seen in Fantastic Four exists on Earth 828, the home of the Fantastic Four. In that multiverse/timeline/dimension, the Fantastic Four are the only superheroes. So, presuming Reed Richards doesn't build a second Baxter Building, it seems that other heroes from Marvel will travel to that timeline. How does that happen? Who is able to do that? Why do they do that? Is all the action in the film on Earth 828 but not Earth 616, the home of the traditional MCU, which includes Captain America, the Thunderbolts, Thor, and more? That might make sense, as we presume 828 is where Doctor Doom is from, as seen in the end credits of Fantastic Four. But surely he has more on his mind than just this one universe.
Adding to the mystery is the other piece of the Doomsday puzzle we have. That the Thunderbolts saw a ship with a giant '4' on it enter space around Earth 616. So, is that before all this? After? We don't know. What we do know, for a fact now, is that multiple characters in Avengers: Doomsday will convene in the Baxter Building of the Fantastic Four. Let the speculation begin.
The Fantastic Four: First Steps is now in theaters. Avengers: Doomsday is now filming and will be released December 18, 2026.
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tom's Guide
an hour ago
- Tom's Guide
'Fantastic Four: First Steps' proves why the MCU needs to get weirder to shake its post-'End Game' slump
I fell off the MCU hard after "Avengers: Endgame" — and I'm far from the only one. Marvel has struggled to regain its momentum post-Thanos snap, a fact made crystal clear last year when Robert Downey Jr. was announced to rejoin the franchise. Between a convoluted jumble of multiversal plotlines and TV spin-offs, the prominent exit of the MCU's next big bad, and extensive reshoots that left big-ticket sequels like "Captain America: Brave New World" a hot mess, the MCU is facing a reckoning. Don't think that the MCU's stumbling means audiences are any less hungry for superhero flicks. The success of James Gunn's 'Superman' proves there's still a strong appetite for caped crusaders. It's the highest-grossing solo Superman film to date after earning $292.4 million domestically at the box office, overtaking the $291 million total of the 2013 "Man of Steel." The critical success of recent MCU entries like "Thunderbolts" is a promising sign that Marvel may be close to finding its groove again. After seeing "The Fantastic Four: First Steps" in the theaters, I'm confident Marvel can keep this momentum going — but only if it commits to getting weirder from here on out. When it comes to the MCU, weird works. That much was clear even before "Endgame." Taika Waititi's "Thor Ragnarok" was a huge middle finger to the previous Thor movies, steeped in '80s rock opera camp with a comedic bent. It injected new life into one of the most underdeveloped Avengers after his snoozefest of a second film. In that same vein, "Wandavision" is the jewel of the MCU's catalogue of shows on Disney Plus, and it marked a stark departure for the franchise with its mix of sitcom shenanigans, fourth-wall breaking, and horror vibes. I wasn't surprised to learn the show's director, Matt Shakman, is in the director's chair for "First Steps, because both the TV show and the movie share a seriously impressive commitment to a distinct aesthetic. With the Fantastic Four's track record of big-screen adaptations, I wasn't looking forward to this summer's "The Fantastic Four: First Steps." Then I saw the trailer, and I was immediately sold on the look, if nothing else. As a huge "Fallout" fan, the retro-futuristic aesthetic instantly caught my attention. Marvel was able to craft such a unique style for "First Steps" because it's set on a new Earth apart from the rest of the MCU, one where the Space Age never came to a close. And that fact shines through in every shot of this strange, colorful retrofuturistic version of Manhattan. It feels straight out of a comic book, a fever dream of mod fashion, Flash-Gordon-inspired rocket ships, flying cars, and midcentury modern pizzazz. It's visually distinct from anything in the MCU we've seen so far, and I sincerely hope it paves the way for even more stylish (and strange) versions of Earth in future MCU outings. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.
