
Italian brand Loro Piana celebrates legacy and linen at Knit Design Award
Italian luxury brand Loro Piana announced the winners of the ninth edition of its Knit Design Award on May 14 during a special event at Casa degli Artisti in Milan. This year's edition celebrated the heritage and creative potential of linen. Launched in 2016, the contest aims to support young designers while sharing the brand's expertise in knitwear craftsmanship.
For the 2025 competition, Loro Piana invited 14 students from seven international fashion schools to reinterpret and elevate linen. Participants combined the material with Loro Piana's traditional winter yarns to create original and versatile knitwear designs. An international jury reviewed the submissions and selected the winners: Irish designer Morgan Rachel Boyce and Italian designer Simone Rizzato, both graduates of Accademia Costume & Moda.
'Our project aimed to explore our connection to linen's historical legacy. My family once worked in factories that produced linen parachutes for the Allies during World War II. When the war ended, those parachutes were repurposed into clothing for the community,' Boyce told FashionNetwork.com.
"Sometimes the linen fabrics recovered from the parachutes were used to create wedding dresses. We wanted to highlight linen as a durable fiber that lasts, and that can become a symbol of love even in dramatic situations like war," added Simone Rizzato. "Our goal was to uncover an unexpected heritage of linen to offer a unique result."
The winning project, titled 'Parachute – A Falling Legacy,' tells a story of resilience and transformation. Themes of rebirth and reinterpretation are woven into the design and stitchwork. 'The concept encouraged us to experiment with both lightness and structure, showcasing linen's natural properties enhanced by the refinement of Loro Piana's winter yarns, pushing the boundaries of knitwear. For us, the brief was an invitation to explore the dialogue between tradition and innovation for Loro Piana,' the designers concluded.
Loro Piana will produce the winning garment and present it during the upcoming edition of Pitti Filati in July.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fashion Network
a day ago
- Fashion Network
Demna unveils his final ready-to-wear collection for Balenciaga
Hoodies, oversized puffer jackets, baggy trousers, long coats, distressed or washed denim — Demna has unveiled his final ready-to-wear collection for Balenciaga, a curated synthesis of his 10-year tenure at the Kering -owned fashion house. The collection serves as a manifesto, or a parting statement, as the designer prepares to leave the Parisian label in July, following his last couture show, to take the helm at Gucci, the group's flagship brand. The Georgian-born, German-based designer (whose full name is Demna Gvasalia) has reshaped Balenciaga's image over the past decade, bringing it firmly into the 21st century with a blend of luxury streetwear and tailored silhouettes featuring exaggerated proportions. For spring 2026, he presents 48 looks. The lineup spans sculptural, tailored pieces that reinterpret Cristóbal Balenciaga's signature curves and a sportier, street-inspired wardrobe marked by oversized volumes, reworked vintage items and an anti-establishment spirit that defines the designer's approach. These elements contrast sharply with the refined, romantic style of Pierpaolo Piccioli, who will succeed him. The collection features pieces drawn from 35 past collections, new designs and garments from the designer's personal wardrobe. 'They represent the volumes, silhouettes and attitudes that have shaped my vision and exploration of contemporary wardrobe — what people really wear, how they wear it, and the line between luxury and fashion,' Demna explains in a letter-style statement, describing the collection as 'a return to my roots after all these years.' The collection unmistakably evokes Vetements, the brand Demna founded in 2014 and left in 2019. It also suggests the potential direction Gucci might take in the coming months — reimagining the Italian house's classics through a radical contemporary lens and elevating everyday pieces into a new form of luxury through an ongoing exploration of wardrobe archetypes. 'My work at Balenciaga, and in general, has often revolved around the anthropology of fashion and dress codes,' Demna notes. To visually reinforce this theme, he collaborated with photographer Ari Versluis and profiler-stylist Ellie Uyttenbroek. The Dutch duo, whose project Exactitudes (also the title of this collection) has strongly influenced Demna's styling, have spent years photographing and categorizing individuals across various socio-cultural groups based on their clothing and style. Demna first discovered their work while studying at the Royal Academy of Fine Arts in Antwerp. Over the years, he has continued to explore the concept of social uniforms and how individuals personalize their clothing. The work of Versluis and Uyttenbroek has left a lasting imprint on his fashion approach. Speaking about this final collection, the artistic director highlights this influence: 'It marks the end of a beautiful era that I wanted to capture and celebrate by creating the 'Balenciaga archetypes' — the people, silhouettes, atmosphere and ideas that have all been fundamental to my work for this incredible house.' At