
‘North of North' invites you to travel, well, pretty far north
The show is awfully cute; it has a needle to thread between showing off the charms of its unusual setting and making clear that these are also people just living their lives like anyone else, even if they use a Ski-Doo to get from place to place. There are moments when 'North of North' can feel both a little overproduced and a little underbaked. There's an unfortunate overreliance on peppy music cues to close out scenes, and the writers sometimes resolve conflicts far too swiftly. You might find yourself wishing the show could just relax more into its storytelling and let its subplots unfurl with more jagged edges, and more zingers.
Advertisement
(L to R) Maika Harper as Neevee, Nutaaq Doreen Simmonds as Elisapee in "North of North."
Jasper Savage/Netflix/JASPER SAVAGE/NETFLIX
The show's more jagged parts are often the most compelling, thanks to especially strong work from Harper as Neevee. Siaja may still be working out who she wants to be as an adult, despite being a parent, but she's a reasonably open person. Neevee is a recovering alcoholic whose difficulties forced Siaja to take care of herself as a child, and she's none too thrilled when Alistair reappears. She's mercurial, the type of woman who responds to her granddaughter's behavior troubles in school by impulsively letting her skip a day and go play. She's hot and cold with both Siaja and Alistair, but Harper makes those choices feel true to a person working through some inner conflict. Siaja is our protagonist, but Neevee can be something of a fascinating antihero.
The show's setting also lets it dig into conversations about Inuk culture. Siaja and the other younger folks of her generation can often understand some Inuktitut but not speak it, while older generations may not speak much English. Canada's history of residential schools, which took Native children from their families, looms in the background, a gruesome reality that the show manages deftly as a present but not forefronted trauma.
In other words, 'North of North' is just plain interesting. The first season may be overburdened with exposition establishing how these characters live their lives, but it shows promise as a place to visit.
Advertisement
Lisa Weidenfeld can be reached at

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Digital Trends
an hour ago
- Digital Trends
This British thriller is one of the underrated Netflix shows to watch in August 2025
August marks the return of Wednesday, Netflix's most popular English-language TV show. The first four episodes of season 2 are now available to stream, with four more coming in September. Episode 4 ended on a cliffhanger that will make your jaw drop. While Wednesday will generate the most headlines, Netflix has plenty of underrated shows deserving of your time. Keep reading and see for yourself. Recommended Videos We also have guides to the best new shows to stream, the best movies on Netflix, and the best shows on Netflix. Dept. Q (2025) Dept. Q is Netflix's answer to Slow Horses. That is a compliment. Slow Horses is one of Apple TV+'s five best shows. Dept. Q is not in Netflix's top five. However, Scott Frank, best known for The Queen's Gambit, has crafted another riveting show with another star-making performance at the center. Matthew Goode stars as Carl Morck, a detective recovering from an accident that resulted in the paralysis of his colleague. Upon his return to work, Morck is tasked with spearheading the cold case division, with an office located in the basement. Morck eventually forms a ragtag group of investigators to work on unsolved cases. Dept. Q is a rock-solid show backed by its steady showrunner and engaging cast. Stream Dept. Q on Netflix. Black Doves (2024) The Brits love their spy thrillers, and they do them well. Black Doves is a six-episode espionage tale starring Keira Knightley as Helen Webb, a professional spy who happens to be the wife of the United Kingdom's Secretary of State for Defence (Andrew Buchan). Helen works as a 'Black Dove,' a spy who relays information to a mercenary organization. Being a spy is not Helen's only secret. She has another lover: Jason (Andrew Koji). However, Helen's world comes crashing down after Jason's murder. Helen's handler, Reed (Sarah Lancashire), calls in an old agent, Sam (Ben Whishaw), to keep an eye on Helen. You know where it's going. Helen barks up the wrong tree and uncovers a deep conspiracy in this action-packed series. Stream Black Doves on Netflix. Ransom Canyon (2025) Ransom Canyon is not Yellowstone. Are there cowboys, complicated families, and drama? Yes. However, Ransom Canyon is more romance than violence. That's not a bad thing, considering Josh Duhamel and Minka Kelly are perfect for this type of show. The widowed Staten Kirkland (Duhamel) owns the Double K Ranch and finds himself in a struggle to save his land. Quinn O'Grady (Kelly) returns to town after a stint in New York, starting a will-they-won't-they romance with Staten. Ransom Canyon is a Western soap opera at its core, making for an easy, satisfying binge-watch. Stream Ransom Canyon on Netflix.
