logo
Entrepreneurs working to find funds to restore historic theatres across the Prairies

Entrepreneurs working to find funds to restore historic theatres across the Prairies

EDMONTON - Not a day goes by that David Stupnikoff doesn't think about the Princess Theatre.
'I drive by it regularly, and I've had other friends and people that have visited, and they have such great memories of it,' said Stupnikoff, a courier service owner and show promoter. 'People wish it would come back.'
Juxtaposed between two brownstones in Edmonton's historic Old Strathcona district, it is one of a handful of early theatres still standing in Alberta. Opening in 1915, it promised 'high class moving pictures' and 'high class' vaudeville performances.
Until 1940, it was the only movie house in south Edmonton. For a brief period in the 1970s, it showed erotic movies. The theatre shuttered in 2020 during the COVID-19 pandemic and has sat vacant since.
'It's kind of a shame that it just sits there empty,' Stupnikoff said.
After some brainstorming, he decided to spearhead efforts to bring the playhouse back to its former glory, less so for movies but more for performers and the general public to do a little bit of everything.
But at 110 years old, the Princess has seen better days: There's asbestos throughout, the plumbing needs to be redone, the third floor is in shambles. Stupnikoff said contractors estimate it would cost $2.5 million just to prepare it for renovations.
'Fiscally, it's a terrible endeavour.'
So why take on the project?
'I kind of don't know,' Stupnikoff joked. 'I'd like to be able to ... brighten up Whyte Avenue, even a little bit.'
He's started a GoFundMe with a whopping goal of $9.2 million. It likely won't be met with public dollars, Stupnikoff said, but private donors have shown interest. Worse comes to worst, he said the money will be donated to the Stollery Children's Hospital.
'I do see this being a successful endeavour,' Stupnikoff said.
Restoring longstanding theatres is no easy task, and Stupnikoff isn't the only one looking to raise the curtain.
Michael Redhead Champagne is looking to breathe new life into the Palace Theatre in north Winnipeg. Built in 1912, it's been a vaudeville house, a movie theatre, a flea market and even a furniture warehouse. It has stood empty since the late 1990s.
Redhead Champagne said it was around five years ago that residents began expressing a desire for an arts and culture hub tailored to the North End.
Many Indigenous-led gathering places in Winnipeg have closed in recent years, he said, so he wants to provide space for First Nations artists and others to create.
'We have a North End spirit here that is unique and specific to the experiences that we have had because of social, cultural, economic, racial, geographic challenges,' he said.
'Venues like the future Palace Theatre are going to provide space and opportunity for those artists to share their stories in their way.'
Redhead Champagne said his group is starting to solicit private donations for the project. It will also start hosting community events once the building's ownership is transferred from the University of Manitoba to a community-based entity.
But once the theatre opens, it will need to be ready for unexpected repairs — a struggle Jocelyn Dougherty knows well.
She and her husband, Alan, have owned the Orpheum Theatre in Estevan, Sask., southeast of Regina, since 1998. The former vaudeville house opened in 1914 and is one of the longest running independently owned theatres in Canada.
Live shows have hosted the likes of Kenny Shields, Randy Bachman and even Johnny Reid. But a downtown revitalization project brought operations to a grinding halt last summer.
'The entire street in front of the theatre had been dug out,' Dougherty said. 'Heavy rains hit one night and the theatre flooded with sewer water. It was basically an Olympic-sized swimming pool.
'It was a real mess.'
Dougherty said the restoration has been a real blow to the theatre's finances. After months of being closed, she sees the end in sight. Restoration companies have worked day after day to bring the theatre up to snuff. It's expected to reopen sometime this month.
She said the city's residents are eager. Aside from the Orpheum, the nearest theatres are two hours away in Regina and North Dakota.
On top of entertainment, having a theatre is important for its historical and sentimental value, she said. One person told her about having their first date at the theatre. Another mentioned getting to see The Ink Spots, an American vocal group, there.
'It's just important to have,' she said. 'People come back to visit and they still see the theatre still up and going, and that it's something they want to revisit again to bring back great childhood memories.'
This report by The Canadian Press was first published May 4, 2025.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Pickleball star struggles to break paddle in epic meltdown
Pickleball star struggles to break paddle in epic meltdown