the same time, the brand is launching a music collaboration with Britney Spears as part of its Balenciaga Music project, which began in 2020. The project offers Balenciaga clients access to curated musical content, including playlists compiled by Demna and various artists, along with a capsule collection. Inspired by the American pop star's concert aesthetic, the collection features a limited edition of T-shirts, zip-up hoodies and caps adorned with Spears' autograph and archival imagery, finished with vintage-inspired treatments that resemble classic album merchandise. The project also includes an exclusive playlist created by the pop icon and two remixes of her most iconic tracks by BFRND, the stage name of musician Loïk Gomez — Demna's husband — who has composed the soundtracks for all Balenciaga runway shows. Before unveiling his couture collection and moving on to Milan, the designer will receive one final tribute in Paris during men's fashion week with an exhibition titled Balenciaga by Demna, which will run from June 26 to July 9 at Kering's headquarters on Rue de Sèvres.


Fashion Network
a day ago
- Fashion Network
Demna unveils his final ready-to-wear collection for Balenciaga
Hoodies, oversized puffer jackets, baggy trousers, long coats, distressed or washed denim — Demna has unveiled his final ready-to-wear collection for Balenciaga, a curated synthesis of his 10-year tenure at the Kering -owned fashion house. The collection serves as a manifesto, or a parting statement, as the designer prepares to leave the Parisian label in July, following his last couture show, to take the helm at Gucci, the group's flagship brand. The Georgian-born, German-based designer (whose full name is Demna Gvasalia) has reshaped Balenciaga's image over the past decade, bringing it firmly into the 21st century with a blend of luxury streetwear and tailored silhouettes featuring exaggerated proportions. For spring 2026, he presents 48 looks. The lineup spans sculptural, tailored pieces that reinterpret Cristóbal Balenciaga's signature curves and a sportier, street-inspired wardrobe marked by oversized volumes, reworked vintage items and an anti-establishment spirit that defines the designer's approach. These elements contrast sharply with the refined, romantic style of Pierpaolo Piccioli, who will succeed him. The collection features pieces drawn from 35 past collections, new designs and garments from the designer's personal wardrobe. 'They represent the volumes, silhouettes and attitudes that have shaped my vision and exploration of contemporary wardrobe — what people really wear, how they wear it, and the line between luxury and fashion,' Demna explains in a letter-style statement, describing the collection as 'a return to my roots after all these years.' Inspired by Vetements The collection unmistakably evokes Vetements, the brand Demna founded in 2014 and left in 2019. It also suggests the potential direction Gucci might take in the coming months — reimagining the Italian house's classics through a radical contemporary lens and elevating everyday pieces into a new form of luxury through an ongoing exploration of wardrobe archetypes. 'My work at Balenciaga, and in general, has often revolved around the anthropology of fashion and dress codes,' Demna notes. To visually reinforce this theme, he collaborated with photographer Ari Versluis and profiler-stylist Ellie Uyttenbroek. The Dutch duo, whose project Exactitudes (also the title of this collection) has strongly influenced Demna's styling, have spent years photographing and categorizing individuals across various socio-cultural groups based on their clothing and style. Demna first discovered their work while studying at the Royal Academy of Fine Arts in Antwerp. Over the years, he has continued to explore the concept of social uniforms and how individuals personalize their clothing. The work of Versluis and Uyttenbroek has left a lasting imprint on his fashion approach. Speaking about this final collection, the artistic director highlights this influence: 'It marks the end of a beautiful era that I wanted to capture and celebrate by creating the 'Balenciaga archetypes' — the people, silhouettes, atmosphere and ideas that have all been fundamental to my work for this incredible house.' At the same time, the brand is launching a music collaboration with Britney Spears as part of its Balenciaga Music project, which began in 2020. The project offers Balenciaga clients access to curated musical content, including playlists compiled by Demna and various artists, along with a capsule collection. Inspired by the American pop star's concert aesthetic, the collection features a limited edition of T-shirts, zip-up hoodies and caps adorned with Spears' autograph and archival imagery, finished with vintage-inspired treatments that resemble classic album merchandise. The project also includes an exclusive playlist created by the pop icon and two remixes of her most iconic tracks by BFRND, the stage name of musician Loïk Gomez — Demna's husband — who has composed the soundtracks for all Balenciaga runway shows. Before unveiling his couture collection and moving on to Milan, the designer will receive one final tribute in Paris during men's fashion week with an exhibition titled Balenciaga by Demna, which will run from June 26 to July 9 at Kering's headquarters on Rue de Sèvres.


