
Emmerdale villain gets pushed out of window in dramatic scenes - but who shoved him and will he survive?
In dramatic scenes, the character, played by Ned Porteous, was found in a heap outside after seemingly being shoved from the first floor during a surprise party.
Joe has been at the centre of a series of significant storylines during his on-and-off run on the soap.
He left the Yorkshire village in 2005 after 10 years before returning in 2017, but a year later he was seemingly murdered by nemesis Cain Dingle in a chaotic climax.
To viewers' shock, he made a second comeback at Christmas but has since been racking up the enemies, attacking two Dingles in a bid to get a kidney amid his dialysis treatment, while also having an affair with Dawn Fletcher.
His behaviour appears to have come back to bite him in Thursday's episode as chaos unfolded at a birthday do for Lydia Dingle leaving Joe fighting for his life.
In dramatic scenes, the character, played by Ned Porteous, was found in a heap outside after seemingly being shoved from the first floor during a surprise party (pictured)
And fans have gone wild with speculation as to who committed the act against Emmerdale's most hated character.
'A part of me is thinking Kerry or Noah but I could be completely wrong.'
'Really enjoyed tonight's episode. True whodunnit set up, nicely done with a nod to the past (Tom King's window). #Emmerdale'
'I'm calling it It was Clemmie #Emmerdale'
'Was he trying to clean the windows and slipped?'
'I think I'm calling Lucas atm tbh'
'Emmerdale! I think it's Dawn or maybe even Clemmie but she's little so I'm not sure how.'
'I'm calling it out now, it's Clemmie !'
'There'll be a queue round the block of potential pushers of Joe'
'What have you done Clemmie Reed'
'My money is on Clemmie.'
'He was dizzy from the spiked drink and fell himself'
Oliver Young first portrayed the figure in the Yorkshire village from 1995 until 2005 when he left the area with Zoe Tate and her daughter Jean.
Ned reprised the character in 2017 but Joe was then believed to have been murdered by Cain in 2018, making his return to the role at Christmas six years later all the more shocking.
He's been racking up the enemies ever since, attempting to take half-brother Noah Dingle's kidney amid his dialysis treatment, before turning to Caleb as his next victim, even more sinister given he is a member of his family.
The villain then disappeared before telling his victim over the phone: 'It's a work trip. Illinois this time of year is all just wind and rain.'
After Caleb asked him how he is feeling, Joe added: 'Yeah, late night. How are they treating you?'
From his hospital bed, Caleb said: 'Doctors are giving me a load of meds. I feel like a right druggie.'
Discussing a police investigation into the attack, he added: 'They found the car; they're dusting it for prints.
'I want to talk to you when you get back though.'
In a bid to throw Caleb off the scent, Joe said: 'Sure! I'm not sure how much help I can be. When I got there, whoever did that to you had gone... I've got to go for a meeting, but you take care of yourself, okay?'
It turned out Dr Crowley was in the room with Joe for the call and the assailant justified his contact with his victim, saying: 'I think it would be odd to not check up on Caleb.'
The doctor responded: 'He's not your problem anymore. Shaun's been released this morning pending an investigation and now we're flying him to Thailand as requested. It's not cheap.'
Joe said, 'Money well spent. And my car?', to which Dr Crowley replied, 'Discreetly delivered back to Home Farm.'
After hearing Joe's plan to flee for god, the doctor said: 'You've just had your op. You shouldn't be travelling and not without trained medical staff.'
But the iconic character was hellbent on leaving the area, adding: 'I'm aware of the risks. I can't stay here. I've got medics waiting for me when I arrive in Dubai. Time to move on.'
A car was then shown driving Joe away from the village in what seemed to be the villain's final exit from the soap.