New York Post

time4 hours ago

  • New York Post

Pickleball star struggles to break paddle in epic meltdown

This pickleball player might need to learn a thing or two from John McEnroe. After losing match point at the Humana Championship Court during the Carvana PPA Tour, pickleballer Zane Ford went wild on his paddle — and it just wouldn't break. He lost the point on a wayward volley back to James Ignatowich that went too far to the left of the line and immediately drew an anger-filled reaction from Ford. Zane Ford crashes out after being upset at tis Pickleball tournament. X, @PPAtour He screamed, 'Come on, Jimmy!' after the point fell and the match was sealed. Ford, 20, instantly began smashing his paddle on the court, slamming it over his knee to finally get it to snap. Ignatowich couldn't help but crack up laughing at the wild scene as he walked off the court, enjoying his victory. Ignatowich's win was actually an upset, coming into the tournament as a No. 46 seed against Ford, who was a No. 10 seed. Zane Ford had to break his paddle over his knee in order to bend it fully. X, @PPAtour Ford took the first game of the match impressively, 11-0, before falling apart, losing 11-1 and 11-4 to seal his fate. Ford is the No. 14-ranked singles player in the league, while coming in at No. 63 in doubles. Ignatowich is ranked No. 65 in PPA play. Pickleball has risen in popularity dramatically as it competes for fans with tennis. The sport was created in 1965, but quickly grew in popularity in 2020 during the COVID pandemic.

Pixar needs original animated hits. They're much harder to come by at the box office
Pixar needs original animated hits. They're much harder to come by at the box office

Los Angeles Times

time6 hours ago

  • Los Angeles Times

Pixar needs original animated hits. They're much harder to come by at the box office

