
Why ‘Saiyaara' is all the rage
It has even made it to the Top 10 of Spotify's Top 50 Global Chart, a tremendous achievement for a Hindi film song. That Abdullah's song stands out among those sung by Arijit Singh and Vishal Mishra tells you a lot about the overall strength of the album. 'Barbaad', 'Tum Ho Toh' and 'Humsafar' are also connecting with audiences.For those familiar with his playbook, this is Mohit Suri doing Mohit Suri things, backing his narrative with emotional songs whose lyrics heal many a broken heart and enable others to express themselves.GIMME LOVEYes, Saiyaara has that feeling of old wine being repackaged in new bottle. The tropes, the twists, the emotional beats are all too familiar. The Notebook, Aashiqui, Sadma are some of the films that have been referred to. But its stellar box-office showing is proof that audiences are craving for romance of the old-school kind. It's also why the re-release of Sanam Teri Kasam–of all the films–was a surprise hit this year.Just sitting in a cinema before the film begins and watching the trailers offers proof of how Saiyaara is so refreshing to behold. It's a simple, straightforward love story about two broken souls with plenty of baggage, unlike the action-heavy, loud dramas that have come to dominate the Hindi cinema landscape of late. There's no scale here to behold, just chemistry between two leads—their fraught journey to be happy together and a narrative that emphasises on unconditional, forever love. No wonder audiences are weeping over lines such as 'Duniya mera naam yaad rakh le lekin woh toh bhool rahi hai na' (The world may remember my name but she's forgetting it) and 'Dimaak bhool jaata hai lekin dil nahin bhoolta' (The head may forget but the heart never does).advertisementINNOVATIVE MARKETINGYash Raj Films (YRF) took a bold move with their marketing strategy wherein they guarded their two new finds from the preying eyes of social media, media and public alike, and continue to do so. That there's so little out there on who Ahaan Panday and Aneet Padda are in real life has only piqued the curiosity of the audiences to go to the cinemas to see the two young leads. It reflects in the impressive box-office collections, with Saiyaara expected to surpass the Rs 300 crore mark in the least.In the age of social media, where overexposure is a genuine concern, robbing actors of their sense of mystique, Panday and Padda are anomalies in how their pre-release footprint on the apps is limited. How this impacts the promotional strategies of films from here on remains to be seen, but for a film with newcomers, it clearly has paid rich dividends for YRF.NEW TALENT ON THE BLOCKThe factors above matter, but foremost is the undeniable screen presence of the twenty-something youngsters and their ability to hold and command a scene. It's been a while since Bollywood has had newcomers who, in their very first film, have made a solid case that they have the thespian chops to shine on. Panday's Krish Kapoor has the acceptable boy-from-the-wrong-side-of-the-tracks vibe while Padda's Vaani has the angelic, vulnerable persona.advertisementBoth get ample moments to shine, with Panday particularly showing his range in the second half as he grapples with the devastating condition of his partner. It's a given that they will be spoiled for choice, but after making the first big impression, the challenge lies in living up to the lofty expectations in the second.RETURN TO THE ROOTSFor YRF, the success of Saiyaara means the banner coming back to the genre that first gave it flight. Long before Anurag Basu, Imtiaz Ali and Mohit Suri, there was Yash Chopra, the filmmaker who presented love in different layers and hues, some even challenging conventions and pushing the envelope on public notions of love (see Silsila and Lamhe).Aditya Chopra, his son, carried forward the legacy, delivering a blockbuster in his very first film Dilwale Dulhania Le Jaayenge. All his remaining films have been in the genre—Mohabbatein, Rab Ne Bana Di Jodi and Befikre. So to see the studio, which of late has made the Spy Universe its mainstay, garner success with a love story will hopefully give impetus to others to embrace romance again.advertisementSubscribe to India Today Magazine- EndsTrending Reel
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Time of India
16 minutes ago
- Time of India
Pratik Gandhi: We keep saying art has no barriers; the audience just proved it
