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I'm Sorry To Say It, But If You Recognize Literally Any Of These Names And Faces, You Are Officially Old

I'm Sorry To Say It, But If You Recognize Literally Any Of These Names And Faces, You Are Officially Old

Buzz Feed21-04-2025

1. "Pierre Escargot":
NIckelodeon
AKA the Frenchman who taught you everything you needed to know about the Parisian lifestyle.
2. "Stuart":
AKA the boy who taught you to never be afraid to show people what you can do.
3. "Prometheus and Bob":
4. "Stick Stickly":
Nickelodeon
AKA the world's first and ONLY Popsicle-stick host.
5. "Wishbone":
AKA a very good dog.
6. "Miss Viola Swamp":
Houghton Mifflin
AKA probably the meanest person in the entire world.
7. "Mr. Dink":
Nickelodeon
AKA the model next-door neighbor.
8. "Miss Cleo":
reddit.com
AKA your first interaction with the paranormal.
9. "Olmec":
AKA the rock with the deepest voice in rock history.
10. "Ernest":
Emshell Producers
AKA the guy who's constantly getting scared stupid.
11. "Numa Numa Guy":
youtube.com
AKA the person who taught you what a REAL dance looks like.
12. "Frog and Toad":
amazon.com
AKA the duo that taught you, you know what? Sometimes you gotta eat too many cookies.
13. "Rolie Polie Olie":
Nickelodeon
AKA the greatest Olie of all time.
14. "Randall Weems":
ABC
AKA the inspiration for the word "snitch."
15. "Bruce Bogtrotter":
Jersey Films
AKA the kid who ate all that cake in Matilda.
16. "Mr. Owl":
AKA the animal who couldn't just let that kid enjoy his lollipop.
17. "Amby & Dexter":
youtube.com
AKA the video that's been hidden away in the deepest crevices of your memory.
18. "Henry and June":
Nickelodeon
19. "Muzzy":
AKA the giant monster that taught you Spanish in 30-second commercials.
20. "Kenny and Vic":
MTV
AKA the powerful hosts of MXC.
21. "Paul":
DNA productions
AKA that friendly three-eyed monkey.
22. That terrifying Honeycomb mascot:
reddit.com
23. "Pappy Drewitt":
throwbacks.com
AKA the indie Bob Ross.
24. "Johnny Gomez and Nick Diamond":
MTV
AKA the two responsible for all your claymation nightmares.
25. "Large Marge":
reddit.com
AKA the person who still haunts your dreams.
26. "Artie, the Strongest Man in the World":
Nickelodeon
AKA, you know, the strongest man in the world.
27. "Freakazoid":
WB
AKA Deadpool for kids.
28. And "Face":
Nickelodeon
AKA a big, giant face.

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Netflix, Incentives and Location Perks Spur Growth in Mexico's Film and TV Industry
Netflix, Incentives and Location Perks Spur Growth in Mexico's Film and TV Industry

Yahoo

time5 hours ago

  • Yahoo

Netflix, Incentives and Location Perks Spur Growth in Mexico's Film and TV Industry