For decades, Pixar could hardly miss with its original animated films. Whether the subject was toys, fish or a cantankerous old man, the Emeryville-based computer animation studio churned out hit after hit. But since the COVID-19 pandemic, Pixar and other animation studios have struggled to break through at the box office with the same kinds of original movies that defined the industry. Instead, sequels such as 'Inside Out 2' have ruled the genre. This weekend, Walt Disney Co.-owned Pixar will face its latest test with the release of 'Elio,' an original film about a young boy who seeks connection with aliens to make up for his loneliness on Earth. The movie is currently tracking to bring in $18 million to $25 million in ticket sales from the U.S. and Canada during its opening weekend, according to box office analysis. (The film's reported budget is in the range of $150 million to $200 million.) That would be considered a soft debut by Pixar standards, indicating the dilemma the animation business — and the movie industry writ large — faces with original content. While audiences often say they want to see new stories, box office ticket sales show they gravitate toward sequels, reboots and other familiar fare. 'You need to be launching new franchises to keep the pipeline fresh,' said Doug Creutz, senior media and entertainment analyst at TD Cowen. 'Since the pandemic ended, original animated films have just been getting killed at the box office ... no matter how good they are.' Pixar executives, nonetheless, say they're committed to telling original stories, which are key to the future health of the industry. 'You wouldn't have Pixar without 'Toy Story,' our first original film 30 years ago!' Pixar Chief Creative Officer Pete Docter wrote in an emailed statement. 'And while we also love digging into new layers of familiar worlds and characters through our sequels, I'd say there's a unique thrill in unearthing a new story.' Disney and Pixar's previous original movie 'Elemental' made just $29.6 million in its opening weekend in 2023, causing many in the industry to write it off as a flop, before strong word-of-mouth reviews propelled the film to a solid worldwide gross of $496 million. Sister studio Walt Disney Animation Studios has also recently struggled with originals, including 2022's 'Strange World' and 2023's 'Wish.' The pandemic had a major effect on theatrical attendance for animated films. At the onset, studios including Pixar put their new animated movies on streaming services to give families something to watch during the COVID-19 stay-at-home orders and keep people from spreading the disease. Movies like 2020's 'Soul,' 2021's 'Luca' and 2022's 'Turning Red' were all sent straight to the Disney+ streaming service. Despite critical acclaim — winning an Academy Award for animated feature — 'Soul' grossed just $121.9 million in worldwide theatrical revenue. Even when movie theaters started reopening, families were slow to return due to concerns about health and familiarity with watching movies at home, which dented animated films' box office potential. Pixar's 2022 'Toy Story' spinoff 'Lightyear' did poorly at the box office partially due to this timing, as well as quality issues, marketing challenges and right-wing backlash to an on-screen kiss between a same-sex couple. Other studios, too, face challenges with originals. Universal Pictures' 2023 original animated movie 'Migration' also saw a soft box office total. The same year, Universal grossed more than $1 billion from 'The Super Mario Bros. Movie,' based on the Nintendo game franchise. Last year, Universal's 'The Wild Robot,' which is adapted from a 2016 children's book, debuted to strong reviews, but grossed $333 million in box office revenue, compared to the $492 million reaped by Paramount Pictures' 'Sonic the Hedgehog 3.' Now family films are ruling the box office. So far this summer, many of the films that have propelled the box office are family-friendly — Warner Bros. Pictures' 'A Minecraft Movie,' and live-action remakes 'Lilo & Stitch' from Disney and 'How to Train Your Dragon' from Universal. Last year, Pixar's 'Inside Out 2' hauled in nearly $1.7 billion in global box office revenue last year, while Universal and Illumination Entertainment's 'Despicable Me 4' grossed $969.6 million worldwide and Disney's 'Moana 2' made $1 billion. The common denominator among these films? They're all sequels, reboots or rely on known intellectual property. But industry insiders and analysts say that simply focusing on new chapters of existing stories risks making the animation space stale. 'If you're trying to grow the business, you need new content, you need new franchises, you need new things for people to be excited about,' said Creutz of TD Cowen. But beyond the box office, Pixar original films can get exposure — and drive business — through other parts of the Disney empire. Movies eventually debut on Disney+ and characters will show up on merchandise or in the theme parks, which can expand a film's reach. 'Pixar is in the long-term business,' said David A. Gross, who writes a movie industry newsletter. 'They want to create stories that last, and if that works in bringing back a sequel, great, but there is enormous value for streaming for these pictures, whatever they do in theatrical. There are a lot of revenue streams.' Pixar intends to release three movies every two years, and the company's strategy is to make one original for every sequel, company sources said. For instance, 'Elio' was intended for release in 2024, but was delayed by the dual writers' and actors' strikes of 2023. Instead, it swapped with 'Inside Out 2' since sequels can be easier to move through the production process due to existing assets. 'Pixar was really instrumental in defining the look and the feel and the tone of computer-animated films,' said Christopher Holliday, a senior lecturer in liberal arts and visual cultures education at King's College London, who wrote a book about computer-animated films. The company 'is now at one of those crossroads where they are trying to balance films that have an audience built into them,' Holliday said. 'And then they're also balancing their identity as a studio of innovation that is pushing the boundaries and the limits of computer animation.' Next year, Pixar plans to release 'Toy Story 5' as well as an original film called 'Hoppers' about a new technology that allows humans and animals to communicate. In 2027, Pixar said it will debut 'Gatto,' an original movie about a cat with multiple lives. 'We think audiences love originals too,' Docter said. 'Sure, it might be a bit harder nowadays to break through all the noise out there, but if we do our jobs, and create something that people will love, we trust that audiences will show up.'

