Summer is for scares: Here are the horror movies hitting theaters this season
Summer 2025 is all about horror movies, with a slew of scary flicks headed to cinemas. This year there's a little bit of everything to look forward to, from sequels to iconic horror franchises to new movies from the genre's most celebrated up-and-coming filmmakers. There's even a bloodthirsty version of Bambi, if that's more your thing.
If you plan your summer weekends around the latest scary movie releases, check out our guide for the top horror movies hitting theaters this season.
From the Australian team behind Talk to Me comes A24'sBring Her Back, which also poses the question: Just how far would you go to communicate with a dead loved one? The new film stars Sally Hawkins as a grieving woman who takes in two foster children — and has some dark ideas about what to do with them.
What's worse than being kidnapped by a serial killer? Being kidnapped by serial killer who takes you out to the middle of the ocean to be consumed by sharks. The film, which premiered at Cannes, takes all the scariest parts of Jaws and combines it with Silence of the Lambs. It will leave you sweating even in the most air-conditioned of movie theaters.
Still reeling from the second season of The Last of Us? Return to the world of zombies with the third film in 28 Days Later franchise, which takes place nearly three decades after the Rage virus turned humans into the walking — er, running — dead. The new film from director Danny Boyle and writer Alex Garland stars Ralph Fiennes, Jodie Comer, Aaron Taylor-Johnson and Jack O'Connell.
M3GAN's all grown up! Well, sort of... This time around, killer robot M3GAN gets an upgrade in order to take down an even more evil robot named AMELIA, who is hellbent on destruction. If the trailer is any indication, M3GAN's teen years come with even more sass. (Oh, and for you popcorn bucket collectors …M3GAN 2.0 has an excellent one.)
When will teenagers learn that covering up murder is always a bad idea? Apparently not in this long-awaited sequel to the classic slasher, where friends played by Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers and Sarah Pidgeon find themselves victims of a deranged hook-handed man. Fortunately, they've got a few experts on the subject at hand: Stars of the original I Know What You Did Last Summer Jennifer Love Hewitt and Freddie Prinze Jr. are back to reprise their roles and offer guidance.
Pete Davidson is a comedy guy, but his character in The Home is stuck in a highly unfunny situation. Davidson plays a worker at a retirement home who realizes something is very, very wrong with the residents and staff. While the vibes are Get Out, poor Davidson doesn't — at least, not before the old folks start making cryptic warnings (who the hell are the "marked ones"?!) and he's strapped to a gurney by sinister staff members.
Did Disney's Bambi make you cry as a kid? Well, this low-budget horror flick, a part of the Twisted Childhood Universe that also includes films like Winnie-the-Pooh: Blood and Honey and Peter Pan's Neverland Nightmare, wants you to scream. You'll likely end up laughing at the absurdity of it all instead.
Together, which stars married couple Dave Franco and Alison Brie, was a hit at this year's Sundance Film Festival. If you're a body horror fan, you'll love first-time filmmaker Michael Shanks's take on just how close a couple can get.
Filmmaker Zach Cregger went for twist after twist with his 2022 film, Barbarian. Now he's back with Weapons, a film about the mysterious disappearance of a classroom of schoolchildren. Why did these kids run away in the middle of the night? Where did they go? And who is to blame? Josh Brolin, Julia Garner and Alden Ehrenreich play townspeople seeking answers. (First thought … has anyone considered checking for tunnels under the basement?)