Depending on who you ask, the state of Mexico's film industry is either waxing or waning. The twin labor strikes of 2023 saw fewer U.S. film and TV productions that year and the following year. However, the first trimester of 2025 has reported a 16% spike in overall audiovisual activity, said Guillermo Saldaña, Mexico City's Film Commissioner. More from Variety Boxing, Uprisings, LGBTQ+ and Coming-of-Age Stories Power Guadalajara Co-Production Meetings Lineup Climate Change Hell, Military Coups, Big Industry Pollution, Fractured Families: Guadalajara Gives a Bracing Latin American Take on World Collapse Guadalajara Highlights Hits, Notable Debuts Among Recent Spanish, Portuguese-Language Movies, Plus a Film About a 'Hell of Naked Depravity' 'I'd like to think that we have a symbiotic relationship with the U.S. and Colombia because we share talent, industry and information. We always work closely with the MPA, the major studios, Netflix and the others,' he said, adding: 'Lately, there has been a sense of uncertainty — I'd call it a sort of tariff threat — but we're not 100% dependent on the U.S. industry, as you well know. We also have a strong local industry that produces content for both domestic audiences and the U.S. Latino community.' 'Some local production companies saw limited activity in 2024, but are now gaining momentum in 2025 with two to three projects underway,' said Saldaña. Others are still discouraged from the paring back of incentives for domestic productions and have been inactive. 'Mexico's presence on the international stage has been down recently,' noted Pimienta Films' Nicolas Celis ('Roma,' 'Emilia Perez'), who's just been named president of the Mexican producers association AMPI and the newly launched Mexican Federation of Film Producers (FMPC), unveiled at the Guadalajara Film Festival on Sunday. Eficine, the incentive for co-productions, rejected local producers' bids to participate in both films that won in Cannes' Un Certain Regard this year, Chile's 'The Mysterious Gaze of the Flamingo' and Colombia's 'A Poet.' When Netflix's co-CEO Ted Sarandos showed up in February with Mexican president Claudia Sheinbaum to announce a landmark $1 billion investment in production over the next four years in Mexico, the local audiovisual industry let out a collective cheer. 'It was very well received by the film community, I got calls from everywhere in the world,' said Redrum's Stacy Perskie, who has worked on some of the biggest international productions in Mexico, led by the 2015 James Bond thriller 'Spectre,' which featured a spectacular Day of the Dead parade in the streets of Mexico City, Neil Blomkamp's dystopian 'Elysium' and Netflix's upcoming 'The Gringo Hunters' and 'Man on Fire.' Among other large-scale local projects, he's also worked on 'Narcos: Mexico,' 'Pedro Paramo' and Alejandro González Iñárritu's 'Bardo,' which involved closing down the center of Mexico City. Reflecting on the growing competition from elsewhere in Latin America and other territories, he pointed out: 'There are all these incentives all over Latin America and in Europe as well but sometimes when you compare Mexico to all these places with incentives, you see that at the end of the day, you won't have to bring equipment, crew, department heads, etc. And we're closer to Los Angeles than Atlanta or New York!' At present, Mexico offers a 16% VAT rebate to international productions on a federal level. Only the state of Jalisco extends a cash rebate incentive, but it has an annual $5 million cap. 'If we did have incentives, Mexico would be so much more appealing,' noted Celis who has a slew of productions in the pipeline, including the latest fiction features from Lila Avilés ('The Chambermaid'), Tatiana Huezo ('The Echo'), Eliza Miller ('Hurricane Season') and the directorial feature debut of lauded stop-motion animation artist, Sofia Carrillo. The issue of a nationwide location filming incentive is being discussed and coordinated closely with the Presidency and the Ministry of Economy, according to Saldaña. 'In Mexico City, the film industry makes up nearly 12% of the city's GDP, reflecting significant investment. The President is well aware of its importance — hence her joint announcement with Netflix. Discussions are ongoing in the Ministry of Economy's Creative Industries roundtables, alongside cultural institutions like the film institute Imcine, the Ministry of Culture led by Claudia Curiel, and various industry chambers,' he asserted. Asked if Netflix foresees any challenges to fulfilling its $1 billion commitment to Mexico, Carolina Leconte, Netflix VP of Content for Mexico, responded: 'We've been producing original content in Mexico for a decade now, so we've built strong local partnerships with cast and crew, in front of and behind the camera, and we continue to grow alongside each other.' 