Camila Cabello and Billionaire Heir Boyfriend Pack on the PDA During Steamy Make Out Session on Ibiza Beach
Camila Cabello and Henry Junior Chalhoub can't keep their hands off each other!
The 'I Luv It' singer, 28, and her billionaire heir boyfriend were spotted packing on the PDA during their romantic getaway in Ibiza, Spain on July 21.
During the steamy exchange, the couple can be seen sharing a passionate kiss on a seaweed-strewn dock as Cabello leans against Chalhoub. They shared another intimate moment in the water, keeping their heads above to lock lips.
During their fun in the sun, the former Fifth Harmony member sported a simple black bikini. Meanwhile, Chalhoub was shirtless, showing off his toned physique in a pair of camouflage swim shorts.
The waters off the coast of Ibiza have been a popular celebrity vacation spot this summer. Earlier this month, famous friends Kate Hudson and Dakota Johnson were spotted yachting together on July 1.
The young couple was first linked in November 2024 at an Elie Saab fashion show afterparty in Saudi Arabia, per Billboard. Speculation surrounding their romantic relationship was fueled in January 2025 when the pair was spotted holding hands in St. Barts.
In March 2025, the couple was seen cozying up to one another while attending Chanel's Fall/Winter 2025 fashion show during Paris Fashion Week. In a sweet interaction shared on TikTok, their hands are interlocked before Chalhoub spots a camera and turns away.
Chalhoub's family founded the Dubai-based luxury fashion distribution company Chalhoub Group, which works with Verace, Jimmy Choo and several other brands, per Business of Fashion. In 2023, the family was recognized in Forbes' Top 100 Arab Family Businesses list. The outlet estimated the late Michel Chalhoub and family were worth $1.7 billion as of 2019.
Before Chalhoub, Cabello held romantic relationships with some other big names including life coach Matthew Hussey. Though, her most notable was her on-again, off-again relationship with singer Shawn Mendes. The 'In My Blood' songwriter, 26, confirmed to a crowd in Australia that the pair first started dating on the Fourth of July in 2019.
Cabello spoke about her brief reunion with Mendes in spring 2023 — two years after the exes called it quits in 2021 — during an episode of the Call Her Daddy podcast in March 2024.
Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from juicy celebrity news to compelling human interest stories.
"It took us both less time to be like, 'This doesn't feel right and we don't need to try so hard to make it work. It's all good,' the singer explained. 'I will always care about him and love him. He's such a good person and I'm lucky because some people have exes that are awful, and he is not. He's a really kind, good person.'
Read the original article on People
Solve the daily Crossword
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Jennifer Lopez Staged Wardrobe Malfunction, Claims ‘Source'
Jennifer Lopez's wardrobe malfunction during her Warsaw concert was reportedly staged. When the mishap occurred, the singer was praised for handling the situation like a pro. She turned the mishap into a funny memory. However, a source recently claimed that the incident was 'a stunt' to distract fans from her and Ben Affleck's divorce. 'Source' claims Jennifer Lopez's wardrobe malfunction was choreographed On July 25, Jennifer Lopez had a shocking wardrobe malfunction during a concert in Warsaw, Poland. It happened when the host, backup dancers, and the crowd were singing a birthday song for her as she turned 56 recently. A dancer was already fixing her bikini top as she appeared on stage. While thanking the audience for the song, her skirt suddenly slipped and fell. Everyone was shocked, but the diva handled the situation confidently. She joked, 'I'm out here in my underwear.' Although her staff tried to fix the slip-up, brushed it off and quipped, 'That's gonna be everywhere.' While many praised the singer for dealing with the incident well, a source told Rob Shuter that it was 'choreographed.' They pointed out how flawlessly the mishap took place, from the skirt falling on the stage 'like Velcro' to a dancer fumbling with it. 'She 'always' had this moment in mind,' insiders claimed. They mentioned that she seemingly staged the wardrobe malfunction to distract her fans from topics related to her that have been making headlines. has been gaining attention for dating rumors, her divorce from Ben Affleck, and canceled tour dates. Calling the incident a 'PR genius,' the source added, 'With her abs on full display, no one's talking about her marriage anymore.' For those unversed, and her ex-husband rekindled their romance in 2021 and tied the knot the following year. However, things didn't work out between the pair, and she filed for divorce in 2024. It was then finalized earlier this year, in January. Since then, the former couple has been under media scrutiny. The post Jennifer Lopez Staged Wardrobe Malfunction, Claims 'Source' appeared first on Reality Tea. Solve the daily Crossword
