United Across the Taiwan Strait, Conveying Emotion Through Art: 'Doves Dance in Wuhan' Paints a Landscape of Hope and Peace
Artists from the Taichung Association for the Development of Arts for the Disabled in Taiwan collaborated with the Wuhan Disabled Persons' Federation, sketching the world in their unique perspectives. Their works depict the splendid scenery of Wuhan's rivers and banks, the warmth of bustling streets, and the common yearning for peace shared by all Chinese people. Each stroke of color hides the resilience of not bowing to fate; each piece of art is filled with a passionate love for life.
At the 'Doves Dance in Wuhan' lawn art exhibition, the sound of the piano flowed gracefully, with the world-famous piece Dove echoing on the violin, beautifully complementing the enchanting dance of 'not a single dove should be missed.' As the peace doves soared high and balloons filled with hope rose into the blue sky, the hearts of artists from both sides connected in this moment, collectively conveying the profound hope that 'not a single dove should be missed'—this is not only a resonance of art but also a bond of kinship, a collective watch for peace, hope, and love.
With the belief that we are one family across the Taiwan Strait, and that art knows no boundaries, these paintings encompass the beauty of Wuhan, the dreams of the Chinese people, and the warmth and strength that transcend the Taiwan Strait. Let us witness this artistic feast, grounded in love and painted with hope, so that the call of peace may forever resonate over our shared homeland.
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Company Name: CJN
Contact Person: Li Fu
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Country: China
Website: http://3g.cjn.cn/Detail/?id=4914304
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National Geographic
6 hours ago
- National Geographic
What do your dreams reveal about you? It depends where you're from.
Lu Chin's mid-16th century painting entitled "Zhuangzi Dreaming of a Butterfly." Zhuangzi was an influential Chinese philosopher who lived around the 4th century BCE during the Warring States Period, a period corresponding to the philosophical summit of China's Hundred Schools of Thought. Photograph by CPA Media Pte Ltd/Alamy Stock Your dreamscape is the land where anything is possible. One minute you're walking through a beautiful meadow—and the next you're falling to your death over a cliffside. Your teeth may fall out for no apparent reason, or you may see a snake slither out the corner of your eye. The average adult spends roughly a third of their life asleep, which means there are plenty of opportunities for our minds to experience these personalized dreamscapes. But do dreams actually mean anything? That depends on who you ask. 'Anthropologists say that if you understand what a given group believes about dreaming, you have understood their whole [culture],' says Robin Sheriff, an associate professor of anthropology at the University of New Hampshire. Western psychologists like Sigmund Freud and Carl Jung have popularized some of the most well-known ideas about dream interpretation, but these doesn't necessarily align with how experts in fields like anthropology and folklore understand dreams. Here's what you need to know about dream interpretation and how your culture may influence what a dream means to you. What is dream interpretation? Dream interpretation can be traced back to ancient Rome and ancient Egypt, but Sheriff says the practice likely has roots in prehistoric cultures without written records. Before dream science, also known as oneirology, was developed, dream interpretation was a cultural practice that could connect people to cultural ancestors or spirits. 'Dreams held deep significance in traditional Chinese culture…particularly within a supernatural worldview where ghosts, spirits, and ancestral souls were believed to actively participate in human affairs,' said Ze Hong, an assistant professor of evolutionary biology at the University of Macau who has researched Chinese dream interpretation from an evolutionary perspective. Dreams were often regarded as meaningful channels of communication from the spiritual realm, capable of revealing hidden truths or predicting future events, Hong says. In ancient Rome, records show that dreams were seen as divine communications from the gods, and dream oracles played an important role in interpretation. Hong says this kind of practice also existed during China's Zhou Dynasty, which lasted between 1046 B.C. to 256 B.C. Hong explains that oneiromancy, the practice of divinatory dream interpretation, became widely used to provide insight into personal relationships, illness, and