Euronews
2 days ago
- Euronews
EU lawmakers take aim at Eurovision over ‘rigged' televote
Just over two weeks after the conclusion of the 2025 Eurovision Song Contest, controversy over the integrity of televoting continues to mount. A group of 12 MEPs from socialist, leftist, green, and liberal groups has written to the top brass of the European Broadcasting Union (EBU), which organises the contest, expressing 'renewed apprehension regarding increasing concerns of irregularities tied to the 2025 contest' in a letter seen by Euronews. Their appeal follows a wave of concern from national broadcasters, including the Netherlands' AVROTROS/NPO, Norway's NRK, Spain's RTVE, Slovenia's RTVSLO, Iceland's RÚV, Belgium's Flemish VRT, and Finland's Yle. The broadcasters cited suspicions of televoting manipulation and questioned the role of state-backed promotion, particularly involving this year's runner-up in the contest, Israel's entry, which reportedly benefited from campaigns pursued by the Israeli Government Advertising Agency (Lapam). Irish broadcaster RTÉ has formally requested access to the voting data, while VRT publicly questioned whether it will continue participating in the contest if full transparency is not ensured. 'While the Eurovision Song Contest is meant to unite Europe through music and culture, recent developments have cast a shadow over its credibility and neutrality,' Slovenian MEP Matjaž Nemec, who initiated the letter, told Euronews. Nemec criticised the involvement of national governments in promoting their acts, calling it a breach of the EBU's principles of fairness, impartiality, and independence. The letter cites data from VRT revealing significant and unexplained discrepancies between viewer numbers and televoting participation during the 2023–2025 contests. 'These trends are not easily explained by organic fluctuations in viewer enthusiasm and warrant further scrutiny,' the letter reads, warning that the increasing number of broadcasters questioning their own data points to a deeper, systemic issue. 'This is not an isolated concern: it signals a broader problem that must be addressed,' Nemec said. The MEPs have called on the EBU to take specific actions, including releasing complete voting data, authorising an independent audit, and enforcing safeguards to prevent political interference in the contest. 'Without answers and accountability, Eurovision risks losing the trust of its audience and becoming a stage not for unity, but for manipulation,' Nemec warned, adding that the European public deserves full transparency on this year's voting process. Eurovision Song Contest director Martin Green has issued an open letter addressing concerns about transparency and the integrity of the voting process. Green acknowledged the issues raised by broadcasters and confirmed that they would be discussed at the upcoming EBU Reference Group meeting. He noted that while promotional efforts by participating countries are permitted and common in the music industry, the EBU is reviewing whether such campaigns could unduly influence public voting. He also pointed out that Eurovision's voting system incorporates 'multiple security layers' and is overseen by over 60 professionals across Cologne, Vienna, and Amsterdam, while the voting is managed by Once Germany GmbH and independently verified by EY (Ernst & Young). Regarding the current rule limiting votes to 20 per payment method per person, Green stated that there is no evidence this affects the results. Nonetheless, the issue will be re-examined as part of the post-contest review process.