Apart from getting the country vibing to a banger opening theme, Hansal Mehta's Scam 1992 also gave the audience an actor to look forward to – Pratik Gandhi . With a body of work that spans Gujarati films, Hindi plays, OTT shows and movies, Pratik has become a name to reckon with, more so in the last two years with projects like Do Aur Do Pyaar , Agni , Madgaon Express , Dhoom Dhaam and Phule . In a chat with us, the actor speaks about his love for theatre, his takeaway from the Phule controversy and why the struggle of Bollywood films is more complex than it looks. Excerpts: 'No film institute can give you what theatre does' 'Theatre is an actor's gym,' says Pratik, who was in the city to stage Mohan Ka Masala , in which he played the role of Mohandas Karamchand Gandhi. 'It is a place where you can work on different prototypes. When you perform in a play, you go through the same story and emotions multiple times. I live that character more than once and it gives me the chance to rehearse my craft,' says the actor. Highlighting that tools and theoretical knowledge are of no use if you can't implement them, Pratik adds, 'Film institutes can teach you about the tools you can use as an actor, or about the theory part of the profession, but theatre gives you a platform to implement that knowledge practically. That's something no other place can give you.' 'The audience has evolved multifold; makers are taking time' Bollywood has been trying to figure out what really clicks with the audience post the pandemic. While experts try to decipher that, Pratik shares a different take on why the industry is struggling. 'It's a very complex thing. You can't look at the problem from just one lens – of content, marketing, etc,' says the actor, adding, 'I feel that for the longest time, filmmakers and the audience were evolving together, almost in sync with each other. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 20 Pieces of Clothing you should Ditch over 40 Learn More Undo But during the pandemic the exposure to global content happened and the audience suddenly evolved multifold. Makers, on the other hand, could not evolve that fast and that created a huge gap which we are all trying to fill up. It's happening, but it will take some time.' Pratik also feels that the audience's evolution was unprecedented. 'Earlier, India was looked at as a less English-speaking market and makers would be told to dumb stories down. Now, people are watching Korean and Spanish shows. Someone sitting in a remote area is watching an English show on their phone. This was something no one predicted. We keep saying art has no barriers. The audience just proved it.' Another enemy everyone is fighting nowadays is the overuse of data in filmmaking. If you are creating a film or show on the basis of data interpretation, then you don't need human brains to work in this industry Pratik Gandhi 'Nobody has the time to process anything today' A few months ago, Phule , which featured Pratik and Patralekhaa as Jyotirao and Savitribai Phule, respectively, had a brush with controversy after certain groups opposed the film's release. While the film did get a stamp of approval from critics and viewers after it released, Pratik says he wasn't surprised with what happened. 'The world has become impatient. We want to react and jump the gun before watching or understanding anything,' he says, adding, 'In the chaotic world of social media and hyperconnectivity, nobody has the time to process anything. I keep giving this example to people that in the Doordarshan days, news anchors would read the news to you, without added emotion or a specific tone. This was so you could interpret the news the way you wanted to, without being biased. Now, news is interpreted and given to you. You are not supposed to use your brain. Looking at everything, I was not surprised by the people's reaction to Phule. I faced the same issues during Bhavai (2021). What people think and what can offend them, that's something nobody can gauge.' On the relevance of Phule and Gandhi in today's times... Having played Mahatma Phule on screen and Mahatma Gandhi on stage, Pratik says that so many things from these legendary figures' lives are relevant even today. 'We hear about discrimination, wars and people justifying violence in different ways every day. These are things that these prominent figures in Indian history fought against. I think they were visionaries because they could visualise that the world would need guiding thoughts in difficult times even if they weren't around. That makes them significant even today,' he says. Speaking about his play Mohan Ka Masala , Pratik adds, 'We tend to think that Gandhiji was born with qualities of a Mahatma but it's not like that. He was a common man like any of us who made mistakes and learnt from them. The message you can take away from the play is that everyone has been given qualities to become a Mahatma. It is the choices you make that define your journey.' Pratik Gandhi at Aga Khan Palace (Pic: Jignesh Mistry) On six-pack abs and a possible Madgaon Express reunion In his next OTT show, Saare Jahan Se Achha, Pratik plays a spy. Speaking about the same, he says, 'We've often seen spies as these super-special, heroic people who can do anything. That's not the case in real life and we have tried to show that with our next. Spies six-packs wale thodi hote hai!' On the topic of six-pack abs, we ask him about his shirtless act in Dhoom Dhaam and whether he would do it again. Pratik laughs and shares, 'I don't mind at all! I have always looked like that. Just that I had never taken my shirt off on screen before Dhoom Dhaam .' On a concluding note, we ask the actor if he and the team are open to a Madgaon Express sequel. To that, Pratik says, 'The whole team is super excited to do it again. We are all just waiting for Kunal (Kemmu) to come up with an idea. It was a crazy, mad film.'