But of course it was not the end for the pivotal character and Joe then had an affair with Dawn and even blackmailed her daughter, Clemmie.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
2 minutes ago
- The Independent
‘Role model' father who fell to his death at Oasis gig in Wembley named and pictured
A man who fell to his death during Oasis's Saturday night gig at Wembley has been named as Lee Claydon. The father from Bournemouth fell from the upper tier balcony of the London stadium during a sell-out concert by the Gallagher brothers. Describing him as a 'loving family man' who loved fishing and outdoor activities and a 'role model' to his son, Lee's brother Aaron Claydon said: 'We will miss him so very much.' Aaron paid tribute to his brother on a GoFundMe page set up to support Lee's partner, Amanda, and their family. In the post, he said Lee was 'the man I have always looked up to' who 'would have done anything for any of us'. 'Our family has been turned upside down and are struggling to deal with this devastation and unexpected loss,' Aaron wrote. 'Lee leaves behind his son, dad, partner, brothers, sisters, nephews and niece. 'Lee was a loving family man who was a role model to his son Harry and was loved so much by all his family. Lee would have done anything for any of us and he was taken from us far too soon and we will miss him so very much. 'Lee loved all outdoor activities, one of his favourite hobbies was fishing. He also loved music and his guitar. He also really enjoyed going to watch and support the boys and his nephew at their football games. 'Amanda and the boys have our full support at this very sad time, which is why we would love to be able to help them financially as well as emotionally. 'Please help us raise as much funds as we can to take one worry off Amanda and family right now as they are going through any family's worst nightmare.' Aaron also took to Facebook to pay tribute to his brother, writing: 'Still in shock and cannot believe I am writing this, but sadly over the weekend I lost by best mate the man I looked up to and the man I was lucky enough to call my brother Lee Claydon. 'This is gonna be a tough long journey and I have set up this GoFundMe page to help and support his loved ones. Please read and share. 'Until we meet again Rkid.' Lee's cousins, Shannon Gabrielle and Richard Norris, also paid tribute to Lee on the social media platform and shared the fundraiser. 'Absolutely shocked and gutted to hear about our cousin Lee Claydon,' Mr Norris wrote, describing the incident as 'heartbreaking beyond words'. 'Please consider supporting the fundraiser to help his loved ones during yet another incredibly difficult time,' he said. Shannon Gabrielle wrote Lee had died 'after no doubt having the time of his life at the Oasis concert this weekend'. She added his death had 'devastated the whole family' and said any donations would help support his 'closest knit' relatives. 'You just don't fathom you will go out for a night of amazing fun and not come home at the end of it,' she wrote. In a statement issued on Sunday, the Metropolitan Police said: 'A man – aged in his 40s – was found with injuries consistent with a fall. 'He was sadly pronounced dead at the scene. 'The stadium was busy and we believe it is likely a number of people witnessed the incident, or may knowingly or unknowingly have caught it on mobile phone video footage. 'If you have any information that could help us to confirm what happened, please call 101.' The Gallagher brothers also said they had been left 'shocked and saddened' by the news of the death following their show. On Sunday, a spokesperson for Wembley said: 'Last night, Wembley Stadium medics, the London Ambulance Service and the police attended to a concert-goer who was found with injuries consistent with a fall. 'Despite their efforts, the fan very sadly died. Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers. 'The police have asked anyone who witnessed the incident to contact them.'