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Meet the hot queer stars of G Flip's new super gay music video tease
Footage still via Instagram @gflip From Left: Hina, G Filp, and Aisha Dee. Nonbinary singer-songwriter G Flip just sent lesbians on Instagram into a frenzy by releasing a teaser trailer for their upcoming music video full of queer celebrity cameos. The 31-year-old Aussie star's new song, 'Big Ol' Hammer,' drops next week, and the sweaty, greasy, masc-centric video of queer folks dancing and making out in a mechanics shop is enough to get anyone excited for it's release next week. The video, which starts with the line, 'In the heart of Scissortown, where the streets are wet and the he dreams are bold,' features G Flip in a white tank top showing off their biceps as they dance around the other queer stars in the shop. 'Join G Flip and the crew on a journey of friendship, rebellion, and the horsepower of pride," the announcer continues. 'This summer, G Flip has a tool belt with a big ol' hammer!" Everyone from comedian Fortune Feimster to JoJo Siwa's ex Kath Ebbs has a cameo role in a video that people in the comment section are going wild for. G Flip's wife, Chrishell Stause, even took to the comments to celebrate the release. 'Saved by your Big Ol' Hammer again. Blessed be,' she wrote. 'Big Ol' Hammer' is set to be released on June 11, 2025. But who the queer stars in the 'Big Ol' Hammer' video? Keep scrolling to find out! See on Instagram See on Instagram Lesbian comedian Fortune Feimster has been making audiences laugh for decades with her comedy specials, as a writer on shows like Chelsea Lately, by acting in series like The Mindy Project and Awkwafina is Nora from Queens, and as one of the hosts of the Handsome podcast. See on Instagram Queer actress Aisha Dee is best known for staring in The Bold Type, Channel Zero, and the horror movie Sissy. See on Instagram Nonbinary star Kath Ebbs is an Australian actor, podcaster, and content creator who played the first nonbinary character on the soap opera Neighbours. Ebbs has been in the headlines most recently because of their messy breakup with JoJo Siwa before Siwa began dating her Celebrity Big Brother co-star Chris Hughes. See on Instagram Kate Hina Sabatine (aka 'Hina') is a nonbinary lesbian and content creator who creates hilarious TikTok videos that poke fun at lesbian stereotypes and explore queer fashion. See on Instagram Olly Eley is an Australian model who was the first nonbinary person to appear on the cover of Elle magazine. See on Instagram Queer actress Jacqueline Toboni is best known for her rolls on Grimm and for playing Sarah Finley on The L Word: Generation Q. See on Instagram Julianne Hope is an LA-based songwriter, mutli-instramentalist and producer. See on Instagram Siena Liggins is an Atlanta-based musician who released her debut album, Ms. Out Tonight in 2021 and is known for making beautiful music with provocative lyrics. See on Instagram Shannon Beveridge is a YouTuber and also hosts the podcast Exes and O's, about queer relationships and sex. See on Instagram Jesse Thomas is an LA-based songwriter who has co-written songs for famous musicians like G Flip's song 'Be Your Man,' and Kelley Clarkson and Chris Stapleton's 'Glow.'
Yahoo
2 hours ago
- Yahoo
Hugh Jackman, Ryan Reynolds become co-owners of Australia SailGP team
Hugh Jackman (L) and Ryan Reynolds (R) have become co-owners of Australia's SailGP team (Cindy Ord) Hollywood stars Hugh Jackman and Ryan Reynolds became co-owners of Australia's three-times champion SailGP team on Friday, saying they were "incredibly excited". The actors, who are close friends, join Olympic gold medallist and driver Tom Slingsby at the helm of a team which was rebranded the "Flying Roos". Advertisement "We're incredibly excited to set sail together in this new adventure," the Australian Jackman and Canadian-American Reynolds said in a statement. "Hugh brings a deep love for and pride in his home country, as well as being an avid fan of sailing. "He will also be bringing his overly clingy emotional support human along for the ride. Apologies in advance to Australia." Jackman and Reynolds starred together last year in the blockbuster movie "Deadpool & Wolverine". Reynolds also owns Welsh football club Wrexham along with fellow actor Rob McElhenney. SailGP stages regattas close to shore with identical high-performance, foiling, multi-hull boats that can reach speeds of 100 kilometres per hour (62 mph). Advertisement It was launched in 2019 by American billionaire Larry Ellison and champion New Zealand yachtsman Russell Coutts. Australia, skippered by Slingsby, have won three of the four editions so far. "This is an incredible milestone for us and for our sport, having global icons Hugh Jackman and Ryan Reynolds come on board as co-owners of our team," said Slingsby. "They bring unmatched star power, a love for storytelling and a sharp sense of humour that fits perfectly with our team." The new-look team will make its debut this weekend in New York, the sixth leg of the season. mp/pst