Pink Villa
2 hours ago
- Pink Villa
Son Of Sardaar 2 Day 5 India Box Office: Ajay Devgn and Mrunal Thakur's comedy remains low on Discount Tuesday, adds Rs 2.50 crore
Son of Sardaar 2, starring Ajay Devgn, Mrunal Thakur, and Ravi Kishan in the lead roles, continued its disappointing box office run. The comedy drama, directed by Vijay Kumar Arora, witnessed a muted growth on Tuesday, despite blockbuster pricing. Son of Sardaar 2 collects Rs 2.50 crore on Day 5, heading towards disastrous end Backed by Devgn Films, Son Of Sardaar 2 debuted with Rs 7.25 crore net. The movie further witnessed nominal growth over the weekend, with Rs 8.25 crore and Rs 9.25 crore coming on Day 2 and Day 3, respectively. The movie further crashed on its first Monday with a massive drop. It collected just Rs 2.25 crore on Day 4. As per estimates, the Ajay Devgn starrer could mint a mere Rs 2.50 crore net on Day 5, despite discounted ticket fares today. The total collection of Son Of Sardaar 2 now stands at Rs 29.50 crore net in India. The movie is heading for an unfortunate fate. It is likely to wind its final theatrical run around Rs 50 crore, which is nearly half of the total collections of Son of Sardaar (2012). All eyes are now on Ajay Devgn's upcoming releases- De De Pyaar De 2 and Dhamaal 4. The Day Wise India Net Collections Of Son Of Sardaar 2 Are As Under Poor Word-of-mouth affected the business of Son Of Sardaar 2 Son Of Sardaar 2 faced a major competition by Mahavatar Narsimha and Saiyaara. It also shared screens with Dhadak 2, however, it's the weak content which hampered its business and brand value. The movie is playing in theatres. Tickets for the movie can be booked from online ticketing applications. Stay tuned to Pinkvilla for more updates. Disclaimer: The box office figures are compiled from various sources and our research. The figures can be approximate, and Pinkvilla does not make any claims about the authenticity of the data. However, they are adequately indicative of the box-office performance of the films in question.


Pink Villa
2 hours ago
- Pink Villa
Mahavatar Narsimha Day 12 Hindi Box Office: Hombale's devotional blockbuster continues strong run, adds Rs 5.50 crore net on Discount Tuesday
Directed by Ashwin Kumar, Mahavatar Narsimha is flying high with its successful run at the box office. Released on July 25, 2025, it is also working quite well in the Hindi markets. The new animated epic mythological action film is now running in its second week. Mahavatar Narsimha fetches Rs 5.50 crore on Day 12, benefits from Tuesday discount offer Produced under the banners of Kleem Productions and Hombale Films, Mahavatar Narsimha collected Rs 29 crore in the first week at the Hindi box office. Ashwin Kumar 's directorial debut earned Rs 32.5 crore in the second weekend, including Friday, Saturday, and Sunday. On the second Monday, the Aditya Raj Sharma and Haripriya Matta starrer recorded Rs 4.75 crore. Now, the devotional animated movie has witnessed a growth in its business while fetching Rs 5.50 crore on its second Tuesday. The film benefitted from the Tuesday discount offer, which facilitates the audience in booking the tickets at cheaper prices. Mahavatar Narsimha now stands at Rs 71.5 crore in 12 days of its theatrical release. Note: The collections exclude 3D charges. Mahavatar Narsimha emerges as a blockbuster Mahavatar Narsimha is now eyeing to touch Rs 100 crore in the Hindi markets, which is most likely to happen in the third weekend. Also released in the Telugu, Tamil, and Kannada languages, it is already a blockbuster hit. It is to be seen how the movie based on Lord Vishnu's avatar holds itself in the coming days amid the arrival of two big releases, War 2 and Coolie. Mahavatar Narsimha is the first installment of the seven-part Mahavatar Cinematic Universe. The universe will explore the 10 avatars of Lord Vishnu. Mahavatar Narsimha in Theaters Mahavatar Narsimha plays in theaters. Stay tuned to Pinkvilla for more updates. Disclaimer: The box office figures are compiled from various sources and our research. The figures can be approximate, and Pinkvilla does not make any claims about the authenticity of the data. However, they are adequately indicative of the box-office performance of the films in question.