
Ant-Man & the Wasp star Evangeline Lilly reveals ‘price' of fame during Perth Supanova visit
Speaking exclusively to The Sunday Times at the Supanova pop culture convention in Perth, Lilly said the decision to retire from acting last year was an easy one because it was never about the fame.
'I've never been somebody who's looking to be a celebrity. In fact, I always felt that was the cost, the price, I had to pay to be able to be an artist for a living,' she said.
Though the 45-year-old Canadian has never sought the limelight, it certainly found her when she was cast as the lead actor in Lost, JJ Abrams' high-concept creation that became the most popular TV show on the planet in the Noughties.
And, as a relative newcomer to the industry at the tender age of 24, Lilly admitted she wasn't prepared for the attention.
'It was really overwhelming,' she said.
'There was nowhere to hide, it was just fan attention all over the world, and I wasn't prepared for it, and I don't think I dealt with it very well, to be honest.'
However, this baptism of fire was the ideal preparation for the fan fervour that came with playing Tauriel, the fearsome Woodland elf in Peter Jackson's Hobbit movies, and Hope van Dyne (aka the Wasp) in the Ant-Man franchise and Avengers: Endgame.
'I actually don't think anything has ever eclipsed the fan attention I got from Lost,' Lilly said.
Having decided to walk away from acting despite a future in the MCU beckoning, Lilly is excited to pursue new opportunities.
'Life is too short for me to do one thing throughout my whole career, and I've had such a great career, it's not like I would ever be able to look back with any regret,' she said.
Asked if she could ever be tempted back onto a film or TV set in the future, she pointed out that Jackson coaxed her out of a previous retirement with the aforementioned role in 2013's The Hobbit: The Desolation of Smaug.
'It's possible that something else will call me out of retirement again, but it would have to be really, really exciting, because I'm ready for other things,' Lilly said with a smile.
Supanova continues on Sunday at the Perth Convention & Exhibition Centre.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
6 hours ago
- Perth Now
Nat Barr's advice for parents set to become empty nesters
It's taken almost two years for Sunrise host Natalie Barr and her husband Andrew to fully accept the reality of being empty nesters. 'It had never occurred to me what my life would be like when they walked out,' the mother of two told The Sunday Times. While the silence of a quiet home can be deafening, Barr has been open in sharing her experiences with those entering the next phase of parenting. Unfortunately, she admitted, there isn't too much she can say to fill the void. 'I've talked to quite a few women and some men who sort of stood back and said, 'Gee, I wasn't prepared for this. It's not something I thought about the moment they left home',' she said. 'I don't actually know how you prepare yourself, because you do spend quite a bit of time being immersed in that whole family dynamic where often you wish you'd have more time for yourself, and then all of a sudden you've got all this time to yourself. 'So be careful what you wish for.' Sunrise presenter Nat Barr has opened up on her recent skin cancer diagnosis, revealing the news was 'a huge wake-up call'. Credit: Instagram Grateful her two sons return home regularly, with her eldest based interstate, Barr said she's been forced to reflect on all the shared memories from their childhood. However, the 57-year-old insists it's not healthy to dwell for too long, 'because my life moves on, doesn't it?' Discovering time stretches further when there are less distractions at home, she and her husband have set their sights on more travel abroad. Squeezing a recent getaway to Europe into their schedules, the couple were worried their two-week intercontinental dash would not bring the desired refresh. But it proved more than enough. 'Two weeks away when you haven't got little kids feels like a lot longer,' Barr admitted. 'We had a great trip actually,' she added, somewhat guiltily. 'We hadn't been away without the kids on a really sort of fancy trip like that for years.' Shifting gears between cocktails by the pool, and treading the cobblestones of historic cities, the increasingly frequent flyer even found a weekend this winter to return home to WA. And this time, as an grown up kid herself, the Bunbury luminary leaned into her other mother-child dynamic. As a tourism ambassador for our State, Barr was only too happy to sing WA's praises to her East Coast fans as she and her mum enjoyed long winery lunches, and soaked in the fresh air of Margaret River's coastline. 'That was a really beautiful experience, actually, just spending time together, but also going to places that someone else had given us on an itinerary, and quite a few of them even we hadn't been to,' she said. While she's spent decades away from WA since her early years as a journalist, the popular personality continues to annually visit her family's holiday house in Dunsborough that's been in their possession since the '70s. Just like each stage of life, the Telethon regular believes morning TV forces her to be open to a deviation from the script. Her favourite moment of each workday is the minutes before showtime that she and co-presenter Matt Shirvington ponder what might happen in the ensuing four hours, aware they could lose control at any time. 'Sometimes we'll go by the schedule, but we have no idea,' Barr admitted. 'That's still the thrill of going live across Australia and having no idea what's going to happen next.'