Woman, 30, Has Never Had Boyfriend—Unprepared for Internet's Response
Woman, 30, Has Never Had Boyfriend—Unprepared for Internet's Response

Newsweek

time13 hours ago

  • Newsweek

Woman, 30, Has Never Had Boyfriend—Unprepared for Internet's Response

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A woman's candid video about never having had a boyfriend before turning 30 has gone viral, igniting a groundswell of empathy and solidarity among viewers on TikTok, many of whom shared that they are grappling with similar feelings. Abagayil Hatt, 30, a book content creator and Ph.D. candidate in communication, shared the vulnerable post in March to her @starlight_books TikTok account. Speaking directly to the camera, Hatt reflected on her dating history—or lack thereof—and the weight of societal expectations that come with entering a new decade of adulthood without a partner. "I'm turning 30 in a little over a month and I have never had a boyfriend," Hatt said in the video. "I think we live in a world where we tell women that when you turn 30 your life is over. "Sometimes it hits you a little too much in the chest and you're just like, why can't I get a date?" Hatt told Newsweek she had no expectations when she posted the video, which has been viewed more than 13,000 times to date. What followed was an outpouring of support. "People would comment saying they felt seen, like I had put their own feelings into words," Hatt said. "And, in return, I didn't feel so alone." The deeply personal clip quickly became an accidental rallying point. "That's the magic of vulnerability—it connects us," Hatt said. The video touched a nerve with viewers who commented to share their own stories of feeling left behind in love, relationships or other life benchmarks. Many thanked Hatt for articulating the quiet grief they had long carried in silence. As one viewer commented: "I'm 34 and still no [boyfriend], no full time job and can't afford to move out. I hear you girl." "Girl same, I never had my first kiss," another posted. "I'll be 30 in 10 days, but society led us to think that when you're 30 you're gonna live in your own place, have a beautiful job, have a husband and children." From left: Abagayil Hatt poses for a photograph while leaning on books; and speaks into her camera lens. From left: Abagayil Hatt poses for a photograph while leaning on books; and speaks into her camera lens. @starlight_books "Same but 35," a third viewer commented. "Seeing so many of us in the comments as well, I guess I need to let go of the extreme shame that I feel about this subject. "Like it's my biggest failure, a sign that I can't do the most basic thing everyone else does, find a partner." Hatt first joined TikTok in the fall of 2020, during the early months of the COVID-19 pandemic. Drawn to the passion of the BookTok community, she started sharing reviews and commentary on popular titles like A Court of Thorns and Roses, Fourth Wing, and Once Upon a Broken Heart. "I remember being terrified to post," Hatt said. "Am I funny enough? Interesting enough? Would anyone even care?" By the end of that year, she had 2,000 followers. Six months later, that number had grown to over 10,000. As of 2025, she has more than 46,000 followers and over 7 million likes. While Hatt's account began as a place to discuss her passion for books, it evolved into something more personal, and she soon began opening up about her more-intimate feelings and worries. "In many ways, I treat my content like a journal," Hatt said. "I just post what I care about—what's on my mind or heart—without overthinking it. "I think that's why people connect with it," she added. This year, that shift led her to start a series of "Dear Diary" posts: unscripted reflections about aging, expectations, and her own experiences of being single. "I've never been the girl that's chosen," Hatt said in her viral video. "I've never been that girl that a guy is like, 'I would love to love her.'" Hatt acknowledged the societal narrative that insists life should be figured out by 30—career, home, relationship included. "But what happens if you don't?" she said. "What if you hit 30 and find yourself in a transition—still finishing grad school, trying to navigate a brutal job market, and haven't met anyone you actually want to date?" Hatt said she wanted to throw herself a birthday party this year but could not pull it together. She also missed the registration deadline for her graduation walk, meaning she will not cross the stage until 2026. "These may sound like small things, but when they stack up, they carry weight," Hatt said. "It's easy to feel like you've missed the mark when comparing yourself to everyone else." Still, Hatt added that the message was not one of despair, but of resilience. "It's OK to be sad when life doesn't look the way you imagined it would," she said. "And, at the same time, you can still be hopeful. "You can hold disappointment in one hand and optimism in the other," Hatt said. She added that her "vulnerable glimpse" into what it is like to not have it all figured out by a certain age resonated because she did not sugarcoat the experience. "Not having it all together doesn't mean you're lost," she said. "It just means the story is still being written. "To feel behind, uncertain about what's next—and to say that that's okay." Have you noticed any red flags that made you end a relationship? Let us know via life@ We can ask experts for advice, and your story could be featured on Newsweek.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store