'We always strive to tell better stories and to apply learning as the industry evolves in the newest production standards and technologies, and luckily Mexico has so much talent and so many stories to tell,' she added, listing a slew of projects underway. These include: 'Las muertas,' the first series from film director Luis Estrada ('Herod's Law') and Mexican Revolution period series 'Mal de amores,' based on the novel by Ángeles Mastretta. It has recently kicked off production on four new series: 'Santita,' 'Love 9 to 5,' 'I'm Not Afraid' (No tengo miedo) and 'Corruptors' ('Los corruptores'). The state of Jalisco, whose capital of Guadalajara hosts a number of cultural activities, including the Guadalajara International Film Festival (FICG), a book festival and a gay pride parade among others, launched a 40% cash rebate on production and post-production expenditures in 2023. The incentive is luring more companies to set up shop there in order to avail of the rebate, open to those who have had offices in the region for at least three years. Non-resident producers would need to forge a co-production deal with a Jalisco-based producer to avail of the rebate. News broke at FICG that post-production house Chemistry joined forces with its Guadalajara-based counterpart Semillero Estudios in order to better tap the perks. Netflix has shot Season 3 of 'The Manny' as well as 'Snakes and Ladders' in Guadalajara while AppleTV+ was shooting its Eugenio Derbez series 'Acapulco' in Puerto Vallarta. While Jalisco has yet to reach Mexico City-levels in terms of crew and department heads, the state boasts a wealth of locations. 'Barring snow, we have cities, we have deserts—in other words, Jalisco offers a wide variety of locations, which isn't the case, for example, in Mexico City where if you wanted a beach location, it would take at least five hours to get there. We have a clear geographic advantage in that sense, plus, we have great food – and of course, tequila and mezcal,' said Filma Jalisco film commissioner Alejandro Tavares, who added that it hosts an average of five to six international audiovisual projects a year. 'We organized a fam trip here for producers from Los Angeles, directly in coordination with the Los Angeles Consulate. It was great that they came to see firsthand how easy it is to do things here — co-productions, etc. As you know, Hollywood is facing major issues right now, so they're looking for new filming destinations,' he said, adding: 'Jalisco has a big advantage over other states in Mexico, mainly due to its connectivity. Two of the country's top five airports are in Jalisco, and we have direct flights to Canada, Europe and the U.S.' Guadalajara has also become an animation hub with the Guillermo del Toro-backed film school El Taller del Chucho spearheading the genre. Over the weekend during the Guadalajara Festival El Taller unveiled 'Sira,' an ambitious hybrid animated feature co-produced with Spain, written by actor-writer-director Ángeles Cruz. Also, 'They're doing a lot of work with students, thanks to strong ties with the University of Guadalajara; It's become a key training ground for up-and-coming filmmakers and a talent pipeline for the animation industry,' Tavares noted. Around 20 animation studios have been working on several international projects, including some from Marvel. FICG's opening night film, Mexico's first stop motion animated feature 'I Am Frankelda' was post-produced in Guadalajara and tapped the cash rebate. Some of the pics in FICG's Made in Jalisco section used the cash rebate, most notably 'Abracadaver' and 'Over the Waves' ('Sobre las olas'). 'The political push by other states to develop their regions has benefited everyone, as a greater number of developed regions means more audiovisual industry growth and production services coming to Mexico,' said Saldaña. 'We are open to exploring locations where the story calls for it, and we continue to explore new regions,' said Netflix's Leconte, adding: 'So far, we have filmed in over 50 locations in 25 states – for example in Oaxaca ('El secreto del río'), Baja California ('Gringo Hunters'), Puebla ('Mal de amores'), San Luis Potosí ('Pedro Páramo' and 'Las muertas'), Tijuana ('Santita') and Veracruz ('No tengo miedo'), among others.' Said Saldaña: 'We're planning to fully leverage Mexico City's infrastructure and are working to diversify the permitting process. The goal is to shift filming away from the usual central areas – like Roma, Condesa, and Coyoacán, which are typically featured – and instead spotlight and give visibility to other parts of the city, such as Iztapalapa, with its deep cultural roots, and Azcapotzalco. We're also focusing on boroughs with significant protected natural areas, like Milpa Alta, Magdalena Contreras and Tlalpan. In short, we're aiming to bring more exposure to these underrepresented, ecologically and culturally rich areas of Mexico City.' And to partly address the beach issue, the city is working on an agreement with the famous coastal resort town of Acapulco. 'Our goal is to revive the audiovisual corridor between Acapulco and Mexico City, with the initiative led by the Tourism Ministry. We're deeply invested in restoring Acapulco's rich cinematic legacy and its long-standing history in film,' Saldaña said. Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'