West Australian
12 hours ago
- West Australian
Blooming good days
Araluen Botanic Park is bright with colour, and the annual tulip display kicks off on August 22. Around 250,000 tulips will bloom for Yates' Springtime at Araluen Tulip Festival, at Araluen Botanic Park in Roleystone. They sit among green lawns, bubbling streams and bushland trails. The festival continues until October 3. New this year is a special evening — Symphony Among the Tulips. It is on September 13 and 14, with host Dolce Ensembles performing symphonic tributes to Queen and Fleetwood Mac, under the stars. A little window into the past … JJ 'Boss' Simons, the founder of the Young Australia League, was drawn to the valley in which Araluen sits in 1902. His idea was to develop a weekend retreat where YAL members could enjoy some outdoor life. As YAL members travelled the world, they were asked to bring back plants for Araluen. The park gardens were developed to sit well with Canadian-style log cabins, water features and pergolas. The YAL has taken over the park with little more than the tracks left by timber cutters during the 1800s but, over more than 20 years, they laid the basis of what we see as Araluen and the park it is today. + The YAL is the oldest youth organisation in Western Australia. Since 1905, it has supported young Australians, from scholarships and financial support to mentorship and social connection. Spring is almost in the air. The WA wildflower season is working its way south, towards the metro area. In preparation, here are the planned events for this year. + Nannup Flower and Garden Festival. Ends tomorrow, August 17, 2025. + Outback Bloom, Mullewa's Wildflower Festival. August 28 to 31, 2025. The Wildflower Show at the Mullewa Town Hall is open daily from 9am to 4pm, but closes on Sunday at 2pm. $5 admission, children under 12, free. + Chittering Spring Festival. August 31 to September 21, 2025. + Ravensthorpe Wildflower Show. September 8 to 20, 2025. + Kings Park Everlasting Festival. September 12 to 29, 2025. + Esperance Wildflower Festival. September 20 to 24, 2025. + Albany Wildflower Show. September 24 to 27, 2025. + Great Southern Bloom Festival, Annual Spring Festival. September 27 to October 26, 2025.

Sydney Morning Herald
a day ago
- Sydney Morning Herald
Fantastic frustration: Can hype harm a movie's box office?
Consumer resistance is a real and measurable force, Schiffer says. 'For most people, there is a memetic element that drives behaviour, meaning when they see others do it, they want to follow,' he says. 'We're mammals, so we're conditioned this way for survival, when you see certain members of the tribe do certain things, you tend to mimic it.' But others, he says, are outliers and 'will look at mimicked behaviour as a group and want to reject it, they like to go against the pack. But we're talking about subtle things and everyone is different. There's no formula in general. There's a set of underlying forces behind how this works, but it's part science and part art.' Hollywood mathematics is a little complicated, working off the rough algorithm that a film costs it budget again to take to market. That's the cost of marketing: trailers and TV commercials, posters, outdoor advertising, press junkets and promotional activities, distributor fees and the creation of either actual film prints or the digital cinema package (DCP) for cinemas. So, a $US100 million dollar movie needs to make $US200 million to turn a profit, and so on. It is worth noting that the box office number for The Fantastic Four stumbled in sync with another superhero movie, the DC Studios reboot of Superman. In their second weeks, the two films dropped sharply with a 66 per cent and a 53 per cent slide in US domestic ticket sales respectively. That suggests that fatigue with superhero movies in general might also be a cause for concern. And the fatigue is real, Schiffer adds. When broken down in terms of brand, 'what it really means is, predictability. Meaning, you know what you're going to get. And the problem in knowing what you're going to get is good from a trust perspective, but it can be terrible for entertainment,' he says. 'Entertainment is built on the unexpected and surprise and not knowing what you're going to get,' Schiffer says. 'That's a key component of the core of what it means to entertain, which is to grab and hold. Variety and variance and the unexpected, in a franchise, becomes harder and harder to do over time, and that does create fatigue.' The answer is not easy to lock on to, he adds. 'How do you keep it interesting and entertaining without selling out the franchise or taking a risk in alienating the core fans? You saw this with attempts to revisit managing the Star Wars franchise and there was tremendous alienation of the fan base.' Another hurdle for superhero films in general, and Marvel films in particular, is the perception that you need to have watched an extensive library of filmed story to follow what is going on. The fact that The Fantastic Four is the 37th film in the MCU doesn't help that case, though it is important to point out that The Fantastic Four has a separate continuity. (It's a multiverse thing.) But another Marvel film, Thunderbolts, which was released earlier this year, featured characters who had already appeared in several Marvel TV series, including Yelena Belova (Florence Pugh), who had appeared in Hawkeye, and Bucky Barnes (Sebastian Stan), Valentina Allegra de Fontaine (Julia Louis-Dreyfus) and US Agent (Wyatt Russell), who had appeared on The Falcon and the Winter Soldier. Loading Thunderbolts pulled a $US382 million box office, off a US$180 million budget. Profitable, but only by a whisker. So, what does a movie marketing department do if the hype turns into a runaway train? Schiffer takes no prisoners on that issue. There are no runaway trains, he says, and film studios are rarely unable to recalibrate their strategy. 'Because [the studio] has control of the assets and control of the next layer, the next leg of the storytelling,' Schiffer says. 'The way you control that is like an orchestra leader. You're aware of where the heat is, you're aware of the sentiment, you're aware of the audience, and then you pull those layers back as needed.' When hype hit the wall: Four close call case studies John Carter (2012) Budget: US$307 million. Box office: US$284 million. Why it should have been a hit: A young-skewing action film. The big sell: The film was based on books by American writer Edgar Rice Burroughs. What went wrong: A confusing title, bad trailers and the lack of a star in the lead. The Lone Ranger (2013) Budget: US$250 million. Box office: US$260 million. Why it should have been a hit: A classic American story with an A-list cast. The big sell: Pre-scandal Armie Hammer and Pirates of the Caribbean star Johnny Depp. What went wrong: A budget blowout and marketing hype that the film couldn't deliver on. Blade Runner 2049 (2017) Budget: US$185 million. Box office: US$277 million. Why it should have been a hit: A blue-chip franchise with A-list stars. The big sell: Harrison Ford and Ryan Gosling. What went wrong: The pre-release marketing was too generic, and the film was saddled with an R-rating The Flash (2023) Budget: US$220 million Box office: US$271 million Why it should have been a hit: A broad-appeal superhero movie surfing off a popular franchise. The big sell: Ezra Miller as The Flash, plus a cameo from Michael Keaton's Batman. What went wrong: Too much hype. It was 'the best superhero movie I've ever seen,' according to the Warner Bros CEO, plus behavioural issues with the film's star.