The Guardian
3 minutes ago
- The Guardian
Millet: Life on the Land review – phallic forks and suggestive wheelbarrows enliven a landscape of toil
The figures in Jean-François Millet's 1859 painting The Angelus, a French icon that's come to the UK on loan from the Musée d'Orsay in Paris, seem extremely odd on close inspection. Their faces are obscure, their bodies intriguing under their shapeless work clothes. What age are they? How are they related? The man is quite young, his top shirt button loose, although his legs are as stiff as a doll's, inside thick, rough-cut trousers. It's harder to tell the woman's age because she stands in profile, a breeze pressing her heavy skirt against her legs, as she clasps her hands. They might be a married couple or, as this painting's unlikely fan Salvador Dalí claimed, mother and son. Their physicality is intense. The phallic prongs of a thick wooden potato fork and wheelbarrow shafts add to the feeling that, now the working day is done and they're saying their prayers, they can finally get to bed. But if they're mother and son? I refer you to Dr Dalí. I think there's a reason Millet makes The Angelus not so much a religious as an erotic landscape. It was the climax of his love affair with the French peasantry. Millet made it his life's work to portray the rural poor – a class that had been denied full humanity. He depicts lives of backbreaking toil but wants you to see that, behind the hoe, is a human being with a mind, a body, desires. Landscape artists often can't draw the human figure for toffee: that means you, Constable and Turner. But Millet foregrounds the body in stark existential moments of sweaty action. Work that in reality must have been repetitive and mindless becomes full of heroic drama. In The Winnower, a man throws grains in the air in a golden mist to separate the wheat from the chaff. Painted at the time of the 1848 revolutions, when liberal and socialist risings were shaking the wheat from the chaff across Europe, the winnower is, you realise, wearing a reddish-pink bandana, a white shirt and has a blue handkerchief – the colours of the tricolour flag that the first French Revolution invented. Millet's a revolutionary and his people have plenty to rebel against. In The Sower, a man is sowing seeds in a deep gully: it looks as if he has descended into hell. This pit looks completely barren yet here he is, sowing seeds anyway, the symbolism as hard to ignore as the arses of the two cows that loom against the stormy sky above him. His act may be that of a political campaigner, sowing seeds of change, yet it's also an image of artistic creativity. The character could be Millet himself, creating something beautiful out of the brutal realities of rural toil. His autobiography is compacted into this small show. Millet was a country boy from Normandy. His painting The Well at Gruchy captures the world he grew up in – a woman fills pots of water from a stone-roofed well that appears to be centuries old. Life is slow there, in Gruchy, and history a massive, immobile presence. The Faggot Gatherers, which Millet was working on up to 1875, looks like a riposte to the impressionists' emphasis on modernity and middle-class pleasures on boulevards and in cafes. Women lug bundles of sticks through Stygian winter gloom in a scene that could just as easily have been in the 1370s as the 1870s. He found one fan looking desperately for soul in the world. Vincent van Gogh wanted to emulate Millet as a peasant painter. You see their deep connection in Millet's drawing A Man Ploughing and Another Sowing. As the broken-looking sower stumbles in the foreground and a ploughman hunches behind him, a flock of black crows rise into the sky – like the birds Van Gogh would see over the wheatfield near the end of his life. Yet for all his brooding compassion, you can't miss Millet's turbulent sexuality. The two athletic men in his painting The Wood Sawyers look as if they are cutting up a giant penis. Then again, the slices of trunk also resemble freshly butchered meat – another one for Dalí. More conventionally sexualised are Millet's portraits of shepherdesses and milkmaids. His painting The Goose Girl at Gruchy may be as much a memory of adolescent longings as a painting from life. Van Gogh in a frenzied letter claims Millet's women are as sexy as Zola's – you can see how he got to this and how much Millet's fascination with the silent passions of country people has in common with Thomas Hardy's novels. It all comes together in The Angelus, which you keep coming back to after scanning his other works. The scene it immortalises is ancient, the lives these people lived largely lost to history. Millet freezes them like statues. They grow like grass from the hard earth that can't wait to take them back. Millet: Life on the Land is at the National Gallery, London, from 7 August to 19 October


Daily Mail
3 minutes ago
- Daily Mail
Mariah Carey looks effortlessly stylish on day out in London
Mariah Carey showed off her chic sense of style as she was spotted out and about in London, England on Tuesday after headlining Brighton Pride. The singer, 56, showed off her sensational figure in a dress with mesh panels while smiling for photos outside Global radio offices. Mariah teamed the look with a cropped leather jacket, platform heels, and oversized sunglasses. She later wrote on Instagram: 'Thank you so much Brighton Pride for having me tonight! A special heartfelt thank you to the LGBTQ+ community for your ongoing support. 'I will always be there for you. Love, MC.' The concert was a special event for fans as it was the first time that Mariah had performed in the UK since 2019. The concert was a special event for fans as it was the first time that Mariah had performed in the UK since 2019.