‘And then somebody throws a piece of sh-t at you': ‘The Diplomat' star Ato Essandoh on Stuart getting honeytrapped
‘And then somebody throws a piece of sh-t at you': ‘The Diplomat' star Ato Essandoh on Stuart getting honeytrapped

Yahoo

time10 hours ago

  • Yahoo

‘And then somebody throws a piece of sh-t at you': ‘The Diplomat' star Ato Essandoh on Stuart getting honeytrapped

One of the elements of Netflix's The Diplomat that lends itself to being an addictive drama is how the show juggles huge political turmoil alongside relationship drama and often comedic complications for the core characters. Case in point, Stuart Heyford (Ato Essandoh), the deputy chief of mission of the U.S. embassy in London. Besides his duties being the right hand for U.S. ambassador Kate Wyler (Keri Russell), Stuart had a tumultuous second season. After surviving the Season 1 finale explosion, he recovered enough to return to work and randomly met a woman (Adrienne Warren) with whom he hooked up, only to find out there was nothing random about it all. His ex-girlfriend Eidra (Ali Ahn), the CIA station chief, set it all up to ensure he was ready to come back to his job. More from GoldDerby Emmy experts analyze Limited Series race: Why 'Adolescence' is 'the one to beat' as voting begins Making of 'Mid-Century Modern': How comedy legends created Hulu's freshest sitcom starring Nathan Lane and the late Linda Lavin Parker Posey reveals 'The White Lotus' fans are making sure she's living a comfortable life Here, Essandoh tells us whether he likes to know what's coming on the hit drama, his experience meeting real-life foreign service members, and the challenges of working with crutches. Gold Derby: Outside of the politics, is just a fun show to watch. Do you feel that from the inside? Ato Essandoh: Yeah, I still remember reading that pilot script for the first time. I read it off of my phone because the casting director sent it to me and I hate reading things on computers and screens, but I couldn't put my phone down. It was so good. Stuart went through it in the second season. How was a lot of that to play? I always marvel at Debora Cahn, our show creator, and her ability to create these real people and put them in really serious circumstances and still pull out the humanity and the humor out of it. So it's one of those things where I've done enough shows where I want to read scripts and talk to the showrunner just to see what's going to happen. But with Debora, I don't want to talk to her. I just want to see what happens in the read-through when I get the script. It's always something that's really surprising. So getting Stuart set up with a honeypot and how Eidra reveals it to him was kind of amazing. That whole thing coming from a place of "I just got really lucky and I really needed it." And then chopping my legs out right from under me. I wanted to ask about that Episode 4 scene in particular because Stuart does go from having that next morning glow to just being shocked and furious in a matter of seconds. Plus, the interaction was recorded! What were the challenges for you in that scene? I keep going back to the writing because the writing gives you the highs and the lows, so it's almost not challenging. It's challenging when there's nothing there to work with, but who doesn't know that feeling of literally getting up out of bed, skipping? The sun is shining, birds are singing, and then somebody throws a piece of sh-t at you. Do you know what I mean? I just couldn't wait to get to set to try all the different takes I could have on coming from a high, high, high place and getting cut out by somebody who I really, really love and who I really, really respect, which is even worse, you know? Did you play around with how big you should go once that reveal comes out and Stuart grows immediately furious? A little bit because I'm always afraid of being too big because I'm naturally a big guy and I have a big voice and I don't want to be too theatrical. But how do you play that since, literally, your ex-girlfriend has just video-recorded your hookup and it's now a national secret? I think what I found was a good place of just shock and awe and absolutely being crushed on this whole thing. I hope I did it well, but people who have watched it have given me pretty good feedback, so I'm pretty happy with it. Also, during Season 2, we see Stuart's recovery from the explosion at the end of the first season. Were there challenges working with those crutches? Those crutches were really annoying. The first episode that I had to use them were great, but then you see that you have five more episodes. Even the little squeaky thing that they do when you use them, that just sort of got under my skin so much. Also, because of the position that I am in, I don't want it to be a big thing. I'm trying to look like I am healthy, I'm cured. And the thing that these people [in government] do is that they live these lives and they're so human, but they have to put on this mask and nothing fazes them. Every time I see a Tony Blinken [former U.S. secretary of state] on television talking very calmly about what might be going on in Ukraine or China, I know that there's much so much going on in his head. And I know that there's a ton of people behind him scrambling like little cats. Netflix So it sounds like watching some of these real political figures takes on different meaning after being in the world of Yes. Funny thing, I went to a Fourth of July party and it was filled with the foreign service. And I was talking to the person whose job I play on the show, this wonderful man named Matthew Palmer. We were just having a conversation about the show and then I think the ambassador of, let's say, Azerbaijan just walks up to him and they start talking policy. And then the ambassador looks at me and goes, "Oh, hey, aren't you in that show?" And I'm like, "yeah." And so then we just segue from Ukraine to talking about my show and then back to needing to figure out what this triad was going to be. Was that a little gratifying that they knew you and knew the show? It was wonderfully gratifying because we're big with the foreign service. If nobody else in the United States likes us, the foreign service really digs us, and that's a really good feeling. Tell me about working with Ali as Eidra. She and Stuart are broken up in Season 2, but do you play that Stuart still has feelings for her? It's hard enough to be in the same room with an ex, let alone have to work with them! That's what I play because I'm naturally a romantic and I just think Stuart loves this woman because who doesn't love somebody who's just powerful and in charge? And also it's nice, maybe from an ego standpoint, to have somebody that's so powerful who actually digs you and wants to spend time with you. He wears his heart on his sleeve in a way that I think Ali's character does not. And I think that dynamic is what is fun to love. So I play it that way, and she can just sort of shut everything off, but I know underneath that hard candy shell is a creamy nougat. SEE 'What's next?' Allison Janney on playing a 'badass' on The Diplomat and The West Wing 25 years later I know some of your scenes are on stages, but then others are on location and are just so grand and stately. How is that for you? Yeah, the offices are on a soundstage but everything that you see outside is actually real. Like, we shot at the U.S. Embassy and we shot at St. Paul's Cathedral. It's a lot of location porn, really. Like, the place that doubles as the ambassador's residence is some sort of royalty and one of the tables inside of the lobby was owned by Napoleon. And they tell us that. And I'm like, "Wait, Napoleon? That Napoleon?" And they're like, "Yeah, that Napoleon." It's the other character of the entire series. I saw a Season 1 interview where you called Debora a mad scientist due to the show's writing. Do we see some of that mad scientist work in the Season 3 scripts? Yeah, mad scientist was a great start for her, but now I think she's like a wicked sorceress at this point. She's gone metaphysical now. The depth of the characters are one of the things that I love because it is a character study and you wonder how far she can take these characters. You get it in Season 1, which is a lot of world-building. And then Season 2 comes off like a rocket. Of course, then it's, where are they going to go in Season 3? I really think she's got voodoo dolls and stuff like that. Like, she's gone away from science and now it's magic. I love it. Stuart's job involves keeping a lot of secrets because he's privy to a lot of information. How are you personally at keeping secrets? I'm pretty good. I'm actually proud of my secret-keeping ability sometimes. My girlfriend begs to differ, but I am pretty good at being a confidant. And what's interesting is that in Season 2, Stuart gets left out of all of these secrets. And that's what really gets under his skin, which is amazing. The guy just survived a bombing and I think the thing that really kills him is he's not one of the cool kids anymore and he doesn't get all these secrets. He walks into a room, they're all like, "Stuart's here',"and they walk away. So that's another little thing that Debora throws in that I love that she makes us play with. What is one word to describe Season 3? Emotional. Best of GoldDerby TV Hall of Fame: Top 50 best choices who should be inducted next Carrie Preston on fencing with Matthew Broderick and the heart, humor, and growth of 'Elsbeth': 'She's more than just quirky' 'RuPaul's Drag Race': Onya Nurve and Jewels Sparkles dish their 'ride of a lifetime,' stolen jokes, and turning drag 'inside out' Click here to read the full article.