Yahoo
2 hours ago
- Yahoo
Upfronts Kick Off: Hollywood's Ad Dollar Scramble Arrives in Strangest Market in Years
The 2025 upfronts kick off in New York City on Monday, with entertainment giants like NBCUniversal, Disney and Warner Bros. Discovery pitching their wares, even as digital-first interlopers like Amazon, Netflix and YouTube have butted their way into the week. While the upfronts used to about broadcast networks unveiling their fall schedules, the events have morphed into a celebration of corporate synergy. Last year, for example, NBCUniversal used the event to premiere the trailer for the film Wicked. More from The Hollywood Reporter NBC Shuffles Fall 2025 Schedule With NBA, New Comedy Block 'Krapopolis,' 'Grimsburg' and 'Universal Basic Guys' Extended at Fox Roundball Rocked: With NBA Return Looming, NBC Purges Scripted Roster 'That was something that was not what we were doing years ago. It was cool. It was very cool,' says Mark Marshall, NBCUniversal's chairman of ad sales. This year, don't be surprised if the company's new Orlando theme park Epic Universe gets a mention, or perhaps Disney's new project in Abu Dhabi. But this year's upfronts also come amid what seems like a period of never-ending turmoil, ever since the COVID-19 pandemic turned the advertising world upside down back in 2020. 'We've had five years of uncertainty, whether it was supply chain or tariffs,' Marshall says. As both Ryan Gould and Robert 'Bobby' Voltaggio agreed, it is a 'strange' year. Every corporate earnings call is talking about tariffs, the macroeconomic environment, recession fears and other issues, but it just isn't being reflected in the talks media companies are having with marketers. 'The sentiment doesn't match the data,' Gould says. 'We're not seeing it in the numbers, and speaking to our peers and getting a read on where the marketplace is, I think that that's a unanimous POV.' Indeed, a top media buyer says that their clients are still committing to the upfronts, despite not knowing for sure what the economy will look later in the year. Instead, they are looking to cut deals that can be adapted on the fly, in the event tariffs skyrocket, or plummet, or another wrench gets thrown in the gears of their business. 'We're negotiating the maximum of flexibility terms, coming in with budgets that we think are realistic,' the buyer said. Indeed, 'flexibility' seems to be the word of the year. Every single ad sales executive The Hollywood Reporter spoke to said that they are approaching this year's negotiations with flexibility in mind, cognizant of the unsettled economic moment. Just look at the tariffs, which caused trade between the U.S. and China to grind to a halt over the last month, though a 90-day reprieve announced Monday will likely get the boats moving again, albeit at a higher cost than before. The result are talks that could see marketers move spend between linear and digital/CTV, shifting spend across genres or programming, or even a break-glass option if they need to pull back later. 'We're in a market where our clients and our agency partners are trying to figure it out, right?, and the POV that they had two days ago probably doesn't match the POV that they have today,' Gould says. 'The one thing that I think is going to be most important this year, in this upfront cycle, is a consultative approach. So we really want to portray that we're putting the customers and our clients front and center. We're having a lot of conversations around flexibility and the opportunity to weave brands into the fabric of not only our platforms, but also our IP.' 'The themes that we are hearing fairly consistently do revolve around uncertainty,' says Paramount ad sales chief John Halley. 'Advertisers, brands, agency partners, are in a landscape that's defined by tariff fluctuations and inflation, regulatory uncertainty, shifting go-to-market timelines. That is a lot to navigate as we come to this current upfront period.' 'At the end of the day, in economies like the one of today, which I would say is best described as uncertain, I think a lot of brands are in the process of planning for multiple scenarios and understanding that they still have to generate sales volume and make sure that their brands are front and center in the mind of a consumer that is much more thoughtful about how they're spending money,' Disney's ad sales chief Rita Ferro says. Indeed, despite the uncertainty, every company is happy to highlight their silver linings. That seems to be taking the form of three distinct areas: Live sports and tentpoles, top-shelf entertainment fare, and ad tech that improves automation and targeting. 