even political decisions. However, this practice has declined in popularity over Chinese history, said Hong, particularly by the end of the Imperial era in the early 1900s. The connection between dreams and the spiritual realm is something that anthropologist Roger Lohmann also found while studying the dreaming culture in Papua New Guinea. Though Westerners might view dreams as purely metaphorical, Lohmann, an associate professor of anthropology at Trent University in Ontario, Canada, says dreams in Papua New Guinea can be interpreted as a parallel journey that your soul went on while you slept. This meant that dreams could be interpreted as being prophetic or revealing hidden information, Lohmann said. He recalls sleeping in a village near the border of Indonesia and waking up from a nightmare about his research notes catching fire. (This is the story of the world's oldest nightmare.) 'I interpreted that [dream] as an expression of my anxiety about that something going wrong with my computer,' he said. '[But] I told the story to a man who was visiting me that morning and he said 'Oh, you better watch out. Be very careful with the fireplace,' because he interpreted that dream to mean something that's likely to happen in the future.' The guidelines for interpreting dreams in Western cultures today typically come from psychologists Sigmund Freud and Carl Jung. The father of psychoanalytic theory, Freud wrote in 1900 that dreams represent the dormant wishes of our subconscious and could be a way to carry out repressed instinctual, or even hypersexual, desires. Over the next six decades, psychologist Carl Jung proposed his own interpretation of dream theory that says dreams might be a conversation between our conscious and subconscious selves. Jung, who had a complex friendship with Freud, believed that instead of revealing repressed desires, our dreams are meant to process our waking problems and find potential solutions. (The brilliant women of psychiatry who were overshadowed by Freud and Jung.) Jung's dream theory also includes the idea of a collective subconscious, which suggests dreams can be interpreted in a symbolic way through distinct archetypes, such as the hero, the mother, and the trickster. According to Jung, these archetypes could be found across cultures and had universal meanings. However, this theory is quite different from what anthropologists have found when studying the importance of dreams and their meaning across cultural contexts. Interpreting dream symbols across cultures Depending on what culture you are dreaming in, common themes or symbols can have drastically different meanings. Take a snake, for example. In Western cultures familiar with Freud, dreaming of a snake may be interpreted as something potentially sexual, Lohmann suggested, or Jung himself wrote of snakes as representing power or danger, declaring that a 'state of instinctual hell is represented as a snake with three heads.' Hindu interpretations, however, suggest that dreaming of snake could foretell wealth and fertility—if you're eating it in the dream, at least. Hopi and Pueblo tribes in the American Southwest also link fertility to snake dreams, although particularly in relation to agricultural cycles and the fertility of land. On the other hand, Pentecostal Christian communities in Zambia may interpret that snake in your dreams as proof of the devil. There isn't a set interpretation of snakes in the traditional Chinese practice, said Hong—Chinese dream interpretations were more likely to be concerned with more culturally significant symbols such as dragons or suns, signs of divine favor. But some historical documents suggest that a pregnant women dreaming of snakes once would have predicted the birth of a son—or, contradictorily, also a daughter. Do dreams mean anything? A person will have countless dreams in their lifetime, but that doesn't necessarily mean that all dreams are equally important. By the end of the Imperial period, which was right around when Freud and Jung were forming their dream theory, Hong said that it became popular to view the origins of dreams as supernatural and related to a person's psychological state. 'For instance, dreams caused by 'overthinking during the day' were often dismissed as uninterpretable and meaningless,' he said. (You can learn to control your dreams with lucid dreaming. Here's how.) In the Western tradition, how much or how little a dream means is up to the person having or interpreting the dream. 'Dreams, like poetry and art, offer ways to think about human experience,' Sherrif said. 'There may be better or worse interpretations or analyses but we have no objective means of ascertaining their accuracy.'