Jack Black to be honored at Nickelodeon Kids' Choice Awards
Jack Black to be honored at Nickelodeon Kids' Choice Awards

UPI

time11 hours ago

  • UPI

Jack Black to be honored at Nickelodeon Kids' Choice Awards

1 of 5 | Jack Black will be presented with the King of Comedy Award at the Nickelodeon Kids' Choice Awards on June 21. File Photo by Jim Ruymen/UPI | License Photo June 11 (UPI) -- Actor and comedian Jack Black is set to be honored during the upcoming Nickelodeon Kids' Choice Awards June 21. The Minecraft Movie star is also known for voicing characters in The Super Mario Bros. Movie and Kung Fu Panda. Black will be presented with the King of Comedy Award, receiving a Silver Blimp before being "decimated in Nickelodeon's iconic Slime," a press release states. Tyla is set to host the show, which also features Alex Warren, Auli'i Cravalho, Benny Blanco, Ice Spice, Jack Griffo, Jacob Rodriguez, Katelyn West, Kel Mitchell, Kira Kosarin, Maia Kealoha, Renee Montgomery, SeanDoesMagic, Samantha Lorraine, Tony Hawk, Victoria Monet and KATSEYE. Selena Gomez, Ariana Granda, Lady Gaga and Kendrick Lamar lead the nominations for the awards show, which airs June 21 at 8 p.m. EDT on Nickelodeon, TeenNick, Nicktoons, Nick Jr., MTV2 and CMT.

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