New York Times
an hour ago
- New York Times
Art That Will Change Your Life (or Maybe End It)
WE LIVE HERE NOW, by C.D. Rose C.D. Rose has chosen the cold heart of art-world pretentiousness — intellectually vain, driven by ego and capital — as the focus of his new novel, 'We Live Here Now.' As turgid as this aspect of art can be (think 'hegemony, praxis, the liminal'), Rose isn't interested in satire but in sifting through layers of representation, including tech and commerce, in order to see what lies beneath it all. Unfortunately, the novel is too clever by half: so unironically heaped with jargon, theory and name-dropping that, like its characters, the reader never quite understands what anyone is saying. 'We Live Here Now' follows the uncanny experiences of artists, consultants and industry figures in the orbit of a mysterious conceptual artist named Sigismunda Conrad. Her art is most akin to the immersive multimedia installations of the real-world artists Janet Cardiff and George Bures Miller — experiential, narrative work that, in Conrad's case, is somewhat malevolent. People literally disappear into her installations or are forever changed by them in ways they can't qualify. A freighter carrying a crate of Conrad's drawings around the world (as a tax shelter for the collector) vanishes from its own radar. A sound artist who once visited a Conrad installation finds herself in limbo in a nondescript Berlin apartment, trying to capture unrecordable ambient noise. A techno-theorist named Thomas Vyre, who is at work on essays having to do with 'system agnostic technologies, the evolving threat landscape, and force generation and operational realism,' ponders a host of fraudulent Thomas Vyres while holed up in a high-rise in southern China. The chapters read like a networked simulation, each a contained story (frequently in a contained space, such as a hotel room) that links to the others by way of small details. A man aiding a film crew on a remote Scottish island once used by Conrad turns out to be the brother of a crew member on the freighter. A woman in Berlin interviewing for a residency sees a man on the street below; later, in his chapter, he sees her looking down at him. The novel is littered with artificial symbology: repeated mentions of echoes and drones, spirals, disappearances, notions of flow, topology and space, as well as situations and places that are 'all the same, and all different.' Want all of The Times? Subscribe.
New York Times
an hour ago
- New York Times
The Children's Writer Who Drew Himself as a Bird
THE BOY WHO BECAME A PARROT: A Foolish Biography of Edward Lear, Who Invented Nonsense, by Wolverton Hill; illustrated by Laura Carlin If you've bought books for kids in the last year or 10, you may have noticed the tsunami of titles telling children to be kind, to be happy, to love everyone. These are nice ideas, and an understandable reaction to our current, very unkind times. But idea books are not stories; they're not entertaining. They're lectures. 'The Boy Who Became a Parrot' is, wonderfully, not a lecture but an absolute joy of a picture book — celebrating nonsense, play, art, storytelling and the life of the writer and artist Edward Lear. You may know Lear as the author of the poem 'The Owl and the Pussy-cat,' or of limericks like this one: There was an Old Man with a beard,Who said, 'It is just as I feared! —Two Owls and a Hen,Four Larks and a Wren,Have all built their nests in my beard!' But did you know that Lear, born in London in 1812, was the second youngest of (by many accounts) 21? An epilepsy sufferer? A naturalist painter admired by Audubon? Someone who felt such a kinship with parrots that he wished he could become one, and who often drew himself as a bird? Wolverton Hill (the 'nonsense twin' of the author Barry Wolverton, who 'lives in the upper right hemisphere of Barry's brain, on a small island, in the middle of the woods, with two chairs, half a candle and a jug without a handle') tells the story of Lear's life with a playfulness that echoes his subject's own writings. Likewise, the award-winning Laura Carlin's visual storytelling — a seamless mix of full illustrations and sketchy doodles, her art and Lear's — is not only exquisite but as exuberantly clever and goofy as that of the nonsense king himself. Want all of The Times? Subscribe.