Newsweek
8 hours ago
- Newsweek
Laufey Is an 'Anxious Cinderella' on New Album 'A Matter of Time'
"Dark sarcasm" isn't something that one would expect to hear in the jazz- and classical-influenced pop of Laufey. The 26-year-old Icelandic-Chinese musician is known for her romantic and dreamy tunes inspired by the Great American Songbook—a canon of classic pop songs, Broadway numbers and jazz standards from the first half of the 20th century, including works by such composers as George Gershwin, Cole Porter and Rodgers and Hammerstein—and rendered with a Gen Z perspective. Yet several songs on her upcoming new record, A Matter of Time (August 22), take a more candid—and at times, sobering—tone that contrasts with her earlier material about growing up and being in love at a young age. Album announcement Album announcement Emma Summerton "I'm a very sarcastic person," Laufey (pronounced Lay-vay) tells Newsweek. "With the last album [2023's Bewitched], I showed the light, and I wanted to show a little bit of darkness on this album. I had a lot of fun doing it. It's kind of like an anxious Cinderella." A Matter of Time, Laufey's third studio record, marks another step in the career of the Los Angeles-based singer-songwriter, whose story reads like a fairy tale come to life. Since her 2022 debut album, Everything I Know About Love, Laufey has played sold-out shows; performed with such artists as beabadoobee, Norah Jones, Barbra Streisand and Billy Joel; and won a Grammy Award in 2024 for her second record, Bewitched. Her music attracts nearly 19 million monthly listeners on Spotify, and her TikTok account has 8.7 million followers. Larger and Bolder Sound For A Matter of Time, Laufey says she wanted to make a work that sounded larger and bolder. "But at the core," she adds, "I didn't want to move too much away from my own sound. There's definitely more sonic exploration on the album, which was really important to me." Helping Laufey achieve that vision were her longtime producer Spencer Stewart and, for the first time, The National's Aaron Dessner, whose production credits include albums for Taylor Swift and Gracie Abrams. "I've always wanted to work with Aaron," Laufey says. "I'm such a big fan of his and The National. I worked with Aaron [on] a session, and something felt really right about it. It brought a level of speed and shine to the album that I was looking for." An example of Laufey branching out stylistically for this record is the country-inspired track "Clean Air." "It's about letting go of something toxic from the past, whether it's a job, a relationship or a friend," she says. "It immediately landed in this dreamy country world. I love the harmonies of Dolly Parton, Linda Ronstadt and Emmylou Harris. I wanted to have that sound in some way, and it felt like it wasn't a far toss from my world." The song "Silver Lining," the first single released ahead of the new album, recalls early 1960s pop music; Laufey wrote it while she was at Electric Lady Studios in New York City. "I found this vintage electric guitar in a corner and was like, 'I want to write a '60s song with the fun strings and this mid-century vibe and reverbed-out kind of sound.' I wanted it to be a love song, but sarcastic. Icelanders are not good at saying things very directly. We find these side ways of saying it. And I think 'Silver Lining' was kind of my way to do that." Yet A Matter of Time isn't a drastic stylistic left turn from Laufey's first two albums—the lush and elegant arrangements and her sublime torchy singing voice remain the cores of her work, such as on the bossa-nova-styled "Lover Girl" and "Clockwork." But her perspectives about love and the world around her have matured. "It's definitely more bold as well," she says of the lyrics. "It's more honest. It's more raw. It was a fun challenge finding growth within myself." Snow White lead Snow White lead Emma Summerton The feisty "Tough Luck," which finds Laufey throwing shade at a rotten boyfriend, is a notable counterpoint to her usual romantic perspective. "I just wanted to write a mean song," she says. "I had this experience, and it was so funny to me. I was like, 'This is a song.'" On the lush and heartbreaking "Snow White," she critiques idealized beauty with the ironic lyric: "A woman's best currency is her body, not her brain." "I was frustrated with beauty standards and myself for needing to compete with those standards," she says. "Like, 'Why can't I just remove myself?' The lyrics are about how the world has kind of set us all up to need to fit into those standards to compete." "Sabotage" is the album's final and most dramatic track, featuring a dissonant-sounding coda that seems more appropriate for an indie rocker than a pop song; Laufey calls "Sabotage" the album's thesis statement. "It's about that contrast between this glass-like beauty and chaos. This album, for me, showcases the complexity of female emotion to the world. So often, we're good at putting up a beautiful front on the outside, but then there's a noise or mess going on inside, this anxiety. I wanted to find a way to use songwriting and music to describe that contrast." Although Los Angeles is her current home, Laufey pays homage to her Icelandic roots on the track "Forget-Me-Not," recorded with the Iceland Symphony Orchestra; some of the lyrics were written in her native language. "It's a song about the experience of leaving your home country and feeling like you're losing it a little bit," she says. "This was my way of reaching back and reminding it that I love [Iceland] and pleading to 'not forget me.' And so the lyrics—at least in the chorus—had to be in Icelandic because I want to speak to its soul." Born Laufey Lín Bing Jónsdóttir, she was introduced