Yahoo
2 hours ago
- Yahoo
'Night Always Comes': Vanessa Kirby, Benjamin Caron Netflix thriller unfolds in a single night of desperation
Kirby's characters races through Portland, Oregon overnight to find $25,000 in this gritty new film Following their work together on The Crown, director Benjamin Caron and actor Vanessa Kirby have collaborated again on the Netflix film Night Always Comes, a thriller based on the book by Willy Vlautin. Set in Portland, Oregon, the movie takes place over one night as Lynette (Kirby) tries to secure $25,000 to buy her family's home, alongside her brother Kenny (Zack Gottsagen). "We had been looking for a project for a few years, and there were a couple that nearly happened, but for various reasons they didn't quite get over the line," Caron told Yahoo Canada. "I think [Vanessa] ... felt that the character of Lynette was something she wanted to play. ... I really wanted to make a stressful movie, and I thought this had the mechanics of that." Caron previously worked on the Apple TV+ series Sharper, a show that really utilized its New York location as a tool to tell a story that blended classic rom-com elements with a thriller. In Night Always Comes, the filmmaker tapped into the unique elements of working-class Portland. "I'm sort of well travelled in terms of the more recognizable cities in [the U.S.], and whether that's Los Angeles, whether that's Chicago or New York or Miami, and I'm also very familiar with those cities on screen. ... I was less familiar with some of the more mid-sized American cities, and Portland being one of those," Caron said. "I always think, as a filmmaker, it's great to come into somewhere and sort of look at a city through an outsider's perspective. But I don't think this story was necessarily unique just to Portland, ... the gentrification, the homelessness, it's something that I'm seeing happening all over, certainly the Pacific Northwest of America, and also not just America, but across the world." Caron added that he found Portland to be a particularly "filmic" city. "I loved all the bridges, I loved the river that ran through it," he said. "There was the fabric of this sort of old city, and then from the sort of middle of it ... you could see this urban gentrification that was starting to push out from the middle. So filmically, it felt like a really good city to put on screen." 'We believe that they exist before and after the film' A distinct element in Night Always Comes is that the film is told trough Lynette's perspective as we really take every step with her on her desperate journey to get her hands on $25,000. But with each character that Lynette meets, it feels like they have their own interesting experiences and histories they bring into this story. "I think in many ways, the entire film is not just Lynette, I think it's full of desperate people who are trying to get by, by doing desperate things," Caron said. "And I think that as a allegory for the whole film is really important." "I know it's really important to me, and also I know to actors, that I really want to take care of the characters and their journeys within the moments they are on screen. So we invited all of the actors to come in and work with us on making sure that these lives that they inhabit, ... they burn brightly. Not just in the film, but that we believe that they exist before and after the film." One of those characters is Scott, played by Randall Park, a wealthy former escort client of Lynette's who she reconnects with early in the film, hoping he would give her the money she needs to buy her family's home. "He wanted to make sure that the character wasn't just a two dimensional cheating husband, that there was a sort of an understanding about the pressures that character has in his life, ... even if it feels unfair to what we're seeing happening to Lynette," Caron said. "[Randall] relished that opportunity of bringing that character onto screen and it's a moment in the film where your heart just breaks. ... [Lynette] is so desperate in that moment where she's asking for something [that] probably isn't a huge amount of money to him. And he's sort of got the wrong end of the stick. He thinks she's come for something else. And ... when he just laughs it off, it just absolutely crushes your heart in that moment." Mother-daughter relationship 'you just don't see enough of' Another key relationship for Lynette is with her mother Doreen, played by Jennifer Jason Leigh. While Lynette had been coordinating with the property's landlord about the buying the home, she needed her mother to cover the downpayment. But Doreen ends up spending that money on a new car, which is what sets Lynette off on her quest to get the funds herself. "What I love about what Jennifer brought to that part is that, even at the beginning, you sort of feel that there's a mother there that has ... a 38-year-old daughter still living at home with her. And there's that sort of unspoken tension, energy in the air," Caron said. "I love the fact that she's not even able to really say these words to Lynette, that I just don't think we can together anymore, that the only way that she can do that is as a form of self-sabotaging herself by going out and buying the car." "But those two were just brilliant to watch as dancing partners on screen together. I think they brought a really unique mother-daughter relationship to screen that you just don't see enough of." 'A unique, modern tragedy' But at its core, Night Always Comes reflects larger concerns around economic challenges that many people face, including in Canada, from housing affordability issues to other cost of living challenges. "The idea of someone that's basically doing two or three jobs and not able to afford their own home is such a unique, modern tragedy," Caron said. "And I really wanted Lynette to represent the many Lynette's out there who are one paycheque away from collapse." "We did a lot of work at the beginning to try and establish the sort of economic pressures that were on Lynette, ... but also just understanding the bigger economic, social issues that were happening in and around Portland, and also across America. ... It felt like, yes, a story of Lynette, but also a story of that American working class. ... It was a story of those single moms. It was a story of those nurses, or those caregivers that were being priced out of the cities that they were helping to run."
Yahoo
6 hours ago
- Yahoo
Quentin Tarantino is happy with David Fincher taking on Once Upon A Time In Hollywood spin-off
When you buy through links on our articles, Future and its syndication partners may earn a commission. It's been almost three decades since Quentin Tarantino left another director to handle one of his scripts (the last being From Dusk Till Dawn). Now, David Fincher is being tasked with taking care of Once Upon A Time In Hollywood stuntman, Cliff Booth (Brad Pitt), for the new film, The Adventures of Cliff Booth, for Netflix, and he couldn't be happier with his replacement. During a discussion on The Church of Tarantino podcast, Tarantino explained what it meant that Fincher was a blessing that halted any interference with his plans for his tenth film to be his last, amid the upcoming torch passing of the character and the world. 'I love this script, but I'm still walking down the same ground I've already walked. It just kind of unenthused me. This last movie, I've got to not know what I'm doing again. I've got to be in uncharted territory.' By the sounds of things, there was also no better director at the helm to handle the film, which takes place eight years after Once Upon A Time in Hollywood. 'I think me and David Fincher are the two best directors. So the idea that David Fincher actually wants to adapt my work, to me, shows a level of seriousness towards my work that I think needs to be taken into account,' Tarantino explained. Should there ever be an occasion that the mind behind both movies is needed on set, Tarantino assured that he would make himself available. "I'm moving back and forth between here and Israel, so I won't be on the set every day and everything. But, yeah, I'll be around if they need me to do something, you know, I will." Filming is currently underway, with Brad Pitt already spotted in Booth's legendary worn-down shirt, but there's still no release date confirmed from the big red N just yet as to when we'll see him in action again. Should you need to keep yourself busy in the meantime, check out every upcoming Netflix show heading to the streaming service here. Solve the daily Crossword