Yahoo
4 hours ago
- Yahoo
‘Fantastic Four: First Steps' review: Ugh, here we go again
movie review FANTASTIC FOUR: FIRST STEPS Running time: 115 minutes. Rated PG-13 (action/violence and some language). In theaters July 25. Calling 'Fantastic Four: First Steps' the best 'Fantastic Four' movie is not exactly a quote I'd advise Disney to slap on the poster. Talk about grading on a curve. The last three pathetic attempts to put the story of Mister Fantastic, the Invisible Woman, the Human Torch and the Thing onscreen have made miserable viewers go, 'Global annihilation? Sounds nice.' Not to be deterred, the Marvel Cinematic Universe is dragging the raggedy group out of storage for their 37th movie. That figure is unfortunately not a typo. The result? 'First Steps' marks a slight improvement from the preceding trilogy of terror. But Marvel still can't nail what should be one of its premiere attractions. 'Fantastic Four'? Forgettable, 1 ½. The movie begins, appropriately, with a pep in its step. Dropping the heroes in the retro-futuristic NYC that appears to be a technologically advanced 1960s is the right call by director Matt Shakman and his army of screenwriters. There's 'Jetsons' visual panache that sets the film apart from the other, oy, 36. The team's New York lair could be the TWA Hotel at JFK. Also, gold star for racing through the exposition in a newsreel at the beginning — four years ago some astronauts got neat powers in space, yada yada — to avoid the usual origin story portentousness. However, trembling in fear, 'First Steps' can't resist the comic-book urge to contort the mood ASAP to grave, gloomy and un-fun for most of the runtime. The stakes may be stratospherically high, but our serotonin levels are low, low, low. For the supes, Marvel has recruited some super-serious actors. There's Pedro Pascal, who has probably been frowning so much because he's overworked, as stretchy Reed Richards; Vanessa Kirby, making Medea seem like the life of the party, as vanishing Sue Storm; Joseph Quinn, nervously tip-toeing around genuine comedy, as flaming Johnny Storm; and Ebon Moss-Bachrach with a Zen take on rocky Ben Grimm. They're all fine, if oddly joyless for people wearing powder-blue 'Star Trek' uniforms. I can't say I ever want to see them play these parts again. Good thing they've been cast in at least two more MCU films through 2027. The Four face a couple foes. There's the humongous Galactus, who is essentially Megatron from 'Transformers.' And his shiny cowabunga henchwoman, the Silver Surfer, played by Julia Garner. Whose dumb idea was it to cast Garner, one of the most expressive and electric actors working today, as a slab of metal that speaks in monotone? Fee-fi-ho-hum Galactus is going to gobble up the world. But he offers the Four another option: He'll slow his roll if Reed and Sue hand over their new baby. The doting parents aren't on board with that plan. So, in a scene that lasts — I kid you not — two minutes, they try and fail to teleport the Earth to another part of the universe. In the end, Galactus goes Godzilla and stomps around Manhattan crushing skyscrapers. The Thing, a dude made of rocks, is the closest the movie comes to a fleshed-out person. And only because he cooks pasta and flirts with Natasha Lyonne twice. I'll give 'First Steps' this: It doesn't tie itself in knots making tedious connections to the rest of the MCU. The story is relatively simple, if poorly paced, and the neat aesthetic imagines what an Apple Store would look like during the Kennedy administration. But that's just not enough to prevent Shakman from joining the sorry ranks of filmmakers who couldn't wrap their heads around what the tone of the Fantastic Four should be. Are they funny? Are they grounded? Are they deep? The film is so unbalanced, one wonders if the director and writers donned a blindfold and threw a dart. How dramatic and depressing can a character named Mister Fantastic possibly be? Just you wait. During the climactic battle scene, Galactus torturously stretches Mister Fantastic nearly beyond his limits as Pascal wails an excruciating cry worthy of 'One Life to Live.' I, on the other hand, let out a big laugh. Solve the daily Crossword


Forbes
7 hours ago
- Forbes
‘Fantastic Four: First Steps' Box Office Taking Steep Dive In 2nd Weekend
Disney Marvel's The Fantastic Four: First Steps is projected to drop as much as 66% in business from its opening frame in its second weekend at the domestic box office. Starring Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach as Marvel's First Family of Superheroes, The Fantastic Four: First Steps opened with a solid $117.6 million from 4,125 North American theaters from July 25-28. This weekend, the latest film in the Marvel Cinematic Universe is hitting some turbulence. According to Deadline, The Fantastic Four: First Steps is projected to make $40 million to $45 million in its second Friday to Sunday frame, which, on the bottom end of that forecast, is a 66% drop in business from its opening weekend. Per the trade publication, a 66% second weekend drop is on par with Captain America: Brave New World's second weekend drop of 68% in February. The second weekend drop for Disney Marvel's other 2025 release — Thunderbolts* — was 56%. The Fantastic Four: First Steps theater count for this weekend remains at 4,125 venues. The forecast of a $40 million to $45 million take for The Fantastic Four: First Steps in its second weekend is below industry projections heading into the weekend. Variety projected the film to earn $45 million to $52 million this weekend, while Box Office Pro's forecast was a bit more optimistic with a $45 million to $55 million second frame projection. Depending on where the domestic weekend tally ends up, The Fantastic Four: First Steps will be $2 million shy of the $200 million mark or exceeding the benchmark by $3 million by Sunday, Deadline reported. 'The Bad Guys' Holding Up 'The Naked Gun' For No. 2 Spot DreamWorks Animation's The Bad Guys 2, which is being distributed by Universal Pictures, is projected by Deadline to make $22 million from 3,852 North American theaters in its opening weekend, which matches the low end of Box Office's Pro's forecast of a $22 to $28 million opening. Variety pegged a much lower opening for the animated family comedy with a forecast of a $15 million to $17 million opening. The Liam Neeson and Pamela Anderson reboot of The Naked Gun is projected by Deadline to earn $16 million from 3,344 North American theaters, which falls in line with Variety's pre-release projection of a $15 million to $17 million opening take. Box Office Pro, meanwhile, projected a much loftier debut for The Naked Gun with a pre-release forecast of $22 million to $28 million. Coming in at No. 4 is director James Gunn's Superman, starring David Corenswet as DC Studios' new Man of Steel. Deadline is projecting that the film will earn $13 million in its fourth weekend frame from 3,537 North American theaters. If the projection holds, it will boost Superman's domestic tally to $315.8 million through Sunday. The film cleared the $300 million domestic benchmark on Thursday. Scarlett Johansson's Jurassic World Rebirth is projected by Deadline to earn $8.1 million from 3,240 venues this weekend. If the forecast holds, it will up the dino adventure's domestic take to $317 million. Note: This box office report will be updated throughout the weekend with the most current numbers as they become available. The final numbers for this weekend's box office will be released on Monday.