to classical music through her Chinese violinist mother, and her exposure to jazz-pop standards came courtesy of her Icelandic father's record collection. At a young age, she played both cello and piano. "I was like listening to orchestra rehearsals in my mother's womb," Laufey, who was raised in Reykjavík and Washington, D.C., says. "I was given a violin when I was 2. Classical music was what I've heard at home my whole life. But also, it was a lot of jazz music and the Beatles." Although she harbored the idea of becoming a singer in addition to being a musician, Laufey initially didn't think it was realistic for her to forge a career in the vintage music that she grew up with. "I didn't have any example of success from somebody who looked or sounded like me in current times. My favorite singers were from the '40s, '50s and '60s. So I just didn't believe it. I knew that music was always going to be a huge part of my life. I was just too scared to jump into it. Laufey later attended Berklee College of Music in Boston on a scholarship, which was a turning point for her. "There were so many people writing around me, and it kind of empowered me to explore my sound and try things. So I started writing in a way that reflected my favorite music, which was songs from the Great American Songbook. I realized that if I wrote in that form but used modern experiences, it could create something that people would be interested in." Her breakthrough came when she wrote and released a single, "Street by Street," in 2020 that topped the Icelandic radio charts. Laufey's fame grew around this period when she started posting popular videos online of her performances of classic standards by jazz legends such as Ella Fitzgerald and Chet Baker, as well as her original compositions. Through AWAL, a record company that allows its artists to retain ownership of their work, she released her albums Everything I Know About Love and, a year later in 2023, Bewitched. 'A Generation of Mixture' Much has been written about Laufey's huge popularity with her Gen Z audiences, which is remarkable given that jazz and pop songs from the 1920s to the 1960s are generally a tough sell to mainstream youth. One major aspect of Laufey's appeal to her young fan base is that, underneath the music, her mostly autobiographical lyrics are relatable and contemporary. "I loved it [the Songbook sound] so much growing up.... It's very natural to me to advocate for that. I couldn't fake being a pop singer—this is just what I do. I'm so lucky that people are interested in it. I think it's because Gen Z is just so open to different styles of music. And with the amount of access we have to music from all different genres and decades, the palette of young listeners has really changed. "There are so many artists who have styles that don't fall into a certain box, but are applauded because we are a generation of mixture. So many of my fan base are mixed race like me or from different cultural backgrounds. I think that's a part of it." Laufeyperforms with Gustavo Dudamel & LA Phil at the Coachella Stage during the 2025 Coachella Valley Music and Arts Festival on April 19, 2025 in Indio, California. Laufeyperforms with Gustavo Dudamel & LA Phil at the Coachella Stage during the 2025 Coachella Valley Music and Arts Festival on April 19, 2025 in Indio, Coachella Laufey will be touring large arenas in support of the new album—further evidence of her growing popularity—including two nights at New York City's Madison Square Garden. Yet she has stayed mostly grounded through all of the attention. "I've been practicing that since I was so young," she says, "like the highs and lows of going on stage, playing a recital, coming back home and knowing that I still have to finish my homework the next day. My Chinese upbringing is, 'Stay humble and thankful and respect everyone around you.' That is something that I carry with me always." "I am in true shock over my career," she adds. "It's always surprising to me. It's very hard to have any sort of ego about it when I'm kind of curious as to how it even happened in the first place." Further Listening Everything I Know About Love [ARTWORK] Everything I Know About Love [ARTWORK] Emma Summerton Everything I Know About Love AWAL, 2022 If someone was listening to Laufey's 2022 debut album for the first time and did not know that its music consisted of mostly original material, they could've sworn she was interpreting classic Broadway and jazz-pop songs from the era of Frank Sinatra, Ella Fitzgerald, Peggy Lee and Tony Bennett. That's a credit to how Laufey faithfully mines that era with letter-perfect precision and authenticity: from the melodies and lovelorn lyrics to Laufey's wistful and sultry voice. "It's about dealing with growing up," Laufey said of the album in a press release at the time. "It's also very 'hopeless romantic.' All the songs are based on my personal experiences in the past years, but the way I write about them is like fiction." Bewitched Cover Bewitched Cover Emma Summerton Bewitched AWAL, 2023 Laufey didn't experience the dreaded sophomore slump with Bewitched. Instead, it won a Grammy in 2024 under the best traditional pop vocal album category. In addition to containing the hugely popular "From the Start" and the title song, Bewitched features Laufey's cover of the Erroll Garner standard "Misty." "This is a love album," she said in a previous statement, "whether it be a love towards a friend or a lover or life. The first album also touched a lot on things like moving out of my childhood home and moving into a new city for the first time—being an adult. With this one, I've experienced a little bit more of that, and I'm writing about the magic in the love of being young."
San Francisco Chronicle
17 hours ago
- San Francisco Chronicle
‘Ne Zha 2' review: The record-breaking Chinese animated epic is a must-see in IMAX
A scene in "Ne Zah 2." A24 'Ne Zha 2' is a wild, subversive adventure and a work of astounding visual imagination. The Chinese epic has already raked in $2.2 billion worldwide, making it the highest-grossing non-English film and one of the top five films of all time — and now it's coming to the U.S. in IMAX. Fans of the first film, 'Ne Zha' (2019), might have been concerned a sequel couldn't match the seemingly endless inspiration in that blockbuster. But this follow up raises the bar. It's funnier, features amazing character designs and environments, and even has a greater emotional punch. The two movies, and 2020's 'Jiang Ziya,' are part of a growing cinematic universe based on the oft-adapted 16th century novel 'The Investiture of the Gods.' Ne Zha, a beloved figure in Chinese mythology is portrayed as a hilarious loose cannon here, but his journey toward self-realization is well-earned. Advertisement Article continues below this ad A scene from the Chinese animated film 'Ne Zha 2.' A24 The 2019 film is streamable, and the recommendation is to see it first — not only because it will explain a lot, but because it's really good, even if its grandeur is reduced on a small screen. More Information 'Ne Zha 2': Animated fantasy. Starring Michelle Yeoh, Crystal Lee, Rick Zieff. Written and directed by Jiao Zi. (Not rated. 144 minutes.) Dubbed into English from the original Mandarin. In theatres Friday, Aug. 22. In that film, we learn Ne Zha was supposed to be born to a noble human couple as the reincarnation of the divine Spirit Pearl. Through jealous machinations, however, he was born as the embodiment of the Demon Orb. That makes the boy a super-powered hellion, feared and despised by all but his human parents and mentor, Master Taiyi, despite his aspirations to heroism. Ne Zha eventually meets the actual reincarnation of the Spirit Pearl, Ao Bing, the magnificent son of the Dragon King. Though diametrically opposed, the boys join forces to prevent Ne Zha's prophesied death by heavenly lightning. Their efforts result in the destruction of both the Demon Orb and Spirit Pearl, though Master Taiyi preserves their spirit forms. Advertisement Article continues below this ad Master Taiyi (voiced by Rick Zieff), left, and Flying Pig in a scene in "Ne Zha 2." A24 'Ne Zha 2' begins with goofy attempts to craft physical forms for those spirits. Both Ne Zha (voiced by Crystal Lee) and Ao Bing (Aleks Le) become housed in Ne Zha's temporary physical body, setting up funny personality-switching gags. For instance, Ne Zha must sedate himself to conceal his demonic nature while Ao Bing's spirit uses his body to execute heavenly trials to win a permanent body of his own. Meanwhile, tension between the humans of Ne Zha's village and the dragons and sea creatures under the Dragon King's command threatens to erupt into all-out war. And that's just the setup. The visuals are never less than inspired. A boulder-like projectile breaks apart into armored crabs with bladed claws. Mystical fish transform into constellations that assemble into a magical crystal decanter. The multiple manifestations of a mountain demon, the incredibly detailed permutations of a tree dragon, a super-cute leopard boy and magic combat mixed with meticulously specific kung fu action — it all needs to be seen to be believed. The film's epic scale deserves big-screen treatment, making 'Ne Zha 2' ideal for IMAX. Advertisement Article continues below this ad The two Sheildos, voiced by Eric Bauza, in "Ne Zha 2." A24 Apart from Ne Zha's impudent antics, the clumsy fussiness of Master Taiyi (Rick Zieff) and a number of characters voiced by Eric Bauza (including two tiny-but-eager guardians), plus a riff on the 'Mirror, Mirror' scenario and deft physical comedy (especially in a hilarious mid-credits scene) provide ample humor. Then there's the great Michelle Yeoh, whose voice work as Ne Zha's mother, Lady Yin, is limited but effective in infusing some of the most touching moments in the film. Lady Yin, left, and Ne Zha in a scene from 'Ne Zha 2.' A24 'Ne Zha 2' surprisingly contains a sincere-feeling theme of individuality, of resisting what society commands a person to be rather than embracing their nature. The film is anti-establishment and anti-authoritarian, calling out leaders' hypocrisy — qualities you might not expect to appear in Chinese animated megahits. Advertisement Article continues below this ad Both films are written and directed by Jiao Zi (real name Yang Yu), who is reportedly developing a third installment. That is great news for fans of animation, and fans of inspired, imaginative, well-made movies.