'We just have best in class IP, we have culture creating, culture setting IP like The Last of Us, The Pitt, March Madness, or theatricals like A Minecraft Movie,' Voltaggio says. 'We want to couple that with best in class precision and targeting to really allow for the accessibility of those audiences to our clients. Our content is seen by 85 percent of all adults on a monthly basis in the US, and we certainly want to maximize that power and breadth of our portfolio for our client base.' 'I feel like a company like Disney with the position that we have around the things that resonates with consumers and where consumers are spending time: Sports, scaled streaming and live entertainment, we are a consistent and long-term partner for many brands,' Ferro says. 'We've been in the business for decades and we've been investing in and have the technology that allows them to do the things that they want to do, and deliver on the measurement side to prove that it's working in ways that differentiates us from other other platforms that week.' 'We are specialists in creating culturally defining moments, and not just moments, but entire universes. Yellowstone, Survivor, these franchises like The Daily Show and South Park, it's not just about reach, it's about depth and engagement,' Halley says. 'There's a clear focus on sports and tentpoles, which deliver cultural experiences, premium entertainment formats, but as you know, advertisers are scrutinizing every dollar, and they're demanding measurable impact, and the impetus is on us to to provide that,' he adds. 'You know it, we know it. This is an environment where you've got to be able to prove what you're saying.' Those tentpoles probably require a deeper dive, because if there is likely to be one takeaway from this week, it would be this: Every major entertainment company, be they streaming or linear or both, will lean hard on live sports and tentpole events. Why? They command the attention of consumers, the highest rates from advertisers, and simply have the most demand. And given the overall market, media companies believe that putting sports and tentpoles at the center of their sales pitch can help the overall bundle of assets they are selling. 'For clients that are thinking about spending less in the upfront, its basically because they have found that they can get whatever they want in scatter [the market where buyers buy spots much closer to their run date] and not commit to the pricing upfront,' the media buyer says. 'In the really highly coveted opportunities, like sports and tentpoles, where it's highly coveted inventory, that price will continue to either hold or increase, and clients are not going to be able to come in scatter and get that same inventory. But basically, for everything else you can play the scatter game and hedge it, and you're probably okay, right?' Hence why WBD will likely tee up March Madness and the French Open, even after losing the NBA game rights; why Disney will center ESPN and its massive sports slate, as well as live events like the Oscars and Grammys; why Netflix will underscore its live event strategy; YouTube its NFL Sunday Ticket deal; Amazon its new NBA rights package; and Paramount will be sure to note its football prowess. And NBCUniversal will begin selling a 2026 that kicks off with the Super Bowl, the 2026 Winter Olympics from Italy, major college football games, and the return of the NBA on NBC. 'The fact is that this will be the greatest single year of content that any single media company has ever had,' Marshall boasts. Of course Disney is already salivating over 2027, when it will have the College Football Championship, the Grammys, the Super Bowl and the Oscars all within a three month window, as well as the NBA. It's a sign of the times for the entertainment business. Consumers are still watching comedies, dramas and unscripted fare, but with that viewership on demand and increasingly streaming, that content is being sold more programmatically. The big tentpole events (or events that companies hope to turn into tentpoles) are turning into the centerpieces of the advertising pitch, the can't miss thing that brings in the big commitments and forms a support structure for the rest of the business. The question in the current moment is to what extent CMOs buy in, or how many hold their breath and hope for deals down the line. Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire
